{"menus":[{"grouped":false,"id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","inserted_at":"2018-07-02T13:11:58Z","items":[{"homepage":false,"id":"7ea9ca47-9e9d-4240-9929-35c9e61a6d0f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-24","position":-2147483647,"published_at":"2019-05-09T19:49:12Z","slug":"untitled-24","stacked":false,"title":"Untitled 24","type":"text"},{"homepage":false,"id":"ba5e27d3-7f5a-4dfe-a8b8-86a89b7c25fd","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-26","position":-2147483646,"published_at":"2019-05-09T19:49:12Z","slug":"untitled-26","stacked":false,"title":"Untitled 26","type":"slideshow"},{"homepage":false,"id":"e5581133-01c8-4067-bbab-9c32eabd147c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-25","position":-2147483644,"published_at":"2019-05-09T19:49:12Z","slug":"untitled-25","stacked":false,"title":"Untitled 25","type":"text"},{"homepage":false,"id":"b1bd6e11-8d74-45c4-aea6-96aed6a1955a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-190","position":-2147417856,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-190","stacked":false,"title":"Untitled 190","type":"text"},{"homepage":false,"id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","position":-2097152000,"published_at":"2019-05-09T10:23:44Z","slug":"the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","stacked":true,"title":"The British Journal of Photography, Book review by Lauren Kelly | english, 2019","type":"index"},{"homepage":false,"id":"79e63d4a-3e2e-410c-8003-f48d058c069a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019","position":-2046820352,"published_at":"2020-01-22T06:33:37Z","slug":"lensculture-book-review-by-sean-sheehan-english-2019","stacked":true,"title":"LensCulture, Book review by Sean Sheehan | english, 2019","type":"index"},{"homepage":false,"id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","position":-1979711488,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-project-from-chernobyl","stacked":true,"title":"Untitled Project from Chernobyl","type":"index"},{"homepage":false,"id":"81c8d4fe-725b-424a-a4d4-79d73624e9a9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-187","position":-1945317168,"published_at":"2019-12-12T03:57:11Z","slug":"untitled-187","stacked":false,"title":"Untitled 187","type":"image"},{"homepage":false,"id":"338af9ca-ec51-4707-96aa-be12d0e0e653","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-200","position":-1844266824,"published_at":"2019-12-12T03:57:43Z","slug":"untitled-200","stacked":false,"title":"Untitled 200","type":"text"},{"homepage":false,"id":"8b20dfab-60d4-4586-9d9b-c6ee2e4b9345","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","path":"works/apeiron","position":-1811939328,"published_at":"2019-11-27T03:25:35Z","slug":"apeiron","stacked":false,"title":"Apeiron","type":"slideshow"},{"homepage":false,"id":"9e270bcd-77a5-4469-80da-0a75b380be3d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019","position":-1744830464,"published_at":"2019-12-22T04:27:44Z","slug":"volker-sonntag-speech-about-culture-of-confrontation-english-2019","stacked":true,"title":"Volker Sonntag speech about \"Culture of Confrontation\" | english, 2019","type":"index"},{"homepage":false,"id":"b44c8160-e143-4845-93c2-e0174b1a8a28","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-203","position":-1743216480,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-203","stacked":false,"title":"Untitled 203","type":"grid"},{"homepage":false,"id":"1fe2c86b-9ef3-40bb-b677-85f5d18c2a74","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-132","position":-1728053248,"published_at":"2019-05-30T10:57:38Z","slug":"untitled-132","stacked":false,"title":"Untitled 132","type":"text"},{"homepage":false,"id":"f19c0cbd-f933-458e-8b94-aebcc98d3949","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","path":"archive/video-poetry-a-small-town","position":-1677721600,"published_at":"2019-05-09T15:54:41Z","slug":"video-poetry-a-small-town","stacked":true,"title":"Video Poetry \"A Small