{"menus":[{"grouped":false,"id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","inserted_at":"2018-07-02T13:11:58Z","items":[{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1076cf20-b1f0-4803-b3fb-daed05303fc1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019","position":-2147483648,"published_at":"2020-04-24T03:21:21Z","slug":"culture-of-confrontation-municipal-gallery-ehingen-germany-2019","stacked":true,"title":"Culture of Confrontation, Municipal Gallery, Ehingen, Germany, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"34cef131-db29-430f-9059-4669d4ff6ff5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/burlington-contemporary-review-by-lisa-stein-english-2020","position":-2141192192,"published_at":"2020-07-10T09:34:17Z","slug":"burlington-contemporary-review-by-lisa-stein-english-2020","stacked":true,"title":"Burlington Contemporary, Review by Lisa Stein | english, 2020","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6a4d36ed-1d0d-4fe4-9500-2a2a785f78ef","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/the-british-journal-of-photography-interview-by-lauren-kelly-english-2020","position":-2134900736,"published_at":"2020-07-08T06:42:33Z","slug":"the-british-journal-of-photography-interview-by-lauren-kelly-english-2020","stacked":true,"title":"The British Journal of Photography, Interview by Lauren Kelly | english, 2020","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4c575cd8-2d01-43d1-8a2d-19217586ffcf","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/fotomat-watch-film-english-2020","position":-2122317824,"published_at":"2020-04-27T05:33:36Z","slug":"fotomat-watch-film-english-2020","stacked":true,"title":"Fotomat Watch | film, english, 2020","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","position":-2097152000,"published_at":"2019-05-09T10:23:44Z","slug":"the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","stacked":true,"title":"The British Journal of Photography, Book review by Lauren Kelly | english, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"79e63d4a-3e2e-410c-8003-f48d058c069a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019","position":-2046820352,"published_at":"2020-01-22T06:33:37Z","slug":"lensculture-book-review-by-sean-sheehan-english-2019","stacked":true,"title":"LensCulture, Book review by Sean Sheehan | english, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6d986d26-8503-427a-af72-b57fa6fb22d6","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"93d59a4f-1c44-4e5f-8870-e2e7ff127c30","path":"exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015/untitled-307","position":-2013265920,"published_at":"2020-04-24T17:35:14Z","slug":"untitled-307","stacked":false,"title":"Untitled 307","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"edb12134-d56c-42cf-a9df-cec70becfb92","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019","position":-1894838513,"published_at":"2020-04-24T04:04:40Z","slug":"culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019","stacked":true,"title":"Culture of Confrontation, Municipal Museum im Kornhouse, Kirchheim unter Teck, Germany, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756","path":"exhibitions/exhibitions-history","position":-1879048192,"published_at":"2020-01-21T09:41:11Z","slug":"exhibitions-history","stacked":true,"title":"Exhibitions History","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"projects","position":-1837957120,"published_at":"2020-04-28T23:04:23Z","slug":"projects","stacked":true,"title":"PROJECTS","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9e270bcd-77a5-4469-80da-0a75b380be3d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019","position":-1744830464,"published_at":"2019-12-22T04:27:44Z","slug":"volker-sonntag-speech-about-culture-of-confrontation-english-2019","stacked":true,"title":"Volker Sonntag speech about \"Culture of Confrontation\" | english, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019","position":-1642193378,"published_at":"2020-04-24T03:52:47Z","slug":"untitled-project-fotografica-bogota-biennale-colombia-2019","stacked":true,"title":"Untitled Project, Fotográfica Bogota Biennale, Colombia, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756","path":"exhibitions/exhibition-views","position":-1610612736,"published_at":"2020-04-24T02:46:33Z","slug":"exhibition-views","stacked":false,"title":"Exhibition Views","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"319ab959-d6fc-4bd1-8a34-56a4934f88c2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f920a94f-400c-4f72-a688-4f52f9506f3b","path":"exhibitions/exhibition-views/st-sophia-cathedral-french-spring-in-ukraine-kyiv-ukraine-2015/untitled-303","position":-1610612736,"published_at":"2020-04-24T17:01:21Z","slug":"untitled-303","stacked":false,"title":"Untitled 303","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d62255e3-1725-4778-bb0e-dee0554e7e3a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"91ee9a9c-10ec-4e4e-bc26-efb52656f663","path":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016/untitled-297","position":-1610612736,"published_at":"2020-04-24T16:02:55Z","slug":"untitled-297","stacked":false,"title":"Untitled 297","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"191dff98-51bd-47a9-bfcf-f58d5e9fbd08","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a","path":"books/culture-of-confrontation-book-with-signed-print/untitled-196","position":-1610612736,"published_at":"2019-09-26T13:00:38Z","slug":"untitled-196","stacked":false,"title":"Untitled 196","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d8f88e29-34ad-4aa7-aa89-51c891386d21","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"378e921d-83d2-4884-afac-4de698e7e3ff","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018/untitled-308","position":-1610612736,"published_at":"2020-04-24T17:36:36Z","slug":"untitled-308","stacked":false,"title":"Untitled 308","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"381240b5-3001-4c5c-ac4c-04989ba4faa2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a293bc02-d543-4f48-9f9e-3626877290ef","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012/untitled-306","position":-1610612736,"published_at":"2020-04-24T17:32:25Z","slug":"untitled-306","stacked":false,"title":"Untitled 306","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1f62428b-4226-447c-b867-0c172bf759db","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-288","position":-1610612736,"published_at":"2020-04-24T14:37:46Z","slug":"untitled-288","stacked":false,"title":"Untitled 288","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d96adc32-abfb-438f-8de8-5f352082c76b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"7d4606dd-f38c-4795-94dc-529304391a74","path":"exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015/untitled-301","position":-1610612736,"published_at":"2020-04-24T16:37:21Z","slug":"untitled-301","stacked":false,"title":"Untitled 301","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1f24277d-98df-47ea-8be3-50403a1634da","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018","position":-1389548243,"published_at":"2020-04-24T04:45:33Z","slug":"past-present-future-touring-exhibition-2018","stacked":true,"title":"Past. Present. Future. Touring exhibition, 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d9b8f334-a659-491b-aad8-06f008512cdf","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","position":-1342177281,"published_at":"2019-12-22T04:07:01Z","slug":"dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","stacked":true,"title":"Dr. Katrin Burtschell speech about \"Culture of Confrontation\" | english, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c186c3b8-cb2c-4ca4-befb-35a5b616951e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba","path":"books/culture-of-confrontation-book/untitled-114","position":-1342177280,"published_at":"2019-05-12T05:56:08Z","slug":"untitled-114","stacked":false,"title":"Untitled 114","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"fe20449e-e647-465e-9239-eee9923659e4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017","position":-1263225675,"published_at":"2020-04-24T05:39:39Z","slug":"prix-pictet-disorder-touring-exhibition-2015-2017","stacked":true,"title":"Prix Pictet: Disorder, Touring exhibition, 2015 - 2017","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1b64f6c4-7370-4cd4-a8ac-a39bd88c1aae","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017","position":-1136903108,"published_at":"2020-04-24T05:00:47Z","slug":"culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017","stacked":true,"title":"Culture of Confrontation, Fotográfica Biennale, Fundación Gilberto Alzate Avendaño, Bogota, Columbia, 2017","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0e463d74-9539-4477-b78d-99bd0c207250","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c76f816c-6a50-472e-af1e-912800959b13","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-234","position":-1073741824,"published_at":"2020-01-22T05:14:20Z","slug":"untitled-234","stacked":false,"title":"Untitled 234","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"13c9eb55-c7f2-450d-abef-b404e5c4852a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-240","position":-1073741824,"published_at":"2020-01-22T05:42:42Z","slug":"untitled-240","stacked":false,"title":"Untitled 240","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"dd75ad1f-b90f-42f8-aa06-6f6890bd872c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/untitled-project-from-chernobyl-publications","position":-1073741824,"published_at":"2020-04-23T03:11:09Z","slug":"untitled-project-from-chernobyl-publications","stacked":false,"title":"UNTITLED PROJECT from Chernobyl publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0ad351cb-489e-4a01-a57f-0d8c065b84bd","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-235","position":-1073741824,"published_at":"2020-01-22T05:18:11Z","slug":"untitled-235","stacked":false,"title":"Untitled 235","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"3df5e315-0723-4b6e-9e3f-fdaa1aaf459b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"739ad66e-ed88-417e-863c-e3eff1389b61","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-lumiere-brothers-center-for-photography-moscow-russia-2012/untitled-318","position":-1073741824,"published_at":"2020-04-25T06:11:03Z","slug":"untitled-318","stacked":false,"title":"Untitled 318","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"10f87ba0-4be9-41a6-aeb1-7d0de7dfc528","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-237","position":-1073741824,"published_at":"2020-01-22T05:25:11Z","slug":"untitled-237","stacked":false,"title":"Untitled 237","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f4e7021e-1e8f-44ab-ba13-035f2db1ac6e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-236","position":-1073741824,"published_at":"2020-01-22T05:21:35Z","slug":"untitled-236","stacked":false,"title":"Untitled 236","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"35b37293-cf1f-4aaf-b79b-3816ca0e4c81","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-238","position":-1073741824,"published_at":"2020-01-22T05:31:26Z","slug":"untitled-238","stacked":false,"title":"Untitled 238","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9e0d5532-9342-44cd-81a7-aa0954acdcd5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"063dcc34-037a-4bf4-9efe-be2fd6876455","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-look3-festival-charlottesville-usa-2012/untitled-317","position":-1073741824,"published_at":"2020-04-25T05:59:24Z","slug":"untitled-317","stacked":false,"title":"Untitled 317","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"2dde6d2e-03e9-44cd-a7b9-23c697bce5e1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-250","position":-1073741824,"published_at":"2020-01-22T06:37:38Z","slug":"untitled-250","stacked":false,"title":"Untitled 250","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a6a3a7d9-62d7-4627-a97d-a2b27c7974aa","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"685378e0-c62d-40be-adb4-303b04bc146b","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-fotodoc-sakharov-center-moscow-russia-2011/untitled-319","position":-1073741824,"published_at":"2020-04-25T06:28:18Z","slug":"untitled-319","stacked":false,"title":"Untitled 319","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0363095b-39b5-499a-9b2a-908c9f7ecc67","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-245","position":-1073741824,"published_at":"2020-01-22T06:23:48Z","slug":"untitled-245","stacked":false,"title":"Untitled 245","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1ae54d37-b80a-42d7-84c3-195fcb3c92ab","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"95b571dc-ffb7-491f-97c5-b9bb60018d98","path":"exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015/untitled-310","position":-1073741824,"published_at":"2020-04-25T02:29:32Z","slug":"untitled-310","stacked":false,"title":"Untitled 310","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"bde2ba68-80c7-472c-9a70-cabebf7aae08","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","path":"exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019/untitled-279","position":-1073741824,"published_at":"2020-04-24T14:13:05Z","slug":"untitled-279","stacked":false,"title":"Untitled 279","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"ddbb6265-e620-4f81-8855-7e8ad851f28f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"edb12134-d56c-42cf-a9df-cec70becfb92","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019/untitled-285","position":-1073741824,"published_at":"2020-04-24T13:57:48Z","slug":"untitled-285","stacked":false,"title":"Untitled 285","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"7947ee57-38af-4dc8-8c3b-28058e7bdcb2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-232","position":-1073741824,"published_at":"2020-01-22T04:53:59Z","slug":"untitled-232","stacked":false,"title":"Untitled 232","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4b753ad2-9d2a-40f6-a149-437a8e8bfae1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-222","position":-1073741824,"published_at":"2020-01-22T01:58:41Z","slug":"untitled-222","stacked":false,"title":"Untitled 222","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"books","position":-839254016,"published_at":"2019-07-28T12:08:43Z","slug":"books","stacked":false,"title":"BOOKS","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"be96f877-0567-4af5-a9e8-7ffc04cab9cc","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-290","position":-805306368,"published_at":"2020-04-24T14:46:03Z","slug":"untitled-290","stacked":false,"title":"Untitled 290","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c410233d-3446-4d0c-b62e-70deda3ef913","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a293bc02-d543-4f48-9f9e-3626877290ef","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012/untitled-320","position":-805306368,"published_at":"2020-04-25T06:48:20Z","slug":"untitled-320","stacked":false,"title":"Untitled 320","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"65cff99d-6fec-407c-8319-9fcba32ac756","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"submenu","parent_id":null,"path":"exhibitions","position":-556359680,"published_at":"2020-01-21T09:40:09Z","slug":"exhibitions","stacked":false,"title":"EXHIBITIONS","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"dd9bf816-b615-4648-94d9-506f07dff3df","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"submenu","parent_id":null,"path":"publications","position":-540643328,"published_at":"2020-01-21T09:56:30Z","slug":"publications","stacked":false,"title":"PUBLICATIONS","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","position":-536870914,"published_at":"2019-09-23T08:54:22Z","slug":"apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","stacked":true,"title":"Apócrifa Art Magazine, Text by Eusebio Nava | spanish, 2019","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9518a3da-9a20-4473-80f9-93546b5b50f4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1b64f6c4-7370-4cd4-a8ac-a39bd88c1aae","path":"exhibitions/exhibition-views/culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017/untitled-296","position":-536870912,"published_at":"2020-04-24T15:20:16Z","slug":"untitled-296","stacked":false,"title":"Untitled 296","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"bafbe989-eaa5-45a3-a54b-c22a67963eed","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1076cf20-b1f0-4803-b3fb-daed05303fc1","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019/untitled-286","position":-536870912,"published_at":"2020-04-24T14:02:11Z","slug":"untitled-286","stacked":false,"title":"Untitled 286","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4b972736-7078-4b75-8bbc-6e72bad10b0c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/between-life-and-death-publications","position":-536870912,"published_at":"2020-04-23T02:57:16Z","slug":"between-life-and-death-publications","stacked":false,"title":"Between Life and Death publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"91ee9a9c-10ec-4e4e-bc26-efb52656f663","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016","position":-505290270,"published_at":"2020-04-24T06:23:00Z","slug":"unstable-fields-benaki-museum-athens-greece-2016","stacked":true,"title":"Unstable Fields, Benaki Museum, Athens, Greece, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"67152838-c64a-4552-b19f-e5f01f31a758","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"93d59a4f-1c44-4e5f-8870-e2e7ff127c30","path":"exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015/untitled-314","position":-503316480,"published_at":"2020-04-25T04:24:33Z","slug":"untitled-314","stacked":false,"title":"Untitled 314","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"81ef1a6c-0274-448e-861d-de5e1ef5a1d8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"378e921d-83d2-4884-afac-4de698e7e3ff","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018/untitled-315","position":-402653184,"published_at":"2020-04-25T03:51:37Z","slug":"untitled-315","stacked":false,"title":"Untitled 315","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"95b571dc-ffb7-491f-97c5-b9bb60018d98","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015","position":-378967703,"published_at":"2020-04-24T07:45:39Z","slug":"culture-of-confrontation-the-church-of-saint-merri-paris-france-2015","stacked":true,"title":"Culture of Confrontation, The Church of Saint-Merri, Paris, France, 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"378e921d-83d2-4884-afac-4de698e7e3ff","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018","position":-126322568,"published_at":"2020-04-24T06:28:15Z","slug":"battle-of-ilovaisk-touring-exhibition-2015-2018","stacked":true,"title":"Battle of Ilovaisk, Touring exhibition, 2015 - 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"eddbd666-58ec-43a5-81ee-437e25603ca8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b40c950b-1fb3-458a-8e9b-12db33e96975","path":"contact/untitled-253","position":-33554432,"published_at":"2020-03-13T03:48:41Z","slug":"untitled-253","stacked":false,"title":"Untitled 253","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6195a2cd-c7db-448d-815a-436c0dc10db1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-85","position":0,"published_at":"2019-05-09T10:29:23Z","slug":"untitled-85","stacked":false,"title":"Untitled 85","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"283df543-a4e6-4107-a108-893ba3bb3fba","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","path":"books/culture-of-confrontation-book","position":0,"published_at":"2019-05-12T05:56:08Z","slug":"culture-of-confrontation-book","stacked":true,"title":"Culture of Confrontation Book","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e3dde3f0-a7da-45ac-8cca-5ccd97f1bfce","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"063dcc34-037a-4bf4-9efe-be2fd6876455","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-look3-festival-charlottesville-usa-2012/untitled-267","position":0,"published_at":"2020-04-24T10:09:31Z","slug":"untitled-267","stacked":false,"title":"Untitled 267","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"ebfe7e9b-ab00-4a78-931f-f2e9f2cb95d9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-213","position":0,"published_at":"2019-12-22T04:27:48Z","slug":"untitled-213","stacked":false,"title":"Untitled 213","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c701cec8-8364-4150-894c-b1ca22061a10","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","path":"exhibitions/exhibitions-history/untitled-218","position":0,"published_at":"2020-01-21T09:43:03Z","slug":"untitled-218","stacked":false,"title":"Untitled 218","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f2a62494-e28a-488c-a6b9-0d86bb51e3e0","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"edb12134-d56c-42cf-a9df-cec70becfb92","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019/untitled-275","position":0,"published_at":"2020-04-24T07:11:35Z","slug":"untitled-275","stacked":false,"title":"Untitled 275","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f3a9feba-fa4f-4ddf-852a-b58e068f94a3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-277","position":0,"published_at":"2020-04-24T07:13:14Z","slug":"untitled-277","stacked":false,"title":"Untitled 277","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e805174d-1d0c-4e5e-816c-84ad2b11067e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-79","position":0,"published_at":"2019-05-09T10:27:32Z","slug":"untitled-79","stacked":false,"title":"Untitled 79","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"835ebaf6-2372-466a-886f-c71914640c1b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-291","position":0,"published_at":"2020-04-24T09:20:56Z","slug":"untitled-291","stacked":false,"title":"Untitled 291","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"075ab3b8-97b3-409b-bd17-9d8afd2e3e9f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"4c575cd8-2d01-43d1-8a2d-19217586ffcf","path":"publications/essays-interviews/fotomat-watch-film-english-2020/untitled-323","position":0,"published_at":"2020-04-27T05:35:46Z","slug":"untitled-323","stacked":false,"title":"Untitled 323","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"32258420-3804-443d-9e47-0ae997a92ab3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6a4d36ed-1d0d-4fe4-9500-2a2a785f78ef","path":"publications/essays-interviews/the-british-journal-of-photography-interview-by-lauren-kelly-english-2020/untitled-404","position":0,"published_at":"2020-07-08T06:44:33Z","slug":"untitled-404","stacked":false,"title":"Untitled 404","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"60970f4c-95ad-482d-aa44-0458e033680d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-92","position":0,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-92","stacked":false,"title":"Untitled 92","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"34097854-2e66-46f0-9bd2-cd7997d5165b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-249","position":0,"published_at":"2020-01-22T06:36:38Z","slug":"untitled-249","stacked":false,"title":"Untitled 249","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"8b018b4e-2df9-4b1a-9f1f-b38f9aefe819","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a293bc02-d543-4f48-9f9e-3626877290ef","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012/untitled-305","position":0,"published_at":"2020-04-24T17:28:23Z","slug":"untitled-305","stacked":false,"title":"Untitled 305","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"3b934f9b-88ab-4762-9c29-84dd69056efb","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"378e921d-83d2-4884-afac-4de698e7e3ff","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018/untitled-280","position":0,"published_at":"2020-04-24T08:00:12Z","slug":"untitled-280","stacked":false,"title":"Untitled 280","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0e2a5ff8-764f-4440-9481-5afe98520ac6","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-87","position":0,"published_at":"2019-05-09T10:30:55Z","slug":"untitled-87","stacked":false,"title":"Untitled 87","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4232e3f1-c03c-413c-9309-19a1822f118c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-93","position":0,"published_at":"2019-05-09T10:18:03Z","slug":"untitled-93","stacked":false,"title":"Untitled 93","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df","path":"publications/essays-interviews","position":0,"published_at":"2019-05-10T09:42:32Z","slug":"essays-interviews","stacked":false,"title":"Essays & Interviews","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"abf05ec6-0a91-47c2-a6a3-6227cbc684f1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c76f816c-6a50-472e-af1e-912800959b13","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-81","position":0,"published_at":"2019-05-09T10:28:15Z","slug":"untitled-81","stacked":false,"title":"Untitled 81","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"2ef1788c-84db-4737-b7d4-86f8ce3e4b0f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-83","position":0,"published_at":"2019-05-09T10:08:41Z","slug":"untitled-83","stacked":false,"title":"Untitled 83","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"633b923c-82c4-41b6-9720-1008e3f77ff1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"7d4606dd-f38c-4795-94dc-529304391a74","path":"exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015/untitled-282","position":0,"published_at":"2020-04-24T08:07:51Z","slug":"untitled-282","stacked":false,"title":"Untitled 282","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e071aa70-2e0d-47d8-bbbc-edf99c4310ea","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-84","position":0,"published_at":"2019-05-09T10:29:02Z","slug":"untitled-84","stacked":false,"title":"Untitled 84","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"dcea79e4-ba64-4aee-b658-065d376737f5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-82","position":0,"published_at":"2019-05-09T10:28:31Z","slug":"untitled-82","stacked":false,"title":"Untitled 82","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d73f00f9-196f-483e-bbb2-821549d4a906","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"34cef131-db29-430f-9059-4669d4ff6ff5","path":"publications/essays-interviews/burlington-contemporary-review-by-lisa-stein-english-2020/untitled-406","position":0,"published_at":"2020-07-10T09:49:26Z","slug":"untitled-406","stacked":false,"title":"Untitled 406","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"2df0b0dd-39c9-4070-8955-f2e505289144","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"685378e0-c62d-40be-adb4-303b04bc146b","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-fotodoc-sakharov-center-moscow-russia-2011/untitled-270","position":0,"published_at":"2020-04-24T10:13:33Z","slug":"untitled-270","stacked":false,"title":"Untitled 270","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"aaf8d557-d8aa-47e9-8b0d-165e7bd152df","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f920a94f-400c-4f72-a688-4f52f9506f3b","path":"exhibitions/exhibition-views/st-sophia-cathedral-french-spring-in-ukraine-kyiv-ukraine-2015/untitled-272","position":0,"published_at":"2020-04-24T10:38:05Z","slug":"untitled-272","stacked":false,"title":"Untitled 272","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a29f2b4e-e32e-4577-ace3-297e2011e5dd","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"739ad66e-ed88-417e-863c-e3eff1389b61","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-lumiere-brothers-center-for-photography-moscow-russia-2012/untitled-281","position":0,"published_at":"2020-04-24T10:49:21Z","slug":"untitled-281","stacked":false,"title":"Untitled 281","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1f3493e4-5578-47c4-b677-795eec45c68e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","path":"exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019/untitled-276","position":0,"published_at":"2020-04-24T07:11:57Z","slug":"untitled-276","stacked":false,"title":"Untitled 276","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f8b38493-dca2-4da0-801f-7f32c0c2d044","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"91ee9a9c-10ec-4e4e-bc26-efb52656f663","path":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016/untitled-278","position":0,"published_at":"2020-04-24T07:39:58Z","slug":"untitled-278","stacked":false,"title":"Untitled 278","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"fd48bcae-ebba-495b-a892-07f503456e4b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1076cf20-b1f0-4803-b3fb-daed05303fc1","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019/untitled-273","position":0,"published_at":"2020-04-24T07:10:59Z","slug":"untitled-273","stacked":false,"title":"Untitled 273","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"7d4606dd-f38c-4795-94dc-529304391a74","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015","position":126322567,"published_at":"2020-04-24T06:28:51Z","slug":"global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015","stacked":true,"title":"Global Control and Censorship, Center for Art and Media, Karlsruhe, Germany, 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f8627e0c-3b79-4bb3-a2c5-ea1df82f2a92","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-105","position":134217728,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-105","stacked":false,"title":"Untitled 105","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f3a8cb30-895b-40ef-bffc-5e4567745f3d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-106","position":201326592,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-106","stacked":false,"title":"Untitled 106","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"645f779c-9aee-4f0b-9ac5-f74005c9b2cb","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-108","position":234881024,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-108","stacked":false,"title":"Untitled 108","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1d88b5aa-e399-4403-b463-9e0b45ec1bf4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-107","position":251658240,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-107","stacked":false,"title":"Untitled 107","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b56decc2-5b20-48d9-9ce6-27912b0f30f4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-111","position":260046848,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-111","stacked":false,"title":"Untitled 111","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"54f8ea43-47e2-45b2-888f-aa43c0768696","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a","path":"books/culture-of-confrontation-book-with-signed-print/untitled-197","position":268435456,"published_at":"2019-09-26T13:01:16Z","slug":"untitled-197","stacked":false,"title":"Untitled 197","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"88adc625-b88f-4a2d-a858-37cb39064e4c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"about","position":390654464,"published_at":"2019-05-08T17:54:13Z","slug":"about","stacked":true,"title":"ABOUT","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"46cc09af-1378-44c1-9208-cc17c7bb9f38","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"95b571dc-ffb7-491f-97c5-b9bb60018d98","path":"exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015/untitled-309","position":805306368,"published_at":"2020-04-25T03:03:42Z","slug":"untitled-309","stacked":false,"title":"Untitled 309","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b40c950b-1fb3-458a-8e9b-12db33e96975","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"contact","position":976264192,"published_at":"2019-05-12T05:56:26Z","slug":"contact","stacked":true,"title":"CONTACT","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b8d103d1-b9bf-4d66-886f-c23e5aee07c3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/slate-fr-text-by-fanny-arlandis-french-2018","position":1073741819,"published_at":"2019-05-09T10:23:38Z","slug":"slate-fr-text-by-fanny-arlandis-french-2018","stacked":true,"title":"Slate.fr, Text by Fanny Arlandis | french, 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e4ed08cd-8142-4f00-9bea-a42f06f00282","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","path":"exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019/untitled-368","position":1073741824,"published_at":"2020-04-29T02:34:04Z","slug":"untitled-368","stacked":false,"title":"Untitled 368","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"fd51382f-32aa-4044-b4de-e1f540d07d99","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-289","position":1073741824,"published_at":"2020-04-24T14:39:59Z","slug":"untitled-289","stacked":false,"title":"Untitled 289","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4881bb46-4c34-4328-b39e-84405f9adad0","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"378e921d-83d2-4884-afac-4de698e7e3ff","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018/untitled-312","position":1073741824,"published_at":"2020-04-25T03:21:00Z","slug":"untitled-312","stacked":false,"title":"Untitled 312","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"801bd437-5e76-4dce-9ef0-c51c947c3472","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a293bc02-d543-4f48-9f9e-3626877290ef","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012/untitled-325","position":1073741824,"published_at":"2020-04-28T02:39:20Z","slug":"untitled-325","stacked":false,"title":"Untitled 325","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6d5677a9-4069-4efe-896e-b3eb0a2817dc","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f920a94f-400c-4f72-a688-4f52f9506f3b","path":"exhibitions/exhibition-views/st-sophia-cathedral-french-spring-in-ukraine-kyiv-ukraine-2015/untitled-304","position":1073741824,"published_at":"2020-04-24T17:08:39Z","slug":"untitled-304","stacked":false,"title":"Untitled 304","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"08704578-3c1b-4bd6-9655-a02b9f78a592","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"7d4606dd-f38c-4795-94dc-529304391a74","path":"exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015/untitled-302","position":1073741824,"published_at":"2020-04-24T16:44:38Z","slug":"untitled-302","stacked":false,"title":"Untitled 302","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"965800bd-7728-4c1d-b023-6582b5c3ee9c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b1a41d0b-0462-40b8-b92a-d21de86db1a9","path":"publications/essays-interviews/hudruk-text-by-ruslan-onoprienko-russian-2016/untitled-239","position":1073741824,"published_at":"2020-01-22T05:35:01Z","slug":"untitled-239","stacked":false,"title":"Untitled 239","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6f91febc-d784-43da-b66c-64588409364e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1b64f6c4-7370-4cd4-a8ac-a39bd88c1aae","path":"exhibitions/exhibition-views/culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017/untitled-274","position":1073741824,"published_at":"2020-04-24T07:08:47Z","slug":"untitled-274","stacked":false,"title":"Untitled 274","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"5b50e5b0-02d2-4e87-953d-773ab43cc78f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015/untitled-242","position":1073741824,"published_at":"2020-01-22T05:48:38Z","slug":"untitled-242","stacked":false,"title":"Untitled 242","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9d52d4dd-4e20-484a-ae9e-65334931c65c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"91ee9a9c-10ec-4e4e-bc26-efb52656f663","path":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016/untitled-298","position":1073741824,"published_at":"2020-04-24T16:08:42Z","slug":"untitled-298","stacked":false,"title":"Untitled 298","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"29a5d832-8e00-4e30-8acf-1d3fcb9d06e2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a84bb198-654c-44de-8b9f-25ac9b0ba405","path":"publications/essays-interviews/the-new-york-times-text-by-matthew-sedacca-english-2018/untitled-227","position":1073741824,"published_at":"2020-01-22T04:27:33Z","slug":"untitled-227","stacked":false,"title":"Untitled 227","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b91f140d-329b-41ef-bcde-61e10d697d7a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","path":"books/culture-of-confrontation-book-with-signed-print","position":1073741824,"published_at":"2019-09-26T12:48:57Z","slug":"culture-of-confrontation-book-with-signed-print","stacked":true,"title":"Culture of Confrontation Book with Signed Print","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"7925b4f7-6f2d-41e4-9760-6e4ed649fa70","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"4c575cd8-2d01-43d1-8a2d-19217586ffcf","path":"publications/essays-interviews/fotomat-watch-film-english-2020/untitled-324","position":1073741824,"published_at":"2020-04-27T05:35:57Z","slug":"untitled-324","stacked":false,"title":"Untitled 324","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"50f41e4a-fcca-460e-bf98-71a016cdfc50","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"4f9efa74-6aa8-4140-aa44-abe12586fa04","path":"publications/essays-interviews/fotopolis-interview-by-julia-kaczorowska-polish-2016/untitled-233","position":1073741824,"published_at":"2020-01-22T04:57:32Z","slug":"untitled-233","stacked":false,"title":"Untitled 233","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"ca57804a-8af5-49fa-a8e5-30e738290816","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019/untitled-224","position":1073741824,"published_at":"2020-01-22T03:44:28Z","slug":"untitled-224","stacked":false,"title":"Untitled 224","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"276a722e-8edc-410c-b153-f3efd3528424","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019/untitled-221","position":1073741824,"published_at":"2020-01-21T11:10:44Z","slug":"untitled-221","stacked":false,"title":"Untitled 221","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6e1c2bff-697b-4935-9c13-eea302c0f579","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"5d880632-3446-4eed-8fd2-a07a2f03af07","path":"publications/essays-interviews/onet-kultura-text-by-alan-rynkiewicz-polish-2018/untitled-228","position":1073741824,"published_at":"2020-01-22T04:33:45Z","slug":"untitled-228","stacked":false,"title":"Untitled 228","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a52645d6-3601-452b-a7b0-f689645e837f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"88adc625-b88f-4a2d-a858-37cb39064e4c","path":"about/untitled-219","position":1073741824,"published_at":"2020-01-21T10:10:54Z","slug":"untitled-219","stacked":false,"title":"Untitled 219","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"bb74e192-3249-45b2-9885-171a0c708739","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"015334e4-131b-42e7-b79f-ecd5f36df0e7","path":"publications/essays-interviews/lensculture-interview-by-alexander-strecker-english-2015/untitled-243","position":1073741824,"published_at":"2020-01-22T05:55:03Z","slug":"untitled-243","stacked":false,"title":"Untitled 243","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"bed51e44-0273-43e9-b558-e47b9a5ec3a0","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f93a1d7b-48b9-4ae2-b335-edbde97f6233","path":"publications/essays-interviews/photogrvphy-interview-by-krystian-gerlach-english-2015/untitled-244","position":1073741824,"published_at":"2020-01-22T05:59:42Z","slug":"untitled-244","stacked":false,"title":"Untitled 244","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e7fa876e-892e-429d-9e2c-56e2e8734687","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"864c29c1-607b-4099-a422-ebccd1f27da4","path":"publications/essays-interviews/the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016/untitled-241","position":1073741824,"published_at":"2020-01-22T05:46:30Z","slug":"untitled-241","stacked":false,"title":"Untitled 241","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0a73e3d3-79f6-43c0-bd0f-5e32a2e1141b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/warchive-publications","position":1073741824,"published_at":"2020-04-23T03:22:18Z","slug":"warchive-publications","stacked":false,"title":"WARCHIVE publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9b5129f6-0960-406b-a6da-4fdd7f509c13","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b8d103d1-b9bf-4d66-886f-c23e5aee07c3","path":"publications/essays-interviews/slate-fr-text-by-fanny-arlandis-french-2018/untitled-225","position":1073741824,"published_at":"2020-01-22T03:49:44Z","slug":"untitled-225","stacked":false,"title":"Untitled 225","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0a10eb0b-2869-4fc9-a9cf-d57b7535fd8e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e772fa9-9496-43dd-9075-a41903e3d5e3","path":"publications/essays-interviews/bird-in-flight-interview-by-eugene-safonov-english-2014/untitled-247","position":1073741824,"published_at":"2020-01-22T06:25:55Z","slug":"untitled-247","stacked":false,"title":"Untitled 247","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b36196cd-fd15-42ef-9366-bdbf3764befa","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d9b8f334-a659-491b-aad8-06f008512cdf","path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019/untitled-223","position":1073741824,"published_at":"2020-01-22T02:05:31Z","slug":"untitled-223","stacked":false,"title":"Untitled 223","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"7c907c2e-e8f1-452d-bb72-84676845c124","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"156731b2-07cc-45bf-863c-abebfe0b58e9","path":"publications/essays-interviews/punto-de-fuga-interview-by-laura-carbonell-spanish-2018/untitled-229","position":1073741824,"published_at":"2020-01-22T04:41:42Z","slug":"untitled-229","stacked":false,"title":"Untitled 229","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c6d4af48-0195-4438-b7eb-38120bd99f26","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018/untitled-230","position":1073741824,"published_at":"2020-01-22T04:45:03Z","slug":"untitled-230","stacked":false,"title":"Untitled 230","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"63dc4c84-01a5-4aef-ae5b-b193a660b337","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1076cf20-b1f0-4803-b3fb-daed05303fc1","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019/untitled-284","position":1073741824,"published_at":"2020-04-24T13:30:47Z","slug":"untitled-284","stacked":false,"title":"Untitled 284","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"fa5bfcdf-69ab-4ca3-a4dc-488ed2096ec3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2cd818e2-55bb-4bd5-884f-cf32a7415df5","path":"publications/essays-interviews/szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017/untitled-231","position":1073741824,"published_at":"2020-01-22T04:50:33Z","slug":"untitled-231","stacked":false,"title":"Untitled 231","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0378bace-719d-4c69-9652-3df28ab6d2a9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-292","position":1073741824,"published_at":"2020-04-24T09:21:25Z","slug":"untitled-292","stacked":false,"title":"Untitled 292","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9c0c7a6d-4c8c-4acf-9ad8-be7ed68f1246","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6a4d36ed-1d0d-4fe4-9500-2a2a785f78ef","path":"publications/essays-interviews/the-british-journal-of-photography-interview-by-lauren-kelly-english-2020/untitled-405","position":1073741824,"published_at":"2020-07-08T06:44:50Z","slug":"untitled-405","stacked":false,"title":"Untitled 405","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"973700ed-daee-4429-8294-7ea68a14655a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"edb12134-d56c-42cf-a9df-cec70becfb92","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019/untitled-283","position":1073741824,"published_at":"2020-04-24T14:03:41Z","slug":"untitled-283","stacked":false,"title":"Untitled 283","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"3d1db231-37ba-41c4-b3e2-6819faa649d7","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"34cef131-db29-430f-9059-4669d4ff6ff5","path":"publications/essays-interviews/burlington-contemporary-review-by-lisa-stein-english-2020/untitled-407","position":1073741824,"published_at":"2020-07-10T09:49:38Z","slug":"untitled-407","stacked":false,"title":"Untitled 407","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"241144f9-188a-4c9a-bf23-291978eee660","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/culture-of-confrontation-publications","position":1342177280,"published_at":"2020-04-23T03:39:04Z","slug":"culture-of-confrontation-publications","stacked":false,"title":"Culture of Confrontation publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f920a94f-400c-4f72-a688-4f52f9506f3b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/st-sophia-cathedral-french-spring-in-ukraine-kyiv-ukraine-2015","position":1389548242,"published_at":"2020-04-24T10:32:04Z","slug":"st-sophia-cathedral-french-spring-in-ukraine-kyiv-ukraine-2015","stacked":true,"title":"St. Sophia Cathedral, French Spring in Ukraine, Kyiv, Ukraine, 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"93d59a4f-1c44-4e5f-8870-e2e7ff127c30","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015","position":1421128884,"published_at":"2020-04-24T06:29:38Z","slug":"maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015","stacked":true,"title":"Maidan. Ukraine. Road to Freedom, Touring exhibition, 2014 - 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"063dcc34-037a-4bf4-9efe-be2fd6876455","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-look3-festival-charlottesville-usa-2012","position":1515870810,"published_at":"2020-04-24T06:30:35Z","slug":"tb-epidemic-in-ukraine-look3-festival-charlottesville-usa-2012","stacked":true,"title":"TB Epidemic in Ukraine, LOOK3 Festival, Charlottesville, USA, 2012","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"739ad66e-ed88-417e-863c-e3eff1389b61","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-lumiere-brothers-center-for-photography-moscow-russia-2012","position":1579032094,"published_at":"2020-04-24T10:48:57Z","slug":"tb-epidemic-in-ukraine-lumiere-brothers-center-for-photography-moscow-russia-2012","stacked":true,"title":"TB Epidemic in Ukraine, Lumiere Brothers Center for Photography, Moscow, Russia, 2012","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a6851b92-a62c-4be4-b0de-c24bbdc8319c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-355","position":1585446912,"published_at":"2020-04-28T23:08:05Z","slug":"untitled-355","stacked":false,"title":"Untitled 355","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f4f807cb-c35f-4f2a-8d28-54de50b75613","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018/untitled-77","position":1610612736,"published_at":"2019-05-09T10:41:40Z","slug":"untitled-77","stacked":false,"title":"Untitled 77","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c054023b-89d5-4ad9-8c16-bf869a488302","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2cd818e2-55bb-4bd5-884f-cf32a7415df5","path":"publications/essays-interviews/szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017/untitled-78","position":1610612736,"published_at":"2019-05-09T10:27:12Z","slug":"untitled-78","stacked":false,"title":"Untitled 78","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f233a562-b26c-4355-b13d-4383f4c1022a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"95b571dc-ffb7-491f-97c5-b9bb60018d98","path":"exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015/untitled-311","position":1610612736,"published_at":"2020-04-25T02:47:19Z","slug":"untitled-311","stacked":false,"title":"Untitled 311","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d52b7564-a20d-4b49-8c3e-f4a20d688763","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"156731b2-07cc-45bf-863c-abebfe0b58e9","path":"publications/essays-interviews/punto-de-fuga-interview-by-laura-carbonell-spanish-2018/untitled-76","position":1610612736,"published_at":"2019-05-09T10:41:22Z","slug":"untitled-76","stacked":false,"title":"Untitled 76","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"1905a28e-91e8-4e90-ae98-6f65d5497b50","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"864c29c1-607b-4099-a422-ebccd1f27da4","path":"publications/essays-interviews/the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016/untitled-88","position":1610612736,"published_at":"2019-05-09T10:31:15Z","slug":"untitled-88","stacked":false,"title":"Untitled 88","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f5302794-192d-42a3-b2ac-cde4a56b8532","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b1a41d0b-0462-40b8-b92a-d21de86db1a9","path":"publications/essays-interviews/hudruk-text-by-ruslan-onoprienko-russian-2016/untitled-86","position":1610612736,"published_at":"2019-05-09T10:30:12Z","slug":"untitled-86","stacked":false,"title":"Untitled 86","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"63f7a82d-2e26-4494-a95a-350594d123fe","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba","path":"books/culture-of-confrontation-book/untitled-193","position":1610612736,"published_at":"2019-09-22T12:02:07Z","slug":"untitled-193","stacked":false,"title":"Untitled 193","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"993d8c13-8805-4bfb-b69a-c518b1803711","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/crimea-sich-publications","position":1610612736,"published_at":"2020-04-23T03:23:41Z","slug":"crimea-sich-publications","stacked":false,"title":"Crimea Sich publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f39e24b9-4474-4c11-a73c-764f8ca45b2b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019/untitled-51","position":1610612736,"published_at":"2019-05-09T10:23:44Z","slug":"untitled-51","stacked":false,"title":"Untitled 51","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"00462b19-2203-4bc2-8dbd-04901813ac50","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015/untitled-89","position":1610612736,"published_at":"2019-05-09T10:31:23Z","slug":"untitled-89","stacked":false,"title":"Untitled 89","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"5c68e29b-a409-4279-ac6e-6931ddaa4ce3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d9b8f334-a659-491b-aad8-06f008512cdf","path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019/untitled-212","position":1610612736,"published_at":"2019-12-22T04:07:04Z","slug":"untitled-212","stacked":false,"title":"Untitled 212","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"991ab322-85b8-4a6e-9310-54a6c1b332dc","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019/untitled-194","position":1610612736,"published_at":"2019-09-23T08:56:47Z","slug":"untitled-194","stacked":false,"title":"Untitled 194","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"203ae947-ef39-43be-b845-ed160836e4f2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a84bb198-654c-44de-8b9f-25ac9b0ba405","path":"publications/essays-interviews/the-new-york-times-text-by-matthew-sedacca-english-2018/untitled-75","position":1610612736,"published_at":"2019-05-09T10:38:50Z","slug":"untitled-75","stacked":false,"title":"Untitled 75","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"ddb061cf-eb82-47fe-84ce-f05cb962fe56","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"4f9efa74-6aa8-4140-aa44-abe12586fa04","path":"publications/essays-interviews/fotopolis-interview-by-julia-kaczorowska-polish-2016/untitled-80","position":1610612736,"published_at":"2019-05-09T10:27:51Z","slug":"untitled-80","stacked":false,"title":"Untitled 80","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b92d7434-9679-4ca9-b693-946be3ca310b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f93a1d7b-48b9-4ae2-b335-edbde97f6233","path":"publications/essays-interviews/photogrvphy-interview-by-krystian-gerlach-english-2015/untitled-91","position":1610612736,"published_at":"2019-05-09T10:32:18Z","slug":"untitled-91","stacked":false,"title":"Untitled 91","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e7915cd2-aa00-49d6-9723-31085cb1ee67","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e772fa9-9496-43dd-9075-a41903e3d5e3","path":"publications/essays-interviews/bird-in-flight-interview-by-eugene-safonov-english-2014/untitled-94","position":1610612736,"published_at":"2019-05-09T10:35:38Z","slug":"untitled-94","stacked":false,"title":"Untitled 94","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"cb72e9ee-66a6-4992-b57c-c9786a685d26","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"015334e4-131b-42e7-b79f-ecd5f36df0e7","path":"publications/essays-interviews/lensculture-interview-by-alexander-strecker-english-2015/untitled-90","position":1610612736,"published_at":"2019-05-09T10:31:57Z","slug":"untitled-90","stacked":false,"title":"Untitled 90","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e2d77f50-e141-4547-a8bc-2c799a83859c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df","path":"publications/press-media","position":1610612736,"published_at":"2020-04-23T02:24:50Z","slug":"press-media","stacked":false,"title":"Press & Media","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"291a14cc-a151-404b-a7ab-88c32b68437c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"5d880632-3446-4eed-8fd2-a07a2f03af07","path":"publications/essays-interviews/onet-kultura-text-by-alan-rynkiewicz-polish-2018/untitled-74","position":1610612736,"published_at":"2019-05-09T10:24:14Z","slug":"untitled-74","stacked":false,"title":"Untitled 74","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f3ce76da-852b-41fe-a3e8-bf3f000696c9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b8d103d1-b9bf-4d66-886f-c23e5aee07c3","path":"publications/essays-interviews/slate-fr-text-by-fanny-arlandis-french-2018/untitled-226","position":1610612736,"published_at":"2020-01-22T03:57:30Z","slug":"untitled-226","stacked":false,"title":"Untitled 226","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"39bfee1e-6a0b-4add-8bf1-f512276055ac","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-293","position":1610612736,"published_at":"2020-04-24T14:59:38Z","slug":"untitled-293","stacked":false,"title":"Untitled 293","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"984a9955-cc1c-4fb7-a1b1-52df9117ea24","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"93d59a4f-1c44-4e5f-8870-e2e7ff127c30","path":"exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015/untitled-266","position":1610612736,"published_at":"2020-04-24T10:08:53Z","slug":"untitled-266","stacked":false,"title":"Untitled 266","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6ce598f9-ef79-4543-ba36-81c51c4f1ba8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-354","position":1639972864,"published_at":"2020-04-28T23:07:43Z","slug":"untitled-354","stacked":false,"title":"Untitled 354","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a293bc02-d543-4f48-9f9e-3626877290ef","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012","position":1642193377,"published_at":"2020-04-24T06:32:15Z","slug":"tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012","stacked":true,"title":"TB Epidemic in Ukraine, Touring exhibition, Ukraine, 2012","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"8965e322-33c7-41ba-886b-ef80e4eb84d9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-357","position":1694498816,"published_at":"2020-04-28T23:13:05Z","slug":"untitled-357","stacked":false,"title":"Untitled 357","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"5d880632-3446-4eed-8fd2-a07a2f03af07","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/onet-kultura-text-by-alan-rynkiewicz-polish-2018","position":1879048182,"published_at":"2019-05-09T10:24:14Z","slug":"onet-kultura-text-by-alan-rynkiewicz-polish-2018","stacked":true,"title":"Onet Kultura, Text by Alan Rynkiewicz | polish, 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c06d6af3-5d5b-461d-b890-44f81f24a315","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-287","position":1879048192,"published_at":"2020-04-24T14:33:07Z","slug":"untitled-287","stacked":false,"title":"Untitled 287","type":"slideshow"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9c0999a7-3a6b-4255-b51b-666de3fc7c8c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-294","position":1879048192,"published_at":"2020-04-24T15:01:41Z","slug":"untitled-294","stacked":false,"title":"Untitled 294","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4015c7f1-fdad-4066-abab-b0ce282c0a2f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ad53afc8-6d43-40fc-a93d-f9e542b55a72","path":"publications/essays-interviews/scena9-interview-by-ioana-cirlig-romanian-2018/untitled-220","position":1879048192,"published_at":"2020-01-21T10:34:54Z","slug":"untitled-220","stacked":false,"title":"Untitled 220","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0c381f2c-8b40-4c7b-aa8a-969c3c54ad59","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"93d59a4f-1c44-4e5f-8870-e2e7ff127c30","path":"exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015/untitled-313","position":1879048192,"published_at":"2020-04-25T04:34:13Z","slug":"untitled-313","stacked":false,"title":"Untitled 313","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"685378e0-c62d-40be-adb4-303b04bc146b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-fotodoc-sakharov-center-moscow-russia-2011","position":1894838512,"published_at":"2020-04-24T06:33:07Z","slug":"tb-epidemic-in-ukraine-fotodoc-sakharov-center-moscow-russia-2011","stacked":true,"title":"TB Epidemic in Ukraine, FOTODOC, Sakharov Center, Moscow, Russia, 2011","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"49162203-39fa-4d91-861c-65b1bf39c6e2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-356","position":1912602624,"published_at":"2020-04-28T23:12:28Z","slug":"untitled-356","stacked":false,"title":"Untitled 356","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"21529d02-f1d3-44a6-8e8b-41e904859ad8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-359","position":1946157056,"published_at":"2020-04-28T23:22:30Z","slug":"untitled-359","stacked":false,"title":"Untitled 359","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e42ac5ab-cbad-4543-b6fa-68716fe21b64","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-109","position":1979711488,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-109","stacked":false,"title":"Untitled 109","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a84bb198-654c-44de-8b9f-25ac9b0ba405","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/the-new-york-times-text-by-matthew-sedacca-english-2018","position":2013265915,"published_at":"2019-05-09T10:38:50Z","slug":"the-new-york-times-text-by-matthew-sedacca-english-2018","stacked":true,"title":"The New York Times, Text by Matthew Sedacca | english, 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"7c8d12dd-8428-4d7e-a34a-765a8afa1482","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ad53afc8-6d43-40fc-a93d-f9e542b55a72","path":"publications/essays-interviews/scena9-interview-by-ioana-cirlig-romanian-2018/untitled-7","position":2013265920,"published_at":"2019-05-09T10:23:28Z","slug":"untitled-7","stacked":false,"title":"Untitled 7","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"7b1b5700-db46-47bf-b9a9-3e715b8c05e9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-358","position":2013265920,"published_at":"2020-04-28T23:21:17Z","slug":"untitled-358","stacked":false,"title":"Untitled 358","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f022002a-9d4f-450a-abe8-8ad0383fb55e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/tb-epidemic-publications","position":2013265920,"published_at":"2020-04-23T03:26:06Z","slug":"tb-epidemic-publications","stacked":false,"title":"TB Epidemic publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"e62a7489-d474-4681-92fc-9219b1a8dd73","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-295","position":2013265920,"published_at":"2020-04-24T15:11:37Z","slug":"untitled-295","stacked":false,"title":"Untitled 295","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"6e3c5619-591a-40c3-a16b-70835d523c16","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-113","position":2021654528,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-113","stacked":false,"title":"Untitled 113","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4ef615c4-1395-42b3-9baf-9eec8e154005","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/uman-rosh-hashana-publications","position":2046820352,"published_at":"2020-04-23T03:24:57Z","slug":"uman-rosh-hashana-publications","stacked":false,"title":"Uman Rosh Hashana publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d3110a99-1b71-4f6f-826d-4f29cefcd1c9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-299","position":2063597568,"published_at":"2020-04-24T16:19:51Z","slug":"untitled-299","stacked":false,"title":"Untitled 299","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"67e1b78e-af9c-45a0-a448-4d08078ea269","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-361","position":2066743296,"published_at":"2020-04-28T23:24:26Z","slug":"untitled-361","stacked":false,"title":"Untitled 361","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"156731b2-07cc-45bf-863c-abebfe0b58e9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/punto-de-fuga-interview-by-laura-carbonell-spanish-2018","position":2080374781,"published_at":"2019-05-09T10:41:22Z","slug":"punto-de-fuga-interview-by-laura-carbonell-spanish-2018","stacked":true,"title":"PUNTO de FUGA, Interview by Laura Carbonell | spanish, 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"ca2e98e6-ba92-4bd0-a0e5-ac382bef61e9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b40c950b-1fb3-458a-8e9b-12db33e96975","path":"contact/untitled-261","position":2080374784,"published_at":"2020-04-19T14:04:18Z","slug":"untitled-261","stacked":false,"title":"Untitled 261","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0b8ff892-fe0b-420f-bc4d-4c923825f7a4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","path":"publications/press-media/other-publications","position":2080374784,"published_at":"2020-04-23T02:21:22Z","slug":"other-publications","stacked":false,"title":"Other publications","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d6af2b38-cc54-4fd9-9f4c-4d299b9d7b44","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-401","position":2105540608,"published_at":"2020-05-09T04:45:37Z","slug":"untitled-401","stacked":false,"title":"Untitled 401","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a2e98949-004a-45f2-9be4-28594a3c89bc","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-246","position":2105540608,"published_at":"2020-01-22T06:09:18Z","slug":"untitled-246","stacked":false,"title":"Untitled 246","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018","position":2113929214,"published_at":"2019-05-09T10:41:40Z","slug":"gup-magazine-text-by-marije-popping-english-2018","stacked":true,"title":"GUP Magazine, Text by Marije Pöpping | english, 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c429a198-a0c2-4f89-9fc4-d75e5addb6e6","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-360","position":2120220672,"published_at":"2020-04-28T23:24:10Z","slug":"untitled-360","stacked":false,"title":"Untitled 360","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c94e7898-3d63-4f56-87db-851a199de531","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-363","position":2121269248,"published_at":"2020-04-28T23:29:58Z","slug":"untitled-363","stacked":false,"title":"Untitled 363","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"ad53afc8-6d43-40fc-a93d-f9e542b55a72","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/scena9-interview-by-ioana-cirlig-romanian-2018","position":2122317823,"published_at":"2019-05-09T10:23:28Z","slug":"scena9-interview-by-ioana-cirlig-romanian-2018","stacked":true,"title":"Scena9, Interview by Ioana Cîrlig | romanian, 2018","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"304b4380-64fb-40c9-a58a-0be93de1e319","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-362","position":2122317824,"published_at":"2020-04-28T23:29:51Z","slug":"untitled-362","stacked":false,"title":"Untitled 362","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0e8f37f5-c689-4a49-bf34-97c7d4e898c0","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-402","position":2126512128,"published_at":"2020-05-09T04:54:47Z","slug":"untitled-402","stacked":false,"title":"Untitled 402","type":"grid"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"2cd818e2-55bb-4bd5-884f-cf32a7415df5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017","position":2130706431,"published_at":"2019-05-09T10:27:12Z","slug":"szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017","stacked":true,"title":"Szeroki Kadr, Interview by Aleksander Wasyluk | polish, 2017","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"aa2355c7-f1d0-4fe1-aae4-60583afcfa16","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-403","position":2136997888,"published_at":"2020-05-09T04:56:23Z","slug":"untitled-403","stacked":false,"title":"Untitled 403","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"58a17674-b08f-417b-a257-6154ef46555c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-367","position":2138832896,"published_at":"2020-04-28T23:43:04Z","slug":"untitled-367","stacked":false,"title":"Untitled 367","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"a6490173-0b6a-4efa-984d-40fcc94cef13","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016","position":2139095039,"published_at":"2019-05-09T10:27:32Z","slug":"are-we-europe-text-by-mick-ter-reehorst-english-2016","stacked":true,"title":"Are We Europe, Text by Mick ter Reehorst | english, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"51e21a7d-90d1-4559-a3be-2bdc11053e61","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-366","position":2139422720,"published_at":"2020-04-28T23:42:59Z","slug":"untitled-366","stacked":false,"title":"Untitled 366","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"0243b18e-11fe-49fe-8ef9-403fc5d09f81","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-365","position":2139865088,"published_at":"2020-04-28T23:38:28Z","slug":"untitled-365","stacked":false,"title":"Untitled 365","type":"image"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"5cc37394-7c2f-4a18-8272-28d0ba6258d0","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","path":"projects/untitled-364","position":2140307456,"published_at":"2020-04-28T23:38:23Z","slug":"untitled-364","stacked":false,"title":"Untitled 364","type":"text"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"4f9efa74-6aa8-4140-aa44-abe12586fa04","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/fotopolis-interview-by-julia-kaczorowska-polish-2016","position":2141192191,"published_at":"2019-05-09T10:27:51Z","slug":"fotopolis-interview-by-julia-kaczorowska-polish-2016","stacked":true,"title":"Fotopolis, Interview by Julia Kaczorowska | polish, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c76f816c-6a50-472e-af1e-912800959b13","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","position":2143289343,"published_at":"2019-05-09T10:28:15Z","slug":"roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","stacked":true,"title":"Roads and Kingdoms, Interview by Pauline Eiferman | english, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016","position":2145386495,"published_at":"2019-05-09T10:28:31Z","slug":"mologue-interview-by-johannes-brummer-english-2016","stacked":true,"title":"MOLOGUE, Interview by Johannes Brümmer | english, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"05901042-5860-4de2-bbc8-5c89bddf9baf","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016","position":2146435071,"published_at":"2019-05-09T10:08:41Z","slug":"divis-info-interview-by-valeria-dubova-ukrainian-2016","stacked":true,"title":"Divis.info, Interview by Valeria Dubova | ukrainian, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016","position":2146959359,"published_at":"2019-05-09T10:29:02Z","slug":"talktome-interview-by-philip-dotsenko-russian-2016","stacked":true,"title":"Talktome, Interview by Philip Dotsenko | russian, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"d83567b2-b698-417f-b1fa-c753aaf44064","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016","position":2147221503,"published_at":"2019-05-09T10:29:23Z","slug":"preset-shop-text-by-shanna-june-english-2016","stacked":true,"title":"Preset Shop, Text by Shanna June | english, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"b1a41d0b-0462-40b8-b92a-d21de86db1a9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/hudruk-text-by-ruslan-onoprienko-russian-2016","position":2147352575,"published_at":"2019-05-09T10:30:12Z","slug":"hudruk-text-by-ruslan-onoprienko-russian-2016","stacked":true,"title":"HUDRUK, Text by Ruslan Onoprienko | russian, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016","position":2147418111,"published_at":"2019-05-09T10:30:55Z","slug":"radio-liberty-interview-by-valentin-baryshnikov-russian-2016","stacked":true,"title":"Radio Liberty, Interview by Valentin Baryshnikov | russian, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"864c29c1-607b-4099-a422-ebccd1f27da4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016","position":2147450879,"published_at":"2019-05-09T10:31:15Z","slug":"the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016","stacked":true,"title":"The British Journal of Photography, Text by Brennavan Sritharan | english, 2016","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015","position":2147467263,"published_at":"2019-05-09T10:31:23Z","slug":"quesabesde-interview-by-ivan-sanchez-spanish-2015","stacked":true,"title":"Quesabesde, Interview by Ivan Sanchez | spanish, 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"015334e4-131b-42e7-b79f-ecd5f36df0e7","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/lensculture-interview-by-alexander-strecker-english-2015","position":2147475455,"published_at":"2019-05-09T10:31:57Z","slug":"lensculture-interview-by-alexander-strecker-english-2015","stacked":true,"title":"LensCulture, Interview by Alexander Strecker | english, 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"f93a1d7b-48b9-4ae2-b335-edbde97f6233","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/photogrvphy-interview-by-krystian-gerlach-english-2015","position":2147479551,"published_at":"2019-05-09T10:32:18Z","slug":"photogrvphy-interview-by-krystian-gerlach-english-2015","stacked":true,"title":"PHOTOGRVPHY, Interview by Krystian Gerlach | english, 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015","position":2147481599,"published_at":"2019-05-09T19:47:06Z","slug":"der-spiegel-interview-by-rosa-thoneick-film-german-2015","stacked":true,"title":"Der Spiegel, Interview by Rosa Thoneick | film, german, 2015","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014","position":2147482623,"published_at":"2019-05-09T10:18:03Z","slug":"quesabesde-text-by-ivan-sanchez-spanish-2014","stacked":true,"title":"Quesabesde, Text by Ivan Sanchez | spanish, 2014","type":"index"},{"hide_text_in_menu":false,"homepage":false,"icon":"none","id":"9e772fa9-9496-43dd-9075-a41903e3d5e3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/bird-in-flight-interview-by-eugene-safonov-english-2014","position":2147483135,"published_at":"2019-05-09T10:35:38Z","slug":"bird-in-flight-interview-by-eugene-safonov-english-2014","stacked":true,"title":"Bird in Flight, Interview by Eugene Safonov | english, 2014","type":"index"}],"pages":null,"show_title":false,"site":null,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slot":1,"title":"Primary","updated_at":"2018-07-02T13:11:58Z"},{"grouped":false,"id":"c85790fe-a185-421f-bcd6-323c4acdb1e7","inserted_at":"2018-07-02T13:11:58Z","items":[],"pages":null,"show_title":false,"site":null,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slot":2,"title":"Secondary","updated_at":"2018-07-02T13:11:58Z"}],"page_id":"3bbaddb4-da23-4543-82a3-086b2adc51e6","pages":[{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["bafbe989-eaa5-45a3-a54b-c22a67963eed","fd48bcae-ebba-495b-a892-07f503456e4b","63dc4c84-01a5-4aef-ae5b-b193a660b337"],"alignment":"Center","set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","tag_ids":[],"order_date":"2020-04-24T03:21:21Z","title":"Culture of Confrontation, Municipal Gallery, Ehingen, Germany, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"bba9a36f-1f3e-4431-bef0-c8d46004e72e.jpg","filesize":478811,"height":1000,"hidden":false,"id":"bba9a36f-1f3e-4431-bef0-c8d46004e72e","inserted_at":"2020-04-24T03:38:08Z","name":null,"orientation":"Landscape","original_filename":"_C7A2087-1 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-134217728,"set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/bba9a36f-1f3e-4431-bef0-c8d46004e72e.