Town\"","type":"index"},{"homepage":false,"id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"works","position":-1528430592,"published_at":"2019-05-12T12:37:48Z","slug":"works","stacked":false,"title":"Works","type":"index"},{"homepage":false,"id":"53b7578d-467c-4474-95ed-53c7c8a86610","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","path":"works/untitled-project-from-chernobyl","position":-1476395008,"published_at":"2019-05-15T05:48:58Z","slug":"untitled-project-from-chernobyl","stacked":false,"title":"UNTITLED PROJECT from Chernobyl","type":"index"},{"homepage":false,"id":"d9b8f334-a659-491b-aad8-06f008512cdf","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","position":-1342177281,"published_at":"2019-12-22T04:07:01Z","slug":"dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","stacked":true,"title":"Dr. Katrin Burtschell speech about \"Culture of Confrontation\" | english, 2019","type":"index"},{"homepage":false,"id":"c186c3b8-cb2c-4ca4-befb-35a5b616951e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba","path":"books/culture-of-confrontation-book/untitled-114","position":-1342177280,"published_at":"2019-05-12T05:56:08Z","slug":"untitled-114","stacked":false,"title":"Untitled 114","type":"text"},{"homepage":false,"id":"e0c30cdf-1443-459b-a885-85b64507aa4d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","path":"archive/faces-of-tuberculosis","position":-1207959552,"published_at":"2019-05-17T09:45:10Z","slug":"faces-of-tuberculosis","stacked":true,"title":"Faces of Tuberculosis","type":"index"},{"homepage":false,"id":"0363095b-39b5-499a-9b2a-908c9f7ecc67","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-245","position":-1073741824,"published_at":"2020-01-22T06:23:48Z","slug":"untitled-245","stacked":false,"title":"Untitled 245","type":"text"},{"homepage":false,"id":"4b753ad2-9d2a-40f6-a149-437a8e8bfae1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-222","position":-1073741824,"published_at":"2020-01-22T01:58:41Z","slug":"untitled-222","stacked":false,"title":"Untitled 222","type":"text"},{"homepage":false,"id":"0ad351cb-489e-4a01-a57f-0d8c065b84bd","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-235","position":-1073741824,"published_at":"2020-01-22T05:18:11Z","slug":"untitled-235","stacked":false,"title":"Untitled 235","type":"text"},{"homepage":false,"id":"13c9eb55-c7f2-450d-abef-b404e5c4852a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-240","position":-1073741824,"published_at":"2020-01-22T05:42:42Z","slug":"untitled-240","stacked":false,"title":"Untitled 240","type":"text"},{"homepage":false,"id":"35b37293-cf1f-4aaf-b79b-3816ca0e4c81","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-238","position":-1073741824,"published_at":"2020-01-22T05:31:26Z","slug":"untitled-238","stacked":false,"title":"Untitled 238","type":"text"},{"homepage":false,"id":"f4e7021e-1e8f-44ab-ba13-035f2db1ac6e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-236","position":-1073741824,"published_at":"2020-01-22T05:21:35Z","slug":"untitled-236","stacked":false,"title":"Untitled 236","type":"text"},{"homepage":false,"id":"2dde6d2e-03e9-44cd-a7b9-23c697bce5e1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-250","position":-1073741824,"published_at":"2020-01-22T06:37:38Z","slug":"untitled-250","stacked":false,"title":"Untitled 250","type":"text"},{"homepage":false,"id":"10f87ba0-4be9-41a6-aeb1-7d0de7dfc528","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-237","position":-1073741824,"published_at":"2020-01-22T05:25:11Z","slug":"untitled-237","stacked":false,"title":"Untitled 237","type":"text"},{"homepage":false,"id":"812d3133-3ddc-41d5-b834-095ea1087e95","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","path":"works/inter-vitam-et-mortem","position":-1073741824,"published_at":"2019-05-15T08:17:14Z","slug":"inter-vitam-et-mortem","stacked":false,"title":"INTER VITAM ET MORTEM","type":"slideshow"},{"homepage":false,"id":"7947ee57-38af-4dc8-8c3b-28058e7bdcb2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-232","position":-1073741824,"published_at":"2020-01-22T04:53:59Z","slug":"untitled-232","stacked":false,"title":"Untitled 