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T12:51:41Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"bba9a36f-1f3e-4431-bef0-c8d46004e72e.jpg","filesize":478811,"height":1000,"hidden":false,"id":"bba9a36f-1f3e-4431-bef0-c8d46004e72e","inserted_at":"2020-04-24T03:38:08Z","name":null,"orientation":"Landscape","original_filename":"_C7A2087-1 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-134217728,"set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/bba9a36f-1f3e-4431-bef0-c8d46004e72e.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T12:51:41Z","weight":3,"width":1500},"inserted_at":"2020-04-24T03:21:21Z","slideshow_show_count_enabled":true,"position":-2147483648,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Solo exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1076cf20-b1f0-4803-b3fb-daed05303fc1","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"bba9a36f-1f3e-4431-bef0-c8d46004e72e","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"2:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-04-27T05:24:11Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T03:21:21Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"culture-of-confrontation-municipal-gallery-ehingen-germany-2019","image_id":"bba9a36f-1f3e-4431-bef0-c8d46004e72e","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T19:49:12Z","title":"Untitled 24","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"color":"#000000"},"insert":"CULTURE OF CONFRONTATION"},{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/cc-old/untitled-24","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"align":"right"},"insert":"\n\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-07T08:04:08Z","slideshow_show_count_enabled":false,"position":-2147483647,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"7ea9ca47-9e9d-4240-9929-35c9e61a6d0f","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T04:39:29Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:49:12Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-24","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","tag_ids":[],"order_date":"2020-05-04T04:10:01Z","title":"Untitled 370","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"XL","cover_image":{"aspect_ratio":"1222:813","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","filesize":538816,"height":813,"hidden":false,"id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","inserted_at":"2019-05-07T08:08:13Z","name":null,"orientation":"Landscape","original_filename":"0010_DOM_2014_01_22_EM14914.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2130706432,"set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-07T08:52:33Z","weight":3,"width":1222},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/cc-old/untitled-370","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Rows","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-05-04T04:10:01Z","slideshow_show_count_enabled":true,"position":-2147483646,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"d9f6b756-baec-48e2-87e6-6f51d4bce330","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"M","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"L","updated_at":"2020-05-04T06:18:21Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T04:10:01Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-370","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T19:49:12Z","title":"Untitled 25","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"The title Culture of Confrontation shouldn’t be taken too literally. Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"Winter 2014 changed Ukraine. Three months of bloody clashes, tears, fear, Molotov cocktails, burning car tires and deaths. Ukrainian revolution brought a new spirit, changed people and their minds, people became one organism that fights with great passion and intensity for its human rights. Project Culture of Confrontation was a turning point in my life. Maidan changed me and my perception of photography. "},{"attributes":{"align":"justify","header":5},"insert":"\n\n\n"}]},"online":true,"icon":"none","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/cc-old/untitled-25","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"On the Maidan, at some point, the emotions for me took on an almost abstract, or universal character. The battles on the streets appeared almost unreal, as though occurring in some medieval fable or legend. Visually my photos broke away from the specific context that this was all happening in Ukraine, in my hometown. What I tried to capture was the more abstract, universal conflict that was playing out, between light and shadow, between the thick black smoke and whiteness of the February snow, and in some sense between good and evil, though it was often impossible to tell which side was which."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"From the beginning the revolution felt like a performance, with scenes of carnage interweaving with incredible beauty. In that sense I think I did manage to remain objective, to remain impartial, while still feeling and expressing all the powerful emotions that were playing out. Through my photos I showed the scale of all that was happening, and in the process the line between reality and fiction sometimes became blurred. I would forget the place, time and the cause of what was happening, and felt transported to some phantasmagoric place that resembled the awful battles of past wars. In that sense, what happened on the Maidan became a symbol to me of opposites colliding."},{"attributes":{"header":5},"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-07T08:04:36Z","slideshow_show_count_enabled":false,"position":-2147483645,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e5581133-01c8-4067-bbab-9c32eabd147c","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T04:39:29Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:49:12Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-25","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-12-05T00:23:25Z","title":"Untitled 190","do_not_index":false,"cta_url":"https://maximdondyuk.com/works/untitled-project-from-chernobyl/repercussion","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"color":"#000000"},"insert":"UNTITLED"},{"attributes":{"header":1},"insert":"\n"},{"attributes":{"color":"#000000"},"insert":"PROJECT"},{"attributes":{"header":1},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/untitled-project/genesis-chapter-untitled-project/untitled-190","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-08-14T08:30:53Z","slideshow_show_count_enabled":false,"position":-2147417856,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"b1bd6e11-8d74-45c4-aea6-96aed6a1955a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-29T02:15:44Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-05T00:23:25Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-190","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"2b7708b8-5466-4a03-ab30-623dd467e71e","tag_ids":[],"order_date":"2020-04-15T02:21:37Z","title":"Koktebel Jazz Festival","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"row","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"750:499","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a7296906-3cf5-42de-8ecc-4e85d0e941a6.jpg","filesize":816324,"height":998,"hidden":false,"id":"a7296906-3cf5-42de-8ecc-4e85d0e941a6","inserted_at":"2020-04-15T02:23:59Z","name":null,"orientation":"Landscape","original_filename":"31_DOM_2013_09_15_18418.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1073741824,"set_id":"2b7708b8-5466-4a03-ab30-623dd467e71e","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a7296906-3cf5-42de-8ecc-4e85d0e941a6.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-26T11:02:01Z","weight":4,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"L","path":"archive/koktebel-jazz-festival","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-15T02:21:37Z","slideshow_show_count_enabled":true,"position":-2145648640,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"85fccd7a-b682-4adb-82d7-e651e1436fdd","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Bottom","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"a7296906-3cf5-42de-8ecc-4e85d0e941a6","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T06:45:39Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-15T02:21:37Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"koktebel-jazz-festival","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"insert":"Koktebel"},{"attributes":{"header":1},"insert":"\n"},{"insert":"Jazz Festival"},{"attributes":{"header":1},"insert":"\n"},{"insert":"2013"},{"attributes":{"align":"right"},"insert":"\n"}]},"horizontalscroll_layout":"Irregular","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"2faaaf65-7098-433b-9b4d-60acb2d534af","tag_ids":[],"order_date":"2020-04-13T04:50:41Z","title":"fashion","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"row","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"499:750","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"2028b0af-332d-4f2d-b4fd-e77f12ff3ee1.jpg","filesize":800608,"height":1500,"hidden":false,"id":"2028b0af-332d-4f2d-b4fd-e77f12ff3ee1","inserted_at":"2020-04-13T04:52:03Z","name":null,"orientation":"Portrait","original_filename":"16_DOM_2013_03_07_02477.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147090432,"set_id":"2faaaf65-7098-433b-9b4d-60acb2d534af","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/2028b0af-332d-4f2d-b4fd-e77f12ff3ee1.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-26T10:58:19Z","weight":5,"width":998},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"L","path":"archive/fashion","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-13T04:50:41Z","slideshow_show_count_enabled":true,"position":-2143813632,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"6b76f9ee-72cd-443a-8071-1fca1b37f99f","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"2028b0af-332d-4f2d-b4fd-e77f12ff3ee1","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-13T04:50:41Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"fashion","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"attributes":{"color":"#000000"},"insert":"fashion"},{"attributes":{"header":1},"insert":"\n"}]},"horizontalscroll_layout":"Irregular","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["d73f00f9-196f-483e-bbb2-821549d4a906","3d1db231-37ba-41c4-b3e2-6819faa649d7"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-07-10T09:34:17Z","title":"Burlington Contemporary, Review by Lisa Stein | english, 2020","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/burlington-contemporary-review-by-lisa-stein-english-2020","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-07-10T09:34:17Z","slideshow_show_count_enabled":true,"position":-2141192192,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"34cef131-db29-430f-9059-4669d4ff6ff5","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#ffffff","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"4:3","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T09:57:28Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-07-10T09:34:17Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"burlington-contemporary-review-by-lisa-stein-english-2020","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["32258420-3804-443d-9e47-0ae997a92ab3","9c0c7a6d-4c8c-4acf-9ad8-be7ed68f1246"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-07-08T06:42:33Z","title":"The British Journal of Photography, Interview by Lauren Kelly | english, 2020","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/the-british-journal-of-photography-interview-by-lauren-kelly-english-2020","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-07-08T06:42:33Z","slideshow_show_count_enabled":true,"position":-2134900736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"6a4d36ed-1d0d-4fe4-9500-2a2a785f78ef","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#ffffff","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"4:3","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-08T06:52:28Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-07-08T06:42:33Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"the-british-journal-of-photography-interview-by-lauren-kelly-english-2020","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["075ab3b8-97b3-409b-bd17-9d8afd2e3e9f","7925b4f7-6f2d-41e4-9760-6e4ed649fa70"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-27T05:33:36Z","title":"Fotomat Watch | film, english, 2020","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/fotomat-watch-film-english-2020","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-27T05:33:36Z","slideshow_show_count_enabled":true,"position":-2122317824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Portrait","id":"4c575cd8-2d01-43d1-8a2d-19217586ffcf","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"5:4","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T09:34:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-27T05:33:36Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"fotomat-watch-film-english-2020","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"61b17a75-237f-45b9-8120-f107db18c7c5","tag_ids":[],"order_date":"2020-04-14T00:13:51Z","title":"Country Doctor","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"row","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"750:499","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"dbb53468-69ac-46d4-bf8c-b89e1719f379.jpg","filesize":865253,"height":998,"hidden":false,"id":"dbb53468-69ac-46d4-bf8c-b89e1719f379","inserted_at":"2020-04-14T01:25:09Z","name":null,"orientation":"Landscape","original_filename":"12_DOM_2013_09_21_19576.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2145878016,"set_id":"61b17a75-237f-45b9-8120-f107db18c7c5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/dbb53468-69ac-46d4-bf8c-b89e1719f379.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-14T05:14:44Z","weight":5,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Full","path":"archive/country-doctor","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Irregular","horizontalscroll_gutters":"L","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-14T00:13:51Z","slideshow_show_count_enabled":true,"position":-2118123520,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"8a2cab8f-5386-42b5-ad83-4fa72e57045e","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Bottom","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"dbb53468-69ac-46d4-bf8c-b89e1719f379","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-05-05T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-14T00:13:51Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"country-doctor","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"insert":"Country Doctor"},{"attributes":{"header":1},"insert":"\n"},{"insert":"\nThis series shot in 2013, documents the last working day of a country doctor in a small Ukrainian village before retiring."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"Born in a family of collective farmers, Dr. Nicholay Sirosh graduated from the Kyiv Medical School, then for three years he assisted the surgeon in the army. In 1964, in his early 22, Nicholay Sirosh settled into the small Ukrainian village of Slobidka, in the Zhytomyr region, where he became the sole physician for an area inhabited by almost 3000 people. "},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"The life of the country doctor was heroic, necessary, and utterly exhausting. After 49 years of healing, Nicholay Sirosh has won the love and respect of the villagers. He was a physician, surgeon, obstetrician, pediatrician and psychiatrist for them. Treating the daily ills, big and small, putting drips, stitching wounds and bandaging patients, giving injections, delivering babies - this is just a small part of the work that the doctor did selflessly every day."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"All these years, he has never backed down under any circumstances. The state stopped caring about the village and the health of its inhabitants a long time ago, allocating once a year miserable pennies for medicine. This taught Nicholay Sirosh to rely only on his own experience and manage the means at hand. Many families the country doctor knows in a few generations and can make a diagnosis without a mistake. Patients without embarrassment come to his house, he puts diagnoses and prescribes medication sitting at the dinner table. He and his wife are no longer surprised about night visits of patients, whether in serious cases, during labor or just to ask for some Citramonum."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"It was the last day when Nicholay Sirosh did doctor's round before retiring. 49 years every citizen of Slobidka knew that 24 hours a day he can put himself in the experienced doctor’s hands. Now they can only guess what will happen next."},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"horizontalscroll_layout":"Irregular","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["276a722e-8edc-410c-b153-f3efd3528424","f39e24b9-4474-4c11-a73c-764f8ca45b2b"],"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:23:44Z","title":"The British Journal of Photography, Book review by Lauren Kelly | english, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-03T09:40:01Z","slideshow_show_count_enabled":true,"position":-2097152000,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"4:3","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-08T06:42:50Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:23:44Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["2dde6d2e-03e9-44cd-a7b9-23c697bce5e1","34097854-2e66-46f0-9bd2-cd7997d5165b"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T06:33:37Z","title":"LensCulture, Book review by Sean Sheehan | english, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T06:33:37Z","slideshow_show_count_enabled":true,"position":-2046820352,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"79e63d4a-3e2e-410c-8003-f48d058c069a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"4:3","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T09:34:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T06:33:37Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"lensculture-book-review-by-sean-sheehan-english-2019","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"d99172bc-bb0f-4c60-b745-83c51f4704f7","tag_ids":[],"order_date":"2020-04-17T03:45:26Z","title":"Pit","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"grid","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"750:499","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"\n"}]},"duration":0,"filename":"4251c89b-c43a-4c0e-80e6-b66fafb311c9.jpg","filesize":401965,"height":998,"hidden":false,"id":"4251c89b-c43a-4c0e-80e6-b66fafb311c9","inserted_at":"2020-04-17T13:00:53Z","name":null,"orientation":"Landscape","original_filename":"14_DOM_2013_09_26_20785.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":528482295,"set_id":"d99172bc-bb0f-4c60-b745-83c51f4704f7","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/4251c89b-c43a-4c0e-80e6-b66fafb311c9.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-20T09:09:15Z","weight":5,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"L","path":"archive/pit","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Irregular","horizontalscroll_gutters":"L","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-17T03:45:26Z","slideshow_show_count_enabled":true,"position":-2037383168,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"ffc12b26-9d43-4069-8814-1f9d0cac3f9b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Top","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"4251c89b-c43a-4c0e-80e6-b66fafb311c9","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-05-05T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-17T03:45:26Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"pit","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"insert":"Pit"},{"attributes":{"header":1},"insert":"\n"},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"horizontalscroll_layout":"Irregular","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":false,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Center"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T17:35:14Z","title":"Untitled 307","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Maidan. Ukraine. Road to Freedom"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"TOURING EXHIBITION"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"93d59a4f-1c44-4e5f-8870-e2e7ff127c30","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015/untitled-307","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T17:35:14Z","slideshow_show_count_enabled":true,"position":-2013265920,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"6d986d26-8503-427a-af72-b57fa6fb22d6","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T04:17:41Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T17:35:14Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-307","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"50bfebbd-8e59-4a8d-8131-91c07d0baef4","tag_ids":[],"order_date":"2020-04-28T00:35:01Z","title":"Treasure Hunting","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"row","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"750:499","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0e10460-0373-462e-aed0-19aa58fb7148.jpg","filesize":780539,"height":998,"hidden":false,"id":"a0e10460-0373-462e-aed0-19aa58fb7148","inserted_at":"2020-04-28T00:36:01Z","name":null,"orientation":"Landscape","original_filename":"09_DOM_2013_11_26_22732.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1073741824,"set_id":"50bfebbd-8e59-4a8d-8131-91c07d0baef4","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0e10460-0373-462e-aed0-19aa58fb7148.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-28T01:26:12Z","weight":5,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"L","path":"archive/treasure-hunting","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"L","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-28T00:35:01Z","slideshow_show_count_enabled":true,"position":-1997012992,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e400994a-bdc1-40a8-b2a2-0d77a83f27a8","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Top","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"a0e10460-0373-462e-aed0-19aa58fb7148","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-28T00:35:01Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"treasure-hunting","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"attributes":{"align":"center","header":1},"insert":"\n"},{"attributes":{"bold":true},"insert":"TREASURE HUNTING"},{"attributes":{"align":"center","header":1},"insert":"\n"}]},"horizontalscroll_layout":"Irregular","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["9475c78b-df67-41fa-a904-c9068be1523e","4ef91bfc-2edb-42d5-a941-eb8bf81ab8e6"],"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-09T15:54:41Z","title":"A Small Town","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":true,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"archive/a-small-town","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"125:83","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"00b32543-e4bb-42a7-a3e8-9bf4c30b1ba0.jpg","filesize":258553,"height":996,"hidden":false,"id":"00b32543-e4bb-42a7-a3e8-9bf4c30b1ba0","inserted_at":"2020-04-23T00:33:31Z","name":"","orientation":"Landscape","original_filename":"DOM_2012_01_08_02459.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483621,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/00b32543-e4bb-42a7-a3e8-9bf4c30b1ba0.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-23T00:33:31Z","weight":3,"width":1500},"inserted_at":"2019-05-08T08:54:45Z","slideshow_show_count_enabled":true,"position":-1956642816,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"f19c0cbd-f933-458e-8b94-aebcc98d3949","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T15:54:41Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"a-small-town","image_id":"00b32543-e4bb-42a7-a3e8-9bf4c30b1ba0","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-12-12T03:57:11Z","title":"Untitled 187","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/untitled-project/genesis-chapter-untitled-project/untitled-187","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"Full","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"Two","index_text_size":"M","image":{"aspect_ratio":"4000:2459","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"34fdb2cf-7bec-4426-9b09-2add87bf502c.jpg","filesize":6495673,"height":2459,"hidden":false,"id":"34fdb2cf-7bec-4426-9b09-2add87bf502c","inserted_at":"2020-04-14T08:54:33Z","name":"","orientation":"Landscape","original_filename":"Untitled Project 01-2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483611,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/34fdb2cf-7bec-4426-9b09-2add87bf502c.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-14T08:54:33Z","weight":3,"width":4000},"inserted_at":"2019-12-12T03:57:11Z","slideshow_show_count_enabled":true,"position":-1945317168,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"81c8d4fe-725b-424a-a4d4-79d73624e9a9","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-14T08:54:38Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-12T03:57:11Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-187","image_id":"34fdb2cf-7bec-4426-9b09-2add87bf502c","slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["ddbb6265-e620-4f81-8855-7e8ad851f28f","f2a62494-e28a-488c-a6b9-0d86bb51e3e0","973700ed-daee-4429-8294-7ea68a14655a"],"alignment":"Center","set_id":"a4f93a12-426f-402a-9d46-1085d19e0245","tag_ids":[],"order_date":"2020-04-24T04:04:40Z","title":"Culture of Confrontation, Municipal Museum im Kornhouse, Kirchheim unter Teck, Germany, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"006dba0a-f5f2-4064-9d33-e11d6baf87ba.jpg","filesize":458994,"height":1001,"hidden":false,"id":"006dba0a-f5f2-4064-9d33-e11d6baf87ba","inserted_at":"2020-04-24T06:51:45Z","name":"","orientation":"Landscape","original_filename":"_DOM8949 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"a4f93a12-426f-402a-9d46-1085d19e0245","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/006dba0a-f5f2-4064-9d33-e11d6baf87ba.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T06:51:45Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"006dba0a-f5f2-4064-9d33-e11d6baf87ba.jpg","filesize":458994,"height":1001,"hidden":false,"id":"006dba0a-f5f2-4064-9d33-e11d6baf87ba","inserted_at":"2020-04-24T06:51:45Z","name":"","orientation":"Landscape","original_filename":"_DOM8949 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"a4f93a12-426f-402a-9d46-1085d19e0245","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/006dba0a-f5f2-4064-9d33-e11d6baf87ba.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T06:51:45Z","weight":3,"width":1500},"inserted_at":"2020-04-24T04:04:40Z","slideshow_show_count_enabled":true,"position":-1894838513,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Solo exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"edb12134-d56c-42cf-a9df-cec70becfb92","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"006dba0a-f5f2-4064-9d33-e11d6baf87ba","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-27T05:26:36Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T04:04:40Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019","image_id":"006dba0a-f5f2-4064-9d33-e11d6baf87ba","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["c701cec8-8364-4150-894c-b1ca22061a10"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-21T09:41:11Z","title":"Exhibitions History","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibitions-history","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-21T09:41:11Z","slideshow_show_count_enabled":true,"position":-1879048192,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-04-25T13:25:40Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-21T09:41:11Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"exhibitions-history","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2019-12-12T03:57:43Z","title":"Untitled 200","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"On the day of April 27, 1986 people in cities and villages of the Chernobyl zone heard a notice of a temporary evacuation because of the \"adverse radiation situation\". For that moment not everyone understood that under that words was meant an explosion at the nuclear power plant in Prypiat. The Soviet government promised people that they would return in a few days. They didn’t allow people to take with them anything except the most necessary things, which they would need for this short period. Unfortunately, most people didn’t see their homes again, as well as such priceless things as letters, photos of relatives and friends. With time these memories were coved with a thick layer of trash, mud and radiation."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"When I crossed the border of the exclusion zone for the first time, I was fascinated: entire villages and cities were disappearing under heavy branches of trees and shrubs. The once prosperous territories now were watching me silently. My project started as a visual exploration of the abandoned areas, villages and homes."},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/untitled-project/genesis-chapter-untitled-project/untitled-200","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"But over time I discovered that these houses, like museums, stored so many memorable things, which all this time were just rotting under a thick layer of trash and mud: old films, family photographs, postcards, letters. The more time went on, the less memories of people, who inhabited that lands, remained. "},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"Looters took everything that was worth at least something, except these historical objects. I couldn’t watch how a huge part of history was disappearing, all my attention was turned to an attempt to find and save these memories."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"This project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"My visual exploration of the Present led me to the Past, and the two spaces were intertwined with each other. Observing the deserted and silent landscapes of the territories that were destroyed by the nuclear energy, at the same time we are witnessing life full of happiness, hope and love. The same villages, the same houses appear to us in the state as they were before nuclear energy pushed humans out of their homes. This is the story in which Chernobyl is still an unknown city for the world. This project shows the consequences of nuclear development and the life that existed prior to this destructive force. "},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2019-12-12T03:57:43Z","slideshow_show_count_enabled":true,"position":-1844266824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"338af9ca-ec51-4707-96aa-be12d0e0e653","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-22T04:10:51Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-12T03:57:43Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-200","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["a6851b92-a62c-4be4-b0de-c24bbdc8319c","6ce598f9-ef79-4543-ba36-81c51c4f1ba8","8965e322-33c7-41ba-886b-ef80e4eb84d9","49162203-39fa-4d91-861c-65b1bf39c6e2","21529d02-f1d3-44a6-8e8b-41e904859ad8","7b1b5700-db46-47bf-b9a9-3e715b8c05e9","67e1b78e-af9c-45a0-a448-4d08078ea269","c429a198-a0c2-4f89-9fc4-d75e5addb6e6","c94e7898-3d63-4f56-87db-851a199de531","304b4380-64fb-40c9-a58a-0be93de1e319","58a17674-b08f-417b-a257-6154ef46555c","51e21a7d-90d1-4559-a3be-2bdc11053e61","0243b18e-11fe-49fe-8ef9-403fc5d09f81","5cc37394-7c2f-4a18-8272-28d0ba6258d0"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-28T23:04:23Z","title":"PROJECTS","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"projects","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-28T23:04:23Z","slideshow_show_count_enabled":true,"position":-1837957120,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"979ca6c9-89a1-4c9a-ade1-332f45d8994c","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"3:2","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-04-29T03:53:37Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-28T23:04:23Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"projects","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"dcbea3c8-63c6-445e-b5d5-08562333a777","tag_ids":[],"order_date":"2019-11-27T03:25:35Z","title":"APEIRON","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":true,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"2000:1333","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"0714a8df-7631-4fce-a6ab-302bba11a55f.jpg","filesize":710135,"height":1333,"hidden":false,"id":"0714a8df-7631-4fce-a6ab-302bba11a55f","inserted_at":"2019-06-23T07:42:04Z","name":null,"orientation":"Landscape","original_filename":"13_rd01_FILM59_20180516_0005.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2146959354,"set_id":"dcbea3c8-63c6-445e-b5d5-08562333a777","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/0714a8df-7631-4fce-a6ab-302bba11a55f.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-30T10:06:58Z","weight":3,"width":2000},"meta_description":"“Like a living organism, a photograph is born directly on particles of silver, which ripen, flourish at some point, and then grows old”.","viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/apeiron","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2019-11-27T03:25:35Z","slideshow_show_count_enabled":true,"position":-1811939328,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"8b20dfab-60d4-4586-9d9b-c6ee2e4b9345","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#ffffff","cover_image_id":"0714a8df-7631-4fce-a6ab-302bba11a55f","description_content_html":null,"slideshow_transition":true,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-30T10:06:58Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-11-27T03:25:35Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"apeiron","image_id":null,"slideshow_ratio":"1:1","description_content":{"ops":[{"insert":"apeiron"},{"attributes":{"align":"right","header":1},"insert":"\n"},{"insert":"“Like a living organism, a photograph is born directly on particles of silver, which ripen, flourish at some point, and then grows old”.* The photo negatives that were lost and forgotten several decades ago in the cities and villages of Chernobyl, have been subjected over the last 30 years to very slow degradation under the influence of radiation and the elements of nature. Passing through stages of disappearance, erasure and decay, they retained the traces of evidence of bodies or things that left their mark on the photosensitive film emulsion."},{"attributes":{"align":"justify","header":5},"insert":"\n"},{"attributes":{"header":5},"insert":"\n"},{"insert":"To let go of the facts, but also to go towards the self-contradiction in representing the facts to reach a certain artistic pursuit; leaving behind the spiritual and transcendental sphere, depriving it of semantic meaning, diving on deep feelings and immersing yourself into the flow of subjective consciousness and metaphysical imagery, playing with the human eye, which ceased to read out the images as clear and accessible to it."},{"attributes":{"align":"justify","header":5},"insert":"\n"},{"attributes":{"color":"#424242"},"insert":"*Roland Barthes"},{"attributes":{"align":"right","header":5},"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Right"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["4b753ad2-9d2a-40f6-a149-437a8e8bfae1","ebfe7e9b-ab00-4a78-931f-f2e9f2cb95d9"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2019-12-22T04:27:44Z","title":"Volker Sonntag speech about \"Culture of Confrontation\" | english, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2019-12-22T04:27:44Z","slideshow_show_count_enabled":true,"position":-1744830464,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"9e270bcd-77a5-4469-80da-0a75b380be3d","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"4:3","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T09:34:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-22T04:27:44Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"volker-sonntag-speech-about-culture-of-confrontation-english-2019","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"6f221907-2443-4c4e-8759-d0fa5c0cd94e","tag_ids":[],"order_date":"2019-12-05T00:23:25Z","title":"Untitled 203","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"16:9","asset_id":"NgVvX5RqS7p2zFOz9SVP1WaOLEoP5sz01","cover_image":true,"description":{},"duration":19,"filename":"66251fd0-5711-4d1b-9f67-ea2d7645382c.mp4","filesize":27127845,"height":720,"hidden":false,"id":"66251fd0-5711-4d1b-9f67-ea2d7645382c","inserted_at":"2019-12-04T05:37:24Z","name":null,"orientation":"Landscape","original_filename":"CUT 1.mp4","playback_id":"wJszDGEVLK02UhErDMyJoWjXEWQ2TlAMu","poster_position":0.0,"private":false,"rank":1617802980,"set_id":"6f221907-2443-4c4e-8759-d0fa5c0cd94e","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/wJszDGEVLK02UhErDMyJoWjXEWQ2TlAMu.m3u8","poster":"https://image.mux.com/wJszDGEVLK02UhErDMyJoWjXEWQ2TlAMu/thumbnail.jpg?time=0.0"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2019-12-16T00:44:46Z","weight":3,"width":1280},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/untitled-project/genesis-chapter-untitled-project/untitled-203","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Irregular","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2019-12-04T06:03:45Z","slideshow_show_count_enabled":true,"position":-1743216480,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"b44c8160-e143-4845-93c2-e0174b1a8a28","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#ffffff","cover_image_id":"66251fd0-5711-4d1b-9f67-ea2d7645382c","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"L","updated_at":"2020-01-20T07:50:51Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-05T00:23:25Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-203","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":false,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-30T10:57:38Z","title":"Untitled 132","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"TB EPIDEMIC"},{"attributes":{"align":"center","header":1},"insert":"\n"},{"insert":"UKRAINE"},{"attributes":{"align":"center","header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/tb-epidemic/untitled-132","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-30T10:57:38Z","slideshow_show_count_enabled":false,"position":-1728053248,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1fe2c86b-9ef3-40bb-b677-85f5d18c2a74","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T02:05:20Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-30T10:57:38Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-132","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["bde2ba68-80c7-472c-9a70-cabebf7aae08","1f3493e4-5578-47c4-b677-795eec45c68e","e4ed08cd-8142-4f00-9bea-a42f06f00282"],"alignment":"Center","set_id":"d69daeae-68fb-40c7-8b92-012222395eb6","tag_ids":[],"order_date":"2020-04-24T03:52:47Z","title":"Untitled Project, Fotográfica Bogota Biennale, Colombia, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1600:1067","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"Fotográfica Biennale, Bogota. (Colombia, 2019)"}]},"duration":0,"filename":"617f637f-714f-464f-8dc6-39a1efc5a5f2.jpg","filesize":1023040,"height":1067,"hidden":false,"id":"617f637f-714f-464f-8dc6-39a1efc5a5f2","inserted_at":"2019-06-02T07:53:10Z","name":null,"orientation":"Landscape","original_filename":"02_IMG_9479.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1073741824,"set_id":"d69daeae-68fb-40c7-8b92-012222395eb6","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/617f637f-714f-464f-8dc6-39a1efc5a5f2.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-10T02:21:44Z","weight":3,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1600:1067","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"Fotográfica Biennale, Bogota. (Colombia, 2019)"}]},"duration":0,"filename":"617f637f-714f-464f-8dc6-39a1efc5a5f2.jpg","filesize":1023040,"height":1067,"hidden":false,"id":"617f637f-714f-464f-8dc6-39a1efc5a5f2","inserted_at":"2019-06-02T07:53:10Z","name":null,"orientation":"Landscape","original_filename":"02_IMG_9479.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1073741824,"set_id":"d69daeae-68fb-40c7-8b92-012222395eb6","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/617f637f-714f-464f-8dc6-39a1efc5a5f2.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-10T02:21:44Z","weight":3,"width":1600},"inserted_at":"2020-04-24T03:52:47Z","slideshow_show_count_enabled":true,"position":-1642193378,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Group exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"617f637f-714f-464f-8dc6-39a1efc5a5f2","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T10:57:20Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T03:52:47Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-project-fotografica-bogota-biennale-colombia-2019","image_id":"617f637f-714f-464f-8dc6-39a1efc5a5f2","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":true,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"a389aa75-6e82-4ab8-8520-0ece76f42b1d","tag_ids":[],"order_date":"2019-07-05T12:07:47Z","title":"Maxim Dondyuk","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":true,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"STAY HOME STAY SAFE"},{"attributes":{"align":"center","header":1},"insert":"\n"}]},"online":true,"icon":"none","parent_id":null,"type":"cover","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"4429:2953","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"73f5d251-9d80-4c48-97c9-decf1872a7e4.jpg","filesize":52329636,"height":5906,"hidden":false,"id":"73f5d251-9d80-4c48-97c9-decf1872a7e4","inserted_at":"2019-12-03T03:25:10Z","name":"","orientation":"Landscape","original_filename":"@HR_pr01_FILM03_20191116_0006.tiff","playback_id":null,"poster_position":0.0,"private":false,"rank":1550843904,"set_id":"a389aa75-6e82-4ab8-8520-0ece76f42b1d","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/73f5d251-9d80-4c48-97c9-decf1872a7e4.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-03T03:25:37Z","weight":3,"width":8858},"meta_description":"Visual Artist, Photographer","viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Full","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-07-05T12:07:47Z","slideshow_show_count_enabled":true,"position":-1622355874,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"3bbaddb4-da23-4543-82a3-086b2adc51e6","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":"Maxim Dondyuk","index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"73f5d251-9d80-4c48-97c9-decf1872a7e4","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T22:50:48Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-07-05T12:07:47Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["5fb28ba2-4a84-464f-bd6e-6b866363ca7d","dda938d9-bdf5-4922-82f9-a9fa4d162711","02569cf6-1375-4944-a3ba-9add247e12f5","1c35e6f4-d299-4026-9085-f42af3e422d6","ee7c0a41-0118-49f7-a5c1-a415c0391f6f","acded8d9-81fa-4a83-87e6-29d76ca50e28","65a6c7b5-a06e-488c-b2f4-46d8741232c2","b0903f4a-8a03-4170-8e08-ac25af078ede","07292af8-7c05-4b51-b895-4dd5c6cfc64a","40e28273-c523-4522-934f-683c147707fd","10e58799-2de8-4447-88aa-c9519af3c29d","47024cb1-1d0b-43d3-8d81-3ee5b800b547","5cc8e665-d91d-4919-8066-c5e2abeffe48","22e852bd-a6f8-400a-a910-b50b78a14353","3292441e-b0c7-4d9a-807b-5f2f9f792ddb","4f46af5b-d9e5-4569-a0ab-0d68bcfc20b9","858b5877-3933-4212-b782-f2bcc8f72c5a","2ee32bdc-f21e-40b1-aeda-9c0f7017743e","f4a47f32-35a9-420c-b787-9f81d8939895","70c29514-fe8b-42ff-b7e6-ae13e1f45473","da0caef0-4274-448b-a26d-6d88ade03298","0a29f271-4ca5-4c1d-957e-e12ad715480b","6f6cb74e-c6c9-4d5a-83bc-4bd0ab195a61","7456b3ef-789d-484a-a5ee-dcae95fc42aa"],"alignment":"Left","set_id":"53e4f578-d8bb-476a-9a56-8c3e68cdf996","tag_ids":[],"order_date":"2019-08-02T12:58:09Z","title":"UN/NGO Portfolio","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"431:610","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"International Committee of the Red Cross (ICRC)"}]},"duration":0,"filename":"d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f.jpg","filesize":353662,"height":1220,"hidden":false,"id":"d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f","inserted_at":"2019-08-01T10:53:55Z","name":null,"orientation":"Portrait","original_filename":"5f11cce7-170f-4dfc-9df2-8f2152197d49.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"53e4f578-d8bb-476a-9a56-8c3e68cdf996","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-01T11:32:13Z","weight":3,"width":862},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"unngo-portfolio","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"863:1220","asset_id":null,"cover_image":false,"description":{"ops":[{"insert":"World Health Organization (WHO)"}]},"duration":0,"filename":"f4daf074-18a3-4b05-8b20-566ac594efe2.jpg","filesize":151018,"height":1220,"hidden":false,"id":"f4daf074-18a3-4b05-8b20-566ac594efe2","inserted_at":"2019-08-01T10:54:01Z","name":null,"orientation":"Portrait","original_filename":"87ea959f-b4ad-466c-b229-6106bad8816c.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1879048192,"set_id":"53e4f578-d8bb-476a-9a56-8c3e68cdf996","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f4daf074-18a3-4b05-8b20-566ac594efe2.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-01T11:31:15Z","weight":3,"width":863},"inserted_at":"2019-08-02T12:58:09Z","slideshow_show_count_enabled":true,"position":-1619947031,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"dadb3008-4aaa-413a-9a12-3f0ad3b98b67","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T22:50:48Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-08-02T12:58:09Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"unngo-portfolio","image_id":"f4daf074-18a3-4b05-8b20-566ac594efe2","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["8b20dfab-60d4-4586-9d9b-c6ee2e4b9345","e0a35910-5fb7-4224-be4b-43c4f3cb20ee","53b7578d-467c-4474-95ed-53c7c8a86610","c4c2e08f-1a65-4c11-9bba-ee37b4b6b130","5bfd8f44-4705-4593-b3f3-76cfaf725bd2","d3cc330a-b539-4bbc-916e-cc82c8e42caa","7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","cb8ab988-c3cb-4d68-91f4-10c60080ff2a","3bf89c53-5099-46cf-8013-656904999c50","893a8c56-d8a3-4214-bb29-c25290824f83","c751f417-5a4b-429f-9ffd-a7d9145d6597"],"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-12T12:37:48Z","title":"WORKS","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-03T17:04:34Z","slideshow_show_count_enabled":true,"position":-1617538188,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Top","imagegrid_ratio_orientation":"Landscape","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"M","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"2:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"L","updated_at":"2020-07-10T22:50:48Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-12T12:37:48Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"works","image_id":null,"slideshow_ratio":"auto","description_content":{"ops":[{"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Center"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["85fccd7a-b682-4adb-82d7-e651e1436fdd","6b76f9ee-72cd-443a-8071-1fca1b37f99f","8a2cab8f-5386-42b5-ad83-4fa72e57045e","ffc12b26-9d43-4069-8814-1f9d0cac3f9b","e400994a-bdc1-40a8-b2a2-0d77a83f27a8","f19c0cbd-f933-458e-8b94-aebcc98d3949","e0c30cdf-1443-459b-a885-85b64507aa4d","bdf8fbec-a3fa-4f30-801a-311ca79d006f","47188253-0ff3-4bba-ab59-1be11dd55235"],"alignment":"Left","set_id":"2faaaf65-7098-433b-9b4d-60acb2d534af","tag_ids":[],"order_date":"2019-05-15T05:10:27Z","title":"ARCHIVE","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"499:750","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"2028b0af-332d-4f2d-b4fd-e77f12ff3ee1.jpg","filesize":800608,"height":1500,"hidden":false,"id":"2028b0af-332d-4f2d-b4fd-e77f12ff3ee1","inserted_at":"2020-04-13T04:52:03Z","name":null,"orientation":"Portrait","original_filename":"16_DOM_2013_03_07_02477.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147090432,"set_id":"2faaaf65-7098-433b-9b4d-60acb2d534af","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/2028b0af-332d-4f2d-b4fd-e77f12ff3ee1.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-26T10:58:19Z","weight":5,"width":998},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"archive","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Cover","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"750:499","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"d38838c7-d98a-4fc0-931f-8ef22c539e7e.jpg","filesize":822626,"height":998,"hidden":false,"id":"d38838c7-d98a-4fc0-931f-8ef22c539e7e","inserted_at":"2020-04-13T04:51:38Z","name":null,"orientation":"Landscape","original_filename":"01_DOM_2013_03_07_02529.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"2faaaf65-7098-433b-9b4d-60acb2d534af","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d38838c7-d98a-4fc0-931f-8ef22c539e7e.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-26T10:58:02Z","weight":5,"width":1500},"inserted_at":"2019-05-15T05:10:00Z","slideshow_show_count_enabled":true,"position":-1612720502,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Bottom","imagegrid_ratio_orientation":"Portrait","id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"2028b0af-332d-4f2d-b4fd-e77f12ff3ee1","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"M","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"S","updated_at":"2020-07-10T22:50:48Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-15T05:10:27Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"archive","image_id":"d38838c7-d98a-4fc0-931f-8ef22c539e7e","slideshow_ratio":"auto","description_content":{"ops":[{"insert":"ARCHIVE"},{"attributes":{"align":"center","header":2},"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Center"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-09-26T13:00:38Z","title":"Untitled 196","do_not_index":false,"cta_url":"https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=BGGSJTMR46RA2","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":"BUY BOOK","text_content1":{"ops":[{"insert":"Culture of Confrontation Book"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Limited Edition Signed Print"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\nSelf-publish in 2019\nHardcover with cloth spine\nSupplemented with a map and timeline\n292 pages, 18×24 cm, text in English \nSpecial edition: Book signed and numbered (500 books printed in total)\nwith limited edition signed print 23x16 cm (100 copies in total)\n"},{"attributes":{"bold":true},"insert":"Price: 200 euro + shipping"},{"insert":"\n\n"},{"attributes":{"bold":true},"insert":"Reviews"},{"insert":"\n"},{"attributes":{"link":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/"},"insert":"PhotoBook Journal"},{"insert":"\n"},{"attributes":{"link":"https://www.bjp-online.com/2019/12/maxim-dondyuk-culture-of-the-confrontation/"},"insert":"British Journal of Photography"},{"insert":"\n"},{"attributes":{"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#ffffff","text_color":"#000000","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"books/culture-of-confrontation-book-with-signed-print/untitled-196","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"\n\n"},{"attributes":{"bold":true},"insert":"Reviews"},{"insert":"\n"},{"attributes":{"link":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/"},"insert":"PhotoBook Journal"},{"insert":"\n"},{"attributes":{"link":"https://www.bjp-online.com/2019/12/maxim-dondyuk-culture-of-the-confrontation/"},"insert":"British Journal of Photography"},{"insert":"\n"},{"attributes":{"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-09-26T13:00:38Z","slideshow_show_count_enabled":false,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"191dff98-51bd-47a9-bfcf-f58d5e9fbd08","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-30T10:47:53Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-09-26T13:00:38Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-196","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T17:36:36Z","title":"Untitled 308","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Battle of Ilovaisk"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"TOURING EXHIBITION"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"378e921d-83d2-4884-afac-4de698e7e3ff","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018/untitled-308","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T17:36:36Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"d8f88e29-34ad-4aa7-aa89-51c891386d21","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T03:41:42Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T17:36:36Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-308","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T14:37:46Z","title":"Untitled 288","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Past. Present. Future."