232","type":"text"},{"homepage":false,"id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4","path":"works/crimea-sich/documentary","position":-1073741824,"published_at":"2019-05-15T08:59:38Z","slug":"documentary","stacked":true,"title":"Documentary","type":"index"},{"homepage":false,"id":"0e463d74-9539-4477-b78d-99bd0c207250","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c76f816c-6a50-472e-af1e-912800959b13","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-234","position":-1073741824,"published_at":"2020-01-22T05:14:20Z","slug":"untitled-234","stacked":false,"title":"Untitled 234","type":"text"},{"homepage":false,"id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756","path":"exhibitions/exhibitions-history","position":-1073741824,"published_at":"2020-01-21T09:41:11Z","slug":"exhibitions-history","stacked":true,"title":"Exhibitions History","type":"index"},{"homepage":false,"id":"99c3eba8-f106-4ef5-acb5-2a4278134d2e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-191","position":-1069547520,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-191","stacked":false,"title":"Untitled 191","type":"grid"},{"homepage":false,"id":"341e0215-f1bd-4682-81e2-45bbc7a3621c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610","path":"works/untitled-project-from-chernobyl/movie-trailer-untitled-project","position":-1056964608,"published_at":"2019-12-12T04:29:02Z","slug":"movie-trailer-untitled-project","stacked":true,"title":"Movie Trailer: Untitled Project","type":"index"},{"homepage":false,"id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"books","position":-839254016,"published_at":"2019-07-28T12:08:43Z","slug":"books","stacked":false,"title":"Books","type":"index"},{"homepage":false,"id":"63655730-e34d-4be2-be69-de0cb9ede6e9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","path":"works/crimea-sich/documentary/untitled-217","position":-671088640,"published_at":"2020-01-21T02:20:47Z","slug":"untitled-217","stacked":false,"title":"Untitled 217","type":"text"},{"homepage":false,"id":"65cff99d-6fec-407c-8319-9fcba32ac756","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"submenu","parent_id":null,"path":"exhibitions","position":-556359680,"published_at":"2020-01-21T09:40:09Z","slug":"exhibitions","stacked":false,"title":"Exhibitions","type":"index"},{"homepage":false,"id":"dd9bf816-b615-4648-94d9-506f07dff3df","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"submenu","parent_id":null,"path":"publications","position":-540643328,"published_at":"2020-01-21T09:56:30Z","slug":"publications","stacked":false,"title":"Publications","type":"index"},{"homepage":false,"id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","position":-536870914,"published_at":"2019-09-23T08:54:22Z","slug":"apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","stacked":true,"title":"Apócrifa Art Magazine, Text by Eusebio Nava | spanish, 2019","type":"index"},{"homepage":false,"id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"archive","position":-367799296,"published_at":"2019-05-15T05:10:27Z","slug":"archive","stacked":false,"title":"Archive","type":"index"},{"homepage":false,"id":"ba922848-251d-42b5-bbe1-1f8f2b59c9c2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610","path":"works/untitled-project-from-chernobyl/unknown-contact-sheets","position":-134217728,"published_at":"2019-05-07T12:41:04Z","slug":"unknown-contact-sheets","stacked":false,"title":"Unknown Contact Sheets","type":"row"},{"homepage":false,"id":"bc10c9f6-8ad5-4ddc-a990-7bc0260a122d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-50","position":-134213621,"published_at":"2019-05-09T19:49:12Z","slug":"untitled-50","stacked":false,"title":"Untitled 50","type":"text"},{"homepage":false,"id":"6195a2cd-c7db-448d-815a-436c0dc10db1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-85","position":0,"published_at":"2019-05-09T10:29:23Z","slug":"untitled-85","stacked":false,"title":"Untitled 85","type":"text"},{"homepage":false,"id":"e071aa70-2e0d-47d8-bbbc-edf99c4310ea","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-84","position":0,"published_at":"2019-05-09T10:29:02Z","slug":"untitled-84","stacked":false,"title":"Untitled 84","type":"text"},{"homepage":false,"id":"ebfe7e9b-ab00-4a78-931f-f2e9f2cb95d9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d","path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-213","position":0,"published_at":"2019-12-22T04:27:48Z","slug":"untitled-213","stacked":false,"title":"Untitled 