},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"TOURING EXHIBITION"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-288","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T14:37:46Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1f62428b-4226-447c-b867-0c172bf759db","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T14:59:14Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T14:37:46Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-288","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T16:02:55Z","title":"Untitled 297","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"UNSTABLE FIELDS"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":" J U N E - J U L Y 2016"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"APhF, Benaki Museum, Athens, GR"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"91ee9a9c-10ec-4e4e-bc26-efb52656f663","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016/untitled-297","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T16:02:55Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"d62255e3-1725-4778-bb0e-dee0554e7e3a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T16:35:03Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T16:02:55Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-297","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T16:37:21Z","title":"Untitled 301","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Global Control and Censorship"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"O C T O B E R 2015 - M A Y 2016"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"Center for Art and Media, Karlsruhe, DE"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"7d4606dd-f38c-4795-94dc-529304391a74","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015/untitled-301","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T16:37:21Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"d96adc32-abfb-438f-8de8-5f352082c76b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T13:13:25Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T16:37:21Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-301","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T17:01:21Z","title":"Untitled 303","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Light Performance: I am a dream"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"A P R I L 4, 2015"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"French Spring in Ukraine, St. Sophia Cathedral, Kyiv, UA"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"f920a94f-400c-4f72-a688-4f52f9506f3b","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/st-sophia-cathedral-french-spring-in-ukraine-kyiv-ukraine-2015/untitled-303","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T17:01:21Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"319ab959-d6fc-4bd1-8a34-56a4934f88c2","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T17:23:16Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T17:01:21Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-303","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-05-04T06:48:55Z","title":"Untitled 369","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"CRIMEA SICH"},{"attributes":{"header":1},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#000000","text_color":"#ffffff","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-369","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-04T06:48:55Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"6793fe48-3969-4d77-96b6-ccff80853a71","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T09:09:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T06:48:55Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-369","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T17:32:25Z","title":"Untitled 306","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"TB Epidemic in Ukraine"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"TOURING EXHIBITION"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"a293bc02-d543-4f48-9f9e-3626877290ef","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012/untitled-306","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T17:32:25Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"381240b5-3001-4c5c-ac4c-04989ba4faa2","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T06:54:33Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T17:32:25Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-306","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["1076cf20-b1f0-4803-b3fb-daed05303fc1","edb12134-d56c-42cf-a9df-cec70becfb92","31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","1f24277d-98df-47ea-8be3-50403a1634da","fe20449e-e647-465e-9239-eee9923659e4","1b64f6c4-7370-4cd4-a8ac-a39bd88c1aae","91ee9a9c-10ec-4e4e-bc26-efb52656f663","95b571dc-ffb7-491f-97c5-b9bb60018d98","378e921d-83d2-4884-afac-4de698e7e3ff","7d4606dd-f38c-4795-94dc-529304391a74","f920a94f-400c-4f72-a688-4f52f9506f3b","93d59a4f-1c44-4e5f-8870-e2e7ff127c30","063dcc34-037a-4bf4-9efe-be2fd6876455","739ad66e-ed88-417e-863c-e3eff1389b61","a293bc02-d543-4f48-9f9e-3626877290ef","685378e0-c62d-40be-adb4-303b04bc146b"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T02:46:33Z","title":"Exhibition Views","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"S","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Rows","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"XL","image":null,"inserted_at":"2020-04-24T02:46:33Z","slideshow_show_count_enabled":true,"position":-1610612736,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"M","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"S","updated_at":"2020-04-25T14:15:00Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T02:46:33Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"exhibition-views","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"attributes":{"align":"center"},"insert":"\n\n\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Center"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["1f62428b-4226-447c-b867-0c172bf759db","be96f877-0567-4af5-a9e8-7ffc04cab9cc","f3a9feba-fa4f-4ddf-852a-b58e068f94a3","fd51382f-32aa-4044-b4de-e1f540d07d99","39bfee1e-6a0b-4add-8bf1-f512276055ac","9c0999a7-3a6b-4255-b51b-666de3fc7c8c"],"alignment":"Center","set_id":"6ed8acd1-c30a-4c69-8493-3f13b52c8845","tag_ids":[],"order_date":"2020-04-24T04:45:33Z","title":"Past. Present. Future. Touring exhibition, 2018","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d41b806d-1116-4b48-8b87-d46eb40f5e58.jpg","filesize":498998,"height":1001,"hidden":false,"id":"d41b806d-1116-4b48-8b87-d46eb40f5e58","inserted_at":"2020-04-24T07:01:48Z","name":null,"orientation":"Landscape","original_filename":"DOM_2018_02_01_5315 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1073741824,"set_id":"6ed8acd1-c30a-4c69-8493-3f13b52c8845","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d41b806d-1116-4b48-8b87-d46eb40f5e58.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:03:58Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d41b806d-1116-4b48-8b87-d46eb40f5e58.jpg","filesize":498998,"height":1001,"hidden":false,"id":"d41b806d-1116-4b48-8b87-d46eb40f5e58","inserted_at":"2020-04-24T07:01:48Z","name":null,"orientation":"Landscape","original_filename":"DOM_2018_02_01_5315 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1073741824,"set_id":"6ed8acd1-c30a-4c69-8493-3f13b52c8845","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d41b806d-1116-4b48-8b87-d46eb40f5e58.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:03:58Z","weight":3,"width":1500},"inserted_at":"2020-04-24T04:45:33Z","slideshow_show_count_enabled":true,"position":-1389548243,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Solo exhibition"},{"insert":"\n\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1f24277d-98df-47ea-8be3-50403a1634da","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"d41b806d-1116-4b48-8b87-d46eb40f5e58","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T10:54:52Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T04:45:33Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"past-present-future-touring-exhibition-2018","image_id":"d41b806d-1116-4b48-8b87-d46eb40f5e58","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["b36196cd-fd15-42ef-9366-bdbf3764befa","5c68e29b-a409-4279-ac6e-6931ddaa4ce3"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2019-12-22T04:07:01Z","title":"Dr. Katrin Burtschell speech about \"Culture of Confrontation\" | english, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2019-12-22T04:07:01Z","slideshow_show_count_enabled":true,"position":-1342177281,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"d9b8f334-a659-491b-aad8-06f008512cdf","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"4:3","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T09:34:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-22T04:07:01Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-12T05:56:08Z","title":"Untitled 114","do_not_index":false,"cta_url":"https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=MKEKM29Z7D9NC","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":"BUY BOOK","text_content1":{"ops":[{"insert":"Culture of Confrontation"},{"attributes":{"color":"#000000"},"insert":" "},{"insert":"Book"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\nSelf-publish in 2019\nHardcover with cloth spine\nSupplemented with a map and timeline\n292 pages, 18×24 cm, text in English \nFirst edition: 500 books printed in total signed and numbered\n"},{"attributes":{"bold":true},"insert":"Price: 100 euro + shipping"},{"insert":"\n\n"},{"attributes":{"bold":true},"insert":"Reviews"},{"insert":"\n"},{"attributes":{"link":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/"},"insert":"PhotoBook Journal"},{"insert":"\n"},{"attributes":{"link":"https://www.bjp-online.com/2019/12/maxim-dondyuk-culture-of-the-confrontation/"},"insert":"British Journal of Photography"},{"insert":"\n"},{"attributes":{"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#ffffff","text_color":"#000000","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"books/culture-of-confrontation-book/untitled-114","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"Reviews\n\n"},{"attributes":{"link":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/"},"insert":"PhotoBook Journal"},{"insert":"\n"},{"attributes":{"color":"#000000","link":"https://www.bjp-online.com/2019/12/maxim-dondyuk-culture-of-the-confrontation/"},"insert":"British Journal of Photography"},{"insert":"\n"},{"attributes":{"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-10T08:38:51Z","slideshow_show_count_enabled":false,"position":-1342177280,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"c186c3b8-cb2c-4ca4-befb-35a5b616951e","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-20T03:30:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-12T05:56:08Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-114","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["835ebaf6-2372-466a-886f-c71914640c1b","0378bace-719d-4c69-9652-3df28ab6d2a9","c06d6af3-5d5b-461d-b890-44f81f24a315","e62a7489-d474-4681-92fc-9219b1a8dd73","d3110a99-1b71-4f6f-826d-4f29cefcd1c9","d6af2b38-cc54-4fd9-9f4c-4d299b9d7b44","0e8f37f5-c689-4a49-bf34-97c7d4e898c0","aa2355c7-f1d0-4fe1-aae4-60583afcfa16"],"alignment":"Center","set_id":"1dbc5172-9ed2-436a-b1bd-774d00042aef","tag_ids":[],"order_date":"2020-04-24T05:39:39Z","title":"Prix Pictet: Disorder, Touring exhibition, 2015 - 2017","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1000:667","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"International Red Cross and Red Crescent Museum, Geneva. (Switzerland, 2016)\n"}]},"duration":0,"filename":"d3e2222d-8eae-4443-888d-11680f24740f.jpg","filesize":655471,"height":1334,"hidden":false,"id":"d3e2222d-8eae-4443-888d-11680f24740f","inserted_at":"2019-05-09T11:39:31Z","name":null,"orientation":"Landscape","original_filename":"_DSC0603.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-134217727,"set_id":"1dbc5172-9ed2-436a-b1bd-774d00042aef","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d3e2222d-8eae-4443-888d-11680f24740f.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T09:25:49Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1000:667","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"International Red Cross and Red Crescent Museum, Geneva. (Switzerland, 2016)\n"}]},"duration":0,"filename":"d3e2222d-8eae-4443-888d-11680f24740f.jpg","filesize":655471,"height":1334,"hidden":false,"id":"d3e2222d-8eae-4443-888d-11680f24740f","inserted_at":"2019-05-09T11:39:31Z","name":null,"orientation":"Landscape","original_filename":"_DSC0603.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-134217727,"set_id":"1dbc5172-9ed2-436a-b1bd-774d00042aef","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d3e2222d-8eae-4443-888d-11680f24740f.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T09:25:49Z","weight":3,"width":2000},"inserted_at":"2020-04-24T05:39:39Z","slideshow_show_count_enabled":true,"position":-1263225675,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Group exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"fe20449e-e647-465e-9239-eee9923659e4","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"d3e2222d-8eae-4443-888d-11680f24740f","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T03:11:44Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T05:39:39Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"prix-pictet-disorder-touring-exhibition-2015-2017","image_id":"d3e2222d-8eae-4443-888d-11680f24740f","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["87a8d1b9-bcb6-4860-929a-fc25420e7b0a","874160cb-c64a-47ed-ab58-890f6b4948f4","c218fe5f-4df0-42e9-a94d-2da4e3fdd0cc","a812ee97-433f-4cfc-b3e7-c42393db9905","4fd31dbc-3295-4805-95ae-b03e79e16fc2","a3464d64-a5e4-49f6-b092-a752b2c9f90d","29913861-cc2b-4019-9b2a-0c08685bde8f","0e9a79bb-f1dd-4aa2-8e97-6351c3fcbdb9","f49525e3-4801-48a9-bc55-f2cff6fafd9d","09ea26c7-48ba-45ea-a20a-d13f7d605a09","ced30b92-37bf-48d0-afc8-98298f72764d","93c007c7-1b23-49f3-a206-9e51cbc465f8","0564784b-2f18-42a9-a62d-b4fc8f1ca87d","db88c4ef-d0a9-426f-8492-58aebef801a8","910dcd76-b87d-44a2-8511-1b71c381a11a","2cc5d0a3-25c6-4612-b819-ca0f1dcf5343","3b972781-7081-4d54-a3e4-2bb76229c670","45312745-459a-49c5-9c01-251e509e301a","fc9c18eb-8678-4df6-8a67-a14b0d6f78b6","e127f543-78e3-4a18-ba80-cce1dcb5668c","59e8943b-5882-445a-9365-d80eb1d518f2","5f9ebe78-316c-4ba8-8232-0f8998756068","b2e9f058-c686-46de-9951-1dd4f071bcae","284c148f-b5d6-40c4-bf39-d04040553adf","59245baa-9ec4-498f-b294-107d60290c51","fb7c472a-33d7-4d1c-8ab4-dbafd321e0f4"],"alignment":"Center","set_id":"512eb566-8630-41d2-8f51-67e5adf9f182","tag_ids":[],"order_date":"2020-04-28T03:23:00Z","title":"UNTITLED PROJECT FROM CHERNOBYL","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":true,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"500:333","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"0e96757d-fd3c-446d-860c-287f18e15fe2.jpg","filesize":978345,"height":999,"hidden":false,"id":"0e96757d-fd3c-446d-860c-287f18e15fe2","inserted_at":"2019-12-16T05:10:08Z","name":null,"orientation":"Landscape","original_filename":"DOM_2018_03_25_DJI0014.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2013265920,"set_id":"512eb566-8630-41d2-8f51-67e5adf9f182","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/0e96757d-fd3c-446d-860c-287f18e15fe2.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-16T14:02:51Z","weight":4,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/untitled-project-from-chernobyl","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"329:500","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"2609c3a5-d457-41b1-a52d-72b3114e40d5.jpg","filesize":529752,"height":1500,"hidden":false,"id":"2609c3a5-d457-41b1-a52d-72b3114e40d5","inserted_at":"2019-12-16T14:00:45Z","name":null,"orientation":"Portrait","original_filename":"rd01_FILM58_20180516_0004.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2141192192,"set_id":"512eb566-8630-41d2-8f51-67e5adf9f182","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/2609c3a5-d457-41b1-a52d-72b3114e40d5.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-16T14:03:24Z","weight":1,"width":987},"inserted_at":"2020-04-28T03:23:00Z","slideshow_show_count_enabled":true,"position":-1174405120,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e0a35910-5fb7-4224-be4b-43c4f3cb20ee","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"0e96757d-fd3c-446d-860c-287f18e15fe2","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-04-30T10:07:21Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-28T03:23:00Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-project-from-chernobyl","image_id":"2609c3a5-d457-41b1-a52d-72b3114e40d5","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["9518a3da-9a20-4473-80f9-93546b5b50f4","6f91febc-d784-43da-b66c-64588409364e"],"alignment":"Center","set_id":"3e131de5-3416-4fcf-9d66-33dd5b5d1a23","tag_ids":[],"order_date":"2020-04-24T05:00:47Z","title":"Culture of Confrontation, Fotográfica Biennale, Fundación Gilberto Alzate Avendaño, Bogota, Columbia, 2017","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"308bbfbc-25f6-4f07-a0d8-821fa5fd24b5.jpg","filesize":501013,"height":1001,"hidden":false,"id":"308bbfbc-25f6-4f07-a0d8-821fa5fd24b5","inserted_at":"2020-04-24T07:07:57Z","name":"","orientation":"Landscape","original_filename":"01_DOM_2017_05_16_2406.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"3e131de5-3416-4fcf-9d66-33dd5b5d1a23","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/308bbfbc-25f6-4f07-a0d8-821fa5fd24b5.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:07:57Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"308bbfbc-25f6-4f07-a0d8-821fa5fd24b5.jpg","filesize":501013,"height":1001,"hidden":false,"id":"308bbfbc-25f6-4f07-a0d8-821fa5fd24b5","inserted_at":"2020-04-24T07:07:57Z","name":"","orientation":"Landscape","original_filename":"01_DOM_2017_05_16_2406.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"3e131de5-3416-4fcf-9d66-33dd5b5d1a23","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/308bbfbc-25f6-4f07-a0d8-821fa5fd24b5.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:07:57Z","weight":3,"width":1500},"inserted_at":"2020-04-24T05:00:47Z","slideshow_show_count_enabled":true,"position":-1136903108,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Group exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1b64f6c4-7370-4cd4-a8ac-a39bd88c1aae","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"308bbfbc-25f6-4f07-a0d8-821fa5fd24b5","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T16:01:11Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T05:00:47Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017","image_id":"308bbfbc-25f6-4f07-a0d8-821fa5fd24b5","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-05-05T06:39:00Z","title":"Untitled 396","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"Single Pictures\n"}]},"online":true,"icon":"none","parent_id":"47188253-0ff3-4bba-ab59-1be11dd55235","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"archive/archive-22/untitled-396","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-05T06:39:00Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"a5862cca-2f1a-4385-bc5a-333046744220","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T06:49:37Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-05T06:39:00Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-396","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T14:13:05Z","title":"Untitled 279","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Untitled Project from Chernobyl"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"M A Y - J U N E 2019"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"Fotográfica Biennale, Bogota, CO"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019/untitled-279","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T14:13:05Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"bde2ba68-80c7-472c-9a70-cabebf7aae08","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T15:22:36Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T14:13:05Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-279","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-25T06:28:18Z","title":"Untitled 319","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"TB Epidemic in Ukraine"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"S E P T E M B E R - O C T O B E R, 2011"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"FOTODOC, Sakharov Center, Moscow, RU"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"685378e0-c62d-40be-adb4-303b04bc146b","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-fotodoc-sakharov-center-moscow-russia-2011/untitled-319","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-25T06:28:18Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"a6a3a7d9-62d7-4627-a97d-a2b27c7974aa","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T06:28:18Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-319","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"6cfdf73d-c34f-4bea-b097-893aeff242ea","tag_ids":[],"order_date":"2020-04-23T03:11:09Z","title":"UNTITLED PROJECT from Chernobyl publications","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","type":"grid","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"8:5","asset_id":null,"cover_image":true,"description":{"ops":[{"attributes":{"link":"http://www.slate.fr/grand-format/vie-avant-tchernobyl-165707"},"insert":"Slate,France"},{"insert":"\n"}]},"duration":0,"filename":"322d3ba9-3254-465e-b689-5f39f2ef8f07.png","filesize":4827750,"height":2100,"hidden":false,"id":"322d3ba9-3254-465e-b689-5f39f2ef8f07","inserted_at":"2019-05-10T15:59:11Z","name":null,"orientation":"Landscape","original_filename":"Screen Shot 2019-05-10 at 18.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483636,"set_id":"6cfdf73d-c34f-4bea-b097-893aeff242ea","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/322d3ba9-3254-465e-b689-5f39f2ef8f07.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-23T03:14:37Z","weight":3,"width":3360},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/press-media/untitled-project-from-chernobyl-publications","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Rows","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-23T03:11:09Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"dd75ad1f-b90f-42f8-aa06-6f6890bd872c","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"322d3ba9-3254-465e-b689-5f39f2ef8f07","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"L","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-04-27T05:02:30Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-23T03:11:09Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-project-from-chernobyl-publications","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"attributes":{"align":"right"},"insert":"\n\n"},{"attributes":{"color":"#c6c6c6"},"insert":"UNTITLED PROJECT from Chernobyl publications"},{"attributes":{"align":"right"},"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Right"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T05:14:20Z","title":"Untitled 234","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Theater of War: Q&A with Maxim Dondyuk"},{"insert":"\n\nIn the summer of 2013, months before Euromaidan started, photographer Maxim Dondyuk had traded his camera for video equipment. He was in Crimea, trying his hand at documentary filmmaking, when 2,000 protesters peacefully gathered in Kiev’s main square after the government decided to suspend its process of integration into the European Union. He watched as the protests intensified and, on November 30th, as the authorities started cracking down. The next day, he was at Maidan. “Euromaidan became one of the most visually beautiful revolutions,” Dondyuk wrote after spending three months in the square. The photos he came back with are incredibly cinematic, like scenes from a Hollywood film, and show another side to a widely-documented event. Now he’s making a book, in which aesthetics and emotions take the lead.\n\n"},{"attributes":{"italic":true},"insert":"Roads & Kingdoms: When did you first visit Maidan?"},{"insert":"\n\nMaxim Dondyuk: Everything happened in the city I live in. The first mass assembly was on December 1st 2013, and it included people from all walks of life. I took a photo from the subway where you can see how crowded it was. The two blocks around Maidan were absolutely packed. People were coming from the entire country, not only to support European integration, but to protest against the impunity of those who beat up students there a few days earlier. People were coming out to defend civil rights. That was my first day at Maidan and I couldn’t have imagined were it would be leading me. That day, the authorities made a mistake: on Bankova street, right near the office of the President, demonstrators and journalists were beaten up. That same day, demonstrators started occupying City Hall and barricades started going up. Despite that, I was sure that by the morning the police would have cleared the entire place. I didn’t have the slightest idea that I would spend the next three months there.\n\n"},{"attributes":{"italic":true},"insert":"R&K: At what point did you decide this project would be something different than a photojournalistic reportage?"},{"insert":"\n\nDondyuk: During the first few weeks of December, before the first attempt to clear the square, I didn’t know what I wanted to photograph and in what way. There were hundreds of journalists in Kiev. Sometimes you would see 20 people with cameras standing in a single square meter. It was very difficult to photograph in such conditions, especially as I do not cover news. The more time I spent at Maidan, the more I realized that my subconscious distorted reality. I found myself in front of battle scenes that reminded me of what I had seen in museums, in Realist paintings. It became important to interpret what I saw and felt rather than answer the questions what? where? when? I decided to document Euromaidan through emotions and visual language.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How did you achieve that way of photographing?"},{"insert":"\n\nDondyuk: As soon as I stopped trying to control my subconscious, I stopped following the rules imposed on me, and gave myself complete freedom. I was transported in a different reality, far from the demonstrations in Kiev. In front of me, I saw scenes that were both beautiful and horrible. My camera became my notebook, my visual diary.\n\n"},{"attributes":{"italic":true},"insert":"R&K: Did you feel like your role changed at that moment?"},{"insert":"\n\nDondyuk: I was at Maidan from the 1st of December to the end. It was a very tragic period for my country. But I was happy that I could be present at this historic moment to convey what I saw to future generations and to people from different countries. Being a documentary photographer, I think it was my duty.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How was the work received? People must have been surprised at how different it looked."},{"insert":"\n\nDondyuk: I worked mostly with international magazines that I trust. They contacted me. I was not looking for assignments, and often refused them if they didn’t coincide with my interests. So far, I haven’t had any offers to create an exhibition in Ukraine, but the book I’m working on will present 100 to 150 photos. It divides the Revolution in three different visual phases. I want people to see what I saw. I want to explain to people who live far from Ukraine why a completely peaceful demonstration turned into armageddon. Why people left everything, their work, their home, and came to the capital of Ukraine to fight for freedom. But you will know more after the book is ready, I don’t want to reveal all my secrets.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How has this project changed the way you practice photography?"},{"insert":"\n\nDondyuk: After this project, I started to feel more like a visual artist. I became interested in exhibitions and galleries rather than what was being published in the media, which I paid a lot of attention to before. Photography is my philosophy and my religion. I don’t believe in God, but photography helps me discover and understand this world. I believe that photography, just like any other type of art, is a container of emotions. And a documentary photographer only has a quick moment to work before everything ends.\n"}]},"online":true,"icon":"none","parent_id":"c76f816c-6a50-472e-af1e-912800959b13","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-234","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T05:14:20Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"0e463d74-9539-4477-b78d-99bd0c207250","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:26:22Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T05:14:20Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-234","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T06:23:48Z","title":"Untitled 245","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"En ese momento pensé que Ucrania se estaba rompiendo en diferentes países"},{"insert":"\n\nEstaba participando en una masterclass en Bielorrusia cuando todo se desató en Kiev. Al regresar, la situación era muy complicada e incluso había agresiones a periodistas. En mi primer día allí, el 1 de diciembre [de 2013], participé activamente en todos los acontecimientos como fotógrafo documental con mi cámara, sin tomar parte de la lucha ni lanzar cócteles molotov.\n\nNo tenía ningún encargo, pero se trataba de un momento histórico para mi país, así que necesitaba documentarlo todo. Fue algo muy inesperado no solo para mí, sino para todos los ucranianos. Desafortunadamente, todas las señales que vaticinaban malos augurios se cumplieron y la situación fue empeorando día a día.\n\nEstuve en Maidán prácticamente todo el tiempo, hablando con los manifestantes y conociéndoles. Estaba claro que las protestas no iban a ser el final del conflicto, así que después estuve en el este de Ucrania -Donetsk, Slaviansk, Lugansk- y también en Crimea. Estuve dos meses con los separatistas rusos y el último mes trabajé con el ejército ucraniano.\n\nEn un cierto momento, sin motivo aparente, los manifestantes comenzaron a correr y a lanzar consignas a favor de Ucrania. El escenario era el de una película de guerra muy antigua, con los militares corriendo y gritando. Yo corrí detrás de ellos, no sabía bien qué estaba ocurriendo, pero sabía que debía seguirles. Y entonces el hombre que porta la bandera apareció frente a mí. Fue un momento histórico.\n\nFue algo muy simbólico, porque antes de la revolución la bandera no tenía tanta importancia para el pueblo, pero ahora es muy importante y necesaria. Algunos ucranianos han muerto bajo esa bandera y por la independencia de Ucrania. Maidán fue solo el principio de la lucha por la independencia de Ucrania respecto a Rusia.\n\nPara mí es muy difícil hablar de metáfora cuando analizo la imagen, porque depende mucho del conocimiento y la personalidad de cada uno. Todos tenemos nuestra propia forma de entender las cosas y construir metáforas. En ese momento lo único que me pasó por la cabeza es que Ucrania se estaba rompiendo en diferentes países.\n\nEn épocas anteriores y durante mucho tiempo Ucrania ha estado bajo el control de diferentes países, siempre ha sido un objetivo. Bajo el signo de esta bandera, la gente luchó por la independencia de Ucrania ya antes de la Unión Soviética y de nuevo tras su desintegración.\nMe da la sensación de que lo que está ocurriendo en el Donbass es solo el comienzo de algo más grande. Es algo que no podemos solucionar tan fácilmente como se podría pensar. Si cedemos la región del Donbass de forma sencilla, igual que pasó con Crimea, Rusia después querrá anexionarse otras regiones como Járkov. No podemos ceder en esto porque hay mucha gente que está a favor de Ucrania, no de Rusia. Gente que ha luchado por ser ucraniana.\n"}]},"online":true,"icon":"none","parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-245","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T06:23:48Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"0363095b-39b5-499a-9b2a-908c9f7ecc67","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:31:34Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T06:23:48Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-245","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["e2237fe0-b5a7-4595-82d0-c7182a80b54b"],"alignment":"Left","set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","tag_ids":[],"order_date":"2019-08-11T14:55:17Z","title":"20140406","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6625d89e-96ab-474c-bb9a-f75be2449c7a","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","filesize":33936,"height":1335,"hidden":false,"id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","inserted_at":"2019-08-11T14:54:41Z","name":"","orientation":"Landscape","original_filename":"WARUKRAINE.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-11T14:54:41Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"warchive/20140406","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","filesize":33936,"height":1335,"hidden":false,"id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","inserted_at":"2019-08-11T14:54:41Z","name":"","orientation":"Landscape","original_filename":"WARUKRAINE.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-11T14:54:41Z","weight":3,"width":2000},"inserted_at":"2019-08-11T14:55:17Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"6c493860-a519-427c-89d2-1c2127c407b5","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-23T03:17:54Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-08-11T14:55:17Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"20140406","image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T04:53:59Z","title":"Untitled 232","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Interview with Maxim Dondyuk"},{"insert":"\n\nWith its visceral and visual clashes of police and protesters, the images of the 2013 revolution in Ukraine are difficult to forget. Over the course of the next years, the civil war in Eastern Ukraine and the annexation of Crimea left deep scars in the country. Maxim Dondyuk, from Ukraine himself, photographed the EuroMaidan revolution and documented child soldier camps and tuberculosis in Crimea. Are We Europe sat down with him and his wife, Irina, to discuss their work together as well as Maxim’s experience as a photographer on the front line.\n\n“People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nMaxim is 30 years old, has a long beard and tattoos. He’s restless, sympathetic and passionate. He and his wife Irina are staying at the artist-in-residence housing in central Paris for a few months. What is perhaps the most striking about his photos is the scale of the clashes he captures. Just as he says himself: they look like epic historical battles.\n\n“After I was in Ukraine for 2 weeks, I opened my eyes. I forgot about the real situation and started to see it like another world.” When I ask him how it felt to stand so close to the protesters and to actually be there, surrounded by flying Molotov cocktails, he quickly stands up, pretends to have a camera in front of his face and clicks away. “I tried before to take pictures this close. But in Maidan I started to take in the whole scene, with those hundreds of people. It was very hard not to create a picture or painting.”\n\nHe is silent for a while, then says “I don’t believe, I don’t believe, I don’t believe, I don’t believe,” while still holding the camera in front of his face.\n\nHe tells me there were in total about 200 photographers, with 20 photographers right next to him most of the time. All with big lenses, snapping away mostly at people’s faces.\n\n“But I was just thinking about stories. I kind of lost my mind and only saw battles, legends and I tried to put what I saw in the camera, in the frame. I wanted to put my emotion in the frame. It didn’t matter what happened, it was not the Ukrainian revolution anymore. For me the legends just continued.” \n\nBattles and Legends\n\nThe legend’s spell broke with a bang. A grenade exploded nearby and a shard shot into his left leg two days after he got there. He touches his leg and says, “at first, I didn’t even feel it. And then my leg really started to hurt and my friends took me to a hospital. It was a 40-minute operation – they took out the shard.”\n\nThe next day, all bandaged up, he slumped his way between the protesters again. He reenacts this for me, limping his leg and pretending to climb barricades and dodge Molotovs. “I couldn’t, I could not not go. I needed to go, go, go.” His sentences are short and active, with his English sometimes failing him, yet it doesn’t take away from his powerful acting. Now Irina steps in, having mostly listened to him and occasionally helped him with translating. “It was good, because after he was wounded, it was more peaceful. He could rest for a few days.”\n\nWe drink our coffee and look out over Paris for some time. We even talk about the weather, the beautiful buildings and the things they’ve done and seen here. But then Maxim takes us back to the battleground.\n\n“It wasn’t all as dangerous as what people think about it. But sometimes protesters threw grenades next to me and in other situations, police officers helped me. It was a crazy situation. Some policemen were crazy though.”\n\n“In every life, every culture, some people are bad and you can really see that in protests.”\n\nSuddenly we are back and right in between the protesters and the police, with Molotov cocktails flying over. He whistles a ”wooooo” sound, like a falling bomb. This is not a place where you can be without any risks. “You need to feel the situation,” he says. “Sometimes young people just go and think ‘I’m young and a journalist’. You need to have experience; think about it. Can I run and snap, or not?”\n\nHe keeps on standing up from his seat, producing comical movie sounds while acting out the intensity of the protest, waving his arms, moving up and down in his char. But his photos tell the story even better. The violence, the clashes – they truly are spectacular images.\n\nBut amidst the waterfall of words, he says something I didn’t expect.\n\n“I was very happy. The revolution was so sad, but sometimes it was so beautiful. Sometimes, if you forget about what happened, it was better than a movie. It was such an unreal situation.”\n\nThe Battle – Good vs. Evil\n\nHe continued talking about legendary battles, the good versus evil look-and-feel of it. Did he feel like it was Russia vs. Europe?\n\n“With this project I didn’t really think about Russia being evil. EuroMaidan was not necessarily anti-Russian. But afterwards people started to understand that Russian media create another reality. There were more than half a million people at the Maidan square, but Russian television always talked about 200 radicals.”\n\nHe goes on to give some historical context, and comes back to the Crimean annexation. ”After Crimea, Russia was evil for me.” So I asked him again, especially since his series is named Culture of Confrontation. “No, it’s not between Europe and Russia. It’s between two cultures. Two cultures that want a change in life. One doesn’t want to be like Europe, they just want to live without corruption. The other one is not about Russia, it’s about their dream about the Soviet Union.”\n\nEast and West Ukraine are completely different countries, he says. Kiev is mixed, sure, but if you go to the East, it’s like a complete mirror of the West. And with a lot of excited hand gestures, Maxim talks about his own very early memories of the Soviet Union, and mirrors it with his travels through Europe. “People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nTuberculosis and child soldiers\n\nSomething else that you’d think was a thing from the past is tuberculosis. But Maxim shot a compelling photoseries about tuberculosis in Crimea. The government in Crimea was not very cooperative, but he kept pushing, until a director of a hospital gave him permission to take pictures. He tells me how he spent 3 months in Sebastopol and comes back to something he only briefly mentioned before: Crimea Sich – a military training camp for children between 7 and 16, situated in the Crimean Mountains. “I kept coming back to Crimea, spending one year taking pictures there. Then I started to think about a documentary movie, which is better for storytelling than pictures.” \n\nHis brother, a young Ukrainian filmmaker, convinced him to go back again and shoot in the mountains. “I lost 7 kg per two weeks climbing mountains, with my gear. It was intense.” He pants heavily, reenacting the scene. “We climbed mountains with the cameras. It was so good, so beautiful, but also pretty crazy.” One of his filmmaker friends from Europe told him he is crazy. And as if he agrees, he repeats the word multiple times: “crazy, crazy … crazy.”\n\nMaxim and his brother came back with over 40 hours of footage of child soldiers from Ukraine, from Russia and Moldova. He tried to kickstart the documentary, but couldn’t get the money together. According to him, there are not enough rich people in Ukraine. \n\nFinally, I ask him if he’s looking forward to going back to Ukraine in December. He is silent for ten seconds, coughs a few times and then says solemnly “It’s a very, very sensitive question. Unfortunately, in the Ukrainian situation, not a lot has changed. The old system is still in place. Old politics, old people who don’t want change. It might be better after 10 or 20 years”.\n\nWhen I am almost ready to go, he suddenly asks me about what I thought about him, his photos, his English. I give him some compliments, and I mean them, but he doesn’t really seem to register it.\n\nThen he says, “I don’t like a system or any structure. I’m just a person that lives on this planet. Why do people start a war? I have friends in Russia, and they are very good. I don’t have problems with Russians, with the government, with people who believe propaganda. In Europe it’s the same, people watch TV and just believe that. It’s about the Ukrainian revolution and you try to help people understand, but not everyone understands. It’s still a war that’s going on. A war between cultures.”\n"}]},"online":true,"icon":"none","parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-232","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T04:53:59Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"7947ee57-38af-4dc8-8c3b-28058e7bdcb2","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:25:58Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T04:53:59Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-232","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T05:31:26Z","title":"Untitled 238","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"WHAT’S IN MY BAG | MAXIM DONDYUK"},{"insert":"\n\nOver the moon to have the award winning photographer and visual artist Maxim Dondyuk back up on our blog today. He’s been a very busy boy since we spoke to him last (check our past interview with him here), so we are well pleased he’s made time for us once again. This time Maxim has kindly given us a run down of what’s in his photography bag and why… He also speaks about his photohgraphy, and has provided us with some killer back stage fashion week pictures all edited with our cross process film emulation presets +PS LOOKS N°3.\n\n"},{"attributes":{"italic":true},"insert":"Maxim’s Gear"},{"insert":"\n\nEverything is quite simple, starting from 2015 I use Nikon D810, before that I had a Nikon D3s, which I won in a contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object I am shooting. It is a very close distance, so you began to feel the same emotions, fear, happiness or sadness. When people look at such photos, they also feel emotions of your character. I also have a 50mm film lens, but it’s more like an emergency lens, if it happens that my 35mm lens breaks or in case I need to make some portraits for magazines.\n\nI don’t like artificial light and don’t use a flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\n"},{"attributes":{"italic":true},"insert":"Maxim’s Photography"},{"insert":"\n\nMy photography it’s my personal visual diary. It’s not a hobby or work for me, it’s my philosophy and my religion. It helps me to discover and understand this world. With the help of photography I can live the life of any person, to be present during different events and to empathize with them.\n\nWhen taking photos I always think about the emotions they evoke. Photography has both an emotional and visual side. Photography does not only answer questions like – what, where and when, but it also evokes personal associations. For example – the plot of your favorite book, film or memories from your childhood. A good photo is an emotional photo. People should feel all of the emotions from the moment the picture was taken, and of course – you should feel your own emotions too. If a photo is technically good but has no emotion, this type of photo in my opinion is dead. Of course all photographers need to know the technical aspects of photography.. But I believe they need to learn them once, and then forget about them – and just make everything organically – only with emotion.\n"}]},"online":true,"icon":"none","parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-238","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T05:31:26Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"35b37293-cf1f-4aaf-b79b-3816ca0e4c81","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:27:58Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T05:31:26Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-238","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-25T05:59:24Z","title":"Untitled 317","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"TB Epidemic in Ukraine"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"J U N E 7 - 9, 2012"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"LOOK3 Festival of the Photograph, Charlottesville, US"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"063dcc34-037a-4bf4-9efe-be2fd6876455","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-look3-festival-charlottesville-usa-2012/untitled-317","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-25T05:59:24Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"9e0d5532-9342-44cd-81a7-aa0954acdcd5","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T06:07:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T05:59:24Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-317","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-16T04:26:09Z","title":"Untitled 256","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"BETWEEN LIFE AND DEATH"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"attributes":{"color":"#8d9191","italic":true},"insert":"\"Although war, perhaps, aims to achieve peace, it’s an undoubted evil\". Lao Tzu"},{"attributes":{"align":"center","header":5},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"c4c2e08f-1a65-4c11-9bba-ee37b4b6b130","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#ffffff","text_color":"#393c3c","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/between-life-and-death/untitled-256","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"header":1},"insert":"\n"}]},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-16T04:26:09Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"267081b5-e35e-4f90-84bc-4087c63d40d8","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-21T01:59:00Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-16T04:26:09Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-256","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2020-04-28T07:30:46Z","title":"Untitled 350","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"e0a35910-5fb7-4224-be4b-43c4f3cb20ee","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/untitled-project-from-chernobyl/untitled-350","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1323:2000","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"6ccafde3-2113-4455-8d32-12f41ff5058b.jpg","filesize":812369,"height":2000,"hidden":false,"id":"6ccafde3-2113-4455-8d32-12f41ff5058b","inserted_at":"2020-04-28T03:29:19Z","name":"","orientation":"Portrait","original_filename":"rd01_FILM31_20180512_0001-3.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483631,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/6ccafde3-2113-4455-8d32-12f41ff5058b.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-28T03:29:19Z","weight":3,"width":1323},"inserted_at":"2020-04-28T07:30:46Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"87a8d1b9-bcb6-4860-929a-fc25420e7b0a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-28T07:55:32Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-28T07:30:46Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-350","image_id":"6ccafde3-2113-4455-8d32-12f41ff5058b","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T06:37:38Z","title":"Untitled 250","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Between the Anvil and the Hammer: Confronting Culture"},{"insert":"\n\nIn Maxim Dondyuk’s new book, Ukraine’s 2013-2014 civil unrest is rendered as a conflict between shadows and light, snow and fire, two generations, and two layers of culture colliding on the territory of a single country.\n\nWe live in an age of confrontation. It wraps itself around us like the plastic wrapping on supermarket food: usually unnecessary, leaving behind a mess and the problem of safe disposal without further harm to the environment.\n\nMaxim Dondyuk knows this from first-hand experience, having lived through the conflict that erupted in his country, Ukraine, in 2013. Starting with mass protests against government moves to ally itself more with Russia than the EU, the conflict developed into a major political crisis.\n\nDondyuk’s photographs of the violent confrontations are extraordinary, transcending the political particularities that gave monstrous birth to what his camera records as a hellish phantasmagoria.\n\nJust as the violence of World War II in eastern Europe possessed a barbarity and level of savagery surpassing what took place in the west of the continent, the confrontations in Ukraine are rendered, through the lens of Dondyuk, as a nightmarish inferno that dwarfs scenes of civil unrest witnessed in other European capitals. What we see is more evocative of the 1942-43 battle of Stalingrad than the 1968 street fights in Paris or the Poll Tax riots in British cities in 1990. The closest comparison would come from distilling the thirty-year conflict of Northern Ireland’s Troubles down to the scale of the three months that rocked Kyiv over the winter of 2013-14.\n\nFeatures of civic clashes—barricades, fire, smoke, flags—are familiar enough but their presence in Dondyuk’s photobook are resonant of a stark, primitive discord that confronts the very notion of culture as something ennobling. On the streets of Kyiv, state authority and its foundations were contested; law became not an abstract force, but a material one, belonging to the side whose strength would endure and defeat its rivals. What would be decided was the power to decide; the end to be justified by the violence of the means. The present cannot be mortgaged when all that matters is whose force and determination prevails in the here and now of bloody confrontation.\n\nDondyuk notes Sebastião Salgado as an influence. It shows in his eye for multitudes, his sense of the epic and his depictions of collective endeavour. He is drawn to the massed lines of protestors and police, opposing armies in an urban battlefield; phalanxes of police with black helmets facing protestors in orange hard hats; swirling smoke and night skies lit by fire. With no sense of good guys and bad guys, left wing or right wing, East or West, there is something medieval about the crudity and rawness of the conflict. This accords with Dondyuk’s statement that what he tried to capture was the more “abstract, universal conflict that was playing out, between light and shadow, between the thick black smoke and whiteness of the February snow, and in some sense between good and evil, though it was often impossible to tell which side was which.”\n\nIndividuals stand stationary, emblems of the mayhem around them: a young man cowering in fear, desperate for protection as he covers his head; a figure silhouetted in an open space amidst burnt-out buses and continuing fire from riot police; and an almost surreal moment of beauty when a fur-clad member of the Dakh Daughters band, with a double bass in its case strapped on her back, glances backwards on her way to a concert performance on the night of December 21. One wonders if Dondyuk has watched the films of Eisenstein.\n\nThe visceral quality of the pictures is also akin to the multimedia effect of a blockbuster movie and this is related to the fact that all the photos were taken with one 35mm lens. The camera is only a few feet away from the subject matter of each image. You should not feel intimidated by a photograph but seeing the tooled-up police and the makeshift weapons of protestors is frightening; the acrid smoke and smell of burnt tyres gets into your throat. The tumult is audible and you can hear the breaking glass of Molotov cocktails.\n\nMaxim Dondyuk did not drop into the city of Kyiv for a day’s shoot. He lives there and he lived the confrontations of that winter of discontent. He attended the first mass rally that took place on the Maidan, the city’s central square a major crossroad, in December 2013: “I felt sure that by the morning the police would clean the entire Maidan. I didn’t have the slightest idea that I would spend the next three months there.” The street battles culminated in the shooting of dozens of unarmed protestors by the police, the fleeing of the fourth President of Ukraine in a helicopter over the border to Russia and a week of public mourning for those who had died.\n\nOn one occasion, Dondyuk found himself on the police side of the barricades and spent the rest of the day there, returning a number of times. On whatever side of the battlefield he stood, he remained between the anvil and the hammer and Culture of Confrontation is unflinching testimony to what he saw taking place in his city.\n"}]},"online":true,"icon":"none","parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-250","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T06:37:38Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"2dde6d2e-03e9-44cd-a7b9-23c697bce5e1","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-22T13:29:08Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T06:37:38Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-250","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T05:25:11Z","title":"Untitled 237","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Максим Дондюк"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Talktome разносторонне интересуется искусством, и искусство фотографии для нас является одним из самых впечатляющих и насыщенных. "},{"attributes":{"header":5},"insert":"\n"},{"insert":"Мы поговорили с Максимом Дондюком — фотографом, чьи проекты и принты — это нечто большее, чем просто фиксирование отдельных моментов. "},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Привет. Рад, что получилось тебя настигнуть перед очередным путешествием. Далеко уезжаешь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"В Грузию. На фестиваль KOLGA TBILISI PHOTO, там будет выставка победителей и финалистов конкурса. Пока еще непонятно, кто победил. Все это будет длиться дней 5, а потом еще остаемся на пару недель – мы никогда не были в Грузии, а тут такая возможность."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А «мы» — это…?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я с Ирой – это моя невеста, она же и является моим артист-менеджером. В последний год она занимается вопросами по переписке, логистике, продаже принтов. В общем, она взяла на себя тяжелый удар. Я занимаюсь творчеством, она занимается бизнесом. Я очень не люблю онлайн общение – это выбивает меня из колеи, мне хочется больше натуральной жизни."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Может ли художник сочетать в себе два этих мира – творчество и бизнес?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я сочетал до того, как встретил Иру, и это было очень тяжело."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Другого выхода просто не было?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Другого выхода просто не существует. В идеале, мы все равно сейчас ищем известного куратора или известную галерею, если мы говорим о работе в documentaryart, когда автор настроен на презентацию своих работ в галерейном и музейном пространстве. Маленькие галереи, которые на нас выходили, меня не устраивают, потому что этот объем работы мы и сами тянем, а с крупными галереями все сложно –туда не зовут кого попало, как и в крупные коллективы, вроде Magnum, которые зарабатывают больше на продаже принтов. Нужно работать и работать. В последний год я радикально изменил свой вектор – работа с журналами и медиа ушла на второй план. Я работаю только с проверенными людьми и с проверенными изданиями, с интересными изданиями и хорошими гонорарами, но абсолютно не делаю на это упор. Пытаюсь зарабатывать от продажи фотографии коллекционерам."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Такая модель заработка невозможна в Украине?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Вообще невозможна. Продажа фотографий может и есть, но тот уровень цен, за которые я продаю в Европе, отличается от уровня цен в Украине. Здесь человек подойдет и будет спрашивать у меня: почему твоя работа стоит такую-то сумму?"},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Нужно объяснять, чем уникальна фотография?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да. В Европе человек подходит и не спрашивает, почему она столько стоит. Он интересуется типом бумаги, на чем была напечатана, в каком принтхаусе она была напечатана, какой лимит, какие размеры. Покупатель понимает, что лимитированные принты – это уникальные вещи и уважающий себя коллекционер не будет покупать не «limitededition». Но это мир, который существует там, а в Украине документальная фотография не относится к искусству вообще. Меня тут кем угодно могут считать — и репортером, и документалистом, но точно не человеком, который зарабатывает на продаже принтов."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А кем ты себя ощущаешь, в первую очередь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я себя ощущаю документалистом, но в тоже время я, как это называют в Европе, visualartist. То бишь, мне не интересна фотография в плане «что? где? когда?», мне не интересна просто хроника. Мне не интересно рассказывать просто историю, хотя это идет вразрез с идеологией документальной фотографии. Меня больше интересует личная интерпретация автора, его наблюдения и фотография, пропущенная через его сознание и мироощущение."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"То есть, ты не снимаешь репортаж?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я начинал как репортер. Но сейчас я больше отстраняюсь от этого. Есть фотожурналисты, которых я уважаю, но большая часть из них мне не интересны."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Почему?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Из-за идеологии, которую они ведут. Нужно быть честным и говорить честно, а не снимать все с одной стороны."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Это касается, в основном, военной фотографии?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"В том числе. Я не считаю, что военная фотография останавливает войну, она ее пропагандирует. Я раньше считал, что военная фотография может изменить что-то, а сейчас мне интереснее являться человеком искусства, который работает в документальном жанре и выставлять работы в музее или галерее, а не печататься в журналах, ведь там у меня совсем другая свобода – другой формат фотографий, правильный свет, на правильной бумаге."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Но ты снимал войну (военный конфликт на Донбассе – прим. ред.), причем с обеих сторон…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да, да. В данном случае это был очень важный experience. С двух сторон я научился снимать еще когда туберкулез делал (фотопроект об эпидемии туберкулеза в Украине – прим. ред.). Снимая с одной стороны, очень сложно понять, что происходит. Ты становишься очень близок к одной из сторон, начинаешь ей доверять и кажется, что она говорит только правду. Как у меня было с больными туберкулезом, которые говорили, как все печально, как все плохо, что нужны деньги, а ты идешь к врачу и узнаешь, что герой кого-то изнасиловал или убил. И весы восприятия сразу стабилизируются. Так же мне было важно быть на Майдане с двух сторон, и в Крым поехать, и на Донбассе была возможность сначала как московский журналист работать, а потом с украинской армией снимать."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Скажи, из интернета ты тоже стараешься уходить?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да вообще ушел. Есть друзья близкие, с которыми я общаюсь, и они знают, чем я занимаюсь. А остальные вообще, наверное, не понимают, что со мной происходит. Для меня перестало быть значимым, чтоб другие люди знали, чем я занимаюсь, или оставаться в поле зрения. Люди, которые покупают работы, не в интернете меня находят. Если у тебя нет выставки в музее или галерее, то они тебя не найдут."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Новостная фотография тебе тоже не интересна?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да. Она стала мне безразлична. Даже когда в Париже был теракт, то я отказывался от съемок."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ты считаешь, что какие-то кадры лучше оставить неснятыми?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я снимаю все, что происходит, все, что я могу и хочу снимать. Но, может быть, часть вещей нельзя показывать."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ты можешь дать определение хорошей фотографии?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Сложно сказать. Это же не спорт, где соревнуются «кто выше прыгнет». Когда меня попросили отобрать десять лучших своих фотографий, я не смог этого сделать. Они все разные, у них у всех разные истории. Что значит лучшие? Визуально хорошие или эмоции, которые я переживал в тот момент, или что случилось позже? Я понял, что я не могу выделить вообще ни одной своей фотографии. В каждой моей фотографии часть моей души и часть того, что останется после меня. Со временем у человека вырабатывается визуальный вкус и становится легче отличить хорошую фотографию от плохой. Но все равно это какой-то стандарт, ведь когда мы смотрим на фотографию, наш разум работает как компьютер, и многих вещей может просто не осознавать, а фотография может быть шедевром в данный момент. Разум может этого не понимать, но человек это почувствует."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Твои стандарты к хорошей фотографии сильно изменились с начала карьеры?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Мое сознание меняется очень быстро. То, что год назад было для меня идеалом, сейчас находится на противоположной стороне. Я сам меняюсь, и меняется мой подход к творчеству. Именно поэтому я не хочу вести группы учеников и читать какие-то глубокие лекции, мне интереснее рассказывать о своем пути."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"В одном из своих интервью ты рассказывал, что во время выступления перед студентами-фотографами, один из учеников показал тебе свои работы до и после поступления в университет. Те, что были сделаны «до», оказались живее сделанных «после». Как ты тогда сказал, парня просто научили зарабатывать деньги. Ты на себе эти шаблоны чувствуешь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Может мне кажется, но я избавился от влияния очень многих факторов. До этого я воспитывался здесь всевозможными фотографами, своим кругом общения, которые навязывал мне свое мнение, определенное мышление. Это все делает нас узниками сознания, потому что творческий человек может делать все, что захочет и не важно, кто что скажет. Упала планка важности «что про тебя скажут, что про тебя подумают». Иногда тебе навязывают какую-то точку зрения, с которой ты соглашаешься, но чувствуешь дискомфорт внутри. Потому что так надо, так сказали наставники. Я сейчас живу по другим принципам – если я чего-то внутри чувствую, что хочу это делать, а разум говорит, что это катастрофа и полный абсурд, то разуму я говорю гудбай. Разум всегда говорит только о плохом, но если посмотреть на мое развитие в фотографии, то это все иррациональные действия, которые я никак не предсказывал."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ну да. Туберкулез ты снимал совершенно без денег. Не было желания плюнуть и уйти в студию или снимать свадьбы?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Ну… Наверное, привычка еще со службы на флоте – рубить концы, называется. Это означает, что ты не можешь пристать к причалу. Есть вещи, которые мне не нравятся, они как адамово яблоко – соблазняют меня. В тот момент я четко и агрессивно давал понять, что свадьбы я снимать не буду. Тогда я оставил для себя два варианта заработать: либо получить публикации, либо выиграть на конкурсе. Все остальные варианты были отрублены полностью. Но ничего не дается легко."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Тебя поддерживал хоть кто-то? Может, родители?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Нет (смеется). Сложный вопрос. С родителями у меня непростые отношения, я с ними давно не живу, и они не вмешиваются в мою жизнь. У меня тогда появились новые друзья, которые мне помогали. Саша Гляделов много помогал – давал советы, познакомил меня с врачом, когда я думал, что заболею."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Этот проект изменил твою жизнь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да, произошла полная переоценка ценностей. Мне было тяжело приезжать в Киев и общаться с друзьями, которые рассказывали о своих проблемах – у одного украли телефон, у другого ушла девушка. А я знаю человека, принявшего то, что завтра или послезавтра он умрет. И он счастлив – выходит на улицу, дышит воздухом."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А что, по-твоему, счастье?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Шикарное чувство, когда ты свободен и никому ничего не должен – ни объяснять, ни доказывать, ни рассказывать. Нет этого чувства долга. Я вообще против понятия коллективного счастья, когда всем хорошо. Есть мое личное счастье и счастье близких мне людей. А вот это «я должен» – это какая-то навязанная обществом идея. Для того чтоб избавиться от этого влияния, ты должен снизить свою важность и просто жить в свое удовольствие. Найти равновесие."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А ты это равновесие нашел? Ты счастлив?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да. Я сейчас вообще в каком-то раю нахожусь. Хотя, это скорее навязано сознанием. Думаю, раньше моя жизнь была ничуть не хуже, просто я по-другому смотрю на одни и те же вещи. Думаю, фотография и есть моя философия – она меня меняет, я развиваюсь вместе с ней."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А каким ты был до фотографии?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Думаю, это лучше спросить у кого-то другого. Наверное, был более резким, критичным, самоуверенным. Я и сейчас такой, но мне не нужно ничего доказывать. Я понял, что если я хочу, чтоб люди воспринимали меня таким, какой я есть, то и мне нужно воспринимать людей такими, какие они есть, и не пытаться их изменить и особенно указывать им на их недостатки. Просто, наверное, постарел."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ритм жизни тоже стал более размеренным?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Темп жизни у меня идет скачками. Но раньше я бежал и куда-то опаздывал. Вся моя жизнь заключалась в том, чтоб что-то успеть. А сейчас у меня больше времени – я успеваю заниматься собой, ходить в спортзал, читать книги, встречаться с друзьями, работать и не зацикливаюсь на том, чтобы кому-то что-то доказывать. При этом жизнь стала более ритмичной, но чувствую я себя увереннее и спокойнее. Это как взять пилота Формулы-1 – он спокоен, сосредоточен, он контролирует ситуацию, у него нет паники, но при этом скорость у него безумная. И в этом сейчас вся моя жизнь."},{"attributes":{"header":5},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-237","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T05:25:11Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"10f87ba0-4be9-41a6-aeb1-7d0de7dfc528","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:27:46Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T05:25:11Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-237","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-25T06:11:03Z","title":"Untitled 318","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"TB Epidemic in Ukraine"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"M A Y 17 - 27, 2012"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"Lumiere Brothers Center for Photography, Moscow, RU"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"739ad66e-ed88-417e-863c-e3eff1389b61","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-lumiere-brothers-center-for-photography-moscow-russia-2012/untitled-318","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-25T06:11:03Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"3df5e315-0723-4b6e-9e3f-fdaa1aaf459b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T06:25:50Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T06:11:03Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-318","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T01:58:41Z","title":"Untitled 222","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"In winter 2013/2014 the Independence Square in Kyiv - the Ukrainian word for place is \"maidan\" - became a focal point of world events.\n\nAfter the dissolution of the Soviet Union in 1991 states such as Ukraine were in one political tug-of-war between Russia and the EU. The economic situation of the general population had worsened. The state was weakened, a network of oligarchs and old party networks had taken control over public property and the media. They used the political parties for their purposes, unemployment increased and corruption flourished. In November 2013, demonstrations began on the Maidan against these conditions. The reason was that President Yanukovych had obeyed pressure from Moscow not to sign an association agreement with the EU. The protesters behaved peacefully, concerts took place, often there was a veritable festival atmosphere. Maxim Dondyuk, who lived in Kyiv, was there from the beginning.\n\nThen the situation escalated. On the night of December 1st, the demonstrators were dispersed by a special police unit with brutal force. Increasingly, the situation got out of control, public buildings were occupied by protesters and barricades built. On 18 February 2014 the Militia shot with live ammunition. In the end there were over 120 dead and countless wounded. On 21 February the conflict ended with an internationally signed contract, Russian friendly President Yanukovych fled to Moscow.\n\nHot spots such as Euromaidan, as it is called today, attract hundreds of media people, always in search of the spectacular picture but without the time to deal with the backgrounds. A cameraman working for an American news channel told that within two weeks he had worked in five countries on three continents. In our media society information has become a highly profitable commodity that no longer is being measured by the criteria of truth and lie but by their attractiveness - they have to sell well by satisfying the sensation-seeking public.\n\nDondyuk noted that about 200 photographers were on the field, barely one spoke the language or understood the history of his country. Their inner distance was visible for everyone because mostly their cameras were equipped with long telephoto lenses by which you can zoom near what happens far away without being close.\n\nIn contrast to their working routine Dondyuk's reportages are characterized by empathy and compassion. He is interested in people. For three months he lived with the demonstrators on the Maidan. Instead of using a telephoto lens he works consistently with a 35mm wide-angle lens so that for a close-up he must get close to the people he is photographing. This gives his pictures their strong emotional intensity that we deeply feel.\n\nHe is not even a meter away of the three praying women or the three soldiers in this room whom a protester is offering flowers. Each face of the three women touches us with an individual expression of grief, sorrow, and pleading to God. Here Dondyuk has created an iconic picture of pain, such as Matthias Grünewald in the Isenheim Altarpiece brought to timeless expression with the three mourning figures at the foot of the crucifixion.\n\nAt the same time, Dondyuk combines such closeness with respect. In the last room of our exhibition he does not aim the camera at the faces or injuries of the wounded and dead but on the priest, the paramedics and the relatives. Their feelings affect us emotionally much more than a voyeuristic portrayal of the horror.\n\nSuch proximity to the motif creates an emotional impact that can be experienced best in the large formats in our exhibition. The four heavily armed, muzzled militiamen in the next room who roll away an oil barrel are moving straight towards the photographer, their eyes meet him and thus us. Dondyuk paid his tribute for such proximity with two injuries by rubber bullets.\n\n\"This revolution has changed not only myself  but also my photography and visual language,” he says. \"Of course I was on the side of protesters but it was also important for me to know what on the other side of the barricades was going on. I did not want to show the good guys and the bad guys but the confrontation of two different philosophies of the world - \"the culture of confrontation\".\n\nThis is how Dondyuk's artistic intentions have changed in the course of this project. He was no longer concerned with documenting the actual event, instead he wanted to work out its universal human character, as Shakespeare did in his historical dramas like Macbeth, King Lear or Richard II.\n\nTherefore his relation to the event has changed. He goes on distance and shows a panorama from a high perspective. One can look at these scenes as human moodscapes, like paintings of Bruegel in which due to the wide depth of focus of the wide-angle-objective we can observe unbelievably many details. These pictures are no longer made for the small-format magazines but for large formats, as in our exhibition.\n\nNow the aesthetic design becomes very important. Dondyuk photographs digitally and edits files on the computer specifically for their aesthetic effect.\n\nA central design element becomes the Light. The external circumstances are already spectacular. Fire and smoke of burning barricades, foggy steam from water cannons, reflections on the wet ground and the low winter sun, which intensifies shadows, contrasts and plasticity create highly dramatic moods like Baroque paintings from Turner, Caravaggio or Hollywood fantasy movies. The human drama becomes a drama of light.\n\nThe artist also makes the Light shine as a spiritual power as in paintings by Rembrandt. Have a look at the light of the candles the three women are holding in their hands and see how it is being repeated in the dome of the Michaelskirche during the funeral, but also on the tops of the tents.\n\nThe protesters built barricades with burning car tires and buses. Fire has always been a symbol of revolution. In the next room emerges a black shadow figure who bears a striking resemblance to the allegory of freedom in Delacroix's revolutionary painting \"Freedom Leads the People\". But in another picture, a single man stares shocked in a fiery inferno of burning buses. Such scenes are reminiscent of gothic paintings by Bruegel or Hieronymus Bosch of the Last Judgment where volcanoes break out of the earth and burn down houses, mountains, and seas to mark the end of humanity. \n\nAt the same time fire also visualizes what happens inside the people. They are transformed from a self-determined individual into an element of a mass. In his great study \"Mass and Power\" Nobel Prize winner Elias Canetti analyses the fire as a mass symbol. I quote: \"Mass symbols express the essential properties of the mass. The fire is sudden, everywhere, it is contagious and insatiable. The mass also forms and inflames suddenly by an external event, few can resist its contagion, they want to keep going and are hardly controllable anymore. The crowd feels attracted from fire and hurries to the scene of the fire, in front of which the individuals feel connected and close to all the others.\" This rapturous, almost ritualistic mood of the mass in front of a big fire Dondyuk recorded in a picture in the next room.\n\nThe antithesis of fire is the coldness of the ice, which means the death of all life, stagnation, and endpoint. Because of the winter and the water cannons, ice was everywhere on the Maidan in impressive formations. In C.D.Friedrich's painting “the lost hope” the ship stranded in the Arctic Ocean can be seen as a symbol of the lost hope for democratic freedom in the era of political restoration after Napoleon's defeat. In Dondyuk’s Maidan pictures ice could also be interpreted as a metaphor of the political and social situation in Ukraine which the protesters try to melt by their fire.\n\nIt is no coincidence that \"Songs of Ice and Fire\" is the title of the original book for the most successful American television series \"Game of Thrones\", which settles in a fictitious medieval world and thematizes the eternal struggle for power and Good and Evil. It has been always the same pictures that accompany our human history: the burning of Troy, of Jerusalem, the old Rome, Constantinople, the world wars, the pictures from Iraq, Syria. This timeless ubiquity of violence we also experience in Dondyuk's photographs. With their helmets, big shields and rubber truncheons the militia could be moved from the Maidan directly into the Middle Ages and the demonstrators with their wooden beating sticks and construction helmets could be directly related to the peasant wars.\n\nThe militiamen with their big shields form human walls as we know from Roman and medieval battle orders. These scenes convey what Canetti has analyzed as the essence of the mass: The police have lost their self-responsibility and individuality and are just a number written on their helmets. Their identity has been reduced to enforcers of an outside command. But the demonstrators have lost their individuality and self-control, too. They became part of the angry flames of destructive fire which they inflame as black shadow ghosts with Molotov cocktails and burning car tires.\n\nWith the pictures of this exhibition, Dondyuk has dissolved the border between documentation and art. Documentation has to be truthful and objective: This event happened exactly as the photographer has photographed it. But what is a reality? For Dondyuk reality became translucent on the Maidan. He says, \"I suddenly saw no revolution on Independence Square anymore, in front of me opened Battle scenes from legends and fairytales. Euromaidan became one of the visually most beautiful revolutions, like scenes in a Hollywood movie. The border between reality and fiction disappeared for me.” This personal subjective experience has guided him in his recordings.\n\nSo did he distort reality? Did he play down the terrible by its aestheticization? What difference does it make for us viewers whether the terrible is real or fiction and carefully staged by a painter or film director? Is there beauty in the terrible - volcanic eruptions, thunderstorms, forest fires, the planes in the World Trade Center in NY? - that fascinates us deeply? These are questions that have to be discussed in detail and controversially why we cannot deal with it here and now.\n\nBut what we can say is that Dondyuk´s photographs have gained new and complex dimensions through his devotion to art. What is it that makes a good work of art? Art arises from a touching experience that is aesthetically so designed that through the artwork also the viewers are being touched. It must be designed so that it provides us with many references and associations which we can connect with our personal and cultural experiences and those from the collective unconscious. \n\nI want to conclude with my thoughts about two pictures in this room which touch me very much: The first is about the motif of the candle as a symbol of life and hope as you can see it in the image of the three praying women in this room. This motif is being resumed in the next room. There it is a young protester holding a Molotov cocktail, a devoted expression on his face, like a sacral candle in his hands that another man just ignites. This young man is outshone by a bright, aura-like light, as we know it from paintings by Rembrandt. There are so many ambiguous meanings in this picture that one could write a short story about it.\n\nThe young cellist of the Dakh Daughters Band is on her way to play a concert on the Maidan. With her face painted white, her huge eyes, the long headscarf and the fur coat she appears as a being from another world, reminiscent of angelic representations in medieval paintings. The cello box on her back makes one think of wings, but also of a person she carries. She moves towards a doorway in the boarded-off space, into one other world, looking in our direction. Iconographically it is the motif of a guardian angel, a shaman, a spiritual leader like she appears in the guise of Beatrice in Dante's “Divine Comedy” who leads him through the nine celestial spheres. For me, she has protected Dondyuk on his way on the Maidan.\n"}]},"online":true,"icon":"none","parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-222","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T01:58:41Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"4b753ad2-9d2a-40f6-a149-437a8e8bfae1","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-29T02:47:28Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T01:58:41Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-222","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-25T02:29:32Z","title":"Untitled 310","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Culture of Confrontation"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"V I D E O I N S T A L L A T I O N"},{"attributes":{"align":"center"},"insert":"\n\n"},{"insert":"Museum of Photographic Arts, San Diego, US, 2017"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"Teatro San Leonardo, Bologna, IT, 2016"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"The Church of Saint-Merri, Paris, FR, 2015"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"95b571dc-ffb7-491f-97c5-b9bb60018d98","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015/untitled-310","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-25T02:29:32Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1ae54d37-b80a-42d7-84c3-195fcb3c92ab","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T06:42:02Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T02:29:32Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-310","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T13:57:48Z","title":"Untitled 285","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Culture of Confrontation"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"A P R I L - J U N E 2019"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"Municipal Museum, Kirchheim unter Teck, DE"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"edb12134-d56c-42cf-a9df-cec70becfb92","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019/untitled-285","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T13:57:48Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"ddbb6265-e620-4f81-8855-7e8ad851f28f","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-27T05:24:44Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T13:57:48Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-285","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T05:18:11Z","title":"Untitled 235","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Maxim Dondyuk"},{"insert":"\n\nHow and when did you come up with the idea of working in photography?\nI came to a photography professionally at the third try. The first experience I had when I was 5, with my mother, who was enthusiast, I used to watch how she processed family photos in a darkroom. Later I was given my first soviet camera SMENA, and started doing my own photos. After the collapse of the Soviet Union to buy and process film became more difficult and expensive, so my mother stopped doing it and me too. The second try was at the age of 12, than I joined the photo club, began shooting film and processing photos myself. But my enthusiasm didn’t last long. The third time I came back to photography was at the age of 24. I had a routine job, which I went every day, year after year, time flew quickly and nothing changed in my life. I understood that I need some hobby. I became interested in photography. All my free time I studied photography, read all kinds of literature and practiced. It allowed me to travel around the region I lived at that moment, after I started travel around the country. With the help of photography I can live the live of any person, to be present during different events and to empathize with them. My professional career began in Ukrainian media as a photojournalist in 2007. Since 2010 I’m a freelancer, work on creating and promoting my own documentary projects. Photography it’s my personal visual diary. It’s not a hobby or work for me, photography it’s my philosophy and religion. I don’t believe in God, but photography helps me to discover and understand this world.\n\n"},{"attributes":{"italic":true},"insert":"What equipment do you use?"},{"insert":"\n\nEverything is quite simple, starting from 2015 I use Nikon D810, before I had Nikon D3s, which I won at the contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object. It is very close distance, you began to feel the same emotions, fear, happiness, sadness. When people look at such photos, they also feel emotions of your character. I also have 50mm film lens, but it’s more like emergency lens, as it happened that 35mm broke or in case I need to make some portraits for the magazines. I don’t like artificial light and don’t use flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\n"},{"attributes":{"italic":true},"insert":"Where do you get your creative inspiration from?"},{"insert":"\n\nMostly I’m influenced not by photographers but by writers and painters. Each time I come to a new country, I visit museums, galleries. I love paintings of artists who worked in realism. They painted such important battle scenes and historical moments but never forgot about aesthetic side. Their paintings are very beautiful.\n\n"},{"attributes":{"italic":true},"insert":"How would you define your own photographic style?"},{"insert":"\n\nI’m a documentary photographer. But emotions and visual language are more important than facts (what, where, when?). I feel myself more like an artist than a photojournalist. What, from your point of view, are the major challenges in photography? I work a lot with international magazines and know that in this sphere there is a big problems now. They already don’t have such budgets as some years ago, and mostly really good stories were shoot by photographers independently, without assignments. But if to talk about contemporary photography, I think in this field everything is more than good, and it has great perspectives.\n\n"},{"attributes":{"italic":true},"insert":"Can you describe your workflow for „culture of confrontation“?"},{"insert":"\n\nIn mid 2013, because of a number of reasons, I seriously thought about documentary films. It seemed to me that they tell socially relevant stories much better than photography. I decided to make a documentary film about one of my projects about the Crimea Sich. In summer 2013 I with my brother, went to the Crimea Mountains, spending the last money for the equipment. It was an attempt to find answers to the questions that griped my mind. After I was selected to a grand for directors of documentary films, it was held by an American Documentary Film Festival in Ukraine. During that period began Euromaidan in Ukraine. Prior to December 1, 2013 I couldn’t understand whether I need to continue working on my film, or to go to Maidan with a camera. I also didn’t know what I want to do at Maidan, to shoot video or photo. So at the beginning I just watched, analyzed, tried to find the answers. But, suddenly, I was given the second photographic breath and understood that I looked at Maidan through associative images, which contains the second associative level. I wasn’t trying to show what was happening as a photojournalist. With my photos, I wanted to awake people’s strongest associations and emotions, wanted them to see what I saw. For me it wasn’t a revolution at the Independence Square, in front of me opened battle scenes from legends and fairy tales. During clashes between police and protesters, I felt myself like in a parallel, fictional world. It was a battle between good and evil, light and shadow, fire and frost. On the revolutionary canvas creepy bloody scenes interwove with incredibly beautiful, from visually side, views. The line between reality and fiction had gone. I understood that photography for me isn’t just the way to tell the story, but also a visual image that holds emotions, allows the viewer to interpret the reality and think about important life questions.\n\n"},{"attributes":{"italic":true},"insert":"Why do you take this pictures (culture of confrontation)?"},{"insert":"\n\nI began to shoot for the reason that it happened in my country, in the city where I live. At some point I realized that it touches me personally, and this is a historic moment in my country.\n"}]},"online":true,"icon":"none","parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-235","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T05:18:11Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"0ad351cb-489e-4a01-a57f-0d8c065b84bd","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:26:56Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T05:18:11Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-235","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","tag_ids":[],"order_date":"2020-05-04T08:00:18Z","title":"Untitled 383","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-383","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"ab7a701e-ab1f-4514-ac39-90e5ce0a4f6b.jpg","filesize":1201012,"height":1065,"hidden":false,"id":"ab7a701e-ab1f-4514-ac39-90e5ce0a4f6b","inserted_at":"2019-05-08T17:15:37Z","name":null,"orientation":"Landscape","original_filename":"0009_08_DOM_2012_08_03_CS1787.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1416425384,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/ab7a701e-ab1f-4514-ac39-90e5ce0a4f6b.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-19T11:32:07Z","weight":3,"width":1600},"inserted_at":"2020-05-04T08:00:18Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"897aae8b-d420-417a-9b0b-aa61f61ea7b8","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T08:48:57Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T08:00:18Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-383","image_id":"ab7a701e-ab1f-4514-ac39-90e5ce0a4f6b","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T05:42:42Z","title":"Untitled 240","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Фотограф Максим Дондюк – о войне, Майдане, Украине, России и стене, сдвигающейся на восток."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Фотограф Максим Дондюк снимал Майдан и войну на востоке Украины, с обеих сторон. Он может рассказать, как ему грозили расстрелом пророссийские сепаратисты, как он был в окружении под Иловайском и как ему мешали работать украинские штабисты."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Накануне второй годовщины победы Майдана, бегства президента Виктора Януковича и последовавших за этим российской аннексией Крыма и войной в Донбассе Радио Свобода публикует еще неизданные фотографии Максима Дондюка."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Он родился на западе Украине, в Хмельницкой области, в небольшом городке Славута, затем вместе с семьей (отец Дондюка – военный) переехал на юг, в Херсонскую область, в Новую Каховку, где и прошла большая часть его детства."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Дондюк рассказывает, что фотографии его учила мать, описывает, что сидел с ней в “красной” комнате, называет советские камеры: “Зенит”, “Смена”. Позже он стал ходить в кружок фотографии. И, наконец, уже в 24 года, после армии, в Харькове, работая поваром, он вдруг вернулся к фотографии, занимался ею все свободное время, читал книги по фотоискусству, экспериментировал. Через год он бросил работу, стал профессиональным фотографом, переехал в Киев. Поначалу, говорит Дондюк, речь не шла о документалистике:"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Вначале я смотрел в сторону каких-то студийных вещей, пейзажных вещей, занимался сферическими панорамами – это очень технически сложная вещь тогда была. По сути дела, что такое репортаж в хорошем смысле, я уже узнал, когда переехал в Киев. Потому что в Харькове очень сильная художественная школа, все, что я там видел из репортажей, – это очень скучные газетные вещи, новости, которые никак не вдохновляли. В то время я бы очень удивился, если бы мне кто-то сказал, что я буду документалистом."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Как вы стали документалистом? Каким образом вы стали автором проекта про туберкулезных больных, за который получили призы?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Это был первый серьезный проект. До этого я переехал в Киев, работал в новостном агентстве. Я долгое время ездил в командировки по всей стране. Это было вначале захватывающе, съемки были на темы от политики, футбола и села до митингов и Верховной Рады. Это хороший опыт и колоссальная школа, но через несколько лет мне стало скучно, я сильно погрузился в документальную фотографию, очень был вдохновлен. В тот момент я понял, что хочу заняться более глубоким проектом на какую-то социальную тематику. Через какое-то время я пришел к проблеме туберкулеза, о котором сам тогда ничего толком не знал. Мне тогда казалось, что я управлюсь за месяц или два, что это не так сложно и займет не так много времени, но получилось, что этот проект полностью засосал меня – такая черная дыра, в которую я попал и которая полностью изменила мою жизнь. Я провел два года, снимая этот проект, больше ничем не занимался. Жизнь, которая была до этого проекта, полностью исчезла, работа, семья, отношения, многие друзья, мое мировоззрение. Человек, который после этого проекта образовался, – это уже был совсем другой человек. Поэтому для меня это оказалось проектом становления как другой личности. Для меня фотография – не работа, не хобби, это философия, я ее очень сильно за это люблю, что она позволяет мне меняться благодаря жизни с людьми в других ситуациях, в которые я не смог бы попасть, если бы не был документалистом."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вам не страшно было работать с туберкулезными больными?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Не страшно, наверное, только сумасшедшим. Вначале не было сильного страха, я понимал, что делаю. Были вспышки паники, конечно, но они быстро устранялись, я делал для себя выводы, решал – продолжаю я это делать или останавливаюсь. И продолжал. Я пытался побороться со стигмой, существующей в обществе, с предвзятостью, с неосведомленностью об этой проблеме. Я сам был частью этого общества, я тоже считал, что, если человек переболел туберкулезом, он чуть ли не заразный. Я абсолютно ничего не понимал. Это был большой опыт, потому что туберкулез – это не война, но ты постоянно сталкиваешься с медленной смертью. Контакт с такой жизнью сильно сказывается на тебе. К концу проекта я понимал, что я теряю ощущение реальности, у меня начались проблемы с реальной жизнью, когда я возвращался. Я уволился, я потерял семью, мне негде было жить в Киеве, я в какой-то момент стал жить в больницах, потому что мне некуда было возвращаться. Может быть, на фоне всего, что я снимал, мои проблемы не казались какими-то значимыми. Через два года я стал понимать, что теряю грань, что я живу только той жизнью, абсолютно не понимаю, что происходит в другой жизни. У психологов называется выгорание."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Но вы вернулись в обычную жизнь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Конечно, вернулся, все нормально. Просто какой-то период адаптации был, так же, как когда ты возвращаешься с фронта. У меня были друзья, которые болели туберкулезом, есть люди, которые умерли, я был у них на похоронах. Для меня важно, когда я куда-то уезжаю, стараться, чтобы я был там не гостем, чтобы это было полное погружение, чтобы я был частью того, что происходит. Я уезжал, допустим, в Донецкую, Луганскую или Херсонскую область, потом в Крым, договаривался с областным врачом о том, что я хочу у них снимать, – все это на личных контактах, я не работал в СМИ, у меня не было ксив, даже камеры не было, друзья заняли. Некоторые врачи посылали, а некоторые говорили: круто, молодец, что тебе надо? Мне надо было разрешение на съемку и чтобы я мог переночевать, поесть, у меня нет денег гостиницу снимать, неделю давайте поживу в этой больнице, неделю в той. Иногда снимал квартиру в том же городке, дешево выходило. С тюрьмами точно так же договаривался. Они говорили: пробей хоть какое-то разрешение, чтобы твоя фамилия была, а мы тут тебе уже покажем все, что можем."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Давайте поговорим о Майдане. Два года назад он победил. Вы осмыслили то, что произошло, спустя два года?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Мне кажется, я и тогда все понимал, и моя точка зрения не изменилась. Для меня то, что произошло на Майдане, – это Берлинская стена, которая пала, – она просто продолжает свое продвижение к Красной площади, меняет географическое расположение. На Майдане в центре Киева произошло противостояние между двумя абсолютно разными культурами, двумя разными пластами восприятия и мировоззрения. Это не означает, что были молодые против старого поколения. Просто одна культура – это попытка быть независимыми, попытка изменить жизнь, стать частью… – я бы не сказал частью Европы, мы понимаем, что у Украины много проблем и стать частью Европы очень сложно, – но попытаться жить самостоятельно, без навязанной точки зрения, жить, как нам нужно жить. Другая культура ностальгирует, хочет вернуть былые времена, ей неинтересно это другое будущее. Мой проект назывался “Культура конфронтации”, это противостояние двух абсолютно разных культур было в Берлине, Чехия до этого, “Солидарность” и так далее. Стена движется, и влияние России постепенно сдвигается, вот здесь и произошел такой раскол. Потому что многие люди – те, кто в возрасте, – запуганы. А молодежь, которая родилась в 1991 году, в независимой Украине, они вообще не понимали, когда им говорили, мол, мы хотим Советский Союз или бывшую империю, – они говорили: я не знаю, что это, я родился в Украине, я не понимаю, о чем вы. Для меня это противостояние абсолютно разных культур. Нельзя сказать, что одна хорошая, а другая плохая, они смотрят просто совсем в разные стороны."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы работали в Донбассе фактически военным корреспондентом. Как вы относитесь к тем, кто, грубо говоря, на другой стороне?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Первые несколько месяцев я был на Донбассе нелегально, делал вид, будто я русский корреспондент, пока меня наши доблестные украинские СМИ не вскрыли. Я там находился с русскими ксивами как москвич, акал, бекал. Для меня было важно находиться там с людьми, которые оккупируют мою страну, с российскими флагами, я хотел все это видеть не через телевизор, а лично. Я видел, как сепаратисты, оккупанты, которые приезжали с оружием уже из Крыма, захватывают мою страну. И бывало, что киевское правительство усугубляло взрывоопасную ситуацию, чего можно было избежать. К людям, которые взяли там оружие, конечно, я отношусь негативно, потому что я сам сидел под обстрелом российской артиллерии, я потерял друзей и знакомых из-за людей с российскими флагами. У меня личные претензии, потому что захватили часть моей страны. Меня допрашивали, меня вели расстреливать, мне на голову надевали мешок, я оказывался в печальных, плачевных ситуациях. Поэтому у меня как у гражданина Украины и просто как у человека, на которого наводили автоматы эти люди, к ним большие претензии."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"На самом деле вся ситуация стандартная – это повторение того, что было в Приднестровье, в Осетии, все по кругу идет. Просто жалко людей, которые поверили и вышли, увидев, что Крым так мирно присоединили, – они подумали, что их присоединят так же. Это обычные люди, у них нет даже загранпаспорта, они говорят: я в Киеве никогда не был, я в Ростов езжу на базар. У них абсолютно свой мир. В Луганской и Донецкой области с флагами “ДНР” и “ЛНР” выходили с 2005 года, и правительство в Киеве никак не реагировало на это, никто не поднимал шум. Эти флаги придумали не в 2014 году. Конечно, Россия помогла вооружением и людьми, которые это все захватывали. Но то, что люди на той территории и в Крыму были настроены против Украины, – это большая проблема 20-летней политики Украины по отношению к этим людям. Они просто не захотели жить в этой стране и помогли оккупантам и людям с оружием."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​У вас был проект в Крыму о детском военно-патриотическом лагере, который тоже раскололся на проукраинскую и пророссийскую части."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Сейчас я работаю над первым документальным фильмом, который был снят за несколько месяцев до Майдана, – именно про этот лагерь “Крым-Сичь”. Уже в этом фильме четко видно, что эта проблема не из-за Майдана, она существовала, просто Майдан был последней точкой, когда каждый должен был сказать, на чьей он стороне. Конфликт существовал, и его не гасили. Почему они там не встали на сторону Украины? Там трудяги, в шахту спустились-поднялись, многие в Киеве не были за всю свою жизнь. Вот он живет в Макеевке или в Луганске, он вообще не был никогда в Киеве. Он в этой пропаганде погряз, он не знает, что происходит. Это проблема страны, почему туда не доносили, почему не помогали. В новостях про Луганскую область вообще не вспоминали никогда, пока не началась война. Как про Северный полюс. А там уже флаги “ЛНР” были, митинги, жесткие праздники 9 мая, которые ничем не отличались от того, что сейчас, такой же бред происходил и раньше."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​А что за история, когда вас на расстрел выводили?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Эта в Славянске было. Я вошел настолько близко в контакт, что мог заходить в кабинет к Пономареву, такой мэр был, я знал всех, кто захватывал Краматорск и Славянск. У меня были два друга, действительно москвичи, российские корреспонденты, хорошие друзья. Они на самом деле мне жизнь спасали намного больше, чем многие украинские СМИ, из-за которых потом у меня было много проблем. Они прикрылись русскими паспортами, а я липовыми корочками, мы типа втроем москвичи, – они знали, что я не москвич, просили меня, чтобы я не полностью сливал, что происходит, потому что тогда головы всем снесут. Я постоянно выставлял фотографии в “Инстаграме”: заявление делает Аваков (министр внутренних дел Украины. – Прим.), что все блокпосты в Славянске уничтожены, Национальная гвардия полностью захватила Славянск. Украинские СМИ тогда врали так, что у меня уши заворачивались. Я ехал, снимал на телефон все блокпосты, где стоят сепаратисты, и это выставлял в “Инстаграме” – типа, чуваки, это не так. Когда украинская армия переходила на их сторону, я снимал номера БМП, все время показывал, что очень много врут украинские каналы. Так как я там был из украинцев, то украинские СМИ начали делать материалы, где какой-то журналист выходит на черном фоне и говорит: я веду спецрепортаж из Славянска. Называют мое реальное имя, фамилию, которое у меня в российских удостоверениях, и говорят: вот он нам сообщил. Начинают нести какой-то бред, показывать мои фотографии с бойцами, которых я снимаю в “Инстаграм”, начинают говорить: он нам сообщил, что они спецагенты ГРУ. Из-за этих действий меня арестовывали, выводили на расстрел, но, как оказалось потом, – просто пугали, все было холостое. Мешок на голову, 6 часов интересных разговоров, но все закончилось хорошо."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы наблюдали вблизи так называемое “ДНР”, у вас какое впечатление – это идейные люди?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Поначалу все идейные из местного населения, потому что они хотят быть частью России, они увидели, что в Крыму произошло. А эта верхушка, что воевала, там приезжают те, кто в Чечне воевал, в Осетии воевал. “Стрелок” (Игорь Стрелков, бывший министр обороны так называемой “ДНР”. – Прим.) воевал в Боснии. Знаете, есть такие туристы военные. Они за идею, но за какую, хрен поймешь, просто, наверное, повоевать. У каждого свой “русский мир” в голове был – я не могу сказать, что это не за идею. Точно не за то, чтобы им заплатили кучу бабла. Большинство – это люди, которые приехали из России, из Крыма, с вдохновением, азартом, много местных. Но были наркоманы, алкоголики, которые за 300 рублей стояли на блокпостах, – но если видели БМП, они все бросали и уезжали. На самом деле это очень отработанная система, которую Россия использовала много раз не только в Украине, все повторяется и повторяется."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​А как вы работали с “украинской” стороны?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Когда я с “той” стороны снимал, я один раз попал под обстрел украинской армии и понял, что если меня убьют на Донбассе, то я умру со стороны России, буду объявлен сепаратистом, мне не очень этого хотелось. Я решил попытаться снимать со стороны украинской армии и столкнулся с колоссальным сопротивлением пресс-службы АТО, украинского правительства и всех, кого только можно. Если ты находишься на той стороне, у тебя полностью зеленый свет на все, а с нашей стороны тебе все запрещают. Ты приезжаешь куда-нибудь к бойцам, как это было в начале, бойцы говорят: да. А пресс-служба присылает за тобой и тебя увозят. Были батальоны такие, как “Донбасс”, “Айдар”, “Правый сектор”, с которыми намного проще это все решалось. В какой-то момент, когда пресс-служба опять ничего не давала снимать, я сказал Саше (фотограф Александр Гляделов. – РС), что знаю командира Семенченко, поедем в Донбасс, посмотрим, что там можно делать. Так сложилось, что мы приехали перед Иловайскими событиями (когда подразделения украинской армии попали в окружение. – РС) и вместе с ними поехали в Иловайск, проезжали через все блокпосты вместе с ними на их машинах. На блокпостах никто не знал, что мы пресса. Да и слабо можно назвать нас прессой, потому что мы нигде не работали, никто нам за это не платил, ехали сами, а потом уже как выйдет. Документировали все."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Не мне судить, из-за чьих ошибок попали в окружение, как и все бойцы, ждали, надеялись. К сожалению, все закончилось плачевно для очень многих, кто там был. Нам с Сашей повезло, Сашу ранило через несколько дней после того, как мы туда зашли, не тяжело. Мы рядом были, меня не задело, ему задело ногу, я ему оказывал медицинскую помощь. Очень много было раненых, медиков было всего пара человек, они занимались, в основном, бойцами, я Саше помогал, потом его увезли вместе с ранеными. Смешная история была, у Саши, когда его увозили, все пленки, которые он сделал в Иловайске, выпали. И какой-то боец принес мне все его пленки, когда Сашу уже увезли. Я думаю: вот прикол, теперь мне нужно выбраться из “котла” с моими фотографиями, еще и с Сашиными. Мне повезло, я уехал раньше, за пару дней до того, как всех расстреляли. Нас выпустили на автобусе, обстреливали минометами, но лобового сопротивления, чтобы кто-то вышел прямо на какой-то коробочке, БМП или танке, – не было, хотя за день до нас такой же автобус расстреляли. Мне нужно было уезжать, у меня была выставка о Майдане во Франции, у меня был уже самолет, меня даже совесть мучила, что я не хотел уезжать, хотел до конца быть. Но я вынужден был ехать с бойцами, которые вывозили раненых, мы уезжали на микроавтобусе. Я помню, был парень с перебитым позвоночником, я его поддерживал, потому что на кочках мы очень сильно съехали, по нам минометом сильно шарахали. Он, помню, держал гранату в руках и говорил: “Макс, без обид, но если засада, я ее на хер взрываю”. Так мы 10 километров по красной линии ехали, три бойца были или четыре, раненые и я, выбирались оттуда. Через несколько дней много погибло парней."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы описывали, как вы сидели в Иловайске, потом выходили оттуда, потому что у вас самолет во Францию на выставку. Это очень сильный перепад – сидеть под бомбежкой, а потом во Франции выставка. Вы как чувствуете себя в этой вилке? Где вы больше себя ощущаете как дома?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"На самом деле все было психологически сложно, хотя я не понимал это тогда. Мои друзья после этой выставки повезли на Лазурный берег, где-то в Сан-Тропе или в Ницце. Мне друг говорит: “Как ты себя чувствуешь? Пять дней назад ты был под артобстрелом”. Эти все синдромы послевоенные не чувствуются, на тот момент я не понимал, что у меня какой-то перепад. Сейчас я осознаю, что, конечно, очень нервный, психованный был, очень сильно сказывается. Где я себя лучше чувствую? Мне кажется, я себя лучше чувствую в своей жизни, моя жизнь там, где я нахожусь. Я знаю многих фотографов, которые, уезжая с войны, не могут нормально жить мирной жизнью, возвращаются на войну. Я к таким не отношусь, потому что мне есть чем заняться и на гражданке. Я не считаю себя военным фотографом. Я был на войне, потому что я захотел там побывать. Не потому, что я репортер, который должен это снимать. Это произошло в моей стране, это история моей страны, я начал ее снимать с Майдана, я был в Крыму, потом я был на Донбассе, изначально принципиально поехал на ту сторону. Для меня это моя история, я был со всех сторон. Это мой опыт. Сейчас я туда не возвращаюсь, потому что я не понимаю, что я буду там делать. Я там был в тот момент, я себя чувствовал комфортно, когда я был там, сейчас я себя чувствую комфортно не на войне."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы снимали на Майдане, вы снимали украинских солдат на войне, это часто сильное воодушевление, движение духа. Трагические события были на Майдане и на войне, но без сомнения, в этом было что-то возвышающее. У вас сейчас ощущение, что это прошло, ушло куда-то, это воодушевление людей, которые меняли Украину, отстаивали ее?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Все это вдохновение должно подпитываться чем-то, на самом деле оно сейчас держится на энтузиастах, но это не благодаря, а вопреки тому, что происходит. К сожалению, то, за что вышли люди, произошло в очень минимальном процентном соотношении по отношению к тому, что хотелось бы. Во власти осталось много старых людей, система не очень изменилась. Старая система другими способами пытается . Старой системой я называю не систему Януковича: система Порошенко, система Тимошенко, система всех политиков, которые были тогда, – они ничем не отличаются. Новая власть в виде новых людей, которые пришли после Майдана, – это очень малое процентное соотношение, мы бы хотели, чтобы все произошло намного быстрее. К сожалению, теперь нам остается надеяться на то, что постепенно молодая кровь будет вытеснять старую. Но старая система очень борется, есть очень большое сопротивление, и это очень тяжело. У меня много знакомых, которые ушли из бизнеса, пошли в политику или в министерство какое-то, у них были очень хорошие зарплаты, а там им дали зарплату пять тысяч гривен, 200 долларов. Они два года работают, говорят: у меня все сбережения закончились. Я работаю, я депутат, в министерстве, и у меня нет денег. И им говорят: мы все ждем, пока вы устанете, уйдете, мы дальше будет опять делать, что делали. К сожалению, сейчас единственный шаг – это медленно, постепенно молодая свежая кровь должна вытеснять этот старый режим. Флаги поменялись, а мировоззрение наверху у людей не поменялось. Я не говорю про всех, я считаю, что одна треть, хотя бы одна треть – это люди, которые пытаются изменить страну. Но существуют две трети, которые не хотят ничего менять, они не приспособлены к новому европейскому государству. Все бы хотели, чтобы они собрались со своими деньгами и куда-нибудь укатили, чтобы молодое поколение, интеллигенция вела бы страну в какие-то новые времена. Многие люди возвращались из Европы сюда, чтобы что-то изменить, но я знаю сейчас тенденцию – они уезжают, потому что разочарованы, что ничего не изменилось."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я хочу вернуться к тому, с чего вы начали, к этому движению стены. Стена, которая рухнула в Берлине, на Майдане ее частично обрушили, и она…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Сдвинулась в Донбасс."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Движется на восток. Я хотел вас спросить, как вы относитесь к России, чем это движение стены, с вашей точки зрения, закончится?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Это очень сложный вопрос, потому что у меня в России есть много друзей, с которыми у нас очень хорошие отношения. До всего, что случилось, я часто приезжал в Россию, был в Москве. Это больше похоже на помешательство. Я отношусь хорошо к людям, которых знаю в России, а к общей массе у меня плохое отношение, потому что они поддерживают то, что делает их правительство. Они молчат, боятся, не хотят ничего говорить. У меня, наверное, больше не ненависть, а разочарование или непонимание, как можно не видеть, что происходит. Потому что ощущение, что это возвращение назад, полностью в Советский Союз, и люди счастливы от того, что это происходит. Люди довольны, люди поддерживают войну, люди максимально разжигают ненависть – все эти лозунги, призывы и то, как они реагировали, говорило о том, что проблема не в Майдане. Стоило только назвать украинцев фашистами, сразу же большая часть населения России это поддержала. Это говорит о том, что эта мысль в голове культивировалась, Малороссия, все остальное – было уже в головах, это не могло появиться за одну неделю. Отношение истинное… Мне кажется, большая проблема россиян – это империализм, они хотят вернуть свою империю, свое влияние на соседние государства. Они не могут найти ничего другого, как сделать это силой, и в этом именно моя претензия к России. Они убивают мой народ. Как можно рассказать детям, у которых стоят дома фотографии их родителей, отцов, которые были убиты людьми с российскими флагами, что это наша братская страна? Та война, которая произошла, уже нас разделила. На самом деле это за год, за два, даже за пять, за десять лет – не разрешится, потому что эта война затронула каждого. У каждого кто-то из знакомых погиб, или пришел раненый, или был на фронте, или он был там сам. На самом деле это глобальная проблема, потому что люди потеряли близких. И с той стороны та же ситуация."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​А про стену?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Так получилось, что в Украине сейчас процентное соотношение людей – еще до Майдана было – немного другое, они хотят другой жизни, не хотят возвращаться в ту жизнь с Советским Союзом, в те времена. А на Донбассе – люди, которые отстаивают это. Стена – это граница империализма, она сдвигается. Это просто геополитическое влияние. Сейчас Россия не имеет такого влияния на Украину – на ту часть Украины, которая контролируется украинской армией, украинским правительством, – как она влияла до Майдана. Эта стена – влияние России на соседние государства, влияние на умы. Потому что когда человек перестает смотреть только российское телевидение, только российские новости, то он начинает иметь другую точку зрения. Мы все думаем, что у нас у всех есть свобода, мы можем зайти в интернет, все увидеть, все почитать, но большинство людей, что в России, что в Украине, включают телевизор и смотрят то, что там показывают, слушают, читают газеты, общаются. Когда я был в Крыму и в Донбассе, то порой доходило до смешного, люди рассказывают такие сказки. Я был свидетелем какой-то ситуации, а люди через час уже все настолько перевирали и в это верили, какой-то “Правый сектор”, который кому-то отрезал голову, сидит где-то в погребе. В чем Россия хороша, так это в информационной войне. На самом деле вся война России в Украине началась благодаря СМИ. У меня иногда много вопросов к СМИ, потому что люди верят."},{"attributes":{"header":5},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-240","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T05:42:42Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"13c9eb55-c7f2-450d-abef-b404e5c4852a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:28:44Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T05:42:42Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-240","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T05:21:35Z","title":"Untitled 236","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Український військовий фотограф: чому українці неправильно бачать війну"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Максим Дондюк – український фотограф-документаліст. Знімав проект, присвячений людям із туберкульозом, робив фото з війни на Донбасі для закордонних агенцій. Працював для ЗМІ США, Польщі, Німеччини, Фінляндії тощо. Один із авторів виставки «Забуті світом», яка експонується цими днями у львівському Палаці мистецтв."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Що Ви думаєте щодо негативної реакції частини відвідувачів на виставку?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"У мене було відчуття віддзеркалення Донецька, просто інший бік дзеркала, де люди неспроможні сприймати не те, щоб іншу сторону, а взагалі бачать лише свою позицію, лише біле або лише чорне. І це дуже-дуже сумно, тому що демократична країна будується зовсім іншим шляхом."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Я і полякам казав: ви повинні розуміти, що ви проведете виставку, а тут люди, яких торкнулась ця трагедія, це війна! І от прийдуть на виставку ті, в кого загинули близькі, а ви показуєте прапори «ДНР», Росії… Вони зробили ризикований хід, що зробили виставку тут. Якби привезли її у Київ, це було би трохи інша реакція."},{"attributes":{"header":5},"insert":"\n"},{"insert":"А тут дійсно віддзеркалення того, що є там. Там гіперболізована любов до «совка», а тут – прагнення бути незалежними. І зараз знову окупаційна війна, тож це болюча тема. Але ж Росія не вторглася у Львів, Росія вторглася в Донецьк і люди у Львові мають зрозуміти, що там люди трохи інакше міркують, ніж тут."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Для цього треба відсторонитись і подивитись на це інакше. Але для організаторів це теж досвід. Бо вони там в Польщі думають, що тут всі демократичні, що всі розуміють, що і як. А от приїхали і побачили, як є. Я думав про те, аби зняти всі підписи на виставці, але організатори ж європейці, для них це шок, вони вважають це цензурою."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Я був і тут, і там, тож трохи з різних боків усе бачив. Але я не знаю, як би я поводився, якби мешкав тут, у Львові постійно і якби у мене забрали брата, сина, родича, і якби він там загинув від рук російських окупантів. І що б я тоді казав?"},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Мене якраз виставка і здивувала тим, що вона про різні боки конфлікту. Відчувається, що вона робилась для зовнішнього глядача, для європейського, який хоче відсторонитись і зрозуміти суть. Як думаєте, а тут це можливо?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Варто розуміти, що організатори не українці і не росіяни, вони поляки і вони щиро співпереживають. І для них, як і для іншого світу, важливо дивитись, що трапилось дійсно, а не лише з одного боку."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Як мені здається, тут би хотіли побачити лише поховання українських військових, тільки зруйнування, спричинені російською артилерією. Але ж ми всі розуміємо, що якщо хтось думає, що війна це тільки шкода з одної сторони, то це абсурд"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Війна – це дуже велика біда для людей, котрі там мешкають. Вона чілпяє кожну людину і з одного, і з іншого боку. Але війна рано чи пізно скінчиться. Ми маємо розуміти, що ми мешкаємо в одній країні і не пройде таке, що ми туди прийдемо, всім скажемо: вдягайте вишиванки, розмовляйте українською. Треба шукати компроміси. Я це дуже добре розумію, хоч я втратив на цій війні багато друзів та знайомих, це і моя особиста війна, особиста трагедія. Але я був і по цей, і по той бік…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Хочу ще наголосити, що саме «завдяки» українській владі та українській прес-службі в зоні АТО ми бачимо так багато картинок по той бік (на окупованій частині території, – ред.). Тому що вони (прес-центр АТО, – ред.) не давали дозволу знімати."},{"attributes":{"header":5},"insert":"\n"},{"insert":"І коли я був кілька місяців з того боку під «прикриттям» російської прес-карти, поки мене не «викрили» українські ЗМІ, то мені давали дозвіл знімати все. Все, що я хотів. Бо російська пропаганда знає силу медіа, вона розуміє, що треба пускати медіа. І закордонні журналісти там мали змогу знімати все. А коли я почав знімати з української сторони, то я вже проїжджав на лінію фронту як військовий, на якихось броньовиках, з військовими, з якими домовлявся сам, бо прес-служба АТО возила всіх по одних і тих же блок-постах і показувала добру і гарну картинку."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Але у той же час були насправді місця, де військові по три місяці жили в окопах, їли тушонку, не маючи жодної гарячої їжі, тобто, трагічна ситуація була. Але влада не хотіла цього показувати!"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Ні закордонні, ні українські медіа не допускались. І лише певні окремі журналісти, яким було важливо туди потрапити, самі влаштовували собі ці поїздки, самі домовлялись про все з волонтерами чи батальйонами, чи військовими… І я з кількома фотографами був в Іловайському котлі. І в нас залишились фотографії, завдяки яким люди можуть бачити, що там було. Але є така трагедія як Савур Могила, звідки немає жодної фотографії, ми навіть не знаємо і не бачимо обличь цих наших героїв. І це тому, що нікого не хотіли туди пускати."},{"attributes":{"header":5},"insert":"\n"},{"insert":"А закордонні журналісти приїжджають, їм треба це якось показувати, а тут їм не дають, не пускають, показують якусь фігню… Вони думають, що журналісти, котрі вже по 20 років працюють на війні, поведуться на блок-пости оці випещені, де все добре? Вони їдуть на той бік, де їм кажуть «знімайте все», їдьте в морг, на передову, куди хочете: «Ти сам за себе відповідаєш, а якщо загинеш – то твоя справа». А з нашого боку це було можливим тільки з батальйонами і тільки завдяки ним."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Я так потрапив в Іловайський котел із батальйоном «Донбас». Я поїхав туди власним коштом, просто зі мною була камера. І от хлопці кажуть: «Ти ж розумієш, що ми вже в оточенні, і виїжджати ти будеш уже з нами». І так і вийшло, що на цій виставці я один, хто був ще з українського боку фронту. Звісно, тут представлена дуже маленька частина того, що у мене є. Але, власне, так і сталось, що світ бачить цю війну крізь трагедію та страждання тієї сторони, бо наша сторона дуже і дуже не хоче показувати, що дійсно відбувається."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А як довго Ви там були?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я 1 грудня вийшов на Майдан. Я три місяці був на Майдані під час усіх активних фаз, далі – Крим. Був десь місяць у Криму до «референдуму», коли анексія почалась. І коли почались події на Донбасі, окупація… Хоча це ж треба розуміти, що якби на Майдані дали б всім автомати, почалась би війна. Є збурені люди, котрі хочуть якихось змін. І якби їм дали не бруківку, а автомат, також почались би те саме. Але туди приїхали росіяни, дали зброю, було декілька спецзагонів, які координували це."},{"attributes":{"header":5},"insert":"\n"},{"insert":"І з нашого боку ж теж масла у вогонь підливали. Тож потім я там був аж до Іловайського котла. Потім я виїхав… і ще в грудні повертався уже з «Червоним Хрестом», їздив по зруйнованих містах з нашого боку. І з 2015 року я вирішив для себе, що не хочу туди повертатись, я вже не розумів для себе, що я там буду робити."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А чому? Війна ж продовжується…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Коли ти розумієш, що можеш сьогодні загинути, але водночас ти робиш важливу справу, то це одна річ. А коли ти повинен постійно сперечатись з якоюсь там владою, військовими, домовлятись… До того ж я просто «видохся» за цей рік. І за той час я багато працював зі світовими медіа, з українськими я зовсім не працюю, бо виникло багато розчарувань. І я зрозумів, що мені потрібна перерва."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Насправді, коли був Іловайськ, це дійсно було трагічно, бо нам по радіо чи телефону казали, що там парад готують, що міністр приймає нову зірку, а тут у хлопців 4 чи 5 БМП («бойова машина піхоти», – ред.), а на нас танк приїжджає прямою наводкою б’є…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"І жодного танку в нас нема, зв’язку нема, хлопці самі в кредит брали рації, щоб якось орієнтуватись у цих коробках. І є дуже багато є питань і ці всі трагічні програші, це програш не нашої армії мужньої, а нашої влади, яка, на жаль, себе не виправдала"},{"attributes":{"header":5},"insert":"\n"},{"insert":"І от за рік ти розумієш, що прес-служба робить усе, аби ти нічого не зняв, що українські медіа дуже часто цікавить тільки одна сторона, яка показує лише одну правду, а іншої правди бути не може, що інша правда – це проросійська пропаганда… Багато військових повертаються туди, бо тут у них немає іншого життя, бо ними ніхто не займається, держава ними не займається. Влада зовсім не розуміє, що люди, котрі були на війні, іншою мірою все вимірюють і їх треба до чогось долучатись, їм треба допомагати. І зламана душа, бо вона ж дійсно зламана, бо, коли ти бачиш як люди гинуть, як твої друзі гинуть, а сюди приїздиш, то тут дуже тяжко. І це проблема країни, а не тільки їх самих."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Вони там герої були, захищали країну, а тут приїжджають, не можуть вирішити якісь проблеми, їм ніхто не допомагає, то починаються різні неприємні речі… У мене відчуття, що у владі взагалі не розуміють того. І, не дай Бог нам третього Майдану. Бо перший був «лайт», революція у 2013 була така «мідіум», а «хардкор» буде наступний, бо будуть військові, для них стріляти – це вже нормально. І всі ми розуміємо, що зараз в Україні багато незареєстрованої зброї і, якщо почнеться хвиля, а влада потроху до цього йде, не знаю, зо може початись…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Але є й позитивні зрушення, бо частково військові потрапили і в нормальні ситуації, наприклад, помічниками депутатів абощо, тож якийсь дрібний відсоток присутній і у владі. І я дуже сподіваюсь, що це розумні люди, сподіваюсь, що вони все ж будуть розуміти, що єдині, кому ми можемо довіряти – це фронтовикам, тим, хто допомагав цим людям."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Ми можемо Донбас повернути, але силою, якщо й вийде, то просто патріотизм там буде інший, бо там лишились люди, які постраждали, зокрема, і від нашої армії. Так трапилось…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Будь-яка людина, що вміє думати, розуміє, що там можна було це все на початку ще згладити, що можна було зробити це все не так криваво, що просто хтось (навіть не з того боку, не з Росії) дуже-дуже хотів, що у нас почалась кривава м’ясорубка. І що влада може заробляти на війні, і що там ми втратили дуже багато патріотів, які могли би змінити країну, але пішли на фронт і загинули. Бо ж 2014 рік це була дійсно м’ясорубка, бійці просто в маршрутках заїжджали на фронт проти танків."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Як було на Майдані, коли снайпери стріляли в людей, які захищались якимись алюмінієвими щитами, то на сході 2014 року було те ж саме, але не сотні – тисячі. І коли з Іловайська виходили, то російська армія мала зв’язок і все, що треба, а у нас… Ми коли там були, то хлопці дзвонили по мобільному і наводили артилеристів, але ж ті все прослуховують, захотіли – заглушили мобільний зв’язок нашим – просто халепа. А люди воювали на патріотизмі. Я досі не розумію, як Муженко не те, що служить, як його не заарештували досі."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ваші світлини, представлені на виставці, дуже тяжкі. Як, власне, і більшість світлин на виставці. З людської саме позиції, наскільки важко так працювати – знімати смерть, похорон, травми…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Кожен документаліст, який працює з такими темами, шукає власні шляхи, як це подолати. Ще до війни я працював з тяжкими темами у документалістиці і багато бачив трагічних подій. Це важко, але я думаю, що мені легше, аніж людині, яка того не бачить. Контакт з постійною трагедією, смертю, змінює людину, відбувається переоцінка цінностей."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Якщо знову до виставки. То чи така подача на часі? Бо війна досі є…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я вважаю, що є культурна еліта, яка розуміє все, яка проти війни і розуміє, що ненависть породжує далі війну, помсту і тому подібне. Напевно, якщо привезти до Одеси виставку, реакція буде іншою. Там же через цей відсоток проросійський будуть зовсім інше пропагувати."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Знаєте, будь-які фотографії такі можуть бути розтлумачені кожною стороною по-своєму. Тут така реакція, в Одесі буде інша, а якщо в Москву її повезти, то скажуть, що це взагалі проукраїнська пропаганда."},{"attributes":{"header":5},"insert":"\n"},{"insert":"От є фото на виставці, де українські військові звільняють людей. Люди два тижні в дитсадку сиділи, в підвалі. Прийшли двоє хлопців військових, принесли їжу, якісь ліки. І люди там плачуть і підпис, що військові їх звільнили. А у Москві то показати, так скажуть, що вони прийшли людей розстрілювати, бо військові з автоматами, а люди плачуть. Кожен буде тлумачити по-своєму. Це постійна суперечка."},{"attributes":{"header":5},"insert":"\n"},{"insert":"І коли голова ЛОР говорив, що він не вірить, що військові вбили ту дівчину в Краматорську, це ж про мою фотографію мова. Я там був і це бачив. І якщо він думає, що українська армія нікого не вбиває, то, значить, він не був на війні. Там таке трапляється… І я не оцінюю – це погано чи добре. Але ми мусимо розуміти, що крім військових страждають і мирні люди. Насправді, я думаю, що такі виставки треба показувати дещо пізніше, коли рани вже загоються. Бо я розумію, наскільки тяжко приходити і на це дивитись."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Але невже хтось розраховує, що весь світ має жаліти Україну, знати досконало історію України… І без того світ багато для нас зробив"},{"attributes":{"header":5},"insert":"\n"},{"insert":"На Заході усі розуміють становище ,усі проти агресії Росії, али вимагати від поляків, щоб вони показували тільки проукраїнську виставку – безглуздо."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Дуже прикро й соромно, що у нас є діти, яким ця організація, цей проект допомагають. Бо ж на них тут ставлять на них хрест, а поляки збирають кошти, забирають ту дитину, лікують її, і виліковують. Вони сімом дітям допомогли вже. А у Львові всі прийшли, покричали свої патріотичні лозунги і майже ніхто копійки не дав. І це дуже-дуже соромно, бо українці хочуть, аби всі нам допомагали, а самі собі допомагати не хочуть."},{"attributes":{"header":5},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-236","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T05:21:35Z","slideshow_show_count_enabled":true,"position":-1073741824,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"f4e7021e-1e8f-44ab-ba13-035f2db1ac6e","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:27:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T05:21:35Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-236","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"67da28d7-06b7-4eaa-b682-d92f16dfff59","tag_ids":[],"order_date":"2019-12-05T00:23:25Z","title":"Untitled 191","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"75:31","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"cf0ccaf5-abb0-42af-9a16-9849997587df.jpg","filesize":638960,"height":620,"hidden":false,"id":"cf0ccaf5-abb0-42af-9a16-9849997587df","inserted_at":"2019-08-14T08:27:09Z","name":null,"orientation":"Landscape","original_filename":"03_DOM_2017_12_27_2703.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1610612736,"set_id":"67da28d7-06b7-4eaa-b682-d92f16dfff59","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/cf0ccaf5-abb0-42af-9a16-9849997587df.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-21T09:27:08Z","weight":4,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/untitled-project/genesis-chapter-untitled-project/untitled-191","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Irregular","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"Two","index_text_size":"S","image":null,"inserted_at":"2019-08-14T08:31:13Z","slideshow_show_count_enabled":false,"position":-1069547520,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"99c3eba8-f106-4ef5-acb5-2a4278134d2e","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"cf0ccaf5-abb0-42af-9a16-9849997587df","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"L","updated_at":"2020-01-22T03:39:27Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-05T00:23:25Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-191","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":false,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["7f2ef685-d690-4854-bfbb-1c3bfb840e96","7c31f51d-65b6-450d-9873-fba02f0d74fb"],"alignment":"Left","set_id":"279ca05e-12a8-457e-8ec0-0d7f4eab95ae","tag_ids":[],"order_date":"2019-05-17T09:45:10Z","title":"Faces of Tuberculosis","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"1333:2000","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"618e4e32-739d-4bae-a902-5826b06ad1e4.jpg","filesize":1347948,"height":2000,"hidden":false,"id":"618e4e32-739d-4bae-a902-5826b06ad1e4","inserted_at":"2019-05-21T14:08:27Z","name":null,"orientation":"Portrait","original_filename":"06_DOM_2011_08_17_TB8542.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1648068846,"set_id":"279ca05e-12a8-457e-8ec0-0d7f4eab95ae","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/618e4e32-739d-4bae-a902-5826b06ad1e4.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-30T08:50:57Z","weight":3,"width":1333},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"archive/faces-of-tuberculosis","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"1333:2000","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"8bf7375d-b84f-4bdd-9a80-176e53b7b0a6.jpg","filesize":1063265,"height":2000,"hidden":false,"id":"8bf7375d-b84f-4bdd-9a80-176e53b7b0a6","inserted_at":"2019-05-21T14:09:02Z","name":null,"orientation":"Portrait","original_filename":"15_DOM_2011_08_16_TB8128.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-749122206,"set_id":"279ca05e-12a8-457e-8ec0-0d7f4eab95ae","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/8bf7375d-b84f-4bdd-9a80-176e53b7b0a6.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-21T14:14:48Z","weight":3,"width":1333},"inserted_at":"2019-05-12T12:48:27Z","slideshow_show_count_enabled":true,"position":-930611200,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e0c30cdf-1443-459b-a885-85b64507aa4d","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":"Faces of Tuberculosis | TB epidemic in Ukraine","index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"618e4e32-739d-4bae-a902-5826b06ad1e4","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-17T09:45:10Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"faces-of-tuberculosis","image_id":"8bf7375d-b84f-4bdd-9a80-176e53b7b0a6","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["6c493860-a519-427c-89d2-1c2127c407b5","34efcebb-b5e7-4fc8-befd-110c27c2b067","6c92f458-4f8d-419f-8091-afde6ba77752"],"alignment":"Left","set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","tag_ids":[],"order_date":"2019-07-28T10:31:21Z","title":"WARCHIVE","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"611:408","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"30e655aa-127a-4757-a35e-6681b7e3b943.jpg","filesize":392353,"height":816,"hidden":false,"id":"30e655aa-127a-4757-a35e-6681b7e3b943","inserted_at":"2019-05-08T17:36:17Z","name":null,"orientation":"Landscape","original_filename":"0005_03_DOM_2017_01_14_0019.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-268435460,"set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/30e655aa-127a-4757-a35e-6681b7e3b943.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-07-26T09:20:11Z","weight":3,"width":1222},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"warchive","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Cover","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"611:408","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"30e655aa-127a-4757-a35e-6681b7e3b943.jpg","filesize":392353,"height":816,"hidden":false,"id":"30e655aa-127a-4757-a35e-6681b7e3b943","inserted_at":"2019-05-08T17:36:17Z","name":null,"orientation":"Landscape","original_filename":"0005_03_DOM_2017_01_14_0019.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-268435460,"set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/30e655aa-127a-4757-a35e-6681b7e3b943.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-07-26T09:20:11Z","weight":3,"width":1222},"inserted_at":"2019-07-28T10:31:21Z","slideshow_show_count_enabled":true,"position":-923791404,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"6625d89e-96ab-474c-bb9a-f75be2449c7a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"L","updated_at":"2020-07-10T22:50:49Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-07-28T10:31:21Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"warchive","image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","slideshow_ratio":"auto","description_content":{"ops":[{"insert":"WARCHIVE_U2014"},{"attributes":{"header":1},"insert":"\n"},{"insert":"The War in Donbass is an armed conflict in the Donbass region of Ukraine. From the beginning of March 2014, protests by pro-Russian and anti-government groups took place in the Donetsk and Luhansk oblasts of Ukraine, commonly collectively called the \"Donbass\", in the aftermath of the 2014 Ukrainian revolution and the Euromaidan movement. These demonstrations, which followed the annexation of Crimea by the Russian Federation (February to March 2014), and which were part of a wider group of concurrent pro-Russian protests across southern and eastern Ukraine, escalated into an armed conflict between the separatist forces of the self-declared Donetsk and Luhansk People's Republics (DPR and LPR respectively), and the Ukrainian government. In the Donetsk People's Republic, from May 2014 until a change of the top leadership in August 2014, some of the top leaders were Russian citizens. According to the Ukrainian government, at the height of the conflict in mid-2014, Russian paramilitaries were reported to make up between 15% to 80% of the combatants."},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["a5de068b-b6de-4463-a3e2-9b2e437f0b02","ba922848-251d-42b5-bbe1-1f8f2b59c9c2","27759c9c-1100-46b9-9d19-6f03754eb7aa","7ba2b8f7-e120-4131-b1a1-e05d78bd6820","341e0215-f1bd-4682-81e2-45bbc7a3621c"],"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-15T05:48:58Z","title":"UNTITLED PROJECT","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":"But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.","viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/untitled-project","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"L","image":{"aspect_ratio":"1333:2000","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"bb8c126f-cad5-4e45-bf8f-667aebc53372.jpg","filesize":770791,"height":2000,"hidden":false,"id":"bb8c126f-cad5-4e45-bf8f-667aebc53372","inserted_at":"2020-04-28T03:29:21Z","name":"","orientation":"Portrait","original_filename":"rd01_FILM31_20180512_0001.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483632,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/bb8c126f-cad5-4e45-bf8f-667aebc53372.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-28T03:29:21Z","weight":3,"width":1333},"inserted_at":"2019-05-03T13:17:12Z","slideshow_show_count_enabled":true,"position":-855638016,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"53b7578d-467c-4474-95ed-53c7c8a86610","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"M","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"M","updated_at":"2020-04-30T10:00:53Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-15T05:48:58Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-project","image_id":"bb8c126f-cad5-4e45-bf8f-667aebc53372","slideshow_ratio":"auto","description_content":{"ops":[{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"UNTITLED"},{"attributes":{"align":"center","header":1},"insert":"\n"},{"insert":"PROJECT"},{"attributes":{"align":"center","header":1},"insert":"\n"},{"insert":"from Chernobyl"},{"attributes":{"align":"center","header":2},"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Center"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["283df543-a4e6-4107-a108-893ba3bb3fba","b91f140d-329b-41ef-bcde-61e10d697d7a"],"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-07-28T12:08:43Z","title":"BOOKS","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"books","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-07-28T12:08:43Z","slideshow_show_count_enabled":true,"position":-839254016,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"L","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"3:2","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"S","updated_at":"2020-04-29T04:14:09Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-07-28T12:08:43Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"books","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-25T06:48:20Z","title":"Untitled 320","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"JULIY 2012\nKvartira Arts Center, Dnepropetrovsk, UA\n\nJUNE 2012\nKirovohrad Regional Museum of Art, Kirovograd, UA\n\nAPRIL 2012\nArt-Donbass, Donetsk, UA\n"}]},"online":true,"icon":"none","parent_id":"a293bc02-d543-4f48-9f9e-3626877290ef","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012/untitled-320","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"DECEMBER 2012"},{"attributes":{"align":"right"},"insert":"\n"},{"insert":"Zaporozhye, UA"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"NOVEMBER 2012"},{"attributes":{"align":"right"},"insert":"\n"},{"insert":"Uzhgorod, UA"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"SEPTEMBER 2012"},{"attributes":{"align":"right"},"insert":"\n"},{"insert":"Vinnitsa, UA"},{"attributes":{"align":"right"},"insert":"\n"}]},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-25T06:48:20Z","slideshow_show_count_enabled":true,"position":-805306368,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"c410233d-3446-4d0c-b62e-70deda3ef913","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T12:17:02Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T06:48:20Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-320","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T14:46:03Z","title":"Untitled 290","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"MARCH 1 - 11, 2018\nM17 Contemporary Art Center, Kyiv, UA\n"}]},"online":true,"icon":"none","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-290","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"MARCH 19 - 31, 2018"},{"attributes":{"align":"right"},"insert":"\n"},{"insert":"GIZ-Haus, Berlin, DE"},{"attributes":{"align":"right"},"insert":"\n"}]},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T14:46:03Z","slideshow_show_count_enabled":true,"position":-805306368,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"be96f877-0567-4af5-a9e8-7ffc04cab9cc","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T14:59:14Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T14:46:03Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-290","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-05-04T07:09:24Z","title":"Untitled 372","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"Crimea Sich is about the patriotic and spiritual upbringing of future soldiers in the Crimean Peninsula and its consequences. It is located in a beautiful place of Crimea, in the canyon of medieval fortress town Eski-Kerman surrounded by all sides by mountains and forests."},{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#000000","text_color":"#ffffff","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-372","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-04T07:09:24Z","slideshow_show_count_enabled":true,"position":-718274560,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"5b1d2024-13ee-46d3-8b8e-234e898bf76f","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T09:16:11Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T07:09:24Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-372","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-21T02:20:47Z","title":"Untitled 217","do_not_index":false,"cta_url":"https://www.facebook.com/CrimeaSich","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"CRIMEA SICH"},{"attributes":{"header":2},"insert":"\n"},{"attributes":{"color":"#686868"},"insert":"Documentary ・ 2013 ・ film is on post-production stage"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich-documentary/untitled-217","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"align":"right","header":2},"insert":"\n"},{"attributes":{"color":"#3b5998"},"insert":"Facebook: "},{"attributes":{"color":"#3b5998","link":"https://www.facebook.com/CrimeaSich"},"insert":"CrimeaSich"},{"attributes":{"align":"right"},"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-21T02:20:47Z","slideshow_show_count_enabled":true,"position":-671088640,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"63655730-e34d-4be2-be69-de0cb9ede6e9","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T09:19:20Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-21T02:20:47Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-217","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["3aaf4162-7f49-471a-8c0c-b223a45e8e90","c521690f-d50f-4d66-8fdb-90a8e3f23a6a"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-21T09:40:09Z","title":"EXHIBITIONS","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"submenu","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-21T09:40:09Z","slideshow_show_count_enabled":true,"position":-556359680,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"65cff99d-6fec-407c-8319-9fcba32ac756","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-13T10:53:02Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-21T09:40:09Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"exhibitions","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","e2d77f50-e141-4547-a8bc-2c799a83859c"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-21T09:56:30Z","title":"PUBLICATIONS","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"submenu","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-21T09:56:30Z","slideshow_show_count_enabled":true,"position":-540643328,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"dd9bf816-b615-4648-94d9-506f07dff3df","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-13T10:53:18Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-21T09:56:30Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"publications","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["ca57804a-8af5-49fa-a8e5-30e738290816","991ab322-85b8-4a6e-9310-54a6c1b332dc"],"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-09-23T08:54:22Z","title":"Apócrifa Art Magazine, Text by Eusebio Nava | spanish, 2019","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-09-23T08:54:22Z","slideshow_show_count_enabled":true,"position":-536870914,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"4:3","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T09:34:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-09-23T08:54:22Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T15:20:16Z","title":"Untitled 296","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Culture of Confrontation"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"M A Y - J U N E 2017"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"Fundación Gilberto Alzate Avendaño, Fotográfica Biennale, Bogota, CO"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"1b64f6c4-7370-4cd4-a8ac-a39bd88c1aae","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017/untitled-296","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T15:20:16Z","slideshow_show_count_enabled":true,"position":-536870912,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"9518a3da-9a20-4473-80f9-93546b5b50f4","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T15:25:22Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T15:20:16Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-296","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-08-02T12:59:05Z","title":"Untitled 160","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"UN/NGO PORTFOLIO"},{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"dadb3008-4aaa-413a-9a12-3f0ad3b98b67","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"unngo-portfolio/untitled-160","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-08-02T12:59:05Z","slideshow_show_count_enabled":false,"position":-536870912,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"5fb28ba2-4a84-464f-bd6e-6b866363ca7d","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-08-05T02:26:16Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-08-02T12:59:05Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-160","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["267081b5-e35e-4f90-84bc-4087c63d40d8","08abd62c-151b-41be-9544-24a7817c870b","5dd49395-fa0c-4bab-a7e6-190d17bcdc90","61cc05dc-8b44-4585-bdc8-6e3681ee0e2c"],"alignment":"Center","set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","tag_ids":[],"order_date":"2020-04-16T04:08:34Z","title":"Between Life and Death","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"611:408","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"30e655aa-127a-4757-a35e-6681b7e3b943.jpg","filesize":392353,"height":816,"hidden":false,"id":"30e655aa-127a-4757-a35e-6681b7e3b943","inserted_at":"2019-05-08T17:36:17Z","name":null,"orientation":"Landscape","original_filename":"0005_03_DOM_2017_01_14_0019.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-268435460,"set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/30e655aa-127a-4757-a35e-6681b7e3b943.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-07-26T09:20:11Z","weight":3,"width":1222},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/between-life-and-death","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"611:408","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"30e655aa-127a-4757-a35e-6681b7e3b943.jpg","filesize":392353,"height":816,"hidden":false,"id":"30e655aa-127a-4757-a35e-6681b7e3b943","inserted_at":"2019-05-08T17:36:17Z","name":null,"orientation":"Landscape","original_filename":"0005_03_DOM_2017_01_14_0019.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-268435460,"set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/30e655aa-127a-4757-a35e-6681b7e3b943.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-07-26T09:20:11Z","weight":3,"width":1222},"inserted_at":"2020-04-16T04:08:34Z","slideshow_show_count_enabled":true,"position":-536870912,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"c4c2e08f-1a65-4c11-9bba-ee37b4b6b130","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"3:2","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-05-21T01:52:17Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-16T04:08:34Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"between-life-and-death","image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"7dbe687f-fbd9-4e3e-b7ae-141ec15b5983","tag_ids":[],"order_date":"2020-04-23T02:57:16Z","title":"Between Life and Death publications","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"e2d77f50-e141-4547-a8bc-2c799a83859c","type":"grid","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"8:5","asset_id":null,"cover_image":true,"description":{"ops":[{"attributes":{"link":"http://www.gupmagazine.com/portfolios/maxim-dondyuk/between-life-and-death"},"insert":"GUP Magazine, Netherlands"},{"insert":"\n"}]},"duration":0,"filename":"e8516061-b8af-4cb8-a20e-ce7570c7870d.png","filesize":2073571,"height":1000,"hidden":false,"id":"e8516061-b8af-4cb8-a20e-ce7570c7870d","inserted_at":"2019-05-09T16:03:41Z","name":null,"orientation":"Landscape","original_filename":"0005_Скриншот 2017-09-28 18.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-2093796544,"set_id":"7dbe687f-fbd9-4e3e-b7ae-141ec15b5983","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e8516061-b8af-4cb8-a20e-ce7570c7870d.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-23T03:02:12Z","weight":3,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/press-media/between-life-and-death-publications","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Rows","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-23T02:57:16Z","slideshow_show_count_enabled":true,"position":-536870912,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Bottom","imagegrid_ratio_orientation":"Landscape","id":"4b972736-7078-4b75-8bbc-6e72bad10b0c","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"e8516061-b8af-4cb8-a20e-ce7570c7870d","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"L","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-05-21T01:52:51Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-23T02:57:16Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"between-life-and-death-publications","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"attributes":{"color":"#c6c6c6"},"insert":"Between Life and Death publications"},{"attributes":{"align":"right"},"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Right"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T14:02:11Z","title":"Untitled 286","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Culture of Confrontation"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"S E P T E M B E R - O C T O B E R 2019"},{"attributes":{"align":"center"},"insert":"\n"},{"insert":"Municipal Gallery, Ehingen, DE"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"1076cf20-b1f0-4803-b3fb-daed05303fc1","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019/untitled-286","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T14:02:11Z","slideshow_show_count_enabled":true,"position":-536870912,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"bafbe989-eaa5-45a3-a54b-c22a67963eed","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-27T05:24:23Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T14:02:11Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-286","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["d62255e3-1725-4778-bb0e-dee0554e7e3a","f8b38493-dca2-4da0-801f-7f32c0c2d044","9d52d4dd-4e20-484a-ae9e-65334931c65c"],"alignment":"Center","set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","tag_ids":[],"order_date":"2020-04-24T06:23:00Z","title":"Unstable Fields, Benaki Museum, Athens, Greece, 2016","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"80:53","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"LOOK3 photofestival, Charlottesville. (USA, 2012)"}]},"duration":0,"filename":"f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","filesize":454609,"height":1060,"hidden":false,"id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","inserted_at":"2019-05-09T11:41:11Z","name":null,"orientation":"Landscape","original_filename":"LOOK3_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1185260907,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:02:57Z","weight":2,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"2295:1532","asset_id":null,"cover_image":false,"description":{"ops":[{"insert":"Benaki Museum, Athens (Greece, 2016)\n"}]},"duration":0,"filename":"80244b0b-0b9e-4eaf-99c5-433ea029fbed.jpg","filesize":1773548,"height":1532,"hidden":false,"id":"80244b0b-0b9e-4eaf-99c5-433ea029fbed","inserted_at":"2019-05-09T11:40:42Z","name":null,"orientation":"Landscape","original_filename":"APhF16-Maxim Dondyuk-1606260148-2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1377705455,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/80244b0b-0b9e-4eaf-99c5-433ea029fbed.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-05-04T05:42:57Z","weight":3,"width":2295},"inserted_at":"2020-04-24T06:23:00Z","slideshow_show_count_enabled":true,"position":-505290270,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Group exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"91ee9a9c-10ec-4e4e-bc26-efb52656f663","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T16:06:31Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T06:23:00Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"unstable-fields-benaki-museum-athens-greece-2016","image_id":"80244b0b-0b9e-4eaf-99c5-433ea029fbed","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-25T04:24:33Z","title":"Untitled 314","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"The Stay Gallery, Los Angeles, US, 2015\n\nJackson Institute for Global Affairs, Yale, US, 2015\n\nRayburn House Office Building, Washington, US, 2015\n\nThe George Washington University, Washington, US, 2015\n"}]},"online":true,"icon":"none","parent_id":"93d59a4f-1c44-4e5f-8870-e2e7ff127c30","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014-2015/untitled-314","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"Ukrainian Institute of America, New York, US, 2014"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"Ukrainian House, Kyiv, UA, 2014"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"Ukrainian Cultural Centre, London, GB, 2014"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"Checkpoint Charlie Museum, Berlin, DE, 2014"},{"attributes":{"align":"right"},"insert":"\n"}]},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-25T04:24:33Z","slideshow_show_count_enabled":true,"position":-503316480,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"67152838-c64a-4552-b19f-e5f01f31a758","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#ffffff","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-06T03:22:58Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T04:24:33Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-314","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-25T03:51:37Z","title":"Untitled 315","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"Historical Museum, Khmelnytskyi, 2018\n\nPalace of Culture, Lutsk, UA, 2017\n\nCultural Center of Ukraine, Paris, FR, 2016\n\nArt Museum, Kramatorsk, UA, 2016\n\nMuseum of the History, Pokrovsk, UA, 2016\n\nNational Historical Museum, Dnipropetrovsk, UA, 2016\n\nState Museum of Local Lore, Bakhmut, UA, 2016\n"}]},"online":true,"icon":"none","parent_id":"378e921d-83d2-4884-afac-4de698e7e3ff","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018/untitled-315","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"Art Museum, Kramatorsk, UA, 2016"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"Splashlight, New York, US, 2015"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"Museum of the History, Dniprodzerzhynsk, UA, 2015"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"National Architecture-Historical Sanctuary, Chernihiv, UA, 2015"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"Museum of The History of Ukraine in World War II, Kyiv, UA, 2015"},{"attributes":{"align":"right"},"insert":"\n\n"},{"insert":"National Taras Shevchenko Museum, Kyiv, UA, 2015"},{"attributes":{"align":"right"},"insert":"\n"}]},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-25T03:51:37Z","slideshow_show_count_enabled":true,"position":-402653184,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"81ef1a6c-0274-448e-861d-de5e1ef5a1d8","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T14:07:35Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T03:51:37Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-315","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["1ae54d37-b80a-42d7-84c3-195fcb3c92ab","46cc09af-1378-44c1-9208-cc17c7bb9f38","f233a562-b26c-4355-b13d-4383f4c1022a"],"alignment":"Center","set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","tag_ids":[],"order_date":"2020-04-24T07:45:39Z","title":"Culture of Confrontation, The Church of Saint-Merri, Paris, France, 2015","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"80:53","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"LOOK3 photofestival, Charlottesville. (USA, 2012)"}]},"duration":0,"filename":"f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","filesize":454609,"height":1060,"hidden":false,"id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","inserted_at":"2019-05-09T11:41:11Z","name":null,"orientation":"Landscape","original_filename":"LOOK3_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1185260907,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:02:57Z","weight":2,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d11fb777-af8c-45b9-afcd-b9901d0649d1.jpg","filesize":786373,"height":1001,"hidden":false,"id":"d11fb777-af8c-45b9-afcd-b9901d0649d1","inserted_at":"2020-04-24T07:49:53Z","name":null,"orientation":"Landscape","original_filename":"01_DOM_3950.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1634298185,"set_id":"7d2545e9-13be-4d24-adc0-041bd1a90a16","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d11fb777-af8c-45b9-afcd-b9901d0649d1.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:03:02Z","weight":3,"width":1500},"inserted_at":"2020-04-24T07:45:39Z","slideshow_show_count_enabled":true,"position":-378967703,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Video Installation "},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"95b571dc-ffb7-491f-97c5-b9bb60018d98","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T02:47:31Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T07:45:39Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"culture-of-confrontation-the-church-of-saint-merri-paris-france-2015","image_id":"d11fb777-af8c-45b9-afcd-b9901d0649d1","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2020-05-04T07:19:28Z","title":"Untitled 373","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-373","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1940:1997","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"1adec206-1aa6-4f29-874e-3e521ee6b1e3.png","filesize":996456,"height":1997,"hidden":false,"id":"1adec206-1aa6-4f29-874e-3e521ee6b1e3","inserted_at":"2020-05-04T07:24:33Z","name":"","orientation":"Portrait","original_filename":"Sich-Map_012.png","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483647,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/1adec206-1aa6-4f29-874e-3e521ee6b1e3.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-05-04T07:24:33Z","weight":3,"width":1940},"inserted_at":"2020-05-04T07:19:28Z","slideshow_show_count_enabled":true,"position":-362807296,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"18713578-065e-411c-8b02-e83967eef9af","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T08:55:56Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T07:19:28Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-373","image_id":"1adec206-1aa6-4f29-874e-3e521ee6b1e3","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"244141e0-006f-4924-acbd-099a752fe814","tag_ids":[],"order_date":"2020-05-03T23:21:44Z","title":"CULTURE OF CONFRONTATION","do_not_index":false,"cta_url":null,"video_autoplay":false,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"row","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":true,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"843:1000","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"83c48180-2c33-4e00-a647-f9a4f367d2c0.jpg","filesize":689683,"height":2000,"hidden":false,"id":"83c48180-2c33-4e00-a647-f9a4f367d2c0","inserted_at":"2020-05-04T03:35:37Z","name":null,"orientation":"Portrait","original_filename":"BOOK_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483648,"set_id":"244141e0-006f-4924-acbd-099a752fe814","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/83c48180-2c33-4e00-a647-f9a4f367d2c0.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-05-04T06:10:58Z","weight":3,"width":1686},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/culture-of-confrontation","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":true,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-03T23:21:44Z","slideshow_show_count_enabled":true,"position":-268435456,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"5bfd8f44-4705-4593-b3f3-76cfaf725bd2","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Top","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"83c48180-2c33-4e00-a647-f9a4f367d2c0","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T03:21:02Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-03T23:21:44Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"culture-of-confrontation","image_id":null,"slideshow_ratio":"4:3","description_content":{"ops":[{"attributes":{"align":"justify","header":5},"insert":"\n"},{"insert":"Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"Winter 2014 changed Ukraine. Three months of bloody clashes, tears, fear, Molotov cocktails, burning car tires and deaths. Ukrainian revolution brought a new spirit, changed people and their minds, people became one organism that fights with great passion and intensity for its human rights. Project Culture of Confrontation was a turning point in my life. Maidan changed me and my perception of photography. On the Maidan, at some point, the emotions for me took on an almost abstract, or universal character. The battles on the streets appeared almost unreal, as though occurring in some medieval fable or legend. Visually my photos broke away from the specific context that this was all happening in Ukraine, in my hometown. What I tried to capture was the more abstract, universal conflict that was playing out, between light and shadow, between the thick black smoke and whiteness of the February snow, and in some sense between good and evil, though it was often impossible to tell which side was which."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"From the beginning the revolution felt like a performance, with scenes of carnage interweaving with incredible beauty. In that sense I think I did manage to remain objective, to remain impartial, while still feeling and expressing all the powerful emotions that were playing out. Through my photos I showed the scale of all that was happening, and in the process the line between reality and fiction sometimes became blurred. I would forget the place, time and the cause of what was happening, and felt transported to some phantasmagoric place that resembled the awful battles of past wars. In that sense, what happened on the Maidan became a symbol to me of opposites colliding."},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["d8f88e29-34ad-4aa7-aa89-51c891386d21","81ef1a6c-0274-448e-861d-de5e1ef5a1d8","3b934f9b-88ab-4762-9c29-84dd69056efb","4881bb46-4c34-4328-b39e-84405f9adad0"],"alignment":"Center","set_id":"2bb0e593-d9c9-4313-964c-5745c8bff50d","tag_ids":[],"order_date":"2020-04-24T06:28:15Z","title":"Battle of Ilovaisk, Touring exhibition, 2015 - 2018","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6.jpg","filesize":834436,"height":1001,"hidden":false,"id":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6","inserted_at":"2020-04-24T07:59:55Z","name":"","orientation":"Landscape","original_filename":"01_DOM_5395.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"2bb0e593-d9c9-4313-964c-5745c8bff50d","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d7c3af31-eeff-4d3c-b9f0-fd610e1351b6.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:59:55Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6.jpg","filesize":834436,"height":1001,"hidden":false,"id":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6","inserted_at":"2020-04-24T07:59:55Z","name":"","orientation":"Landscape","original_filename":"01_DOM_5395.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"2bb0e593-d9c9-4313-964c-5745c8bff50d","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d7c3af31-eeff-4d3c-b9f0-fd610e1351b6.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:59:55Z","weight":3,"width":1500},"inserted_at":"2020-04-24T06:28:15Z","slideshow_show_count_enabled":true,"position":-126322568,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Group exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"378e921d-83d2-4884-afac-4de698e7e3ff","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T04:01:06Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T06:28:15Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"battle-of-ilovaisk-touring-exhibition-2015-2018","image_id":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-03-13T03:48:41Z","title":"Untitled 253","do_not_index":false,"cta_url":"http://eepurl.com/cpoP1D","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":"Sign up for Newsletter","text_content1":{"ops":[{"insert":"STUDIO"},{"attributes":{"align":"right","header":2},"insert":"\n"},{"attributes":{"align":"right"},"insert":"\n"},{"insert":"Irina Dondyuk"},{"attributes":{"align":"right"},"insert":"\n"},{"insert":"Artist Manager"},{"attributes":{"align":"right"},"insert":"\n"},{"attributes":{"link":"mailto:maximdondyuk@icloud.com"},"insert":"maximdondyuk@icloud.com"},{"attributes":{"align":"right"},"insert":"\n\n"},{"attributes":{"link":"https://www.facebook.com/maximdondyuk"},"insert":"Facebook"},{"attributes":{"align":"right"},"insert":"\n"},{"attributes":{"link":"https://www.instagram.com/maximdondyuk/"},"insert":"Instagram"},{"attributes":{"align":"right"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"b40c950b-1fb3-458a-8e9b-12db33e96975","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#fddb5d","text_color":"#000000","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"contact/untitled-253","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"\n\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-03-13T03:48:41Z","slideshow_show_count_enabled":true,"position":-33554432,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"eddbd666-58ec-43a5-81ee-437e25603ca8","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-08T07:03:39Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-03-13T03:48:41Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-253","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"50bfebbd-8e59-4a8d-8131-91c07d0baef4","tag_ids":[],"order_date":"2020-05-05T06:36:59Z","title":"Untitled 395","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"47188253-0ff3-4bba-ab59-1be11dd55235","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"750:499","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0e10460-0373-462e-aed0-19aa58fb7148.jpg","filesize":780539,"height":998,"hidden":false,"id":"a0e10460-0373-462e-aed0-19aa58fb7148","inserted_at":"2020-04-28T00:36:01Z","name":null,"orientation":"Landscape","original_filename":"09_DOM_2013_11_26_22732.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1073741824,"set_id":"50bfebbd-8e59-4a8d-8131-91c07d0baef4","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0e10460-0373-462e-aed0-19aa58fb7148.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-28T01:26:12Z","weight":5,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"archive/archive-22/untitled-395","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"Full","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-05-05T06:36:59Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"7f5102ec-bf49-4e82-bc70-61522df20cc9","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"a0e10460-0373-462e-aed0-19aa58fb7148","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"L","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"L","updated_at":"2020-05-05T06:44:18Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-05T06:36:59Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-395","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"2bb0e593-d9c9-4313-964c-5745c8bff50d","tag_ids":[],"order_date":"2020-04-24T08:00:12Z","title":"Untitled 280","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"378e921d-83d2-4884-afac-4de698e7e3ff","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"S","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6.jpg","filesize":834436,"height":1001,"hidden":false,"id":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6","inserted_at":"2020-04-24T07:59:55Z","name":"","orientation":"Landscape","original_filename":"01_DOM_5395.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"2bb0e593-d9c9-4313-964c-5745c8bff50d","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d7c3af31-eeff-4d3c-b9f0-fd610e1351b6.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:59:55Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018/untitled-280","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Rows","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T08:00:12Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"3b934f9b-88ab-4762-9c29-84dd69056efb","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"d7c3af31-eeff-4d3c-b9f0-fd610e1351b6","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T08:01:47Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T08:00:12Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-280","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":false,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["b1bd6e11-8d74-45c4-aea6-96aed6a1955a","81c8d4fe-725b-424a-a4d4-79d73624e9a9","338af9ca-ec51-4707-96aa-be12d0e0e653","b44c8160-e143-4845-93c2-e0174b1a8a28","99c3eba8-f106-4ef5-acb5-2a4278134d2e","dffab777-5c70-408b-abcc-92fdbfbfaf12","f046f9f6-9a08-4166-8e2d-43903c629990","06fd164f-4db9-47fb-a574-45835390ff98","2d2c50a5-b198-4b59-862d-5acdb9bccfc4","53c19eab-7736-4d30-ab1e-9e13a58ab355","3b6357e5-1056-4cae-ad4b-1f57df97c8b9","8b1c526b-bcc5-4383-ae77-5064add26066","20ad07b5-d01c-4678-97a7-9ca8e2a299c3","0002c7b7-72af-4594-ab87-26df96a1facc","331c3c4f-e9d6-44a1-8614-206285596710"],"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-12-05T00:23:25Z","title":"Genesis Chapter: Untitled Project","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/untitled-project/genesis-chapter-untitled-project","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"4:3","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"0ed9c6b5-79c4-4bcc-95dd-c92ebde527b4.jpg","filesize":1705626,"height":3000,"hidden":false,"id":"0ed9c6b5-79c4-4bcc-95dd-c92ebde527b4","inserted_at":"2020-04-22T04:51:21Z","name":"","orientation":"Landscape","original_filename":"Untitled Project 04.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483615,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/0ed9c6b5-79c4-4bcc-95dd-c92ebde527b4.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-22T04:51:21Z","weight":3,"width":4000},"inserted_at":"2019-08-06T11:20:25Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{"ops":[{"insert":"\nNowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-29T01:43:27Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-05T00:23:25Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"genesis-chapter-untitled-project","image_id":"0ed9c6b5-79c4-4bcc-95dd-c92ebde527b4","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-24T09:20:56Z","title":"Untitled 291","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Prix Pictet: Disorder"},{"attributes":{"align":"center","header":2},"insert":"\n"},{"insert":"TOURING EXHIBITION"},{"attributes":{"align":"center"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"fe20449e-e647-465e-9239-eee9923659e4","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017/untitled-291","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-24T09:20:56Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"835ebaf6-2372-466a-886f-c71914640c1b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T04:04:40Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T09:20:56Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-291","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"d69daeae-68fb-40c7-8b92-012222395eb6","tag_ids":[],"order_date":"2020-04-24T07:11:57Z","title":"Untitled 276","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"31ec334a-b5b2-4b0b-82f9-f9e9c90cb8d1","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1600:1067","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"Fotográfica Biennale, Bogota. (Colombia, 2019)"}]},"duration":0,"filename":"617f637f-714f-464f-8dc6-39a1efc5a5f2.jpg","filesize":1023040,"height":1067,"hidden":false,"id":"617f637f-714f-464f-8dc6-39a1efc5a5f2","inserted_at":"2019-06-02T07:53:10Z","name":null,"orientation":"Landscape","original_filename":"02_IMG_9479.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1073741824,"set_id":"d69daeae-68fb-40c7-8b92-012222395eb6","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/617f637f-714f-464f-8dc6-39a1efc5a5f2.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-10T02:21:44Z","weight":3,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019/untitled-276","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T07:11:57Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1f3493e4-5578-47c4-b677-795eec45c68e","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"617f637f-714f-464f-8dc6-39a1efc5a5f2","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T07:12:58Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T07:11:57Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-276","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","tag_ids":[],"order_date":"2020-04-24T10:49:21Z","title":"Untitled 281","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"739ad66e-ed88-417e-863c-e3eff1389b61","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"80:53","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"LOOK3 photofestival, Charlottesville. (USA, 2012)"}]},"duration":0,"filename":"f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","filesize":454609,"height":1060,"hidden":false,"id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","inserted_at":"2019-05-09T11:41:11Z","name":null,"orientation":"Landscape","original_filename":"LOOK3_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1185260907,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:02:57Z","weight":2,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-lumiere-brothers-center-for-photography-moscow-russia-2012/untitled-281","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":{"aspect_ratio":"1600:1071","asset_id":null,"cover_image":false,"description":{"ops":[{"insert":"Lumiere Brothers Center of Photography in Moscow. (Russia, 2012)\n"}]},"duration":0,"filename":"5d58bca3-ad62-430c-b932-0d78563d8c49.jpg","filesize":834915,"height":1071,"hidden":false,"id":"5d58bca3-ad62-430c-b932-0d78563d8c49","inserted_at":"2019-05-09T11:39:45Z","name":null,"orientation":"Landscape","original_filename":"01.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1053757136,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/5d58bca3-ad62-430c-b932-0d78563d8c49.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T10:02:21Z","weight":3,"width":1600},"inserted_at":"2020-04-24T10:49:21Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"a29f2b4e-e32e-4577-ace3-297e2011e5dd","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T17:30:22Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T10:49:21Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-281","image_id":"5d58bca3-ad62-430c-b932-0d78563d8c49","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","tag_ids":[],"order_date":"2020-04-24T07:10:59Z","title":"Untitled 273","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"1076cf20-b1f0-4803-b3fb-daed05303fc1","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"bba9a36f-1f3e-4431-bef0-c8d46004e72e.jpg","filesize":478811,"height":1000,"hidden":false,"id":"bba9a36f-1f3e-4431-bef0-c8d46004e72e","inserted_at":"2020-04-24T03:38:08Z","name":null,"orientation":"Landscape","original_filename":"_C7A2087-1 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-134217728,"set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/bba9a36f-1f3e-4431-bef0-c8d46004e72e.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T12:51:41Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019/untitled-273","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T07:10:59Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"fd48bcae-ebba-495b-a892-07f503456e4b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"bba9a36f-1f3e-4431-bef0-c8d46004e72e","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T13:38:21Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T07:10:59Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-273","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","tag_ids":[],"order_date":"2020-04-24T10:09:31Z","title":"Untitled 267","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"063dcc34-037a-4bf4-9efe-be2fd6876455","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"80:53","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"LOOK3 photofestival, Charlottesville. (USA, 2012)"}]},"duration":0,"filename":"f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","filesize":454609,"height":1060,"hidden":false,"id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","inserted_at":"2019-05-09T11:41:11Z","name":null,"orientation":"Landscape","original_filename":"LOOK3_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1185260907,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:02:57Z","weight":2,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-look3-festival-charlottesville-usa-2012/untitled-267","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":{"aspect_ratio":"80:53","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"LOOK3 photofestival, Charlottesville. (USA, 2012)"}]},"duration":0,"filename":"f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","filesize":454609,"height":1060,"hidden":false,"id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","inserted_at":"2019-05-09T11:41:11Z","name":null,"orientation":"Landscape","original_filename":"LOOK3_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1185260907,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:02:57Z","weight":2,"width":1600},"inserted_at":"2020-04-24T10:09:31Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e3dde3f0-a7da-45ac-8cca-5ccd97f1bfce","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T17:27:40Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T10:09:31Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-267","image_id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:29:23Z","title":"Untitled 85","do_not_index":false,"cta_url":"https://presetshop.com/whats-bag-maxim-dondyuk/","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://presetshop.com/whats-bag-maxim-dondyuk/"},"insert":"Preset Shop"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Text by Shanna June"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-85","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"WHAT’S IN MY BAG | MAXIM DONDYUK"},{"insert":"\n\nOver the moon to have the award winning photographer and visual artist Maxim Dondyuk back up on our blog today. He’s been a very busy boy since we spoke to him last (check our past interview with him here), so we are well pleased he’s made time for us once again. This time Maxim has kindly given us a run down of what’s in his photography bag and why… He also speaks about his photohgraphy, and has provided us with some killer back stage fashion week pictures all edited with our cross process film emulation presets +PS LOOKS N°3.\n\nMaxim’s Gear\nEverything is quite simple, starting from 2015 I use Nikon D810, before that I had a Nikon D3s, which I won in a contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object I am shooting. It is a very close distance, so you began to feel the same emotions, fear, happiness or sadness. When people look at such photos, they also feel emotions of your character. I also have a 50mm film lens, but it’s more like an emergency lens, if it happens that my 35mm lens breaks or in case I need to make some portraits for magazines.\n\nI don’t like artificial light and don’t use a flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\nMaxim’s Photography\nMy photography it’s my personal visual diary. It’s not a hobby or work for me, it’s my philosophy and my religion. It helps me to discover and understand this world. With the help of photography I can live the life of any person, to be present during different events and to empathize with them.\n\nWhen taking photos I always think about the emotions they evoke. Photography has both an emotional and visual side. Photography does not only answer questions like – what, where and when, but it also evokes personal associations. For example – the plot of your favorite book, film or memories from your childhood. A good photo is an emotional photo. People should feel all of the emotions from the moment the picture was taken, and of course – you should feel your own emotions too. If a photo is technically good but has no emotion, this type of photo in my opinion is dead. Of course all photographers need to know the technical aspects of photography.. But I believe they need to learn them once, and then forget about them – and just make everything organically – only with emotion.\n\n"},{"attributes":{"link":"https://presetshop.com/whats-bag-maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:11:16Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"6195a2cd-c7db-448d-815a-436c0dc10db1","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:28:00Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:29:23Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-85","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"a5a7d852-e5f9-48bb-9587-12c35b4f3b38","tag_ids":[],"order_date":"2020-04-24T10:38:05Z","title":"Untitled 272","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"f920a94f-400c-4f72-a688-4f52f9506f3b","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"2000:1333","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"St. Sophia church during the French Spring in Ukraine, Kyiv. (Ukraine, 2015)\n"}]},"duration":0,"filename":"495413e3-d5e8-4ffd-9045-90f92f70f86c.jpg","filesize":1992434,"height":1333,"hidden":false,"id":"495413e3-d5e8-4ffd-9045-90f92f70f86c","inserted_at":"2019-05-09T11:41:10Z","name":null,"orientation":"Landscape","original_filename":"KMax-4934.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1762594519,"set_id":"a5a7d852-e5f9-48bb-9587-12c35b4f3b38","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/495413e3-d5e8-4ffd-9045-90f92f70f86c.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T10:32:57Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/st-sophia-cathedral-french-spring-in-ukraine-kyiv-ukraine-2015/untitled-272","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T10:38:05Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"aaf8d557-d8aa-47e9-8b0d-165e7bd152df","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"495413e3-d5e8-4ffd-9045-90f92f70f86c","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T10:38:29Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T10:38:05Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-272","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-21T09:43:03Z","title":"Untitled 218","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"SOLO"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2019 "},{"attributes":{"link":"/exhibitions/exhibition-views/culture-of-confrontation-municipal-gallery-ehingen-germany-2019"},"insert":"Culture of Confrontation"},{"insert":", Municipal Gallery, Ehingen, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2019 "},{"attributes":{"link":"/exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019"},"insert":"Culture of Confrontation"},{"insert":", Municipal Museum im Kornhouse, Kirchheim unter Teck, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 "},{"attributes":{"link":"/exhibitions/exhibition-views/past-present-future-touring-exhibition-2018"},"insert":"Past. Present. Future"},{"insert":". The GIZ-Haus, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 "},{"attributes":{"link":"/exhibitions/exhibition-views/past-present-future-touring-exhibition-2018"},"insert":"Past. Present. Future"},{"insert":". M17 Contemporary Art Center, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 This is War, Camera Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Ministry of Foreign Affairs of Ukraine, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, PARTcom Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Uman Rosh Hashanah, Camera Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Old Age, Municipal Art Gallery, Nova Kachovka, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012"},"insert":"TB epidemic in Ukraine"},{"insert":", Zaporozhye, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012"},"insert":"TB epidemic in Ukraine"},{"insert":", Uzhgorod, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012"},"insert":"TB epidemic in Ukraine"},{"insert":", Vinnitsa, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012"},"insert":"TB epidemic in Ukraine"},{"insert":", Kvartira Arts Center, Dnepropetrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012"},"insert":"TB epidemic in Ukraine"},{"insert":", Kirovohrad Regional Museum of Art, Kirovograd, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012"},"insert":"TB epidemic in Ukraine"},{"insert":", Art-Donbass, Donetsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 "},{"attributes":{"link":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-fotodoc-sakharov-center-moscow-russia-2011"},"insert":"TB epidemic in Ukraine"},{"insert":", FOTODOC, Sakharov Center, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Kiev-Pasazhyrskyi Railway Station, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Uman Rosh Hashanah, 5X5 Gallery, Lviv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2008 Old Age, Actor’s House, Kharkiv, Ukraine"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"GROUP"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2019 "},{"attributes":{"link":"/exhibitions/exhibition-views/untitled-project-fotografica-bogota-biennale-colombia-2019"},"insert":"Untitled Project"},{"insert":", Fotográfica Bogota Biennale, Bogota, Colombia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 Fotomuse 20th, Fundación Gilberto Alzate Avendaño, Bogota, Colombia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Battle of Ilovaisk, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 "},{"attributes":{"link":"/exhibitions/exhibition-views/culture-of-confrontation-fotografica-biennale-fundacion-gilberto-alzate-avendano-bogota-columbia-2017"},"insert":"Culture of the Confrontation"},{"insert":", Fotográfica Biennale, Fundación Gilberto Alzate Avendaño, Bogota, Columbia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Ukrainian Archetype, Photo Kyiv, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Historical Museum, Khmelnytskyi, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", Palau Robert, Barcelona, Spain"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", Museum of Photographic Arts, San Diego, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Palace of Culture, Lutsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", Kunstverein, Hamburg, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", Dublin Gallery of Photography, Dublin, Ireland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Cultural Center of Ukraine, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 This is War, LUMIX Festival for Young Photojournalism, Hanover, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Museum of the History, Pokrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", National Historical Museum, Dnipropetrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", State Museum of Local Lore, Bakhmut, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Art Museum, Kramatorsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Deformation, Suwon Photo Festival, Suwon, Korea"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", Bank Gallery, Tokyo, Japan"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", The Old Municipal Gallery, Athens, Greece"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016"},"insert":"Unstable Fields"},{"insert":", Athens Photo Festival, Benaki Museum, Athens, Greece"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Forgotten by World, Lviv Palace of Arts, Lviv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 LensCulture, Photo London, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Kolga Tbilisi Award Exhibition, Kolga Tbilisi Photo Festival, Tbilisi, Georgia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", LUMA Westbau – Löwenbräukunst, Zurich, Switzerland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", International Red Cross and Red Crescent Museum, Geneva, Switzerland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", CAB Art Center, Brussels, Belgium"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Cultural Center of Ukraine, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Forgotten by World, European Solidarity Centre, Gdansk, Poland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", MAXXI, National Museum of XXI Century Arts, Rome, Italy"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015"},"insert":"Culture of the Confrontation"},{"insert":", The Church of Saint-Merri, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", The Stay Gallery, Los Angeles, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", Jackson Institute for Global Affairs, Yale, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"exhibitions/exhibition-views/prix-pictet-disorder-touring-exhibition-2015-2017"},"insert":"Disorder Prix Pictet"},{"insert":", Musée d’Art Moderne, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, La Quatrieme Image, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Orvieto Fotografia Festival, Orvieto, Italia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Museum of the History, Dniprodzerzhynsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", National Architecture-Historical Sanctuary ‘Chernihiv Ancient’, Chernihiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Splashlight, New-York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Forgotten by World, Royal Castle, Warsaw, Poland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", National Taras Shevchenko Museum, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Ministry of Foreign Affairs, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/battle-of-ilovaisk-touring-exhibition-2015-2018"},"insert":"Battle of Ilovaisk"},{"insert":", Museum of The History of Ukraine in World War II, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015"},"insert":"Global Control and Censorship"},{"insert":",  Center for Art and Media Karlsruhe, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 At the borders of the EU, People Palace, Bucharest, Rumania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 70 Years of Peace, Kirchheim unter Teck, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", The George Washington University, Washington, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", Rayburn House Office Building, Washington, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 A War in Europe’s Neighborhood, Eurooppasali, Helsinki, Finland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", The Stay Gallery, Los Angeles, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, FOTOISTANBUL, Istanbul, Turkey"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Visa pour l’Image Perpignan, Pergipinan, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", Ukrainian House, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", Ukrainian Institute of America, New York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Special Galerie Peppi Guggenheim International, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Shift: Ukraine in Crisis, Third Floor Gallery, Cardiff, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Apocalypse of the 20th Century, Museum of The History of Ukraine in World War II, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 30 Under 30 Winners Gallery, The Photography Show, Birmingham, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", Ukrainian Cultural Centre, London, GB"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 "},{"attributes":{"link":"/exhibitions/exhibition-views/maidan-ukraine-road-to-freedom-touring-exhibition-2014"},"insert":"Road to Freedom"},{"insert":", Checkpoint Charlie Museum, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Sony World Photography Awards, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 TB epidemic in Ukraine, PhotoReportAge Festiva, Pomarico, Italy"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Best Photographer of Year, M17 Contemporary Art Center, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 FotoEvidence, VII Photo Agency Gallery, New York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Other World, Leeds, UK "},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-look3-festival-charlottesville-usa-2012"},"insert":"Hope for a Healthy World"},{"insert":", LOOK3 Festival of the Photograph, Charlottesville, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 "},{"attributes":{"link":"/exhibitions/exhibition-views/tb-epidemic-in-ukraine-lumiere-brothers-center-for-photography-moscow-russia-2012"},"insert":"Best Photographer"},{"insert":", Center of Photography Lumiere Brothers, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Crimea Sich, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#ffffff","text_color":"#000000","index_text_vertical_alignment":"Top","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibitions-history/untitled-218","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-21T09:43:03Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"c701cec8-8364-4150-894c-b1ca22061a10","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-08T07:02:35Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-21T09:43:03Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-218","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-09T15:54:41Z","title":"Untitled 39","do_not_index":false,"cta_url":null,"video_autoplay":false,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"f19c0cbd-f933-458e-8b94-aebcc98d3949","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"archive/a-small-town/untitled-39","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Full","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"16:9","asset_id":"GzhFIgvQyxHKB6joRdgzqD4pZlar7edB","cover_image":false,"description":{},"duration":238,"filename":"4ecc4f21-895c-4815-bea4-a5bd4baa060c.mp4","filesize":79619878,"height":720,"hidden":false,"id":"4ecc4f21-895c-4815-bea4-a5bd4baa060c","inserted_at":"2019-05-08T08:54:27Z","name":null,"orientation":"Landscape","original_filename":"Videopoetry “A Small Town”.mp4","playback_id":"btKr01alNyfQq00vBGFFdv5H00xTQi2nH62","poster_position":219.9139301,"private":false,"rank":-134217769,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/btKr01alNyfQq00vBGFFdv5H00xTQi2nH62.m3u8","poster":"https://image.mux.com/btKr01alNyfQq00vBGFFdv5H00xTQi2nH62/thumbnail.jpg?time=219.9139301"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2019-07-26T10:38:11Z","weight":3,"width":1280},"inserted_at":"2019-05-08T08:56:21Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"9475c78b-df67-41fa-a904-c9068be1523e","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-07-06T15:49:44Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T15:54:41Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-39","image_id":"4ecc4f21-895c-4815-bea4-a5bd4baa060c","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"a4f93a12-426f-402a-9d46-1085d19e0245","tag_ids":[],"order_date":"2020-04-24T07:11:35Z","title":"Untitled 275","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"edb12134-d56c-42cf-a9df-cec70becfb92","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"006dba0a-f5f2-4064-9d33-e11d6baf87ba.jpg","filesize":458994,"height":1001,"hidden":false,"id":"006dba0a-f5f2-4064-9d33-e11d6baf87ba","inserted_at":"2020-04-24T06:51:45Z","name":"","orientation":"Landscape","original_filename":"_DOM8949 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"a4f93a12-426f-402a-9d46-1085d19e0245","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/006dba0a-f5f2-4064-9d33-e11d6baf87ba.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T06:51:45Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-municipal-museum-im-kornhouse-kirchheim-unter-teck-germany-2019/untitled-275","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T07:11:35Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"f2a62494-e28a-488c-a6b9-0d86bb51e3e0","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"006dba0a-f5f2-4064-9d33-e11d6baf87ba","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T07:12:50Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T07:11:35Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-275","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"6ed8acd1-c30a-4c69-8493-3f13b52c8845","tag_ids":[],"order_date":"2020-04-24T07:13:14Z","title":"Untitled 277","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"1f24277d-98df-47ea-8be3-50403a1634da","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d41b806d-1116-4b48-8b87-d46eb40f5e58.jpg","filesize":498998,"height":1001,"hidden":false,"id":"d41b806d-1116-4b48-8b87-d46eb40f5e58","inserted_at":"2020-04-24T07:01:48Z","name":null,"orientation":"Landscape","original_filename":"DOM_2018_02_01_5315 + color.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1073741824,"set_id":"6ed8acd1-c30a-4c69-8493-3f13b52c8845","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d41b806d-1116-4b48-8b87-d46eb40f5e58.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T07:03:58Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/past-present-future-touring-exhibition-2018/untitled-277","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T07:13:14Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"f3a9feba-fa4f-4ddf-852a-b58e068f94a3","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"d41b806d-1116-4b48-8b87-d46eb40f5e58","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T07:13:38Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T07:13:14Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-277","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:27:32Z","title":"Untitled 79","do_not_index":false,"cta_url":"https://www.areweeurope.com/confrontation-interview-maxim-dondyuk/","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.areweeurope.com/confrontation-interview-maxim-dondyuk/"},"insert":"Are We Europe"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Text by Mick ter Reehorst"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-79","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Interview with Maxim Dondyuk"},{"insert":"\n\nWith its visceral and visual clashes of police and protesters, the images of the 2013 revolution in Ukraine are difficult to forget. Over the course of the next years, the civil war in Eastern Ukraine and the annexation of Crimea left deep scars in the country. Maxim Dondyuk, from Ukraine himself, photographed the EuroMaidan revolution and documented child soldier camps and tuberculosis in Crimea. Are We Europe sat down with him and his wife, Irina, to discuss their work together as well as Maxim’s experience as a photographer on the front line.\n\n“People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nMaxim is 30 years old, has a long beard and tattoos. He’s restless, sympathetic and passionate. He and his wife Irina are staying at the artist-in-residence housing in central Paris for a few months. What is perhaps the most striking about his photos is the scale of the clashes he captures. Just as he says himself: they look like epic historical battles.\n\n“After I was in Ukraine for 2 weeks, I opened my eyes. I forgot about the real situation and started to see it like another world.” When I ask him how it felt to stand so close to the protesters and to actually be there, surrounded by flying Molotov cocktails, he quickly stands up, pretends to have a camera in front of his face and clicks away. “I tried before to take pictures this close. But in Maidan I started to take in the whole scene, with those hundreds of people. It was very hard not to create a picture or painting.”\n\nHe is silent for a while, then says “I don’t believe, I don’t believe, I don’t believe, I don’t believe,” while still holding the camera in front of his face.\n\nHe tells me there were in total about 200 photographers, with 20 photographers right next to him most of the time. All with big lenses, snapping away mostly at people’s faces.\n\n“But I was just thinking about stories. I kind of lost my mind and only saw battles, legends and I tried to put what I saw in the camera, in the frame. I wanted to put my emotion in the frame. It didn’t matter what happened, it was not the Ukrainian revolution anymore. For me the legends just continued.” \n\nBattles and Legends\n\nThe legend’s spell broke with a bang. A grenade exploded nearby and a shard shot into his left leg two days after he got there. He touches his leg and says, “at first, I didn’t even feel it. And then my leg really started to hurt and my friends took me to a hospital. It was a 40-minute operation – they took out the shard.”\n\nThe next day, all bandaged up, he slumped his way between the protesters again. He reenacts this for me, limping his leg and pretending to climb barricades and dodge Molotovs. “I couldn’t, I could not not go. I needed to go, go, go.” His sentences are short and active, with his English sometimes failing him, yet it doesn’t take away from his powerful acting. Now Irina steps in, having mostly listened to him and occasionally helped him with translating. “It was good, because after he was wounded, it was more peaceful. He could rest for a few days.”\n\nWe drink our coffee and look out over Paris for some time. We even talk about the weather, the beautiful buildings and the things they’ve done and seen here. But then Maxim takes us back to the battleground.\n\n“It wasn’t all as dangerous as what people think about it. But sometimes protesters threw grenades next to me and in other situations, police officers helped me. It was a crazy situation. Some policemen were crazy though.”\n\n“In every life, every culture, some people are bad and you can really see that in protests.”\n\nSuddenly we are back and right in between the protesters and the police, with Molotov cocktails flying over. He whistles a ”wooooo” sound, like a falling bomb. This is not a place where you can be without any risks. “You need to feel the situation,” he says. “Sometimes young people just go and think ‘I’m young and a journalist’. You need to have experience; think about it. Can I run and snap, or not?”\n\nHe keeps on standing up from his seat, producing comical movie sounds while acting out the intensity of the protest, waving his arms, moving up and down in his char. But his photos tell the story even better. The violence, the clashes – they truly are spectacular images.\n\nBut amidst the waterfall of words, he says something I didn’t expect.\n\n“I was very happy. The revolution was so sad, but sometimes it was so beautiful. Sometimes, if you forget about what happened, it was better than a movie. It was such an unreal situation.”\n\nThe Battle – Good vs. Evil\n\nHe continued talking about legendary battles, the good versus evil look-and-feel of it. Did he feel like it was Russia vs. Europe?\n\n“With this project I didn’t really think about Russia being evil. EuroMaidan was not necessarily anti-Russian. But afterwards people started to understand that Russian media create another reality. There were more than half a million people at the Maidan square, but Russian television always talked about 200 radicals.”\n\nHe goes on to give some historical context, and comes back to the Crimean annexation. ”After Crimea, Russia was evil for me.” So I asked him again, especially since his series is named Culture of Confrontation. “No, it’s not between Europe and Russia. It’s between two cultures. Two cultures that want a change in life. One doesn’t want to be like Europe, they just want to live without corruption. The other one is not about Russia, it’s about their dream about the Soviet Union.”\n\nEast and West Ukraine are completely different countries, he says. Kiev is mixed, sure, but if you go to the East, it’s like a complete mirror of the West. And with a lot of excited hand gestures, Maxim talks about his own very early memories of the Soviet Union, and mirrors it with his travels through Europe. “People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nTuberculosis and child soldiers\n\nSomething else that you’d think was a thing from the past is tuberculosis. But Maxim shot a compelling photoseries about tuberculosis in Crimea. The government in Crimea was not very cooperative, but he kept pushing, until a director of a hospital gave him permission to take pictures. He tells me how he spent 3 months in Sebastopol and comes back to something he only briefly mentioned before: Crimea Sich – a military training camp for children between 7 and 16, situated in the Crimean Mountains. “I kept coming back to Crimea, spending one year taking pictures there. Then I started to think about a documentary movie, which is better for storytelling than pictures.” \n\nHis brother, a young Ukrainian filmmaker, convinced him to go back again and shoot in the mountains. “I lost 7 kg per two weeks climbing mountains, with my gear. It was intense.” He pants heavily, reenacting the scene. “We climbed mountains with the cameras. It was so good, so beautiful, but also pretty crazy.” One of his filmmaker friends from Europe told him he is crazy. And as if he agrees, he repeats the word multiple times: “crazy, crazy … crazy.”\n\nMaxim and his brother came back with over 40 hours of footage of child soldiers from Ukraine, from Russia and Moldova. He tried to kickstart the documentary, but couldn’t get the money together. According to him, there are not enough rich people in Ukraine. \n\nFinally, I ask him if he’s looking forward to going back to Ukraine in December. He is silent for ten seconds, coughs a few times and then says solemnly “It’s a very, very sensitive question. Unfortunately, in the Ukrainian situation, not a lot has changed. The old system is still in place. Old politics, old people who don’t want change. It might be better after 10 or 20 years”.\n\nWhen I am almost ready to go, he suddenly asks me about what I thought about him, his photos, his English. I give him some compliments, and I mean them, but he doesn’t really seem to register it.\n\nThen he says, “I don’t like a system or any structure. I’m just a person that lives on this planet. Why do people start a war? I have friends in Russia, and they are very good. I don’t have problems with Russians, with the government, with people who believe propaganda. In Europe it’s the same, people watch TV and just believe that. It’s about the Ukrainian revolution and you try to help people understand, but not everyone understands. It’s still a war that’s going on. A war between cultures.”\n\n"},{"attributes":{"link":"https://www.areweeurope.com/confrontation-interview-maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:05:28Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e805174d-1d0c-4e5e-816c-84ad2b11067e","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:16:59Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:27:32Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-79","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"c80cebec-1a5a-4788-8a68-c24fcf8c380b","tag_ids":[],"order_date":"2020-04-24T10:13:33Z","title":"Untitled 270","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"685378e0-c62d-40be-adb4-303b04bc146b","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"Center for Documentary Photography \"FOTODOC\", Moscow. (Russia, 2011)"}]},"duration":0,"filename":"91855e91-320e-418c-914d-cbc604c783af.jpg","filesize":1939241,"height":1600,"hidden":false,"id":"91855e91-320e-418c-914d-cbc604c783af","inserted_at":"2019-05-09T11:40:59Z","name":null,"orientation":"Landscape","original_filename":"DON_2573.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2096165177,"set_id":"c80cebec-1a5a-4788-8a68-c24fcf8c380b","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/91855e91-320e-418c-914d-cbc604c783af.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T09:53:15Z","weight":3,"width":2400},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-fotodoc-sakharov-center-moscow-russia-2011/untitled-270","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T10:13:33Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"2df0b0dd-39c9-4070-8955-f2e505289144","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"91855e91-320e-418c-914d-cbc604c783af","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T10:13:47Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T10:13:33Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-270","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","tag_ids":[],"order_date":"2020-04-24T07:39:58Z","title":"Untitled 278","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"91ee9a9c-10ec-4e4e-bc26-efb52656f663","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"80:53","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"LOOK3 photofestival, Charlottesville. (USA, 2012)"}]},"duration":0,"filename":"f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","filesize":454609,"height":1060,"hidden":false,"id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","inserted_at":"2019-05-09T11:41:11Z","name":null,"orientation":"Landscape","original_filename":"LOOK3_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1185260907,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:02:57Z","weight":2,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/unstable-fields-benaki-museum-athens-greece-2016/untitled-278","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":{"aspect_ratio":"2295:1532","asset_id":null,"cover_image":false,"description":{"ops":[{"insert":"Benaki Museum, Athens (Greece, 2016)\n"}]},"duration":0,"filename":"80244b0b-0b9e-4eaf-99c5-433ea029fbed.jpg","filesize":1773548,"height":1532,"hidden":false,"id":"80244b0b-0b9e-4eaf-99c5-433ea029fbed","inserted_at":"2019-05-09T11:40:42Z","name":null,"orientation":"Landscape","original_filename":"APhF16-Maxim Dondyuk-1606260148-2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1377705455,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/80244b0b-0b9e-4eaf-99c5-433ea029fbed.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-05-04T05:42:57Z","weight":3,"width":2295},"inserted_at":"2020-04-24T07:39:58Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"f8b38493-dca2-4da0-801f-7f32c0c2d044","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T10:04:46Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T07:39:58Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-278","image_id":"80244b0b-0b9e-4eaf-99c5-433ea029fbed","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["7ea9ca47-9e9d-4240-9929-35c9e61a6d0f","d9f6b756-baec-48e2-87e6-6f51d4bce330","e5581133-01c8-4067-bbab-9c32eabd147c","c3b62569-f4de-4165-bf1f-485e49abab5d","5358b624-c3fe-4beb-9efa-4ad0051cc996","bc10c9f6-8ad5-4ddc-a990-7bc0260a122d","7595c850-d9b5-4267-a1fd-220506203395","02ecebe1-5751-4da5-bab6-d37ea4c5249e","27a49e09-8a0b-4ebe-a822-82ddd5531028","852737ac-b67b-4906-93b3-c573d888ba76","22d74305-2fb5-4355-9e54-893d3413e2db","42397dcd-b744-40ad-a0ae-d029a4abf6a4"],"alignment":"Left","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","tag_ids":[],"order_date":"2019-05-12T12:53:00Z","title":"CC OLD","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"1222:813","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","filesize":538816,"height":813,"hidden":false,"id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","inserted_at":"2019-05-07T08:08:13Z","name":null,"orientation":"Landscape","original_filename":"0010_DOM_2014_01_22_EM14914.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2130706432,"set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-07T08:52:33Z","weight":3,"width":1222},"meta_description":"This confrontation is eternal, it started ages ago and will continue again and again. It doesn’t depend what country.","viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/cc-old","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"1222:813","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"48f5bdac-a757-41f3-bf7c-b98dcd423dfe.jpg","filesize":650989,"height":813,"hidden":false,"id":"48f5bdac-a757-41f3-bf7c-b98dcd423dfe","inserted_at":"2019-05-07T08:08:11Z","name":"","orientation":"Landscape","original_filename":"0007_DOM_2014_02_18_EM19761.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2013265920,"set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/48f5bdac-a757-41f3-bf7c-b98dcd423dfe.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-07T08:08:11Z","weight":3,"width":1222},"inserted_at":"2019-05-07T08:03:03Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T06:39:09Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-12T12:53:00Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"cc-old","image_id":"48f5bdac-a757-41f3-bf7c-b98dcd423dfe","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-27T05:35:46Z","title":"Untitled 323","do_not_index":false,"cta_url":"https://fotomat.app/watch","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":"Fotomat Watch","text_content1":{"ops":[{"insert":"Maxim Dondyuk"},{"attributes":{"header":1},"insert":"\n"},{"insert":"\nUNTITLED PROJECT from Chernobyl"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\n\nFotomat Watch is a showcase for contemporary visual artists who use a variety of media to tell nuanced stories."},{"attributes":{"header":5},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"4c575cd8-2d01-43d1-8a2d-19217586ffcf","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#181818","text_color":"#fddb5d","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/fotomat-watch-film-english-2020/untitled-323","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-27T05:35:46Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"075ab3b8-97b3-409b-bd17-9d8afd2e3e9f","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-13T03:37:51Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-27T05:35:46Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-323","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-12-12T04:29:12Z","title":"Untitled 206","do_not_index":false,"cta_url":null,"video_autoplay":false,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"341e0215-f1bd-4682-81e2-45bbc7a3621c","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/untitled-project/film-untitled-project/untitled-206","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"Full","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"16:9","asset_id":"Be8vueCGYv02ePeDksgx73007aA02jK7r01g","cover_image":false,"description":{},"duration":299,"filename":"04f01caf-7741-4b22-91ed-55c684e5bcbd.mov","filesize":567885188,"height":1080,"hidden":false,"id":"04f01caf-7741-4b22-91ed-55c684e5bcbd","inserted_at":"2019-05-07T08:26:24Z","name":null,"orientation":"Landscape","original_filename":"Promo Final.mov","playback_id":"Y4IOhrlDAlw2xmvRUu2nNMSa3ViXpaK9","poster_position":288.223100594,"private":false,"rank":2030043095,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/Y4IOhrlDAlw2xmvRUu2nNMSa3ViXpaK9.m3u8","poster":"https://image.mux.com/Y4IOhrlDAlw2xmvRUu2nNMSa3ViXpaK9/thumbnail.jpg?time=288.223100594"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2019-10-17T18:13:18Z","weight":3,"width":1920},"inserted_at":"2019-12-12T04:29:12Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"9f8d7582-96cb-452e-ae97-fdf815c4b845","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-12-12T13:56:58Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-12T04:29:12Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-206","image_id":"04f01caf-7741-4b22-91ed-55c684e5bcbd","slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-28T03:23:36Z","title":"Untitled 328","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"UNTITLED"},{"attributes":{"header":1},"insert":"\n"},{"attributes":{"bold":true},"insert":"PROJECT"},{"attributes":{"header":1},"insert":"\n"},{"attributes":{"bold":true},"insert":"FROM CHERNOBYL"},{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"e0a35910-5fb7-4224-be4b-43c4f3cb20ee","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#000000","text_color":"#ffffff","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/untitled-project-from-chernobyl/untitled-328","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-28T03:23:36Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"874160cb-c64a-47ed-ab58-890f6b4948f4","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-29T04:08:29Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-28T03:23:36Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-328","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"510450d3-3774-46b2-a638-4b845238d8aa","tag_ids":[],"order_date":"2019-08-11T15:05:22Z","title":"Untitled 189","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6c92f458-4f8d-419f-8091-afde6ba77752","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":"","description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","filesize":33912,"height":1335,"hidden":false,"id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"20140810.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-11T14:59:42Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"warchive/20140722/untitled-189","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-08-11T15:05:22Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"390bdd03-c903-4fa0-9308-1a65926545f0","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","description_content_html":"","slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-08-11T15:05:26Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-08-11T15:05:22Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-189","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["c186c3b8-cb2c-4ca4-befb-35a5b616951e","63f7a82d-2e26-4494-a95a-350594d123fe"],"alignment":"Left","set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","tag_ids":[],"order_date":"2019-05-12T05:56:08Z","title":"Culture of Confrontation Book","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"2000:1339","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"66f46dd9-3fbc-4df9-847a-9828dd293a17.png","filesize":4132197,"height":1339,"hidden":false,"id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","inserted_at":"2019-09-26T11:55:31Z","name":null,"orientation":"Landscape","original_filename":"DOM_2019_09_26_1202.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-1073741825,"set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/66f46dd9-3fbc-4df9-847a-9828dd293a17.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-23T03:29:03Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"books/culture-of-confrontation-book","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"47074826-f4e3-47cd-86f6-832fefe19998.jpg","filesize":600018,"height":1001,"hidden":false,"id":"47074826-f4e3-47cd-86f6-832fefe19998","inserted_at":"2019-12-21T07:36:05Z","name":"","orientation":"Landscape","original_filename":"DOM_2019_09_26_1194.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-3,"set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/47074826-f4e3-47cd-86f6-832fefe19998.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-23T03:25:45Z","weight":3,"width":1500},"inserted_at":"2019-05-03T17:11:12Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"color":"#868686"},"insert":"2019, Self-publish"},{"insert":"\n\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"283df543-a4e6-4107-a108-893ba3bb3fba","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-20T03:44:28Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-12T05:56:08Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"culture-of-confrontation-book","image_id":"47074826-f4e3-47cd-86f6-832fefe19998","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-07-08T06:44:33Z","title":"Untitled 404","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"Maxim Dondyuk rebuilds a lost archive"},{"attributes":{"header":2},"insert":"\n"},{"insert":"of life in Chernobyl"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\n"},{"attributes":{"bold":true},"insert":"The Ukranian photographer spent two years smuggling found images out of Chernobyl’s exclusion zone. Now, he presents them in a virtual gallery"},{"insert":"\n\nIn 2015, after two years of documenting the Ukrainian Revolution, “I just wanted emptiness and silence,” says Maxim Dondyuk. “I decided to concentrate on a project where there wouldn’t be any people.”\nThe photographer had visited Pripyat, the Ukrainian “ghost city” ravaged by Chernobyl’s nuclear disaster of 1986, as a photojournalist ten years prior, but in 2016, he decided to return to photograph the landscape as a representation of a bygone era. Accompanied by a guide, Dondyuk embarked on long winter walks through the exclusion zone, photographing derelict structures engulfed in moss and nettles, left abandoned within the woodlands of the region’s vast snowy landscapes. \n\nWandering through one of the thousands of evacuated homes, the photographer discovered piles of postcards, letters, and photographs, hidden beneath 30 years of debris. The Ukranian government considers anything left behind as “radioactive trash”, and forbids visitors from removing them from the exclusion zone. But, Dondyuk couldn’t bear to leave the artefacts he found to decay, so over the next two years, he continued to return, disguising himself as a landscape photographer, smuggling the photographs out of the exclusion zone, and rebuilding the lost archives of the families and individuals who once called the region their home.\n\nNow, the images, films, letters, maps and articles are presented in a "},{"attributes":{"link":"https://maximdondyuk.com/works/untitled-project-from-chernobyl"},"insert":"virtual gallery"},{"insert":", alongside Dondyuk’s own documentation of the landscape as it is now. Here, the photographer shares his story, the process, and future intentions for the project.\n\n\n"},{"attributes":{"bold":true},"insert":"How did this project come together, from when you first visited Chernobyl, to the production of this virtual gallery?"},{"insert":"\nAfter the Ukrainian Revolution of 2013-2014, a year of war in Eastern Ukraine, I just wanted emptiness and silence, so I decided to concentrate on a project where there wouldn’t be any people. At the beginning of 2016, I went to the Chernobyl exclusion zone, where I started visual contemplation and exploration of the abandoned territory. \n\nAt the time, I had no clue how everything would turn out, and what this project would become. During my first visit, I went into a partly-destroyed house, and I noticed several postcards and letters laying on the floor. I studied them carefully, and left everything where it was. But, the thought of how people had left behind such priceless memories, and why Ukrainian institutions didn’t bother to collect these visual artifacts, stuck with me. \nHaving no idea what was waiting for me and on what scale, I dedicated the following two years to the exploration of abandoned houses in Chernobyl, where I searched for visual artifacts of the past — old films, photographs, letters, and postcards. After that it took me several months to restore and scan everything that was found, and around a year to put it together into the website.\n\n\n"},{"attributes":{"bold":true},"insert":"Was it difficult to gain access to this material? "},{"insert":"\nUkrainian authorities do not allow people to take anything away from the exclusion zone, because they perceive it as radioactive trash, but I couldn’t watch a huge part of history disappear.\n\nNo-one can enter the Chernobyl exclusion zone without prior approval from authorities, and a guide to accompany you everywhere. In the two years I visited Chernobyl, I pretended to be a landscape photographer, and sometimes my friend Dima, who was assisting me, distracted our guide so I could collect the photographs and hide them in my camera bag. We had to hide everything within our car as we passed through the checkpoint to leave. I wasn’t afraid to be arrested or fined — I was more afraid they would burn everything like trash. \n\nEventually I became tired of working as a smuggler, of the anxiety each time my car was checked, and the project was becoming difficult financially. In 2018, I decided to publish my work in "},{"attributes":{"link":"https://www.nytimes.com/2018/07/31/lens/recovering-lost-photos-of-life-before-the-chernobyl-disaster.html"},"insert":"The New York Times"},{"insert":" to draw attention to my project, with the hope that the authorities would understand what I was trying to achieve, and help me continue with permission. But my fears became true. Today, I cannot proceed with the work, even if I were to cover all the expenses myself. I hope that eventually I will be able to break this censorship, and return to Chernobyl in search of more historical artifacts. \n\n\n"},{"attributes":{"bold":true},"insert":"What kinds of images were you looking to smuggle back? Which ones caught your eye? "},{"insert":"\nTime mercilessly destroys everything in its path. I wanted to collect and save as much as possible. Sometimes there was nothing but trash in houses, but often they were filled with artifacts. Nothing was laid out clean on a table or on a shelf. They were scattered on the floor, beneath broken furniture, or buried under a thick layer of mud. I felt like an archaeologist, rifling through heaps of garbage in search of lost memories. \n\nBy creating an ID system for each house and family, I marked every house on a map using a GPS tracker. In small villages with around 100 houses I tried to explore every house, but in bigger villages I had to rely on intuition, as time and capacity of what I could carry was limited. \n\n\n"},{"attributes":{"bold":true},"insert":"Could you pick out a particular image, or series of images, and tell us the story is behind it? "},{"insert":"\nEach story is unique, but I’d like to talk about one of the houses, where a photographer lived. I believe he worked at the Dovzhenko Film Studios in Kyiv. His photo archive contains not only family photographs, like the other houses, but film reels and shots from photographing parades. I think a third of my archive is photographs and films by this man. \n\nI found his house by accident in 2016, and was amazed by his huge archive. I wasn’t able to take everything with me then, as there was too much material and not enough time. I also didn’t use a GPS tracker back then, so I spent the next two years looking for this house. Even though I knew the village well, I couldn’t find it. \n\nIn 2018, on my last day in Chernobyl, I found the house. My friend Dima and I spent several hours rifling through heaps of trash and mud, trying to pick up pieces of the past. All the films and photographs were damaged, and some of them weren’t possible to save, but the majority of files were okay. I’m thinking of creating a separate story about the photographer’s family in the future. \n\n\n"},{"attributes":{"bold":true},"insert":"You also took your own images of Chernobyl. Did the imagery you found inform your own image-making?"},{"insert":"\nFinding the artifacts did not influence the visual language of my own images. Everything began with my photographs, and flight from the commotion of war. It was a departure from society, and immersion into my thoughts during long winter walks over abandoned territories, where nature gradually erased traces of human life. \n\nWhen I entered the houses, I was entering the past. Photographs, letters, interiors, personal belongings — these all created an atmosphere of the past in the present. This time-crossing explores memory, territory, atomic energy, and nature. Sometimes, when I was there all alone, I had the feeling that I was in the future, and only from these little bits of history do I know that a terrible truth destroyed an entire civilization. \n\n\n"},{"attributes":{"bold":true},"insert":"Why did you decide to show this work online? What are the benefits of showing it in this way?"},{"insert":"\nI don’t think an online gallery is the best way to show this kind of project — I consider it more as a presentation. I finished the work during Covid-19, and following the example of other galleries and museums I decided to show it virtually. I envisage the final presentation as a physical exhibition and book.\n\nIn the future, if I have sufficient funding, I plan to create a website with an interactive map and digital archive of all the found materials. Part of them will be publicly available, and the private part will only be available only to the relatives of whom the materials originally belonged to. People will be able to go on an online journey through Chernobyl’s exclusion zone, and families who used to live there will be able to see how their house or village looks years after the disaster, and discover an archive of photographs and letters by their relatives.\n"}]},"online":true,"icon":"none","parent_id":"6a4d36ed-1d0d-4fe4-9500-2a2a785f78ef","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/the-british-journal-of-photography-interview-by-lauren-kelly-english-2020/untitled-404","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-07-08T06:44:33Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"32258420-3804-443d-9e47-0ae997a92ab3","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#ffffff","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-08T06:53:46Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-07-08T06:44:33Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-404","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["34cef131-db29-430f-9059-4669d4ff6ff5","6a4d36ed-1d0d-4fe4-9500-2a2a785f78ef","4c575cd8-2d01-43d1-8a2d-19217586ffcf","ef4eab8d-6025-4672-83ef-a6b6d0b94c31","79e63d4a-3e2e-410c-8003-f48d058c069a","9e270bcd-77a5-4469-80da-0a75b380be3d","d9b8f334-a659-491b-aad8-06f008512cdf","1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","b8d103d1-b9bf-4d66-886f-c23e5aee07c3","5d880632-3446-4eed-8fd2-a07a2f03af07","a84bb198-654c-44de-8b9f-25ac9b0ba405","156731b2-07cc-45bf-863c-abebfe0b58e9","fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","ad53afc8-6d43-40fc-a93d-f9e542b55a72","2cd818e2-55bb-4bd5-884f-cf32a7415df5","a6490173-0b6a-4efa-984d-40fcc94cef13","4f9efa74-6aa8-4140-aa44-abe12586fa04","c76f816c-6a50-472e-af1e-912800959b13","b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","05901042-5860-4de2-bbc8-5c89bddf9baf","f09a1faa-4cbb-4414-842c-11f0df907bfd","d83567b2-b698-417f-b1fa-c753aaf44064","b1a41d0b-0462-40b8-b92a-d21de86db1a9","2daabd7d-0205-411b-b6b8-1fa3c06d31ea","864c29c1-607b-4099-a422-ebccd1f27da4","c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","015334e4-131b-42e7-b79f-ecd5f36df0e7","f93a1d7b-48b9-4ae2-b335-edbde97f6233","c837f25e-ff12-42c4-8a0d-2b608ef23f92","2599d79d-2694-45d5-b4ec-d14e14acc2e4","9e772fa9-9496-43dd-9075-a41903e3d5e3"],"alignment":"Left","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","tag_ids":[],"order_date":"2019-05-10T09:42:32Z","title":"Essays & Interviews","do_not_index":false,"cta_url":null,"video_autoplay":false,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"1561:1025","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"Photographie Magazin, Germany\n"}]},"duration":0,"filename":"4db7e885-73f3-4b6c-929e-690bbd5ff065.png","filesize":9093080,"height":2050,"hidden":false,"id":"4db7e885-73f3-4b6c-929e-690bbd5ff065","inserted_at":"2020-02-25T16:57:24Z","name":null,"orientation":"Landscape","original_filename":"Screenshot 2020-02-20 at 18.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483641,"set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/4db7e885-73f3-4b6c-929e-690bbd5ff065.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-02-25T17:13:02Z","weight":3,"width":3122},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews","index_text_layout":"Right","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Cover","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"8:5","asset_id":null,"cover_image":false,"description":{"ops":[{"attributes":{"link":"https://www.nytimes.com/2018/07/31/lens/recovering-lost-photos-of-life-before-the-chernobyl-disaster.html"},"insert":"New York Times, USA"},{"insert":"\n"}]},"duration":0,"filename":"757621af-f2ec-4afc-a107-c2558704acda.png","filesize":4618766,"height":2100,"hidden":false,"id":"757621af-f2ec-4afc-a107-c2558704acda","inserted_at":"2019-05-09T16:03:35Z","name":null,"orientation":"Landscape","original_filename":"0002_Screen Shot 2018-10-23 at 11.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483638,"set_id":"6cfdf73d-c34f-4bea-b097-893aeff242ea","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/757621af-f2ec-4afc-a107-c2558704acda.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-23T03:13:04Z","weight":3,"width":3360},"inserted_at":"2019-05-03T08:52:11Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Portrait","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"4db7e885-73f3-4b6c-929e-690bbd5ff065","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-30T10:45:37Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-10T09:42:32Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"essays-interviews","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":false,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Center"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"b5c8b824-6c9e-4076-9673-2b6f5f0a0ab7","tag_ids":[],"order_date":"2020-04-24T17:28:23Z","title":"Untitled 305","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"a293bc02-d543-4f48-9f9e-3626877290ef","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"Art-Donbass, Donetsk. (Ukraine, 2012)"}]},"duration":0,"filename":"aee2a680-b4b6-40d2-bd0b-b50ec9920357.jpg","filesize":838659,"height":1065,"hidden":false,"id":"aee2a680-b4b6-40d2-bd0b-b50ec9920357","inserted_at":"2019-05-09T11:40:58Z","name":null,"orientation":"Landscape","original_filename":"DON_1538.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-898567886,"set_id":"b5c8b824-6c9e-4076-9673-2b6f5f0a0ab7","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/aee2a680-b4b6-40d2-bd0b-b50ec9920357.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T09:39:25Z","weight":3,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/tb-epidemic-in-ukraine-touring-exhibition-ukraine-2012/untitled-305","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-24T17:28:23Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"8b018b4e-2df9-4b1a-9f1f-b38f9aefe819","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"aee2a680-b4b6-40d2-bd0b-b50ec9920357","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T17:29:10Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T17:28:23Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-305","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"7d2545e9-13be-4d24-adc0-041bd1a90a16","tag_ids":[],"order_date":"2020-04-24T08:07:51Z","title":"Untitled 282","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"7d4606dd-f38c-4795-94dc-529304391a74","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d11fb777-af8c-45b9-afcd-b9901d0649d1.jpg","filesize":786373,"height":1001,"hidden":false,"id":"d11fb777-af8c-45b9-afcd-b9901d0649d1","inserted_at":"2020-04-24T07:49:53Z","name":null,"orientation":"Landscape","original_filename":"01_DOM_3950.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1634298185,"set_id":"7d2545e9-13be-4d24-adc0-041bd1a90a16","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d11fb777-af8c-45b9-afcd-b9901d0649d1.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:03:02Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015/untitled-282","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":{"aspect_ratio":"1499:1000","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"c24d6b37-2244-4f8b-9c20-07f419957135.jpg","filesize":639043,"height":1000,"hidden":false,"id":"c24d6b37-2244-4f8b-9c20-07f419957135","inserted_at":"2020-04-24T08:07:45Z","name":null,"orientation":"Landscape","original_filename":"01_4W5A0404.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1249409090,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/c24d6b37-2244-4f8b-9c20-07f419957135.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T10:47:17Z","weight":3,"width":1499},"inserted_at":"2020-04-24T08:07:51Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"633b923c-82c4-41b6-9720-1008e3f77ff1","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"d11fb777-af8c-45b9-afcd-b9901d0649d1","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-24T08:08:02Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T08:07:51Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-282","image_id":"c24d6b37-2244-4f8b-9c20-07f419957135","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:18:03Z","title":"Untitled 93","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Quesabesde"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Text by Ivan Sanchez"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"spanish, 2014"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-93","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"En ese momento pensé que Ucrania se estaba rompiendo en diferentes países"},{"insert":"\n\nEstaba participando en una masterclass en Bielorrusia cuando todo se desató en Kiev. Al regresar, la situación era muy complicada e incluso había agresiones a periodistas. En mi primer día allí, el 1 de diciembre [de 2013], participé activamente en todos los acontecimientos como fotógrafo documental con mi cámara, sin tomar parte de la lucha ni lanzar cócteles molotov.\n\nNo tenía ningún encargo, pero se trataba de un momento histórico para mi país, así que necesitaba documentarlo todo. Fue algo muy inesperado no solo para mí, sino para todos los ucranianos. Desafortunadamente, todas las señales que vaticinaban malos augurios se cumplieron y la situación fue empeorando día a día.\n\nEstuve en Maidán prácticamente todo el tiempo, hablando con los manifestantes y conociéndoles. Estaba claro que las protestas no iban a ser el final del conflicto, así que después estuve en el este de Ucrania -Donetsk, Slaviansk, Lugansk- y también en Crimea. Estuve dos meses con los separatistas rusos y el último mes trabajé con el ejército ucraniano.\n\nEn un cierto momento, sin motivo aparente, los manifestantes comenzaron a correr y a lanzar consignas a favor de Ucrania. El escenario era el de una película de guerra muy antigua, con los militares corriendo y gritando. Yo corrí detrás de ellos, no sabía bien qué estaba ocurriendo, pero sabía que debía seguirles. Y entonces el hombre que porta la bandera apareció frente a mí. Fue un momento histórico.\n\nFue algo muy simbólico, porque antes de la revolución la bandera no tenía tanta importancia para el pueblo, pero ahora es muy importante y necesaria. Algunos ucranianos han muerto bajo esa bandera y por la independencia de Ucrania. Maidán fue solo el principio de la lucha por la independencia de Ucrania respecto a Rusia.\n\nPara mí es muy difícil hablar de metáfora cuando analizo la imagen, porque depende mucho del conocimiento y la personalidad de cada uno. Todos tenemos nuestra propia forma de entender las cosas y construir metáforas. En ese momento lo único que me pasó por la cabeza es que Ucrania se estaba rompiendo en diferentes países.\n\nEn épocas anteriores y durante mucho tiempo Ucrania ha estado bajo el control de diferentes países, siempre ha sido un objetivo. Bajo el signo de esta bandera, la gente luchó por la independencia de Ucrania ya antes de la Unión Soviética y de nuevo tras su desintegración.\nMe da la sensación de que lo que está ocurriendo en el Donbass es solo el comienzo de algo más grande. Es algo que no podemos solucionar tan fácilmente como se podría pensar. Si cedemos la región del Donbass de forma sencilla, igual que pasó con Crimea, Rusia después querrá anexionarse otras regiones como Járkov. No podemos ceder en esto porque hay mucha gente que está a favor de Ucrania, no de Rusia. Gente que ha luchado por ser ucraniana.\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:17:40Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"4232e3f1-c03c-413c-9309-19a1822f118c","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:31:34Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:18:03Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-93","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:28:15Z","title":"Untitled 81","do_not_index":false,"cta_url":"https://roadsandkingdoms.com/2016/theater-of-war-qa-with-maxim-dondyuk/","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://roadsandkingdoms.com/2016/theater-of-war-qa-with-maxim-dondyuk/"},"insert":"Roads and Kingdoms"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Pauline Eiferman"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"c76f816c-6a50-472e-af1e-912800959b13","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-81","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Theater of War: Q&A with Maxim Dondyuk"},{"insert":"\n\nIn the summer of 2013, months before Euromaidan started, photographer Maxim Dondyuk had traded his camera for video equipment. He was in Crimea, trying his hand at documentary filmmaking, when 2,000 protesters peacefully gathered in Kiev’s main square after the government decided to suspend its process of integration into the European Union. He watched as the protests intensified and, on November 30th, as the authorities started cracking down. The next day, he was at Maidan. “Euromaidan became one of the most visually beautiful revolutions,” Dondyuk wrote after spending three months in the square. The photos he came back with are incredibly cinematic, like scenes from a Hollywood film, and show another side to a widely-documented event. Now he’s making a book, in which aesthetics and emotions take the lead.\n\n"},{"attributes":{"italic":true},"insert":"Roads & Kingdoms: When did you first visit Maidan?"},{"insert":"\n\nMaxim Dondyuk: Everything happened in the city I live in. The first mass assembly was on December 1st 2013, and it included people from all walks of life. I took a photo from the subway where you can see how crowded it was. The two blocks around Maidan were absolutely packed. People were coming from the entire country, not only to support European integration, but to protest against the impunity of those who beat up students there a few days earlier. People were coming out to defend civil rights. That was my first day at Maidan and I couldn’t have imagined were it would be leading me. That day, the authorities made a mistake: on Bankova street, right near the office of the President, demonstrators and journalists were beaten up. That same day, demonstrators started occupying City Hall and barricades started going up. Despite that, I was sure that by the morning the police would have cleared the entire place. I didn’t have the slightest idea that I would spend the next three months there.\n\n"},{"attributes":{"italic":true},"insert":"R&K: At what point did you decide this project would be something different than a photojournalistic reportage?"},{"insert":"\n\nDondyuk: During the first few weeks of December, before the first attempt to clear the square, I didn’t know what I wanted to photograph and in what way. There were hundreds of journalists in Kiev. Sometimes you would see 20 people with cameras standing in a single square meter. It was very difficult to photograph in such conditions, especially as I do not cover news. The more time I spent at Maidan, the more I realized that my subconscious distorted reality. I found myself in front of battle scenes that reminded me of what I had seen in museums, in Realist paintings. It became important to interpret what I saw and felt rather than answer the questions what? where? when? I decided to document Euromaidan through emotions and visual language.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How did you achieve that way of photographing?"},{"insert":"\n\nDondyuk: As soon as I stopped trying to control my subconscious, I stopped following the rules imposed on me, and gave myself complete freedom. I was transported in a different reality, far from the demonstrations in Kiev. In front of me, I saw scenes that were both beautiful and horrible. My camera became my notebook, my visual diary.\n\n"},{"attributes":{"italic":true},"insert":"R&K: Did you feel like your role changed at that moment?"},{"insert":"\n\nDondyuk: I was at Maidan from the 1st of December to the end. It was a very tragic period for my country. But I was happy that I could be present at this historic moment to convey what I saw to future generations and to people from different countries. Being a documentary photographer, I think it was my duty.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How was the work received? People must have been surprised at how different it looked."},{"insert":"\n\nDondyuk: I worked mostly with international magazines that I trust. They contacted me. I was not looking for assignments, and often refused them if they didn’t coincide with my interests. So far, I haven’t had any offers to create an exhibition in Ukraine, but the book I’m working on will present 100 to 150 photos. It divides the Revolution in three different visual phases. I want people to see what I saw. I want to explain to people who live far from Ukraine why a completely peaceful demonstration turned into armageddon. Why people left everything, their work, their home, and came to the capital of Ukraine to fight for freedom. But you will know more after the book is ready, I don’t want to reveal all my secrets.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How has this project changed the way you practice photography?"},{"insert":"\n\nDondyuk: After this project, I started to feel more like a visual artist. I became interested in exhibitions and galleries rather than what was being published in the media, which I paid a lot of attention to before. Photography is my philosophy and my religion. I don’t believe in God, but photography helps me discover and understand this world. I believe that photography, just like any other type of art, is a container of emotions. And a documentary photographer only has a quick moment to work before everything ends.\n\n"},{"attributes":{"link":"https://roadsandkingdoms.com/2016/theater-of-war-qa-with-maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:07:11Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"abf05ec6-0a91-47c2-a6a3-6227cbc684f1","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:17:39Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:28:15Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-81","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:30:55Z","title":"Untitled 87","do_not_index":false,"cta_url":"https://www.svoboda.org/a/27564707.html","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.svoboda.org/a/27564707.html"},"insert":"Radio Liberty"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Valentin Baryshnikov"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"russian, 2016"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-87","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Фотограф Максим Дондюк – о войне, Майдане, Украине, России и стене, сдвигающейся на восток."},{"insert":"\n\nФотограф Максим Дондюк снимал Майдан и войну на востоке Украины, с обеих сторон. Он может рассказать, как ему грозили расстрелом пророссийские сепаратисты, как он был в окружении под Иловайском и как ему мешали работать украинские штабисты.\n\nНакануне второй годовщины победы Майдана, бегства президента Виктора Януковича и последовавших за этим российской аннексией Крыма и войной в Донбассе Радио Свобода публикует еще неизданные фотографии Максима Дондюка.\n\nОн родился на западе Украине, в Хмельницкой области, в небольшом городке Славута, затем вместе с семьей (отец Дондюка – военный) переехал на юг, в Херсонскую область, в Новую Каховку, где и прошла большая часть его детства.\n\nДондюк рассказывает, что фотографии его учила мать, описывает, что сидел с ней в “красной” комнате, называет советские камеры: “Зенит”, “Смена”. Позже он стал ходить в кружок фотографии. И, наконец, уже в 24 года, после армии, в Харькове, работая поваром, он вдруг вернулся к фотографии, занимался ею все свободное время, читал книги по фотоискусству, экспериментировал. Через год он бросил работу, стал профессиональным фотографом, переехал в Киев. Поначалу, говорит Дондюк, речь не шла о документалистике:\n\nВначале я смотрел в сторону каких-то студийных вещей, пейзажных вещей, занимался сферическими панорамами – это очень технически сложная вещь тогда была. По сути дела, что такое репортаж в хорошем смысле, я уже узнал, когда переехал в Киев. Потому что в Харькове очень сильная художественная школа, все, что я там видел из репортажей, – это очень скучные газетные вещи, новости, которые никак не вдохновляли. В то время я бы очень удивился, если бы мне кто-то сказал, что я буду документалистом.\n\n"},{"attributes":{"italic":true},"insert":"​Как вы стали документалистом? Каким образом вы стали автором проекта про туберкулезных больных, за который получили призы?"},{"insert":"\n\nЭто был первый серьезный проект. До этого я переехал в Киев, работал в новостном агентстве. Я долгое время ездил в командировки по всей стране. Это было вначале захватывающе, съемки были на темы от политики, футбола и села до митингов и Верховной Рады. Это хороший опыт и колоссальная школа, но через несколько лет мне стало скучно, я сильно погрузился в документальную фотографию, очень был вдохновлен. В тот момент я понял, что хочу заняться более глубоким проектом на какую-то социальную тематику. Через какое-то время я пришел к проблеме туберкулеза, о котором сам тогда ничего толком не знал. Мне тогда казалось, что я управлюсь за месяц или два, что это не так сложно и займет не так много времени, но получилось, что этот проект полностью засосал меня – такая черная дыра, в которую я попал и которая полностью изменила мою жизнь. Я провел два года, снимая этот проект, больше ничем не занимался. Жизнь, которая была до этого проекта, полностью исчезла, работа, семья, отношения, многие друзья, мое мировоззрение. Человек, который после этого проекта образовался, – это уже был совсем другой человек. Поэтому для меня это оказалось проектом становления как другой личности. Для меня фотография – не работа, не хобби, это философия, я ее очень сильно за это люблю, что она позволяет мне меняться благодаря жизни с людьми в других ситуациях, в которые я не смог бы попасть, если бы не был документалистом.\n\n"},{"attributes":{"bold":true,"italic":true},"insert":"​Вам не страшно было работать с туберкулезными больными?"},{"insert":"\n\nНе страшно, наверное, только сумасшедшим. Вначале не было сильного страха, я понимал, что делаю. Были вспышки паники, конечно, но они быстро устранялись, я делал для себя выводы, решал – продолжаю я это делать или останавливаюсь. И продолжал. Я пытался побороться со стигмой, существующей в обществе, с предвзятостью, с неосведомленностью об этой проблеме. Я сам был частью этого общества, я тоже считал, что, если человек переболел туберкулезом, он чуть ли не заразный. Я абсолютно ничего не понимал. Это был большой опыт, потому что туберкулез – это не война, но ты постоянно сталкиваешься с медленной смертью. Контакт с такой жизнью сильно сказывается на тебе. К концу проекта я понимал, что я теряю ощущение реальности, у меня начались проблемы с реальной жизнью, когда я возвращался. Я уволился, я потерял семью, мне негде было жить в Киеве, я в какой-то момент стал жить в больницах, потому что мне некуда было возвращаться. Может быть, на фоне всего, что я снимал, мои проблемы не казались какими-то значимыми. Через два года я стал понимать, что теряю грань, что я живу только той жизнью, абсолютно не понимаю, что происходит в другой жизни. У психологов называется выгорание.\n\n"},{"attributes":{"italic":true},"insert":"​Но вы вернулись в обычную жизнь?"},{"insert":"\n\nКонечно, вернулся, все нормально. Просто какой-то период адаптации был, так же, как когда ты возвращаешься с фронта. У меня были друзья, которые болели туберкулезом, есть люди, которые умерли, я был у них на похоронах. Для меня важно, когда я куда-то уезжаю, стараться, чтобы я был там не гостем, чтобы это было полное погружение, чтобы я был частью того, что происходит. Я уезжал, допустим, в Донецкую, Луганскую или Херсонскую область, потом в Крым, договаривался с областным врачом о том, что я хочу у них снимать, – все это на личных контактах, я не работал в СМИ, у меня не было ксив, даже камеры не было, друзья заняли. Некоторые врачи посылали, а некоторые говорили: круто, молодец, что тебе надо? Мне надо было разрешение на съемку и чтобы я мог переночевать, поесть, у меня нет денег гостиницу снимать, неделю давайте поживу в этой больнице, неделю в той. Иногда снимал квартиру в том же городке, дешево выходило. С тюрьмами точно так же договаривался. Они говорили: пробей хоть какое-то разрешение, чтобы твоя фамилия была, а мы тут тебе уже покажем все, что можем.\n\n"},{"attributes":{"italic":true},"insert":"​Давайте поговорим о Майдане. Два года назад он победил. Вы осмыслили то, что произошло, спустя два года?"},{"insert":"\n\nМне кажется, я и тогда все понимал, и моя точка зрения не изменилась. Для меня то, что произошло на Майдане, – это Берлинская стена, которая пала, – она просто продолжает свое продвижение к Красной площади, меняет географическое расположение. На Майдане в центре Киева произошло противостояние между двумя абсолютно разными культурами, двумя разными пластами восприятия и мировоззрения. Это не означает, что были молодые против старого поколения. Просто одна культура – это попытка быть независимыми, попытка изменить жизнь, стать частью… – я бы не сказал частью Европы, мы понимаем, что у Украины много проблем и стать частью Европы очень сложно, – но попытаться жить самостоятельно, без навязанной точки зрения, жить, как нам нужно жить. Другая культура ностальгирует, хочет вернуть былые времена, ей неинтересно это другое будущее. Мой проект назывался “Культура конфронтации”, это противостояние двух абсолютно разных культур было в Берлине, Чехия до этого, “Солидарность” и так далее. Стена движется, и влияние России постепенно сдвигается, вот здесь и произошел такой раскол. Потому что многие люди – те, кто в возрасте, – запуганы. А молодежь, которая родилась в 1991 году, в независимой Украине, они вообще не понимали, когда им говорили, мол, мы хотим Советский Союз или бывшую империю, – они говорили: я не знаю, что это, я родился в Украине, я не понимаю, о чем вы. Для меня это противостояние абсолютно разных культур. Нельзя сказать, что одна хорошая, а другая плохая, они смотрят просто совсем в разные стороны.\n\n"},{"attributes":{"italic":true},"insert":"​Вы работали в Донбассе фактически военным корреспондентом. Как вы относитесь к тем, кто, грубо говоря, на другой стороне?"},{"insert":"\n\nПервые несколько месяцев я был на Донбассе нелегально, делал вид, будто я русский корреспондент, пока меня наши доблестные украинские СМИ не вскрыли. Я там находился с русскими ксивами как москвич, акал, бекал. Для меня было важно находиться там с людьми, которые оккупируют мою страну, с российскими флагами, я хотел все это видеть не через телевизор, а лично. Я видел, как сепаратисты, оккупанты, которые приезжали с оружием уже из Крыма, захватывают мою страну. И бывало, что киевское правительство усугубляло взрывоопасную ситуацию, чего можно было избежать. К людям, которые взяли там оружие, конечно, я отношусь негативно, потому что я сам сидел под обстрелом российской артиллерии, я потерял друзей и знакомых из-за людей с российскими флагами. У меня личные претензии, потому что захватили часть моей страны. Меня допрашивали, меня вели расстреливать, мне на голову надевали мешок, я оказывался в печальных, плачевных ситуациях. Поэтому у меня как у гражданина Украины и просто как у человека, на которого наводили автоматы эти люди, к ним большие претензии.\n\nНа самом деле вся ситуация стандартная – это повторение того, что было в Приднестровье, в Осетии, все по кругу идет. Просто жалко людей, которые поверили и вышли, увидев, что Крым так мирно присоединили, – они подумали, что их присоединят так же. Это обычные люди, у них нет даже загранпаспорта, они говорят: я в Киеве никогда не был, я в Ростов езжу на базар. У них абсолютно свой мир. В Луганской и Донецкой области с флагами “ДНР” и “ЛНР” выходили с 2005 года, и правительство в Киеве никак не реагировало на это, никто не поднимал шум. Эти флаги придумали не в 2014 году. Конечно, Россия помогла вооружением и людьми, которые это все захватывали. Но то, что люди на той территории и в Крыму были настроены против Украины, – это большая проблема 20-летней политики Украины по отношению к этим людям. Они просто не захотели жить в этой стране и помогли оккупантам и людям с оружием.\n\n"},{"attributes":{"italic":true},"insert":"​У вас был проект в Крыму о детском военно-патриотическом лагере, который тоже раскололся на проукраинскую и пророссийскую части."},{"insert":"\n\nСейчас я работаю над первым документальным фильмом, который был снят за несколько месяцев до Майдана, – именно про этот лагерь “Крым-Сичь”. Уже в этом фильме четко видно, что эта проблема не из-за Майдана, она существовала, просто Майдан был последней точкой, когда каждый должен был сказать, на чьей он стороне. Конфликт существовал, и его не гасили. Почему они там не встали на сторону Украины? Там трудяги, в шахту спустились-поднялись, многие в Киеве не были за всю свою жизнь. Вот он живет в Макеевке или в Луганске, он вообще не был никогда в Киеве. Он в этой пропаганде погряз, он не знает, что происходит. Это проблема страны, почему туда не доносили, почему не помогали. В новостях про Луганскую область вообще не вспоминали никогда, пока не началась война. Как про Северный полюс. А там уже флаги “ЛНР” были, митинги, жесткие праздники 9 мая, которые ничем не отличались от того, что сейчас, такой же бред происходил и раньше.\n\n"},{"attributes":{"italic":true},"insert":"​А что за история, когда вас на расстрел выводили?"},{"insert":"\n\nЭта в Славянске было. Я вошел настолько близко в контакт, что мог заходить в кабинет к Пономареву, такой мэр был, я знал всех, кто захватывал Краматорск и Славянск. У меня были два друга, действительно москвичи, российские корреспонденты, хорошие друзья. Они на самом деле мне жизнь спасали намного больше, чем многие украинские СМИ, из-за которых потом у меня было много проблем. Они прикрылись русскими паспортами, а я липовыми корочками, мы типа втроем москвичи, – они знали, что я не москвич, просили меня, чтобы я не полностью сливал, что происходит, потому что тогда головы всем снесут. Я постоянно выставлял фотографии в “Инстаграме”: заявление делает Аваков (министр внутренних дел Украины. – Прим.), что все блокпосты в Славянске уничтожены, Национальная гвардия полностью захватила Славянск. Украинские СМИ тогда врали так, что у меня уши заворачивались. Я ехал, снимал на телефон все блокпосты, где стоят сепаратисты, и это выставлял в “Инстаграме” – типа, чуваки, это не так. Когда украинская армия переходила на их сторону, я снимал номера БМП, все время показывал, что очень много врут украинские каналы. Так как я там был из украинцев, то украинские СМИ начали делать материалы, где какой-то журналист выходит на черном фоне и говорит: я веду спецрепортаж из Славянска. Называют мое реальное имя, фамилию, которое у меня в российских удостоверениях, и говорят: вот он нам сообщил. Начинают нести какой-то бред, показывать мои фотографии с бойцами, которых я снимаю в “Инстаграм”, начинают говорить: он нам сообщил, что они спецагенты ГРУ. Из-за этих действий меня арестовывали, выводили на расстрел, но, как оказалось потом, – просто пугали, все было холостое. Мешок на голову, 6 часов интересных разговоров, но все закончилось хорошо.\n\n"},{"attributes":{"italic":true},"insert":"​Вы наблюдали вблизи так называемое “ДНР”, у вас какое впечатление – это идейные люди?"},{"insert":"\n\nПоначалу все идейные из местного населения, потому что они хотят быть частью России, они увидели, что в Крыму произошло. А эта верхушка, что воевала, там приезжают те, кто в Чечне воевал, в Осетии воевал. “Стрелок” (Игорь Стрелков, бывший министр обороны так называемой “ДНР”. – Прим.) воевал в Боснии. Знаете, есть такие туристы военные. Они за идею, но за какую, хрен поймешь, просто, наверное, повоевать. У каждого свой “русский мир” в голове был – я не могу сказать, что это не за идею. Точно не за то, чтобы им заплатили кучу бабла. Большинство – это люди, которые приехали из России, из Крыма, с вдохновением, азартом, много местных. Но были наркоманы, алкоголики, которые за 300 рублей стояли на блокпостах, – но если видели БМП, они все бросали и уезжали. На самом деле это очень отработанная система, которую Россия использовала много раз не только в Украине, все повторяется и повторяется.\n\n"},{"attributes":{"italic":true},"insert":"​А как вы работали с “украинской” стороны?"},{"insert":"\n\nКогда я с “той” стороны снимал, я один раз попал под обстрел украинской армии и понял, что если меня убьют на Донбассе, то я умру со стороны России, буду объявлен сепаратистом, мне не очень этого хотелось. Я решил попытаться снимать со стороны украинской армии и столкнулся с колоссальным сопротивлением пресс-службы АТО, украинского правительства и всех, кого только можно. Если ты находишься на той стороне, у тебя полностью зеленый свет на все, а с нашей стороны тебе все запрещают. Ты приезжаешь куда-нибудь к бойцам, как это было в начале, бойцы говорят: да. А пресс-служба присылает за тобой и тебя увозят. Были батальоны такие, как “Донбасс”, “Айдар”, “Правый сектор”, с которыми намного проще это все решалось. В какой-то момент, когда пресс-служба опять ничего не давала снимать, я сказал Саше (фотограф Александр Гляделов. – РС), что знаю командира Семенченко, поедем в Донбасс, посмотрим, что там можно делать. Так сложилось, что мы приехали перед Иловайскими событиями (когда подразделения украинской армии попали в окружение. – РС) и вместе с ними поехали в Иловайск, проезжали через все блокпосты вместе с ними на их машинах. На блокпостах никто не знал, что мы пресса. Да и слабо можно назвать нас прессой, потому что мы нигде не работали, никто нам за это не платил, ехали сами, а потом уже как выйдет. Документировали все.\n\nНе мне судить, из-за чьих ошибок попали в окружение, как и все бойцы, ждали, надеялись. К сожалению, все закончилось плачевно для очень многих, кто там был. Нам с Сашей повезло, Сашу ранило через несколько дней после того, как мы туда зашли, не тяжело. Мы рядом были, меня не задело, ему задело ногу, я ему оказывал медицинскую помощь. Очень много было раненых, медиков было всего пара человек, они занимались, в основном, бойцами, я Саше помогал, потом его увезли вместе с ранеными. Смешная история была, у Саши, когда его увозили, все пленки, которые он сделал в Иловайске, выпали. И какой-то боец принес мне все его пленки, когда Сашу уже увезли. Я думаю: вот прикол, теперь мне нужно выбраться из “котла” с моими фотографиями, еще и с Сашиными. Мне повезло, я уехал раньше, за пару дней до того, как всех расстреляли. Нас выпустили на автобусе, обстреливали минометами, но лобового сопротивления, чтобы кто-то вышел прямо на какой-то коробочке, БМП или танке, – не было, хотя за день до нас такой же автобус расстреляли. Мне нужно было уезжать, у меня была выставка о Майдане во Франции, у меня был уже самолет, меня даже совесть мучила, что я не хотел уезжать, хотел до конца быть. Но я вынужден был ехать с бойцами, которые вывозили раненых, мы уезжали на микроавтобусе. Я помню, был парень с перебитым позвоночником, я его поддерживал, потому что на кочках мы очень сильно съехали, по нам минометом сильно шарахали. Он, помню, держал гранату в руках и говорил: “Макс, без обид, но если засада, я ее на хер взрываю”. Так мы 10 километров по красной линии ехали, три бойца были или четыре, раненые и я, выбирались оттуда. Через несколько дней много погибло парней.\n\n"},{"attributes":{"italic":true},"insert":"​Вы описывали, как вы сидели в Иловайске, потом выходили оттуда, потому что у вас самолет во Францию на выставку. Это очень сильный перепад – сидеть под бомбежкой, а потом во Франции выставка. Вы как чувствуете себя в этой вилке? Где вы больше себя ощущаете как дома?"},{"insert":"\n\nНа самом деле все было психологически сложно, хотя я не понимал это тогда. Мои друзья после этой выставки повезли на Лазурный берег, где-то в Сан-Тропе или в Ницце. Мне друг говорит: “Как ты себя чувствуешь? Пять дней назад ты был под артобстрелом”. Эти все синдромы послевоенные не чувствуются, на тот момент я не понимал, что у меня какой-то перепад. Сейчас я осознаю, что, конечно, очень нервный, психованный был, очень сильно сказывается. Где я себя лучше чувствую? Мне кажется, я себя лучше чувствую в своей жизни, моя жизнь там, где я нахожусь. Я знаю многих фотографов, которые, уезжая с войны, не могут нормально жить мирной жизнью, возвращаются на войну. Я к таким не отношусь, потому что мне есть чем заняться и на гражданке. Я не считаю себя военным фотографом. Я был на войне, потому что я захотел там побывать. Не потому, что я репортер, который должен это снимать. Это произошло в моей стране, это история моей страны, я начал ее снимать с Майдана, я был в Крыму, потом я был на Донбассе, изначально принципиально поехал на ту сторону. Для меня это моя история, я был со всех сторон. Это мой опыт. Сейчас я туда не возвращаюсь, потому что я не понимаю, что я буду там делать. Я там был в тот момент, я себя чувствовал комфортно, когда я был там, сейчас я себя чувствую комфортно не на войне.\n\n"},{"attributes":{"italic":true},"insert":"​Вы снимали на Майдане, вы снимали украинских солдат на войне, это часто сильное воодушевление, движение духа. Трагические события были на Майдане и на войне, но без сомнения, в этом было что-то возвышающее. У вас сейчас ощущение, что это прошло, ушло куда-то, это воодушевление людей, которые меняли Украину, отстаивали ее?"},{"insert":"\n\nВсе это вдохновение должно подпитываться чем-то, на самом деле оно сейчас держится на энтузиастах, но это не благодаря, а вопреки тому, что происходит. К сожалению, то, за что вышли люди, произошло в очень минимальном процентном соотношении по отношению к тому, что хотелось бы. Во власти осталось много старых людей, система не очень изменилась. Старая система другими способами пытается . Старой системой я называю не систему Януковича: система Порошенко, система Тимошенко, система всех политиков, которые были тогда, – они ничем не отличаются. Новая власть в виде новых людей, которые пришли после Майдана, – это очень малое процентное соотношение, мы бы хотели, чтобы все произошло намного быстрее. К сожалению, теперь нам остается надеяться на то, что постепенно молодая кровь будет вытеснять старую. Но старая система очень борется, есть очень большое сопротивление, и это очень тяжело. У меня много знакомых, которые ушли из бизнеса, пошли в политику или в министерство какое-то, у них были очень хорошие зарплаты, а там им дали зарплату пять тысяч гривен, 200 долларов. Они два года работают, говорят: у меня все сбережения закончились. Я работаю, я депутат, в министерстве, и у меня нет денег. И им говорят: мы все ждем, пока вы устанете, уйдете, мы дальше будет опять делать, что делали. К сожалению, сейчас единственный шаг – это медленно, постепенно молодая свежая кровь должна вытеснять этот старый режим. Флаги поменялись, а мировоззрение наверху у людей не поменялось. Я не говорю про всех, я считаю, что одна треть, хотя бы одна треть – это люди, которые пытаются изменить страну. Но существуют две трети, которые не хотят ничего менять, они не приспособлены к новому европейскому государству. Все бы хотели, чтобы они собрались со своими деньгами и куда-нибудь укатили, чтобы молодое поколение, интеллигенция вела бы страну в какие-то новые времена. Многие люди возвращались из Европы сюда, чтобы что-то изменить, но я знаю сейчас тенденцию – они уезжают, потому что разочарованы, что ничего не изменилось.\n\n"},{"attributes":{"italic":true},"insert":"Я хочу вернуться к тому, с чего вы начали, к этому движению стены. Стена, которая рухнула в Берлине, на Майдане ее частично обрушили, и она…"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Сдвинулась в Донбасс."},{"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Движется на восток. Я хотел вас спросить, как вы относитесь к России, чем это движение стены, с вашей точки зрения, закончится?"},{"insert":"\n\nЭто очень сложный вопрос, потому что у меня в России есть много друзей, с которыми у нас очень хорошие отношения. До всего, что случилось, я часто приезжал в Россию, был в Москве. Это больше похоже на помешательство. Я отношусь хорошо к людям, которых знаю в России, а к общей массе у меня плохое отношение, потому что они поддерживают то, что делает их правительство. Они молчат, боятся, не хотят ничего говорить. У меня, наверное, больше не ненависть, а разочарование или непонимание, как можно не видеть, что происходит. Потому что ощущение, что это возвращение назад, полностью в Советский Союз, и люди счастливы от того, что это происходит. Люди довольны, люди поддерживают войну, люди максимально разжигают ненависть – все эти лозунги, призывы и то, как они реагировали, говорило о том, что проблема не в Майдане. Стоило только назвать украинцев фашистами, сразу же большая часть населения России это поддержала. Это говорит о том, что эта мысль в голове культивировалась, Малороссия, все остальное – было уже в головах, это не могло появиться за одну неделю. Отношение истинное… Мне кажется, большая проблема россиян – это империализм, они хотят вернуть свою империю, свое влияние на соседние государства. Они не могут найти ничего другого, как сделать это силой, и в этом именно моя претензия к России. Они убивают мой народ. Как можно рассказать детям, у которых стоят дома фотографии их родителей, отцов, которые были убиты людьми с российскими флагами, что это наша братская страна? Та война, которая произошла, уже нас разделила. На самом деле это за год, за два, даже за пять, за десять лет – не разрешится, потому что эта война затронула каждого. У каждого кто-то из знакомых погиб, или пришел раненый, или был на фронте, или он был там сам. На самом деле это глобальная проблема, потому что люди потеряли близких. И с той стороны та же ситуация.\n\n"},{"attributes":{"italic":true},"insert":"​А про стену?"},{"insert":"\n\nТак получилось, что в Украине сейчас процентное соотношение людей – еще до Майдана было – немного другое, они хотят другой жизни, не хотят возвращаться в ту жизнь с Советским Союзом, в те времена. А на Донбассе – люди, которые отстаивают это. Стена – это граница империализма, она сдвигается. Это просто геополитическое влияние. Сейчас Россия не имеет такого влияния на Украину – на ту часть Украины, которая контролируется украинской армией, украинским правительством, – как она влияла до Майдана. Эта стена – влияние России на соседние государства, влияние на умы. Потому что когда человек перестает смотреть только российское телевидение, только российские новости, то он начинает иметь другую точку зрения. Мы все думаем, что у нас у всех есть свобода, мы можем зайти в интернет, все увидеть, все почитать, но большинство людей, что в России, что в Украине, включают телевизор и смотрят то, что там показывают, слушают, читают газеты, общаются. Когда я был в Крыму и в Донбассе, то порой доходило до смешного, люди рассказывают такие сказки. Я был свидетелем какой-то ситуации, а люди через час уже все настолько перевирали и в это верили, какой-то “Правый сектор”, который кому-то отрезал голову, сидит где-то в погребе. В чем Россия хороша, так это в информационной войне. На самом деле вся война России в Украине началась благодаря СМИ. У меня иногда много вопросов к СМИ, потому что люди верят.\n\n"},{"attributes":{"link":"https://www.svoboda.org/a/27564707.html"},"insert":"Link"},{"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:12:46Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"0e2a5ff8-764f-4440-9481-5afe98520ac6","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:28:44Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:30:55Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-87","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:29:02Z","title":"Untitled 84","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Talktome"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Philip Dotsenko"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"russian, 2016"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-84","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Максим Дондюк"},{"insert":"\n\nTalktome разносторонне интересуется искусством, и искусство фотографии для нас является одним из самых впечатляющих и насыщенных. \nМы поговорили с Максимом Дондюком — фотографом, чьи проекты и принты — это нечто большее, чем просто фиксирование отдельных моментов. \n\n"},{"attributes":{"italic":true},"insert":"Привет. Рад, что получилось тебя настигнуть перед очередным путешествием. Далеко уезжаешь?"},{"insert":"\n\nВ Грузию. На фестиваль KOLGA TBILISI PHOTO, там будет выставка победителей и финалистов конкурса. Пока еще непонятно, кто победил. Все это будет длиться дней 5, а потом еще остаемся на пару недель – мы никогда не были в Грузии, а тут такая возможность.\n\n"},{"attributes":{"italic":true},"insert":"А «мы» — это…?"},{"insert":"\n\nЯ с Ирой – это моя невеста, она же и является моим артист-менеджером. В последний год она занимается вопросами по переписке, логистике, продаже принтов. В общем, она взяла на себя тяжелый удар. Я занимаюсь творчеством, она занимается бизнесом. Я очень не люблю онлайн общение – это выбивает меня из колеи, мне хочется больше натуральной жизни.\n\n"},{"attributes":{"italic":true},"insert":"Может ли художник сочетать в себе два этих мира – творчество и бизнес?"},{"insert":"\n\nЯ сочетал до того, как встретил Иру, и это было очень тяжело.\n\n"},{"attributes":{"italic":true},"insert":"Другого выхода просто не было?"},{"insert":"\n\nДругого выхода просто не существует. В идеале, мы все равно сейчас ищем известного куратора или известную галерею, если мы говорим о работе в documentaryart, когда автор настроен на презентацию своих работ в галерейном и музейном пространстве. Маленькие галереи, которые на нас выходили, меня не устраивают, потому что этот объем работы мы и сами тянем, а с крупными галереями все сложно –туда не зовут кого попало, как и в крупные коллективы, вроде Magnum, которые зарабатывают больше на продаже принтов. Нужно работать и работать. В последний год я радикально изменил свой вектор – работа с журналами и медиа ушла на второй план. Я работаю только с проверенными людьми и с проверенными изданиями, с интересными изданиями и хорошими гонорарами, но абсолютно не делаю на это упор. Пытаюсь зарабатывать от продажи фотографии коллекционерам.\n\n"},{"attributes":{"italic":true},"insert":"Такая модель заработка невозможна в Украине?"},{"insert":"\n\nВообще невозможна. Продажа фотографий может и есть, но тот уровень цен, за которые я продаю в Европе, отличается от уровня цен в Украине. Здесь человек подойдет и будет спрашивать у меня: почему твоя работа стоит такую-то сумму?\n\n"},{"attributes":{"italic":true},"insert":"Нужно объяснять, чем уникальна фотография?"},{"insert":"\n\nДа. В Европе человек подходит и не спрашивает, почему она столько стоит. Он интересуется типом бумаги, на чем была напечатана, в каком принтхаусе она была напечатана, какой лимит, какие размеры. Покупатель понимает, что лимитированные принты – это уникальные вещи и уважающий себя коллекционер не будет покупать не «limitededition». Но это мир, который существует там, а в Украине документальная фотография не относится к искусству вообще. Меня тут кем угодно могут считать — и репортером, и документалистом, но точно не человеком, который зарабатывает на продаже принтов.\n\n"},{"attributes":{"italic":true},"insert":"А кем ты себя ощущаешь, в первую очередь?"},{"insert":"\n\nЯ себя ощущаю документалистом, но в тоже время я, как это называют в Европе, visualartist. То бишь, мне не интересна фотография в плане «что? где? когда?», мне не интересна просто хроника. Мне не интересно рассказывать просто историю, хотя это идет вразрез с идеологией документальной фотографии. Меня больше интересует личная интерпретация автора, его наблюдения и фотография, пропущенная через его сознание и мироощущение.\n\n"},{"attributes":{"italic":true},"insert":"То есть, ты не снимаешь репортаж?"},{"insert":"\n\nЯ начинал как репортер. Но сейчас я больше отстраняюсь от этого. Есть фотожурналисты, которых я уважаю, но большая часть из них мне не интересны.\n\n"},{"attributes":{"italic":true},"insert":"Почему?"},{"insert":"\n\nИз-за идеологии, которую они ведут. Нужно быть честным и говорить честно, а не снимать все с одной стороны.\n\n"},{"attributes":{"italic":true},"insert":"Это касается, в основном, военной фотографии?"},{"insert":"\n\nВ том числе. Я не считаю, что военная фотография останавливает войну, она ее пропагандирует. Я раньше считал, что военная фотография может изменить что-то, а сейчас мне интереснее являться человеком искусства, который работает в документальном жанре и выставлять работы в музее или галерее, а не печататься в журналах, ведь там у меня совсем другая свобода – другой формат фотографий, правильный свет, на правильной бумаге.\n\n"},{"attributes":{"italic":true},"insert":"Но ты снимал войну (военный конфликт на Донбассе – прим. ред.), причем с обеих сторон…"},{"insert":"\n\nДа, да. В данном случае это был очень важный experience. С двух сторон я научился снимать еще когда туберкулез делал (фотопроект об эпидемии туберкулеза в Украине – прим. ред.). Снимая с одной стороны, очень сложно понять, что происходит. Ты становишься очень близок к одной из сторон, начинаешь ей доверять и кажется, что она говорит только правду. Как у меня было с больными туберкулезом, которые говорили, как все печально, как все плохо, что нужны деньги, а ты идешь к врачу и узнаешь, что герой кого-то изнасиловал или убил. И весы восприятия сразу стабилизируются. Так же мне было важно быть на Майдане с двух сторон, и в Крым поехать, и на Донбассе была возможность сначала как московский журналист работать, а потом с украинской армией снимать.\n\n"},{"attributes":{"italic":true},"insert":"Скажи, из интернета ты тоже стараешься уходить?"},{"insert":"\n\nДа вообще ушел. Есть друзья близкие, с которыми я общаюсь, и они знают, чем я занимаюсь. А остальные вообще, наверное, не понимают, что со мной происходит. Для меня перестало быть значимым, чтоб другие люди знали, чем я занимаюсь, или оставаться в поле зрения. Люди, которые покупают работы, не в интернете меня находят. Если у тебя нет выставки в музее или галерее, то они тебя не найдут.\n\n"},{"attributes":{"italic":true},"insert":"Новостная фотография тебе тоже не интересна?"},{"insert":"\n\nДа. Она стала мне безразлична. Даже когда в Париже был теракт, то я отказывался от съемок.\n\n"},{"attributes":{"italic":true},"insert":"Ты считаешь, что какие-то кадры лучше оставить неснятыми?"},{"insert":"\n\nЯ снимаю все, что происходит, все, что я могу и хочу снимать. Но, может быть, часть вещей нельзя показывать.\n\n"},{"attributes":{"italic":true},"insert":"Ты можешь дать определение хорошей фотографии?"},{"insert":"\n\nСложно сказать. Это же не спорт, где соревнуются «кто выше прыгнет». Когда меня попросили отобрать десять лучших своих фотографий, я не смог этого сделать. Они все разные, у них у всех разные истории. Что значит лучшие? Визуально хорошие или эмоции, которые я переживал в тот момент, или что случилось позже? Я понял, что я не могу выделить вообще ни одной своей фотографии. В каждой моей фотографии часть моей души и часть того, что останется после меня. Со временем у человека вырабатывается визуальный вкус и становится легче отличить хорошую фотографию от плохой. Но все равно это какой-то стандарт, ведь когда мы смотрим на фотографию, наш разум работает как компьютер, и многих вещей может просто не осознавать, а фотография может быть шедевром в данный момент. Разум может этого не понимать, но человек это почувствует.\n\n"},{"attributes":{"italic":true},"insert":"Твои стандарты к хорошей фотографии сильно изменились с начала карьеры?"},{"insert":"\n\nМое сознание меняется очень быстро. То, что год назад было для меня идеалом, сейчас находится на противоположной стороне. Я сам меняюсь, и меняется мой подход к творчеству. Именно поэтому я не хочу вести группы учеников и читать какие-то глубокие лекции, мне интереснее рассказывать о своем пути.\n\n"},{"attributes":{"italic":true},"insert":"В одном из своих интервью ты рассказывал, что во время выступления перед студентами-фотографами, один из учеников показал тебе свои работы до и после поступления в университет. Те, что были сделаны «до», оказались живее сделанных «после». Как ты тогда сказал, парня просто научили зарабатывать деньги. Ты на себе эти шаблоны чувствуешь?"},{"insert":"\n\nМожет мне кажется, но я избавился от влияния очень многих факторов. До этого я воспитывался здесь всевозможными фотографами, своим кругом общения, которые навязывал мне свое мнение, определенное мышление. Это все делает нас узниками сознания, потому что творческий человек может делать все, что захочет и не важно, кто что скажет. Упала планка важности «что про тебя скажут, что про тебя подумают». Иногда тебе навязывают какую-то точку зрения, с которой ты соглашаешься, но чувствуешь дискомфорт внутри. Потому что так надо, так сказали наставники. Я сейчас живу по другим принципам – если я чего-то внутри чувствую, что хочу это делать, а разум говорит, что это катастрофа и полный абсурд, то разуму я говорю гудбай. Разум всегда говорит только о плохом, но если посмотреть на мое развитие в фотографии, то это все иррациональные действия, которые я никак не предсказывал.\n\n"},{"attributes":{"italic":true},"insert":"Ну да. Туберкулез ты снимал совершенно без денег. Не было желания плюнуть и уйти в студию или снимать свадьбы?"},{"insert":"\n\nНу… Наверное, привычка еще со службы на флоте – рубить концы, называется. Это означает, что ты не можешь пристать к причалу. Есть вещи, которые мне не нравятся, они как адамово яблоко – соблазняют меня. В тот момент я четко и агрессивно давал понять, что свадьбы я снимать не буду. Тогда я оставил для себя два варианта заработать: либо получить публикации, либо выиграть на конкурсе. Все остальные варианты были отрублены полностью. Но ничего не дается легко.\n\n"},{"attributes":{"italic":true},"insert":"Тебя поддерживал хоть кто-то? Может, родители?"},{"insert":"\n\nНет (смеется). Сложный вопрос. С родителями у меня непростые отношения, я с ними давно не живу, и они не вмешиваются в мою жизнь. У меня тогда появились новые друзья, которые мне помогали. Саша Гляделов много помогал – давал советы, познакомил меня с врачом, когда я думал, что заболею.\n\n"},{"attributes":{"italic":true},"insert":"Этот проект изменил твою жизнь?"},{"insert":"\n\nДа, произошла полная переоценка ценностей. Мне было тяжело приезжать в Киев и общаться с друзьями, которые рассказывали о своих проблемах – у одного украли телефон, у другого ушла девушка. А я знаю человека, принявшего то, что завтра или послезавтра он умрет. И он счастлив – выходит на улицу, дышит воздухом.\n\n"},{"attributes":{"italic":true},"insert":"А что, по-твоему, счастье?"},{"insert":"\n\nШикарное чувство, когда ты свободен и никому ничего не должен – ни объяснять, ни доказывать, ни рассказывать. Нет этого чувства долга. Я вообще против понятия коллективного счастья, когда всем хорошо. Есть мое личное счастье и счастье близких мне людей. А вот это «я должен» – это какая-то навязанная обществом идея. Для того чтоб избавиться от этого влияния, ты должен снизить свою важность и просто жить в свое удовольствие. Найти равновесие.\n\n"},{"attributes":{"italic":true},"insert":"А ты это равновесие нашел? Ты счастлив?"},{"insert":"\n\nДа. Я сейчас вообще в каком-то раю нахожусь. Хотя, это скорее навязано сознанием. Думаю, раньше моя жизнь была ничуть не хуже, просто я по-другому смотрю на одни и те же вещи. Думаю, фотография и есть моя философия – она меня меняет, я развиваюсь вместе с ней.\n\n"},{"attributes":{"italic":true},"insert":"А каким ты был до фотографии?"},{"insert":"\n\nДумаю, это лучше спросить у кого-то другого. Наверное, был более резким, критичным, самоуверенным. Я и сейчас такой, но мне не нужно ничего доказывать. Я понял, что если я хочу, чтоб люди воспринимали меня таким, какой я есть, то и мне нужно воспринимать людей такими, какие они есть, и не пытаться их изменить и особенно указывать им на их недостатки. Просто, наверное, постарел.\n\n"},{"attributes":{"italic":true},"insert":"Ритм жизни тоже стал более размеренным?"},{"insert":"\n\nТемп жизни у меня идет скачками. Но раньше я бежал и куда-то опаздывал. Вся моя жизнь заключалась в том, чтоб что-то успеть. А сейчас у меня больше времени – я успеваю заниматься собой, ходить в спортзал, читать книги, встречаться с друзьями, работать и не зацикливаюсь на том, чтобы кому-то что-то доказывать. При этом жизнь стала более ритмичной, но чувствую я себя увереннее и спокойнее. Это как взять пилота Формулы-1 – он спокоен, сосредоточен, он контролирует ситуацию, у него нет паники, но при этом скорость у него безумная. И в этом сейчас вся моя жизнь.\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:09:55Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e071aa70-2e0d-47d8-bbbc-edf99c4310ea","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:27:18Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:29:02Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-84","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:28:31Z","title":"Untitled 82","do_not_index":false,"cta_url":"https://www.mologue.de/de/ausgabe/maxim-dondyuk/","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.mologue.de/de/ausgabe/maxim-dondyuk/"},"insert":"MOLOGUE"},{"insert":"\nInterview by "},{"attributes":{"italic":true},"insert":"Johannes Brümmer"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-82","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Maxim Dondyuk"},{"insert":"\n\nHow and when did you come up with the idea of working in photography?\nI came to a photography professionally at the third try. The first experience I had when I was 5, with my mother, who was enthusiast, I used to watch how she processed family photos in a darkroom. Later I was given my first soviet camera SMENA, and started doing my own photos. After the collapse of the Soviet Union to buy and process film became more difficult and expensive, so my mother stopped doing it and me too. The second try was at the age of 12, than I joined the photo club, began shooting film and processing photos myself. But my enthusiasm didn’t last long. The third time I came back to photography was at the age of 24. I had a routine job, which I went every day, year after year, time flew quickly and nothing changed in my life. I understood that I need some hobby. I became interested in photography. All my free time I studied photography, read all kinds of literature and practiced. It allowed me to travel around the region I lived at that moment, after I started travel around the country. With the help of photography I can live the live of any person, to be present during different events and to empathize with them. My professional career began in Ukrainian media as a photojournalist in 2007. Since 2010 I’m a freelancer, work on creating and promoting my own documentary projects. Photography it’s my personal visual diary. It’s not a hobby or work for me, photography it’s my philosophy and religion. I don’t believe in God, but photography helps me to discover and understand this world.\n\n"},{"attributes":{"italic":true},"insert":"What equipment do you use?"},{"insert":"\n\nEverything is quite simple, starting from 2015 I use Nikon D810, before I had Nikon D3s, which I won at the contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object. It is very close distance, you began to feel the same emotions, fear, happiness, sadness. When people look at such photos, they also feel emotions of your character. I also have 50mm film lens, but it’s more like emergency lens, as it happened that 35mm broke or in case I need to make some portraits for the magazines. I don’t like artificial light and don’t use flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\n"},{"attributes":{"italic":true},"insert":"Where do you get your creative inspiration from?"},{"insert":"\n\nMostly I’m influenced not by photographers but by writers and painters. Each time I come to a new country, I visit museums, galleries. I love paintings of artists who worked in realism. They painted such important battle scenes and historical moments but never forgot about aesthetic side. Their paintings are very beautiful.\n\n"},{"attributes":{"italic":true},"insert":"How would you define your own photographic style?"},{"insert":"\n\nI’m a documentary photographer. But emotions and visual language are more important than facts (what, where, when?). I feel myself more like an artist than a photojournalist. What, from your point of view, are the major challenges in photography? I work a lot with international magazines and know that in this sphere there is a big problems now. They already don’t have such budgets as some years ago, and mostly really good stories were shoot by photographers independently, without assignments. But if to talk about contemporary photography, I think in this field everything is more than good, and it has great perspectives.\n\n"},{"attributes":{"italic":true},"insert":"Can you describe your workflow for „culture of confrontation“?"},{"insert":"\n\nIn mid 2013, because of a number of reasons, I seriously thought about documentary films. It seemed to me that they tell socially relevant stories much better than photography. I decided to make a documentary film about one of my projects about the Crimea Sich. In summer 2013 I with my brother, went to the Crimea Mountains, spending the last money for the equipment. It was an attempt to find answers to the questions that griped my mind. After I was selected to a grand for directors of documentary films, it was held by an American Documentary Film Festival in Ukraine. During that period began Euromaidan in Ukraine. Prior to December 1, 2013 I couldn’t understand whether I need to continue working on my film, or to go to Maidan with a camera. I also didn’t know what I want to do at Maidan, to shoot video or photo. So at the beginning I just watched, analyzed, tried to find the answers. But, suddenly, I was given the second photographic breath and understood that I looked at Maidan through associative images, which contains the second associative level. I wasn’t trying to show what was happening as a photojournalist. With my photos, I wanted to awake people’s strongest associations and emotions, wanted them to see what I saw. For me it wasn’t a revolution at the Independence Square, in front of me opened battle scenes from legends and fairy tales. During clashes between police and protesters, I felt myself like in a parallel, fictional world. It was a battle between good and evil, light and shadow, fire and frost. On the revolutionary canvas creepy bloody scenes interwove with incredibly beautiful, from visually side, views. The line between reality and fiction had gone. I understood that photography for me isn’t just the way to tell the story, but also a visual image that holds emotions, allows the viewer to interpret the reality and think about important life questions.\n\n"},{"attributes":{"italic":true},"insert":"Why do you take this pictures (culture of confrontation)?"},{"insert":"\n\nI began to shoot for the reason that it happened in my country, in the city where I live. At some point I realized that it touches me personally, and this is a historic moment in my country.\n\n"},{"attributes":{"link":"https://www.mologue.de/de/ausgabe/maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:07:43Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"dcea79e4-ba64-4aee-b658-065d376737f5","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:17:59Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:28:31Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-82","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","tag_ids":[],"order_date":"2019-08-11T14:55:27Z","title":"Untitled 186","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6c493860-a519-427c-89d2-1c2127c407b5","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":"","description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","filesize":33936,"height":1335,"hidden":false,"id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","inserted_at":"2019-08-11T14:54:41Z","name":"","orientation":"Landscape","original_filename":"WARUKRAINE.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-11T14:54:41Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"warchive/20140406/untitled-186","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-08-11T14:55:27Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e2237fe0-b5a7-4595-82d0-c7182a80b54b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","description_content_html":"","slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-08-11T14:55:31Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-08-11T14:55:27Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-186","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T10:08:41Z","title":"Untitled 83","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Divis.info"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Valeria Dubova"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"ukrainian, 2016"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-83","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Український військовий фотограф: чому українці неправильно бачать війну"},{"insert":"\n\nМаксим Дондюк – український фотограф-документаліст. Знімав проект, присвячений людям із туберкульозом, робив фото з війни на Донбасі для закордонних агенцій. Працював для ЗМІ США, Польщі, Німеччини, Фінляндії тощо. Один із авторів виставки «Забуті світом», яка експонується цими днями у львівському Палаці мистецтв.\n\n"},{"attributes":{"italic":true},"insert":"Що Ви думаєте щодо негативної реакції частини відвідувачів на виставку?"},{"insert":"\n\nУ мене було відчуття віддзеркалення Донецька, просто інший бік дзеркала, де люди неспроможні сприймати не те, щоб іншу сторону, а взагалі бачать лише свою позицію, лише біле або лише чорне. І це дуже-дуже сумно, тому що демократична країна будується зовсім іншим шляхом.\nЯ і полякам казав: ви повинні розуміти, що ви проведете виставку, а тут люди, яких торкнулась ця трагедія, це війна! І от прийдуть на виставку ті, в кого загинули близькі, а ви показуєте прапори «ДНР», Росії… Вони зробили ризикований хід, що зробили виставку тут. Якби привезли її у Київ, це було би трохи інша реакція.\nА тут дійсно віддзеркалення того, що є там. Там гіперболізована любов до «совка», а тут – прагнення бути незалежними. І зараз знову окупаційна війна, тож це болюча тема. Але ж Росія не вторглася у Львів, Росія вторглася в Донецьк і люди у Львові мають зрозуміти, що там люди трохи інакше міркують, ніж тут.\nДля цього треба відсторонитись і подивитись на це інакше. Але для організаторів це теж досвід. Бо вони там в Польщі думають, що тут всі демократичні, що всі розуміють, що і як. А от приїхали і побачили, як є. Я думав про те, аби зняти всі підписи на виставці, але організатори ж європейці, для них це шок, вони вважають це цензурою.\nЯ був і тут, і там, тож трохи з різних боків усе бачив. Але я не знаю, як би я поводився, якби мешкав тут, у Львові постійно і якби у мене забрали брата, сина, родича, і якби він там загинув від рук російських окупантів. І що б я тоді казав?\n\n"},{"attributes":{"italic":true},"insert":"Мене якраз виставка і здивувала тим, що вона про різні боки конфлікту. Відчувається, що вона робилась для зовнішнього глядача, для європейського, який хоче відсторонитись і зрозуміти суть. Як думаєте, а тут це можливо?"},{"insert":"\n\nВарто розуміти, що організатори не українці і не росіяни, вони поляки і вони щиро співпереживають. І для них, як і для іншого світу, важливо дивитись, що трапилось дійсно, а не лише з одного боку.\nЯк мені здається, тут би хотіли побачити лише поховання українських військових, тільки зруйнування, спричинені російською артилерією. Але ж ми всі розуміємо, що якщо хтось думає, що війна це тільки шкода з одної сторони, то це абсурд\nВійна – це дуже велика біда для людей, котрі там мешкають. Вона чілпяє кожну людину і з одного, і з іншого боку. Але війна рано чи пізно скінчиться. Ми маємо розуміти, що ми мешкаємо в одній країні і не пройде таке, що ми туди прийдемо, всім скажемо: вдягайте вишиванки, розмовляйте українською. Треба шукати компроміси. Я це дуже добре розумію, хоч я втратив на цій війні багато друзів та знайомих, це і моя особиста війна, особиста трагедія. Але я був і по цей, і по той бік…\nХочу ще наголосити, що саме «завдяки» українській владі та українській прес-службі в зоні АТО ми бачимо так багато картинок по той бік (на окупованій частині території, – ред.). Тому що вони (прес-центр АТО, – ред.) не давали дозволу знімати.\nІ коли я був кілька місяців з того боку під «прикриттям» російської прес-карти, поки мене не «викрили» українські ЗМІ, то мені давали дозвіл знімати все. Все, що я хотів. Бо російська пропаганда знає силу медіа, вона розуміє, що треба пускати медіа. І закордонні журналісти там мали змогу знімати все. А коли я почав знімати з української сторони, то я вже проїжджав на лінію фронту як військовий, на якихось броньовиках, з військовими, з якими домовлявся сам, бо прес-служба АТО возила всіх по одних і тих же блок-постах і показувала добру і гарну картинку.\nАле у той же час були насправді місця, де військові по три місяці жили в окопах, їли тушонку, не маючи жодної гарячої їжі, тобто, трагічна ситуація була. Але влада не хотіла цього показувати!\nНі закордонні, ні українські медіа не допускались. І лише певні окремі журналісти, яким було важливо туди потрапити, самі влаштовували собі ці поїздки, самі домовлялись про все з волонтерами чи батальйонами, чи військовими… І я з кількома фотографами був в Іловайському котлі. І в нас залишились фотографії, завдяки яким люди можуть бачити, що там було. Але є така трагедія як Савур Могила, звідки немає жодної фотографії, ми навіть не знаємо і не бачимо обличь цих наших героїв. І це тому, що нікого не хотіли туди пускати.\nА закордонні журналісти приїжджають, їм треба це якось показувати, а тут їм не дають, не пускають, показують якусь фігню… Вони думають, що журналісти, котрі вже по 20 років працюють на війні, поведуться на блок-пости оці випещені, де все добре? Вони їдуть на той бік, де їм кажуть «знімайте все», їдьте в морг, на передову, куди хочете: «Ти сам за себе відповідаєш, а якщо загинеш – то твоя справа». А з нашого боку це було можливим тільки з батальйонами і тільки завдяки ним.\nЯ так потрапив в Іловайський котел із батальйоном «Донбас». Я поїхав туди власним коштом, просто зі мною була камера. І от хлопці кажуть: «Ти ж розумієш, що ми вже в оточенні, і виїжджати ти будеш уже з нами». І так і вийшло, що на цій виставці я один, хто був ще з українського боку фронту. Звісно, тут представлена дуже маленька частина того, що у мене є. Але, власне, так і сталось, що світ бачить цю війну крізь трагедію та страждання тієї сторони, бо наша сторона дуже і дуже не хоче показувати, що дійсно відбувається.\n\n"},{"attributes":{"italic":true},"insert":"А як довго Ви там були?"},{"insert":"\n\nЯ 1 грудня вийшов на Майдан. Я три місяці був на Майдані під час усіх активних фаз, далі – Крим. Був десь місяць у Криму до «референдуму», коли анексія почалась. І коли почались події на Донбасі, окупація… Хоча це ж треба розуміти, що якби на Майдані дали б всім автомати, почалась би війна. Є збурені люди, котрі хочуть якихось змін. І якби їм дали не бруківку, а автомат, також почались би те саме. Але туди приїхали росіяни, дали зброю, було декілька спецзагонів, які координували це.\nІ з нашого боку ж теж масла у вогонь підливали. Тож потім я там був аж до Іловайського котла. Потім я виїхав… і ще в грудні повертався уже з «Червоним Хрестом», їздив по зруйнованих містах з нашого боку. І з 2015 року я вирішив для себе, що не хочу туди повертатись, я вже не розумів для себе, що я там буду робити.\n\n"},{"attributes":{"italic":true},"insert":"А чому? Війна ж продовжується…"},{"insert":"\n\nКоли ти розумієш, що можеш сьогодні загинути, але водночас ти робиш важливу справу, то це одна річ. А коли ти повинен постійно сперечатись з якоюсь там владою, військовими, домовлятись… До того ж я просто «видохся» за цей рік. І за той час я багато працював зі світовими медіа, з українськими я зовсім не працюю, бо виникло багато розчарувань. І я зрозумів, що мені потрібна перерва.\nНасправді, коли був Іловайськ, це дійсно було трагічно, бо нам по радіо чи телефону казали, що там парад готують, що міністр приймає нову зірку, а тут у хлопців 4 чи 5 БМП («бойова машина піхоти», – ред.), а на нас танк приїжджає прямою наводкою б’є…\nІ жодного танку в нас нема, зв’язку нема, хлопці самі в кредит брали рації, щоб якось орієнтуватись у цих коробках. І є дуже багато є питань і ці всі трагічні програші, це програш не нашої армії мужньої, а нашої влади, яка, на жаль, себе не виправдала\nІ от за рік ти розумієш, що прес-служба робить усе, аби ти нічого не зняв, що українські медіа дуже часто цікавить тільки одна сторона, яка показує лише одну правду, а іншої правди бути не може, що інша правда – це проросійська пропаганда… Багато військових повертаються туди, бо тут у них немає іншого життя, бо ними ніхто не займається, держава ними не займається. Влада зовсім не розуміє, що люди, котрі були на війні, іншою мірою все вимірюють і їх треба до чогось долучатись, їм треба допомагати. І зламана душа, бо вона ж дійсно зламана, бо, коли ти бачиш як люди гинуть, як твої друзі гинуть, а сюди приїздиш, то тут дуже тяжко. І це проблема країни, а не тільки їх самих.\nВони там герої були, захищали країну, а тут приїжджають, не можуть вирішити якісь проблеми, їм ніхто не допомагає, то починаються різні неприємні речі… У мене відчуття, що у владі взагалі не розуміють того. І, не дай Бог нам третього Майдану. Бо перший був «лайт», революція у 2013 була така «мідіум», а «хардкор» буде наступний, бо будуть військові, для них стріляти – це вже нормально. І всі ми розуміємо, що зараз в Україні багато незареєстрованої зброї і, якщо почнеться хвиля, а влада потроху до цього йде, не знаю, зо може початись…\nАле є й позитивні зрушення, бо частково військові потрапили і в нормальні ситуації, наприклад, помічниками депутатів абощо, тож якийсь дрібний відсоток присутній і у владі. І я дуже сподіваюсь, що це розумні люди, сподіваюсь, що вони все ж будуть розуміти, що єдині, кому ми можемо довіряти – це фронтовикам, тим, хто допомагав цим людям.\nМи можемо Донбас повернути, але силою, якщо й вийде, то просто патріотизм там буде інший, бо там лишились люди, які постраждали, зокрема, і від нашої армії. Так трапилось…\nБудь-яка людина, що вміє думати, розуміє, що там можна було це все на початку ще згладити, що можна було зробити це все не так криваво, що просто хтось (навіть не з того боку, не з Росії) дуже-дуже хотів, що у нас почалась кривава м’ясорубка. І що влада може заробляти на війні, і що там ми втратили дуже багато патріотів, які могли би змінити країну, але пішли на фронт і загинули. Бо ж 2014 рік це була дійсно м’ясорубка, бійці просто в маршрутках заїжджали на фронт проти танків.\nЯк було на Майдані, коли снайпери стріляли в людей, які захищались якимись алюмінієвими щитами, то на сході 2014 року було те ж саме, але не сотні – тисячі. І коли з Іловайська виходили, то російська армія мала зв’язок і все, що треба, а у нас… Ми коли там були, то хлопці дзвонили по мобільному і наводили артилеристів, але ж ті все прослуховують, захотіли – заглушили мобільний зв’язок нашим – просто халепа. А люди воювали на патріотизмі. Я досі не розумію, як Муженко не те, що служить, як його не заарештували досі.\n\n"},{"attributes":{"italic":true},"insert":"Ваші світлини, представлені на виставці, дуже тяжкі. Як, власне, і більшість світлин на виставці. З людської саме позиції, наскільки важко так працювати – знімати смерть, похорон, травми…"},{"insert":"\n\nКожен документаліст, який працює з такими темами, шукає власні шляхи, як це подолати. Ще до війни я працював з тяжкими темами у документалістиці і багато бачив трагічних подій. Це важко, але я думаю, що мені легше, аніж людині, яка того не бачить. Контакт з постійною трагедією, смертю, змінює людину, відбувається переоцінка цінностей.\n\n"},{"attributes":{"italic":true},"insert":"Якщо знову до виставки. То чи така подача на часі? Бо війна досі є…"},{"insert":"\n\nЯ вважаю, що є культурна еліта, яка розуміє все, яка проти війни і розуміє, що ненависть породжує далі війну, помсту і тому подібне. Напевно, якщо привезти до Одеси виставку, реакція буде іншою. Там же через цей відсоток проросійський будуть зовсім інше пропагувати.\nЗнаєте, будь-які фотографії такі можуть бути розтлумачені кожною стороною по-своєму. Тут така реакція, в Одесі буде інша, а якщо в Москву її повезти, то скажуть, що це взагалі проукраїнська пропаганда.\nОт є фото на виставці, де українські військові звільняють людей. Люди два тижні в дитсадку сиділи, в підвалі. Прийшли двоє хлопців військових, принесли їжу, якісь ліки. І люди там плачуть і підпис, що військові їх звільнили. А у Москві то показати, так скажуть, що вони прийшли людей розстрілювати, бо військові з автоматами, а люди плачуть. Кожен буде тлумачити по-своєму. Це постійна суперечка.\nІ коли голова ЛОР говорив, що він не вірить, що військові вбили ту дівчину в Краматорську, це ж про мою фотографію мова. Я там був і це бачив. І якщо він думає, що українська армія нікого не вбиває, то, значить, він не був на війні. Там таке трапляється… І я не оцінюю – це погано чи добре. Але ми мусимо розуміти, що крім військових страждають і мирні люди. Насправді, я думаю, що такі виставки треба показувати дещо пізніше, коли рани вже загоються. Бо я розумію, наскільки тяжко приходити і на це дивитись.\nАле невже хтось розраховує, що весь світ має жаліти Україну, знати досконало історію України… І без того світ багато для нас зробив\nНа Заході усі розуміють становище ,усі проти агресії Росії, али вимагати від поляків, щоб вони показували тільки проукраїнську виставку – безглуздо.\nДуже прикро й соромно, що у нас є діти, яким ця організація, цей проект допомагають. Бо ж на них тут ставлять на них хрест, а поляки збирають кошти, забирають ту дитину, лікують її, і виліковують. Вони сімом дітям допомогли вже. А у Львові всі прийшли, покричали свої патріотичні лозунги і майже ніхто копійки не дав. І це дуже-дуже соромно, бо українці хочуть, аби всі нам допомагали, а самі собі допомагати не хочуть.\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:08:08Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"2ef1788c-84db-4737-b7d4-86f8ce3e4b0f","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:19:37Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T10:08:41Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-83","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2019-12-22T04:27:48Z","title":"Untitled 213","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Introduction speech to exhibition \"Culture of Confrontation\""},{"insert":"\n"},{"attributes":{"italic":true},"insert":"in the Städtische Galerie Ehingen, Germany"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"by Volker Sonntag, english, 2019"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-213","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Introduction to exhibition \"Culture of Confrontation\""},{"insert":"\n"},{"attributes":{"bold":true},"insert":"in the Städtische Galerie Ehingen, Germany, 2019."},{"insert":"\n\nIn winter 2013/2014 the Independence Square in Kyiv - the Ukrainian word for place is \"maidan\" - became a focal point of world events.\n\nAfter the dissolution of the Soviet Union in 1991 states such as Ukraine were in one political tug-of-war between Russia and the EU. The economic situation of the general population had worsened. The state was weakened, a network of oligarchs and old party networks had taken control over public property and the media. They used the political parties for their purposes, unemployment increased and corruption flourished. In November 2013, demonstrations began on the Maidan against these conditions. The reason was that President Yanukovych had obeyed pressure from Moscow not to sign an association agreement with the EU. The protesters behaved peacefully, concerts took place, often there was a veritable festival atmosphere. Maxim Dondyuk, who lived in Kyiv, was there from the beginning.\n\nThen the situation escalated. On the night of December 1st, the demonstrators were dispersed by a special police unit with brutal force. Increasingly, the situation got out of control, public buildings were occupied by protesters and barricades built. On 18 February 2014 the Militia shot with live ammunition. In the end there were over 120 dead and countless wounded. On 21 February the conflict ended with an internationally signed contract, Russian friendly President Yanukovych fled to Moscow.\n\nHot spots such as Euromaidan, as it is called today, attract hundreds of media people, always in search of the spectacular picture but without the time to deal with the backgrounds. A cameraman working for an American news channel told that within two weeks he had worked in five countries on three continents. In our media society information has become a highly profitable commodity that no longer is being measured by the criteria of truth and lie but by their attractiveness - they have to sell well by satisfying the sensation-seeking public.\n\nDondyuk noted that about 200 photographers were on the field, barely one spoke the language or understood the history of his country. Their inner distance was visible for everyone because mostly their cameras were equipped with long telephoto lenses by which you can zoom near what happens far away without being close.\n\nIn contrast to their working routine Dondyuk's reportages are characterized by empathy and compassion. He is interested in people. For three months he lived with the demonstrators on the Maidan. Instead of using a telephoto lens he works consistently with a 35mm wide-angle lens so that for a close-up he must get close to the people he is photographing. This gives his pictures their strong emotional intensity that we deeply feel.\n\nHe is not even a meter away of the three praying women or the three soldiers in this room whom a protester is offering flowers. Each face of the three women touches us with an individual expression of grief, sorrow, and pleading to God. Here Dondyuk has created an iconic picture of pain, such as Matthias Grünewald in the Isenheim Altarpiece brought to timeless expression with the three mourning figures at the foot of the crucifixion.\n\nAt the same time, Dondyuk combines such closeness with respect. In the last room of our exhibition he does not aim the camera at the faces or injuries of the wounded and dead but on the priest, the paramedics and the relatives. Their feelings affect us emotionally much more than a voyeuristic portrayal of the horror.\n\nSuch proximity to the motif creates an emotional impact that can be experienced best in the large formats in our exhibition. The four heavily armed, muzzled militiamen in the next room who roll away an oil barrel are moving straight towards the photographer, their eyes meet him and thus us. Dondyuk paid his tribute for such proximity with two injuries by rubber bullets.\n\n\"This revolution has changed not only myself  but also my photography and visual language,” he says. \"Of course I was on the side of protesters but it was also important for me to know what on the other side of the barricades was going on. I did not want to show the good guys and the bad guys but the confrontation of two different philosophies of the world - \"the culture of confrontation\".\n\nThis is how Dondyuk's artistic intentions have changed in the course of this project. He was no longer concerned with documenting the actual event, instead he wanted to work out its universal human character, as Shakespeare did in his historical dramas like Macbeth, King Lear or Richard II.\n\nTherefore his relation to the event has changed. He goes on distance and shows a panorama from a high perspective. One can look at these scenes as human moodscapes, like paintings of Bruegel in which due to the wide depth of focus of the wide-angle-objective we can observe unbelievably many details. These pictures are no longer made for the small-format magazines but for large formats, as in our exhibition.\n\nNow the aesthetic design becomes very important. Dondyuk photographs digitally and edits files on the computer specifically for their aesthetic effect.\n\nA central design element becomes the Light. The external circumstances are already spectacular. Fire and smoke of burning barricades, foggy steam from water cannons, reflections on the wet ground and the low winter sun, which intensifies shadows, contrasts and plasticity create highly dramatic moods like Baroque paintings from Turner, Caravaggio or Hollywood fantasy movies. The human drama becomes a drama of light.\n\nThe artist also makes the Light shine as a spiritual power as in paintings by Rembrandt. Have a look at the light of the candles the three women are holding in their hands and see how it is being repeated in the dome of the Michaelskirche during the funeral, but also on the tops of the tents.\n\nThe protesters built barricades with burning car tires and buses. Fire has always been a symbol of revolution. In the next room emerges a black shadow figure who bears a striking resemblance to the allegory of freedom in Delacroix's revolutionary painting \"Freedom Leads the People\". But in another picture, a single man stares shocked in a fiery inferno of burning buses. Such scenes are reminiscent of gothic paintings by Bruegel or Hieronymus Bosch of the Last Judgment where volcanoes break out of the earth and burn down houses, mountains, and seas to mark the end of humanity. \n\nAt the same time fire also visualizes what happens inside the people. They are transformed from a self-determined individual into an element of a mass. In his great study \"Mass and Power\" Nobel Prize winner Elias Canetti analyses the fire as a mass symbol. I quote: \"Mass symbols express the essential properties of the mass. The fire is sudden, everywhere, it is contagious and insatiable. The mass also forms and inflames suddenly by an external event, few can resist its contagion, they want to keep going and are hardly controllable anymore. The crowd feels attracted from fire and hurries to the scene of the fire, in front of which the individuals feel connected and close to all the others.\" This rapturous, almost ritualistic mood of the mass in front of a big fire Dondyuk recorded in a picture in the next room.\n\nThe antithesis of fire is the coldness of the ice, which means the death of all life, stagnation, and endpoint. Because of the winter and the water cannons, ice was everywhere on the Maidan in impressive formations. In C.D.Friedrich's painting “the lost hope” the ship stranded in the Arctic Ocean can be seen as a symbol of the lost hope for democratic freedom in the era of political restoration after Napoleon's defeat. In Dondyuk’s Maidan pictures ice could also be interpreted as a metaphor of the political and social situation in Ukraine which the protesters try to melt by their fire.\n\nIt is no coincidence that \"Songs of Ice and Fire\" is the title of the original book for the most successful American television series \"Game of Thrones\", which settles in a fictitious medieval world and thematizes the eternal struggle for power and Good and Evil. It has been always the same pictures that accompany our human history: the burning of Troy, of Jerusalem, the old Rome, Constantinople, the world wars, the pictures from Iraq, Syria. This timeless ubiquity of violence we also experience in Dondyuk's photographs. With their helmets, big shields and rubber truncheons the militia could be moved from the Maidan directly into the Middle Ages and the demonstrators with their wooden beating sticks and construction helmets could be directly related to the peasant wars.\n\nThe militiamen with their big shields form human walls as we know from Roman and medieval battle orders. These scenes convey what Canetti has analyzed as the essence of the mass: The police have lost their self-responsibility and individuality and are just a number written on their helmets. Their identity has been reduced to enforcers of an outside command. But the demonstrators have lost their individuality and self-control, too. They became part of the angry flames of destructive fire which they inflame as black shadow ghosts with Molotov cocktails and burning car tires.\n\nWith the pictures of this exhibition, Dondyuk has dissolved the border between documentation and art. Documentation has to be truthful and objective: This event happened exactly as the photographer has photographed it. But what is a reality? For Dondyuk reality became translucent on the Maidan. He says, \"I suddenly saw no revolution on Independence Square anymore, in front of me opened Battle scenes from legends and fairytales. Euromaidan became one of the visually most beautiful revolutions, like scenes in a Hollywood movie. The border between reality and fiction disappeared for me.” This personal subjective experience has guided him in his recordings.\n\nSo did he distort reality? Did he play down the terrible by its aestheticization? What difference does it make for us viewers whether the terrible is real or fiction and carefully staged by a painter or film director? Is there beauty in the terrible - volcanic eruptions, thunderstorms, forest fires, the planes in the World Trade Center in NY? - that fascinates us deeply? These are questions that have to be discussed in detail and controversially why we cannot deal with it here and now.\n\nBut what we can say is that Dondyuk´s photographs have gained new and complex dimensions through his devotion to art. What is it that makes a good work of art? Art arises from a touching experience that is aesthetically so designed that through the artwork also the viewers are being touched. It must be designed so that it provides us with many references and associations which we can connect with our personal and cultural experiences and those from the collective unconscious. \n\nI want to conclude with my thoughts about two pictures in this room which touch me very much: The first is about the motif of the candle as a symbol of life and hope as you can see it in the image of the three praying women in this room. This motif is being resumed in the next room. There it is a young protester holding a Molotov cocktail, a devoted expression on his face, like a sacral candle in his hands that another man just ignites. This young man is outshone by a bright, aura-like light, as we know it from paintings by Rembrandt. There are so many ambiguous meanings in this picture that one could write a short story about it.\n\nThe young cellist of the Dakh Daughters Band is on her way to play a concert on the Maidan. With her face painted white, her huge eyes, the long headscarf and the fur coat she appears as a being from another world, reminiscent of angelic representations in medieval paintings. The cello box on her back makes one think of wings, but also of a person she carries. She moves towards a doorway in the boarded-off space, into one other world, looking in our direction. Iconographically it is the motif of a guardian angel, a shaman, a spiritual leader like she appears in the guise of Beatrice in Dante's “Divine Comedy” who leads him through the nine celestial spheres. For me, she has protected Dondyuk on his way on the Maidan.\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2019-12-22T04:27:48Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"ebfe7e9b-ab00-4a78-931f-f2e9f2cb95d9","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:15:13Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-22T04:27:48Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-213","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-01-22T06:36:38Z","title":"Untitled 249","do_not_index":false,"cta_url":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Book review by Sean Sheehan"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2019"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-249","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-01-22T06:36:38Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"34097854-2e66-46f0-9bd2-cd7997d5165b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-01-22T06:44:52Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-01-22T06:36:38Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-249","image_id":null,"slideshow_ratio":"1:1","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["3ab27604-668e-45de-8bde-168066316aed"],"alignment":"Left","set_id":"510450d3-3774-46b2-a638-4b845238d8aa","tag_ids":[],"order_date":"2019-07-28T10:24:59Z","title":"20140810","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6625d89e-96ab-474c-bb9a-f75be2449c7a","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","filesize":33912,"height":1335,"hidden":false,"id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"20140810.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-11T14:59:42Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"warchive/20140810","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","filesize":33912,"height":1335,"hidden":false,"id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"20140810.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-11T14:59:42Z","weight":3,"width":2000},"inserted_at":"2019-07-28T10:24:59Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"34efcebb-b5e7-4fc8-befd-110c27c2b067","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-08-11T15:00:24Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-07-28T10:24:59Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"20140810","image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-07-10T09:49:26Z","title":"Untitled 406","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"‘Life After People’: Maxim Dondyuk’s project for Chernobyl"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\nWhen countries around the world went into lockdown in March 2020 to prevent the spread of COVID-19, several photographs and videos of animal life returning to deserted cities began to circulate on social media: swans and dolphins in the canals of Venice, the water crystal clear and teeming with fish; a civet – a mostly nocturnal mammal – roaming the streets of India in broad daylight; a herd of over one hundred Kashmiri goats marching through an empty town centre in Wales. Although the majority of these posts turned out to be fabricated, their virality demonstrates our endless fascination with the idea of a world after humans and the enduring appeal of the ruin. The slow picturesque decay of manmade structures, a popular motif in art since the late eighteenth century, has served as a backdrop to countless blockbuster films and bingeworthy series. Chernobyl (2019), a historical drama about the aftermath of the 1986 nuclear disaster, led to a recent surge in tourism to the area, where visitors pose for selfies in front of overgrown vehicles and crumbling buildings.   \n\nThe largely abandoned city in northern Ukraine is the focus of Untitled Project: From Chernobyl, an online exhibition by Maxim Dondyuk. In the wake of COVID-19 the artist created a virtual gallery to display the innumerable postcards, letters and photographs he collected during visits to Chernobyl’s exclusion zone, together with his own photographs of the area. ‘Chernobyl’, Dondyuk notes, ‘is associated only with tragedy [. . .] But what if we come back to the flourishing times that were so far from the events of 1986?’."},{"attributes":{"italic":true},"insert":"(1)"},{"insert":"\n\nBefore he began making regular trips to the ‘ghost city’ in 2015, Dondyuk worked on a number of documentary projects on the ‘social and historical reality of his country’ including the tuberculosis epidemic in the Ukraine (2010–12), the military training of Crimean children (2010–13) and the Ukrainian Revolution (2013–14). Culture of Confrontation, which captured the violent clashes between police and protesters during the Euromaidan, marked a turning point for the photographer, who ‘moved away from classical documentary narrative form and [. . .] plunged into emotions, reflection, and more universal forms’.\n\nThe images that make up Between Life and Death (2017), Dondyuk’s project on the aftermath of the war, demonstrate a burgeoning interest in the symbolism of the ruin. Taken in territories in Eastern Ukraine that were left devastated by the conflict, the artist’s serene landscape photographs depict abandoned military vehicles and destroyed buildings covered in a layer of fresh snow.‘This project is about the scars that wars leave in human souls’, Dondyuk writes. ‘It’s about emptiness and loneliness’. Unlike the ruins depicted in Between Life and Death, the personal ephemera the artist collected in Chernobyl over a period of three years are not meant to be understood as monuments of fear, pain or death. Rather, these items symbolise life: ‘among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. [. . .] Chernobyl was no longer associated with death and tragedy for me’. Dondyuk wanted to preserve these memories of life in the city before the nuclear disaster, which are now on display in his virtual gallery."},{"attributes":{"italic":true},"insert":"(2)"},{"insert":"\n\nUntitled Project: From Chernobyl is divided into six ‘chapters’, which can be accessed on the main project page by clicking on small tabs that are often accompanied by a quote from the artist or a preview photograph. ‘Genesis Chapter: Untitled Project’ serves as the introduction to and summary of the project; many of the images visible here are presented again as part of individual series of photographs in the following chapters. After reading a short text, set underneath a digital collage of two landscape photographs by the artist, a damaged contact sheet and the front page of the Washington Post from 29th April 1986 (three days after the accident), the viewer can scroll down through numerous images and a small number of films, none of which is accompanied by captions or allows for viewer interaction. They include archival images of Chernobyl before the disaster; landscape photographs by Dondyuk depicting abandoned buildings, fairgrounds and disintegrating interiors as well as aerial photographs; found imagery and film footage of family gatherings and outings, school performances and class photographs; letters, postcards and other personal ephemera; newspaper cuttings; and a small number of maps and diagrams.\n\nThe virtual gallery has been designed to a very high standard; all images have been photographed at high-resolution and personal items, such as albums or drawings, are revealed in an astonishing level of detail. It is frustrating, however, not to be able to zoom in on smaller images and it is not clear why a letter, for example, is displayed a lot smaller than, say, a pocket-sized portrait photograph. In this sense the exhibition is more like a physical display than the websites we interact with every day: the artist or curator determines what we are allowed to see and how close we are allowed to get. Some of Dondyuk’s own photographs are also smaller than others, mirroring the archival images they are presented alongside. Scrolling down, the viewer is encouraged to make connections between older photographs and the artist’s recent landscapes, constantly looking out for clues that might help us to understand the associations between what we are seeing. In some ways our encounter with the material corresponds to that of the artist, who, upon finding these photographs and letters must have tried making sense of these visual clues.\n\nOnly one of Dondyuk’s photographs, of an indoor swimming pool, is displayed next to an archival image of the same place, taken from the same position. Whereas one pool is crowded with young swimmers, one of whom is preparing to jump in the water, the artist’s pool is empty and slowly decaying. Dondyuk’s images of the insides of houses or schools demonstrate how sudden the evacuation of the city was: posters and fabrics still adorn the walls, a book lies open on the edge of a mattress, science equipment and instructions litter a teacher’s desk. In the introduction the artist recalls that the Soviet government ‘didn’t allow people to take with them anything except the most necessary things [. . .] Unfortunately, most people didn’t see their homes again, as well as such priceless things as letters, photos of relatives and friends. With time these memories were coved with a thick layer of trash, mud and radiation’.\n\nChapters 1 (‘Unknown Contact Sheets’) and 2 (‘Lost Family Album’) present these memories, the former allowing the viewer to scroll to the right through what feels like an infinite amount of film, the latter presenting an equally high number of sepia portraits and family photographs. Once again the design has been carefully considered: in ‘Unknown Contact Sheets’ the direction in which we scroll to view the images corresponds to the orientation of a roll of film. Looking through these intimate black-and-white photographs, many damaged by radiation, weather and time, one is reminded of a type of image virtually extinct in the age of digital cameras and smartphones: the accidental image, the literal mistake, which is often erased immediately. In these images the same person is photographed three to four times, from different angles, and against different backgrounds. One image is blurry, another overexposed. Being privy to these failed attempts makes seeing the ‘successful’ shot, usually the last photograph in the series, all the more moving. These images show us what is deemed important, what those taking the photograph wanted to hold on to but ultimately lost after they left the city, never to return.\n\nThe high quality of the photographs in ‘Lost Family Album’ comes at a cost; this page takes longer to load, and the cursor does not move smoothly across the page. But this is a minor glitch on an otherwise beautifully designed dense grid of vintage photographs and various notes written on the backs. In ‘Chapter Three: Repercussion’ the viewer can scroll – again to the right – through a selection of Dondyuk’s recent photographs of nature gradually absorbing what is left of Chernobyl, most of which were included in the introductory chapter. Similar to the buildings and vehicles in Between Life and Death, some of the ruins photographed here are covered in a layer of fresh snow, while others are being claimed by the surrounding vegetation. Chapter 4 is a short film about the project, a montage of photographs included in the exhibition accompanied by sound bites, including a recording of the announcement made by the government on the day after the disaster, as well as footage of Dondyuk in Chernobyl.\n\nThe final chapter in the exhibition is a preview to Dondyuk’s latest project. ‘Epilogue: Apeiron’, in which the artist presents negatives so severely damaged that the images are no longer recognisable, makes a fitting end to a body of work that sits between art photography and traditional forms of documentary, and seems to mark another turning point in the artist’s ‘experimentation with themes, meanings and forms’. These abstract images, rendered illegible by radiation and the elements of nature, evoke what is beyond the sphere of the intelligible, and signal a growing preoccupation with the image-as-object. As Dondyuk notes, these films passed through ‘stages of disappearance, erasure and decay’, retaining ‘traces of evidence of bodies or things that left their mark on the photosensitive film emulsion’. Scrolling through these images we can, however, discern a faint silhouette or familiar outline here and there, suggesting that the artist is not ready to leave the people of Chernobyl and their stories behind just yet.\n\n"},{"attributes":{"italic":true},"insert":"Footnotes"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"All quotes in this review are taken from texts on the artist’s website, available at "},{"attributes":{"italic":true,"link":"https://maximdondyuk.com/"},"insert":"https://maximdondyuk.com/"},{"attributes":{"italic":true},"insert":", accessed 6th June 2020."},{"attributes":{"list":"ordered"},"insert":"\n"},{"attributes":{"italic":true},"insert":"Available at "},{"attributes":{"italic":true,"link":"https://maximdondyuk.com/works/untitled-project-from-chernobyl"},"insert":"https://maximdondyuk.com/works/untitled-project-from-chernobyl"},{"attributes":{"italic":true},"insert":", accessed 6th June 2020. Dondyuk has not been in contact with anyone depicted in the found photographs. The artist is currently planning an interactive website that will allow former residents of Chernobyl and their relatives to locate houses on a map and download digital images from the archive."},{"attributes":{"list":"ordered"},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"34cef131-db29-430f-9059-4669d4ff6ff5","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"publications/essays-interviews/burlington-contemporary-review-by-lisa-stein-english-2020/untitled-406","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/1","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-07-10T09:49:26Z","slideshow_show_count_enabled":true,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"d73f00f9-196f-483e-bbb2-821549d4a906","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#ffffff","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-07-10T10:28:15Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-07-10T09:49:26Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-406","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T19:47:06Z","title":"Untitled 92","do_not_index":false,"cta_url":"http://www.spiegel.de/politik/ausland/fotograf-maxim-dondyuk-ueber-die-ukraine-krise-a-1018083.html","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Video-Spezial zur Ukraine-Krise: Mein Jahr im Krieg"},{"insert":"\n\nEr begleitete undercover russische Separatisten, lebte auf dem Maidan und fotografierte für den SPIEGEL. Maxim Dondyuk erzählt die Geschichten seiner preisgekrönten Bilder – Zeugnisse eines Krieges.\n"}]},"online":true,"icon":"none","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-92","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Video-Spezial zur Ukraine-Krise"},{"insert":"\n"},{"attributes":{"bold":true},"insert":"Mein Jahr im Krieg"},{"insert":"\n\nEr begleitete undercover russische Separatisten, lebte auf dem Maidan und fotografierte für den SPIEGEL. Maxim Dondyuk erzählt die Geschichten seiner preisgekrönten Bilder – Zeugnisse eines Krieges.\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T10:16:50Z","slideshow_show_count_enabled":false,"position":0,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"60970f4c-95ad-482d-aa44-0458e033680d","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:31:06Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:47:06Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-92","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["6793fe48-3969-4d77-96b6-ccff80853a71","897aae8b-d420-417a-9b0b-aa61f61ea7b8","5b1d2024-13ee-46d3-8b8e-234e898bf76f","18713578-065e-411c-8b02-e83967eef9af","4fe40c42-897e-4269-b31f-cab79f68b8b2","1bb55dd1-e49a-47a1-8364-c7ac77d40fa9","e405fa30-b06e-42ce-9fdd-8c5a3f4dc8be","ceed8257-b06a-42e6-807c-dd72494d1e18","dfa802e8-41c2-4e34-868a-1edcdc4726d5","8d5d71d0-8944-49fe-b8d5-7d6700e429c8","7ab3cc4c-2ff5-4b6e-bf0f-5867a7412be3","69b9c7f2-1c68-4aba-9a1e-a23595c3e8bb","ade68845-6fbe-4c46-a8b5-c12158cc123b","2487cf3e-48df-4dd2-a93e-c3e124796c2d","c5adc399-42ed-4c5a-a28e-81d0c4407e01","84d8292f-8d0d-4361-8f95-1b9fd42cbfa6","1aa3a8e4-1e1f-4ffa-a6bd-58d78e9d65c1","995d5d50-0b6b-4b2a-8cd4-11137cf51bd1","cd522553-1f76-47e0-aad5-4e704b435b2c","0d1584e6-7caa-4a09-b9d1-9dd6ffe7022a"],"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-05-04T06:47:54Z","title":"CRIMEA SICH","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":true,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-04T06:47:54Z","slideshow_show_count_enabled":true,"position":61673472,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-05-04T09:08:31Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T06:47:54Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"crimea-sich","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["63655730-e34d-4be2-be69-de0cb9ede6e9","4b38d11b-ec2d-48ee-94b6-e0174ad81ad0","09f73e6f-4e3c-4113-b8d4-57ce532cb96b","0435e4ef-9a1a-46de-9a55-be21f2bf4cbd","d4742f50-a37f-4a2c-ae27-540dd67c1e29","8d656e45-2cc6-494b-848b-12b796e733ce"],"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-15T08:59:38Z","title":"Crimea Sich Documentary","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":true,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":"Children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. ","viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/crimea-sich-documentary","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"1917:1078","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2.jpg","filesize":666567,"height":1078,"hidden":false,"id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","inserted_at":"2019-05-09T14:40:39Z","name":null,"orientation":"Landscape","original_filename":"Krym Sich 16x9.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1610612777,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-09T19:48:16Z","weight":3,"width":1917},"inserted_at":"2019-05-09T14:19:46Z","slideshow_show_count_enabled":true,"position":92510208,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":"Documentary \"Crimea Sich\"","index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T10:12:09Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-15T08:59:38Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"crimea-sich-documentary","image_id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["06738b4d-f85f-427a-99a7-e53f0faa9272","24f811db-8893-434a-a664-67f11d7f62c3","4c4458ae-1563-41a5-b5a5-48a32d7e72c5"],"alignment":"Center","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2020-04-17T00:31:36Z","title":"CRⱯZYSTORY","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"archive/crzystory","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"157:105","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"d1786ba2-027a-4d2e-b185-4be3465ac854.png","filesize":835233,"height":840,"hidden":false,"id":"d1786ba2-027a-4d2e-b185-4be3465ac854","inserted_at":"2020-04-28T02:20:22Z","name":null,"orientation":"Landscape","original_filename":"808530bc-ef7c-4c8b-b225-ae3174fcdf5c.png","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483629,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d1786ba2-027a-4d2e-b185-4be3465ac854.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-28T02:21:45Z","weight":4,"width":1256},"inserted_at":"2020-04-17T00:31:36Z","slideshow_show_count_enabled":true,"position":95420416,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"bdf8fbec-a3fa-4f30-801a-311ca79d006f","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T06:36:04Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-17T00:31:36Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"crzystory","image_id":"d1786ba2-027a-4d2e-b185-4be3465ac854","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","tag_ids":[],"order_date":"2019-05-12T12:53:08Z","title":"Crimea Sich Photos","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"XL","cover_image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"meta_description":"Crimea Sich is a documentary about the patriotic and spiritual upbringing of future soldiers in the Crimean Peninsula and its consequences.","viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"L","path":"works/crimea-sich-photos","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Irregular","horizontalscroll_gutters":"M","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-08T17:13:56Z","slideshow_show_count_enabled":true,"position":107928576,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"3bf89c53-5099-46cf-8013-656904999c50","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"M","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Full","updated_at":"2020-05-04T10:12:23Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-12T12:53:08Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"crimea-sich-photos","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["d96adc32-abfb-438f-8de8-5f352082c76b","633b923c-82c4-41b6-9720-1008e3f77ff1","08704578-3c1b-4bd6-9655-a02b9f78a592"],"alignment":"Center","set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","tag_ids":[],"order_date":"2020-04-24T06:28:51Z","title":"Global Control and Censorship, Center for Art and Media, Karlsruhe, Germany, 2015","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c521690f-d50f-4d66-8fdb-90a8e3f23a6a","type":"index","set":null,"imagegrid_caption_enabled":true,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"80:53","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"LOOK3 photofestival, Charlottesville. (USA, 2012)"}]},"duration":0,"filename":"f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","filesize":454609,"height":1060,"hidden":false,"id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","inserted_at":"2019-05-09T11:41:11Z","name":null,"orientation":"Landscape","original_filename":"LOOK3_02.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1185260907,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f161a603-7c9b-4f75-a351-ba0026ae55ac.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:02:57Z","weight":2,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"1499:1000","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"c24d6b37-2244-4f8b-9c20-07f419957135.jpg","filesize":639043,"height":1000,"hidden":false,"id":"c24d6b37-2244-4f8b-9c20-07f419957135","inserted_at":"2020-04-24T08:07:45Z","name":null,"orientation":"Landscape","original_filename":"01_4W5A0404.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1249409090,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/c24d6b37-2244-4f8b-9c20-07f419957135.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-24T10:47:17Z","weight":3,"width":1499},"inserted_at":"2020-04-24T06:28:51Z","slideshow_show_count_enabled":true,"position":126322567,"hide_from_menu":false,"summary":{"ops":[{"attributes":{"italic":true},"insert":"Group exhibition"},{"insert":"\n"}]},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"7d4606dd-f38c-4795-94dc-529304391a74","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"f161a603-7c9b-4f75-a351-ba0026ae55ac","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T13:13:32Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-24T06:28:51Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"global-control-and-censorship-center-for-art-and-media-karlsruhe-germany-2015","image_id":"c24d6b37-2244-4f8b-9c20-07f419957135","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-09T19:47:06Z","title":"Untitled 105","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-105","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"S","image":{"aspect_ratio":"16:9","asset_id":"00hY7WUS02UIZE7bURDJjiAh4f73R81Afv","cover_image":false,"description":{},"duration":42,"filename":"a6ec3db0-868c-4ebc-83c4-eab068b9630d.mp4","filesize":2494443,"height":360,"hidden":false,"id":"a6ec3db0-868c-4ebc-83c4-eab068b9630d","inserted_at":"2019-05-09T19:35:22Z","name":"","orientation":"Landscape","original_filename":"Spiegel 00.mp4","playback_id":"oGlPDgsnDXiizjNgHdDLloPAs02xWH7wk","poster_position":0.0,"private":false,"rank":1308622807,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/oGlPDgsnDXiizjNgHdDLloPAs02xWH7wk.m3u8","poster":"https://image.mux.com/oGlPDgsnDXiizjNgHdDLloPAs02xWH7wk/thumbnail.jpg?time=0.0"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2019-06-18T14:28:00Z","weight":3,"width":640},"inserted_at":"2019-05-09T19:38:50Z","slideshow_show_count_enabled":false,"position":134217728,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"f8627e0c-3b79-4bb3-a2c5-ea1df82f2a92","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-01-22T06:18:31Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:47:06Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-105","image_id":"a6ec3db0-868c-4ebc-83c4-eab068b9630d","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T19:47:06Z","title":"Untitled 106","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"Es ist noch Nacht in Kiew, als Maxim Dondyuk am frühen Morgen des 1. Dezember 2013 auf den Maidan fährt. Er fotografiert die ersten Auseinandersetzungen zwischen Demonstranten und Polizisten. In den folgenden drei Monaten wird er auf dem Maidan arbeiten, essen, schlafen und den Platz kaum mehr verlassen.\n\nIn diesen Videos erzählt Dondyuk seine Geschichte:\n\nTeil I: Wie ich plötzlich Teil der Revolution wurde"},{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-106","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"Es ist noch Nacht in Kiew, als Maxim Dondyuk am frühen Morgen des 1. Dezember 2013 auf den Maidan fährt. Er fotografiert die ersten Auseinandersetzungen zwischen Demonstranten und Polizisten. In den folgenden drei Monaten wird er auf dem Maidan arbeiten, essen, schlafen und den Platz kaum mehr verlassen.\n\nIn diesen Videos erzählt Dondyuk seine Geschichte:\n\nTeil I: Wie ich plötzlich Teil der Revolution wurde\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T19:38:54Z","slideshow_show_count_enabled":false,"position":201326592,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"f3a8cb30-895b-40ef-bffc-5e4567745f3d","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:31:06Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:47:06Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-106","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-09T19:47:06Z","title":"Untitled 108","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-108","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"S","image":{"aspect_ratio":"16:9","asset_id":"Jphc3QOKhK6fIE5702q4aEY9eG44zYI3m","cover_image":false,"description":{"ops":[{"insert":"Teil I: Wie ich plötzlich Teil der Revolution wurde\n"}]},"duration":286,"filename":"8ea125ac-10c0-4c1b-9e80-6213bc1ab4fa.mp4","filesize":20663501,"height":360,"hidden":false,"id":"8ea125ac-10c0-4c1b-9e80-6213bc1ab4fa","inserted_at":"2019-05-09T19:35:27Z","name":"Teil I: Wie ich plötzlich Teil der Revolution wurde","orientation":"Landscape","original_filename":"Spiegel 01.mp4","playback_id":"QueUqBSCCRLAvIUovxL4ODxdAPZPegDE","poster_position":0.0,"private":false,"rank":1526726615,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/QueUqBSCCRLAvIUovxL4ODxdAPZPegDE.m3u8","poster":"https://image.mux.com/QueUqBSCCRLAvIUovxL4ODxdAPZPegDE/thumbnail.jpg?time=0.0"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2019-06-18T14:28:04Z","weight":3,"width":640},"inserted_at":"2019-05-09T19:40:31Z","slideshow_show_count_enabled":false,"position":234881024,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"645f779c-9aee-4f0b-9ac5-f74005c9b2cb","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-01-22T06:18:41Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:47:06Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-108","image_id":"8ea125ac-10c0-4c1b-9e80-6213bc1ab4fa","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["1fe2c86b-9ef3-40bb-b677-85f5d18c2a74","bbae556d-3ffc-4b2b-bb6b-4be825846b15","ab40c5dc-36f5-4374-9e37-ff35b19797fe","5f5f6fda-a6e3-44cc-8598-72a2dbc485ad","7a8c3a14-bc73-4002-b135-6838b80749c4","b942cfaf-c42e-4c93-8dcd-f03cc3ec55ea","bba1322c-cc7f-4f47-b2b6-e2d495f604e8","4e585d03-e4e5-4558-8d04-4e05b790d836","9c192508-ff26-4fa8-8de5-3caa3687a985","3e1739a1-f424-47f8-bc54-d1d8b36da53b","a74cba96-f86f-40e7-a7de-924fa620cc79","be0363e3-6bc4-41bc-a583-a9080aaa68f3","8684e9f5-c899-43d8-98f2-c478785e4c5d"],"alignment":"Left","set_id":"17070529-02c7-4277-961f-87a8078e55ce","tag_ids":[],"order_date":"2019-05-12T12:53:23Z","title":"TB EPIDEMIC","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"1600:1067","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"He worked in the mine. In 2007 pulmonary tuberculosis was discovered. Doctors prescribed the treatment. As soon as he felt really good he started to drink a lot of alcohol. In 2010 the acute abdominal pain appeared. The numerous ulcers formed in the bowel, intestinal TB was diagnosed. Doctors demanded to transport the patient to a TB hospital or home immediately, they didn’t allow him to stay in a post-operational department. He was transported by a taxi, as an ambulance also didn’t want to help. After operation all the sutures on his stomach diverged because of multiple ulcers. Doctors told that he could probably live just a couple of days. The family decided to take the dying man home. He was walking around the apartment and brawling during the whole month with an open wound on his stomach. The wife had to beg doctors to take him to the hospital. He died in December 23, 2010. This photo was made two hours before his death. "}]},"duration":0,"filename":"091920dd-3d93-45f8-9e46-9c5de2687313.jpg","filesize":761853,"height":1067,"hidden":false,"id":"091920dd-3d93-45f8-9e46-9c5de2687313","inserted_at":"2019-05-08T17:29:10Z","name":"Gennady, 1962. Diagnosis: MDR TB + HIV. Donetsk TB hospital, Donbass, December 2010. ","orientation":"Landscape","original_filename":"0022_DOM_2010_12_23_TB1502.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1263225664,"set_id":"17070529-02c7-4277-961f-87a8078e55ce","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/091920dd-3d93-45f8-9e46-9c5de2687313.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-04T01:17:52Z","weight":3,"width":1600},"meta_description":"Every hour 4 cases of tuberculosis are recorded.\nEvery day about 30 people die from the disease.\nEach year TB kills over 10,000 people.","viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/tb-epidemic","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"1600:1067","asset_id":null,"cover_image":false,"description":{"ops":[{"insert":"Is under detention in a TB hospital. Doctors oversee him during fluorography in an X-ray room. "}]},"duration":0,"filename":"e22d23f8-770c-402b-9cd0-7db3f280a635.jpg","filesize":841825,"height":1067,"hidden":false,"id":"e22d23f8-770c-402b-9cd0-7db3f280a635","inserted_at":"2019-05-08T17:28:55Z","name":"Prisoner Boris, 1983. Diagnosis: TB. Zhdanovka penal colony #3, Donbass, February 2011.","orientation":"Landscape","original_filename":"0005_DOM_2011_02_03_TB2440.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1979053555,"set_id":"17070529-02c7-4277-961f-87a8078e55ce","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e22d23f8-770c-402b-9cd0-7db3f280a635.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-08T17:49:27Z","weight":3,"width":1600},"inserted_at":"2019-05-08T17:12:04Z","slideshow_show_count_enabled":true,"position":246693888,"hide_from_menu":false,"summary":{"ops":[{"insert":"\n"}]},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"893a8c56-d8a3-4214-bb29-c25290824f83","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"091920dd-3d93-45f8-9e46-9c5de2687313","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-05T02:14:32Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-12T12:53:23Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"tb-epidemic","image_id":"e22d23f8-770c-402b-9cd0-7db3f280a635","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-09T19:47:06Z","title":"Untitled 107","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"Dondyuk ist in der Nähe der Krim geboren, er spricht lieber Russisch als Ukrainisch. Als der Konflikt auch die Krim erfasst, reist der Fotojournalist dorthin. Die Separatisten erobern Slowjansk, Dondyuk ist schon dort. Doch eines Tages gerät die Situation vor Ort außer Kontrolle.\n\nTeil II: Wie sie mich zur Jagd freigaben"},{"attributes":{"align":"center","header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-107","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"Dondyuk ist in der Nähe der Krim geboren, er spricht lieber Russisch als Ukrainisch. Als der Konflikt auch die Krim erfasst, reist der Fotojournalist dorthin. Die Separatisten erobern Slowjansk, Dondyuk ist schon dort. Doch eines Tages gerät die Situation vor Ort außer Kontrolle.\n\nTeil II: Wie sie mich zur Jagd freigaben\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T19:39:26Z","slideshow_show_count_enabled":false,"position":251658240,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1d88b5aa-e399-4403-b463-9e0b45ec1bf4","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-12T06:31:06Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:47:06Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-107","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-09T19:47:06Z","title":"Untitled 111","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"publications/essays-interviews/der-spiegel-interview-by-rosa-thoneick-film-german-2015/untitled-111","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"S","image":{"aspect_ratio":"16:9","asset_id":"FGYILW9nEIhjZT9ntYsgETavc1DYUpDO","cover_image":false,"description":{"ops":[{"insert":"\n"}]},"duration":157,"filename":"5378ca13-b82f-4a32-a4a1-41b799df1e7e.mp4","filesize":11019014,"height":360,"hidden":false,"id":"5378ca13-b82f-4a32-a4a1-41b799df1e7e","inserted_at":"2019-05-09T19:35:29Z","name":null,"orientation":"Landscape","original_filename":"Spiegel 02.mp4","playback_id":"yVdw701fnVimW2ohBP1RHsu87hrd6XRIN","poster_position":0.0,"private":false,"rank":1635778519,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/yVdw701fnVimW2ohBP1RHsu87hrd6XRIN.m3u8","poster":"https://image.mux.com/yVdw701fnVimW2ohBP1RHsu87hrd6XRIN/thumbnail.jpg?time=0.0"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2019-06-18T14:28:01Z","weight":3,"width":640},"inserted_at":"2019-05-09T19:42:40Z","slideshow_show_count_enabled":false,"position":260046848,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"b56decc2-5b20-48d9-9ce6-27912b0f30f4","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-01-22T06:19:21Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-09T19:47:06Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-111","image_id":"5378ca13-b82f-4a32-a4a1-41b799df1e7e","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-09-26T13:01:16Z","title":"Untitled 197","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#ffffff","text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"books/culture-of-confrontation-book-with-signed-print/untitled-197","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":{"aspect_ratio":"16:9","asset_id":"b7W00o2miTBQQLOaTbqZqsgJLlA02k0200ve","cover_image":false,"description":{"ops":[{"attributes":{"color":"#000000","link":"/books"},"insert":"BUY BOOK"},{"insert":"\n"}]},"duration":216,"filename":"8fa958c8-cd03-4d8c-9224-bc8a057cea7a.mp4","filesize":541301612,"height":1080,"hidden":false,"id":"8fa958c8-cd03-4d8c-9224-bc8a057cea7a","inserted_at":"2019-09-22T12:01:08Z","name":null,"orientation":"Landscape","original_filename":"Book.mp4","playback_id":"MTALNDhI02p1cXZjgygvxcdhJo01hvShRI","poster_position":0.955582658,"private":false,"rank":411220276,"set_id":"244141e0-006f-4924-acbd-099a752fe814","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/MTALNDhI02p1cXZjgygvxcdhJo01hvShRI.m3u8","poster":"https://image.mux.com/MTALNDhI02p1cXZjgygvxcdhJo01hvShRI/thumbnail.jpg?time=0.955582658"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2020-05-04T05:12:23Z","weight":5,"width":1920},"inserted_at":"2019-09-26T13:01:16Z","slideshow_show_count_enabled":false,"position":268435456,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"54f8ea43-47e2-45b2-888f-aa43c0768696","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":null,"text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-29T03:03:43Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-09-26T13:01:16Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-197","image_id":"8fa958c8-cd03-4d8c-9224-bc8a057cea7a","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"25d0308e-ce96-469d-b3ce-8c1e312bf3d6","tag_ids":[],"order_date":"2019-12-05T00:23:25Z","title":"Untitled 179","do_not_index":false,"cta_url":null,"video_autoplay":false,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"500:359","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"2b91521a-43ac-4575-a7ed-5ab56ba93fa5.jpg","filesize":1010632,"height":1077,"hidden":false,"id":"2b91521a-43ac-4575-a7ed-5ab56ba93fa5","inserted_at":"2019-08-21T10:21:06Z","name":"","orientation":"Landscape","original_filename":"01_m28_IMG_20180416_0122.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"25d0308e-ce96-469d-b3ce-8c1e312bf3d6","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/2b91521a-43ac-4575-a7ed-5ab56ba93fa5.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-21T10:21:06Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/untitled-project/genesis-chapter-untitled-project/untitled-179","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-08-21T10:24:32Z","slideshow_show_count_enabled":true,"position":337903616,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"dffab777-5c70-408b-abcc-92fdbfbfaf12","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"2b91521a-43ac-4575-a7ed-5ab56ba93fa5","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-25T17:32:03Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-12-05T00:23:25Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-179","image_id":null,"slideshow_ratio":"16:9","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-05-04T07:56:20Z","title":"Untitled 381","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"VI A.D. - Byzantine Empire founded the Old Fortress, among Crimean people Christianity became increasingly widespread."},{"insert":"\n\n"},{"attributes":{"italic":true},"insert":"VIII A.D. - The people of the Old Fortress rebelled against the Chaser Khanate, which for a long time imposed the Jewish faith. But Chasers put it down very quickly and subjugated the entire south-western Crimea."},{"insert":"\n\n"},{"attributes":{"italic":true},"insert":"XIII A.D. - The Old Fortress was destroyed by the troops of the Golden Horde, after which people couldn’t recover its former importance."},{"insert":"\n\n"},{"attributes":{"italic":true},"insert":"XIV A.D. - Golden Horde troops crushed rebuilt strengthening again and finally destroyed the Old Fortress. But people continued and still continue to live on this territory."},{"insert":"\n"},{"attributes":{"italic":true},"insert":" "},{"insert":"\n"},{"attributes":{"italic":true},"insert":"XXI A.D. - The territory of the Old Fortress became the property of the Cossacks and returned to the Orthodox people."},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#000000","text_color":"#ffffff","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-381","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"VI A.D. - Byzantine Empire founded the Old Fortress, among Crimean people Christianity became increasingly widespread.\n\nVIII A.D. - The people of the Old Fortress rebelled against the Chaser Khanate, which for a long time imposed the Jewish faith. But Chasers put it down very quickly and subjugated the entire south-western Crimea.\n\nXIII A.D. - The Old Fortress was destroyed by the troops of the Golden Horde, after which people couldn’t recover its former importance.\n\nXIV A.D. - Golden Horde troops crushed rebuilt strengthening again and finally destroyed the Old Fortress. But people continued and still continue to live on this territory.\n \nXXI A.D. - The territory of the Old Fortress became the property of the Cossacks and returned to the Orthodox people.\n\n"}]},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-04T07:56:20Z","slideshow_show_count_enabled":true,"position":348127232,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"4fe40c42-897e-4269-b31f-cab79f68b8b2","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T09:09:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T07:56:20Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-381","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["a52645d6-3601-452b-a7b0-f689645e837f"],"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-08T17:54:13Z","title":"ABOUT","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"about","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-03T10:12:32Z","slideshow_show_count_enabled":true,"position":390654464,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"88adc625-b88f-4a2d-a858-37cb39064e4c","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"None","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":"text","text_media":"None","horizontalscroll_align":"Center","content_size":"M","updated_at":"2020-04-30T10:29:14Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-08T17:54:13Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"about","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-05-04T07:30:40Z","title":"Untitled 371","do_not_index":false,"cta_url":"/works/crimea-sich-photos","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":"VIEW PHOTO PROJECT","text_content1":{"ops":[{"insert":"PHOTO PROJECT"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\nI discovered the camp in 2010, and for three years I kept coming back there to understand why at such tender age children needed to be taught how to deal with real weapons in time of peace, and what the camp was all about. "},{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#000000","text_color":"#ffffff","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-371","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-04T07:30:40Z","slideshow_show_count_enabled":true,"position":703594496,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"1bb55dd1-e49a-47a1-8364-c7ac77d40fa9","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":true,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T09:09:55Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T07:30:40Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-371","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","tag_ids":[],"order_date":"2020-05-04T07:31:14Z","title":"Untitled 374","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-374","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"inserted_at":"2020-05-04T07:31:14Z","slideshow_show_count_enabled":true,"position":725811200,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"e405fa30-b06e-42ce-9fdd-8c5a3f4dc8be","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T08:55:58Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T07:31:14Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-374","image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","tag_ids":[],"order_date":"2020-05-04T08:28:33Z","title":"Untitled 384","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-384","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"d4eedcaf-b352-43ac-825f-6905c73bb543.jpg","filesize":825487,"height":1065,"hidden":false,"id":"d4eedcaf-b352-43ac-825f-6905c73bb543","inserted_at":"2019-05-08T17:15:51Z","name":"","orientation":"Landscape","original_filename":"0025_24_DOM_2012_08_06_CS4563.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":45691144,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d4eedcaf-b352-43ac-825f-6905c73bb543.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-12-19T11:32:07Z","weight":3,"width":1600},"inserted_at":"2020-05-04T08:28:33Z","slideshow_show_count_enabled":true,"position":736919552,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"ceed8257-b06a-42e6-807c-dd72494d1e18","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"full","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T08:56:08Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T08:28:33Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-384","image_id":"d4eedcaf-b352-43ac-825f-6905c73bb543","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-05-04T07:56:38Z","title":"Untitled 382","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"Each August, children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. The training included target practice with real weapons, live ammunition and instilling Christian values into the young Cossacks. "},{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"7a0d0060-4ac9-4a2a-8839-cfbdb9e3ceaa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":"#000000","text_color":"#ffffff","index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"works/crimea-sich/untitled-382","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-05-04T07:56:38Z","slideshow_show_count_enabled":true,"position":748027904,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"dfa802e8-41c2-4e34-868a-1edcdc4726d5","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-05-04T09:09:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-05-04T07:56:38Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-382","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":true,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"7d2545e9-13be-4d24-adc0-041bd1a90a16","tag_ids":[],"order_date":"2020-04-25T03:03:42Z","title":"Untitled 309","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"95b571dc-ffb7-491f-97c5-b9bb60018d98","type":"slideshow","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"d11fb777-af8c-45b9-afcd-b9901d0649d1.jpg","filesize":786373,"height":1001,"hidden":false,"id":"d11fb777-af8c-45b9-afcd-b9901d0649d1","inserted_at":"2020-04-24T07:49:53Z","name":null,"orientation":"Landscape","original_filename":"01_DOM_3950.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1634298185,"set_id":"7d2545e9-13be-4d24-adc0-041bd1a90a16","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d11fb777-af8c-45b9-afcd-b9901d0649d1.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2020-04-25T03:03:02Z","weight":3,"width":1500},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"exhibitions/exhibition-views/culture-of-confrontation-the-church-of-saint-merri-paris-france-2015/untitled-309","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":null,"inserted_at":"2020-04-25T03:03:42Z","slideshow_show_count_enabled":true,"position":805306368,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"46cc09af-1378-44c1-9208-cc17c7bb9f38","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"d11fb777-af8c-45b9-afcd-b9901d0649d1","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-25T03:04:11Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-25T03:03:42Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-309","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2019-05-15T08:59:38Z","title":"Untitled 103","do_not_index":false,"cta_url":null,"video_autoplay":false,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/crimea-sich-documentary/untitled-103","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"L","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"S","image":{"aspect_ratio":"16:9","asset_id":"egtHcqFErBp01zlaajLfOdaX3QH7kh52e","cover_image":false,"description":{},"duration":318,"filename":"0433969c-0090-4daf-b8c4-63155c41efd6.mp4","filesize":809564375,"height":1080,"hidden":false,"id":"0433969c-0090-4daf-b8c4-63155c41efd6","inserted_at":"2019-05-09T16:10:22Z","name":null,"orientation":"Landscape","original_filename":"Crimea Sich without voice.mp4","playback_id":"pPaVWWV400ctImKfQ8HS01GiukpQPjGR8B","poster_position":307.369535441,"private":false,"rank":-1342177321,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/pPaVWWV400ctImKfQ8HS01GiukpQPjGR8B.m3u8","poster":"https://image.mux.com/pPaVWWV400ctImKfQ8HS01GiukpQPjGR8B/thumbnail.jpg?time=307.369535441"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2019-10-17T18:04:25Z","weight":3,"width":1920},"inserted_at":"2019-05-09T14:22:39Z","slideshow_show_count_enabled":false,"position":805306368,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"4b38d11b-ec2d-48ee-94b6-e0174ad81ad0","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-10-17T18:06:21Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-15T08:59:38Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-103","image_id":"0433969c-0090-4daf-b8c4-63155c41efd6","slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-15T08:59:38Z","title":"Untitled 104","do_not_index":false,"cta_url":"https://www.facebook.com/CrimeaSich","video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"Team:"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Maxim Dondyuk - Director, Director of photography, Producer, 1st camera\nNikolay Dondyuk - Co-director, Film Editor, 2d camera\nIrina Dondyuk - Executive Producer, Translator\nYuri Samson - Composer, Sound designer\nViacheslav Polyakov - Graphic Designer\nMykola Bazarkin - Film Editor\n"}]},"online":true,"icon":"none","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/crimea-sich-documentary/untitled-104","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"Abou film:"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Crimea Sich is a documentary about the patriotic and spiritual upbringing of future soldiers in the Crimean Peninsula and its consequences. Each August, children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. The training included target practice with real weapons, live ammunition and instilling Christian values into the young Cossacks. \n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-09T14:22:43Z","slideshow_show_count_enabled":false,"position":872415232,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"09f73e6f-4e3c-4113-b8d4-57ce532cb96b","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-02-19T01:08:48Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-15T08:59:38Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-104","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-30T10:10:22Z","title":"Untitled 126","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"attributes":{"header":2},"insert":"\n"}]},"online":true,"icon":"none","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/cc-old/untitled-126","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{"ops":[{"insert":"BOOK"},{"attributes":{"align":"right","header":2},"insert":"\n"},{"attributes":{"color":"#7c7c7c","link":"https://maximdondyuk.com/books%2Fculture-of-confrontation-book"},"insert":"Buy book"},{"attributes":{"align":"right"},"insert":"\n"}]},"imagegrid_layout":"Contained","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"S","image":null,"inserted_at":"2019-05-30T10:10:22Z","slideshow_show_count_enabled":false,"position":872417292,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"c3b62569-f4de-4165-bf1f-485e49abab5d","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"cover","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-20T04:33:49Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-30T10:10:22Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-126","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","tag_ids":[],"order_date":"2020-04-17T00:43:29Z","title":"Untitled 258","do_not_index":false,"cta_url":null,"video_autoplay":false,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"bdf8fbec-a3fa-4f30-801a-311ca79d006f","type":"image","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475415,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"archive/crzystory/untitled-258","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"M","image":{"aspect_ratio":"160:107","asset_id":"4uxp4apDAcOr5q01WO8xJTPbilK0201s9uB","cover_image":false,"description":{},"duration":164,"filename":"0455f206-44fd-4bde-8051-2490e1df8328.mov","filesize":224121765,"height":856,"hidden":false,"id":"0455f206-44fd-4bde-8051-2490e1df8328","inserted_at":"2020-04-24T16:57:22Z","name":null,"orientation":"Landscape","original_filename":"CRAZY STORY 2020.mov","playback_id":"fo4bSY003trVLlJl02y3bw2R7Sdpz5Prw8","poster_position":3.971273277,"private":false,"rank":2147483627,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/fo4bSY003trVLlJl02y3bw2R7Sdpz5Prw8.m3u8","poster":"https://image.mux.com/fo4bSY003trVLlJl02y3bw2R7Sdpz5Prw8/thumbnail.jpg?time=3.971273277"},"status":"ready","tag_ids":[],"tags":null,"type":"video","updated_at":"2020-05-05T02:16:12Z","weight":3,"width":1280},"inserted_at":"2020-04-17T00:43:29Z","slideshow_show_count_enabled":true,"position":905969664,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"06738b4d-f85f-427a-99a7-e53f0faa9272","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-26T10:51:12Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-17T00:43:29Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-258","image_id":"0455f206-44fd-4bde-8051-2490e1df8328","slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"Two","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Left","set_id":"17c95e4b-4e05-4d31-916e-dd16b18f16b8","tag_ids":[],"order_date":"2019-05-15T08:59:38Z","title":"Untitled 117","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":true,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","type":"grid","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"XS","cover_image":{"aspect_ratio":"340:227","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"8a4c5fa3-83ee-4a04-8e06-29c85ffc55da.jpg","filesize":100016,"height":454,"hidden":false,"id":"8a4c5fa3-83ee-4a04-8e06-29c85ffc55da","inserted_at":"2019-05-12T05:39:15Z","name":null,"orientation":"Landscape","original_filename":"0531aa172e975c4da620024224f569fa_original.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-939524096,"set_id":"17c95e4b-4e05-4d31-916e-dd16b18f16b8","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/8a4c5fa3-83ee-4a04-8e06-29c85ffc55da.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2019-05-15T08:32:41Z","weight":3,"width":680},"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"works/crimea-sich-documentary/untitled-117","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Rows","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":true,"content_text_size":"Two","index_text_size":"S","image":null,"inserted_at":"2019-05-12T05:46:00Z","slideshow_show_count_enabled":false,"position":939524096,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"0435e4ef-9a1a-46de-9a55-be21f2bf4cbd","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":true,"site":null,"published":true,"index_caption_enabled":true,"viewer_size":"M","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":"#2d2d2d","cover_image_id":"8a4c5fa3-83ee-4a04-8e06-29c85ffc55da","description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":false,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":false,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2019-06-29T17:49:47Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2019-05-15T08:59:38Z","text_vertical_alignment":"Center","index_text_media_size":"None","slug":"untitled-117","image_id":null,"slideshow_ratio":"auto","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":false,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":null,"alignment":"Center","set_id":null,"tag_ids":[],"order_date":"2020-04-17T00:49:54Z","title":"Untitled 260","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":false,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{"ops":[{"insert":"CRⱯZYSTORY"},{"attributes":{"header":1},"insert":"\n"},{"insert":"\n"}]},"online":true,"icon":"none","parent_id":"bdf8fbec-a3fa-4f30-801a-311ca79d006f","type":"text","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"M","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"M","path":"archive/crzystory/untitled-260","index_text_layout":"Center","viewer_count_enabled":true,"slideshow_size":"M","horizontal_viewer_enabled":false,"index_layout":"Text","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slideshow_show_image_title_enabled":true,"text_content2":{},"imagegrid_layout":"Columns","horizontalscroll_gutters":"S","index_grid_item_width":"1/2","content_size_type_text":false,"content_text_size":"One","index_text_size":"M","image":null,"inserted_at":"2020-04-17T00:49:54Z","slideshow_show_count_enabled":true,"position":939524096,"hide_from_menu":false,"summary":{},"cover_media_size":"L","menu_id":null,"imagegrid_align":"Center","imagegrid_ratio_orientation":"Landscape","id":"24f811db-8893-434a-a664-67f11d7f62c3","viewer_video_autoplay":null,"logo_disabled":false,"browser_title":null,"index_grid_item_grow":false,"video_controls":false,"site":null,"published":true,"index_caption_enabled":false,"viewer_size":"L","cover_media_fit":"contain","row_description_alignment":"Center","rank":null,"slideshow_show_backstory_enabled":false,"cover_text_color":null,"cover_image_id":null,"description_content_html":null,"slideshow_transition":false,"slideshow_show_caption_enabled":true,"imagegrid_gutters":"S","text_image_enabled":false,"location":"","text_enabled":false,"video_loop":true,"link_page_url":null,"layout_direction":"column","viewer_caption_enabled":true,"imagegrid_ratio":"1:1","subtype":null,"text_media":"None","horizontalscroll_align":"Center","content_size":"Default","updated_at":"2020-04-17T01:10:40Z","viewer_image_title_enabled":true,"cta_page_id":null,"published_at":"2020-04-17T00:49:54Z","text_vertical_alignment":"Center","index_text_media_size":"M","slug":"untitled-260","image_id":null,"slideshow_ratio":"4:3","description_content":{},"horizontalscroll_layout":"Equalheight","children":null,"cover_media_navigation":false,"cover_text_size":"M","menu":null,"imagerid_viewer_enabled":true,"menu_disabled":false,"imagegrid_horizontal_align":"Justified","description_alignment":"Left"},{"move":null,"cover_media_autoplay":false,"text_columns":"One","homepage":false,"parent":null,"part_of_stacked_page":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","child_ids":["eddbd666-58ec-43a5-81ee-437e25603ca8","ca2e98e6-ba92-4bd0-a0e5-ac382bef61e9"],"alignment":"Left","set_id":null,"tag_ids":[],"order_date":"2019-05-12T05:56:26Z","title":"CONTACT","do_not_index":false,"cta_url":null,"video_autoplay":true,"stacked":true,"invert_colors":false,"menu_representation":"page","cta_label":null,"text_content1":{},"online":true,"icon":"none","parent_id":null,"type":"index","set":null,"imagegrid_caption_enabled":false,"text_media_video_url":null,"description_enabled":false,"imagegrid_columns":"L","cover_image":null,"meta_description":null,"viewer_backstory_enabled":false,"background_color":null,"text_color":null,"index_text_vertical_alignment":"Center","hide_text_in_menu":false,"tags":[],"horizontalscroll_size":"Default","path":"contact","index_text_layout":"Left","viewer_count_enabled":true,"slideshow_size":"Default","horizontal_viewer_enabled":false,"index_layout":"Grid","cta_overlay":false,"horizontalscroll_caption_enabled":false,"slidesh