213","type":"text"},{"homepage":false,"id":"c701cec8-8364-4150-894c-b1ca22061a10","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","path":"exhibitions/exhibitions-history/untitled-218","position":0,"published_at":"2020-01-21T09:43:03Z","slug":"untitled-218","stacked":false,"title":"Untitled 218","type":"text"},{"homepage":false,"id":"4232e3f1-c03c-413c-9309-19a1822f118c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-93","position":0,"published_at":"2019-05-09T10:18:03Z","slug":"untitled-93","stacked":false,"title":"Untitled 93","type":"text"},{"homepage":false,"id":"3bf89c53-5099-46cf-8013-656904999c50","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4","path":"works/crimea-sich/photo-project","position":0,"published_at":"2019-05-12T12:53:08Z","slug":"photo-project","stacked":false,"title":"Photo project","type":"grid"},{"homepage":false,"id":"283df543-a4e6-4107-a108-893ba3bb3fba","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","path":"books/culture-of-confrontation-book","position":0,"published_at":"2019-05-12T05:56:08Z","slug":"culture-of-confrontation-book","stacked":true,"title":"Culture of Confrontation Book","type":"index"},{"homepage":false,"id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df","path":"publications/essays-interviews","position":0,"published_at":"2019-05-10T09:42:32Z","slug":"essays-interviews","stacked":false,"title":"Essays & Interviews","type":"index"},{"homepage":false,"id":"abf05ec6-0a91-47c2-a6a3-6227cbc684f1","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c76f816c-6a50-472e-af1e-912800959b13","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-81","position":0,"published_at":"2019-05-09T10:28:15Z","slug":"untitled-81","stacked":false,"title":"Untitled 81","type":"text"},{"homepage":false,"id":"0e2a5ff8-764f-4440-9481-5afe98520ac6","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-87","position":0,"published_at":"2019-05-09T10:30:55Z","slug":"untitled-87","stacked":false,"title":"Untitled 87","type":"text"},{"homepage":false,"id":"9475c78b-df67-41fa-a904-c9068be1523e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f19c0cbd-f933-458e-8b94-aebcc98d3949","path":"archive/video-poetry-a-small-town/untitled-39","position":0,"published_at":"2019-05-09T15:54:41Z","slug":"untitled-39","stacked":false,"title":"Untitled 39","type":"image"},{"homepage":false,"id":"e805174d-1d0c-4e5e-816c-84ad2b11067e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-79","position":0,"published_at":"2019-05-09T10:27:32Z","slug":"untitled-79","stacked":false,"title":"Untitled 79","type":"text"},{"homepage":false,"id":"9f8d7582-96cb-452e-ae97-fdf815c4b845","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"341e0215-f1bd-4682-81e2-45bbc7a3621c","path":"works/untitled-project-from-chernobyl/movie-trailer-untitled-project/untitled-206","position":0,"published_at":"2019-12-12T04:29:12Z","slug":"untitled-206","stacked":false,"title":"Untitled 206","type":"image"},{"homepage":false,"id":"dcea79e4-ba64-4aee-b658-065d376737f5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-82","position":0,"published_at":"2019-05-09T10:28:31Z","slug":"untitled-82","stacked":false,"title":"Untitled 82","type":"text"},{"homepage":false,"id":"2ef1788c-84db-4737-b7d4-86f8ce3e4b0f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-83","position":0,"published_at":"2019-05-09T10:08:41Z","slug":"untitled-83","stacked":false,"title":"Untitled 83","type":"text"},{"homepage":false,"id":"60970f4c-95ad-482d-aa44-0458e033680d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-92","position":0,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-92","stacked":false,"title":"Untitled 92","type":"text"},{"homepage":false,"id":"34097854-2e66-46f0-9bd2-cd7997d5165b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a","path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-249","position":0,"published_at":"2020-01-22T06:36:38Z","slug":"untitled-249","stacked":false,"title":"Untitled 249","type":"text"},{"homepage":false,"id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","path":"works/culture-of-confrontation","position":0,"published_at":"2019-05-12T12:53:00Z","slug":"culture-of-confrontation","stacked":true,"title":"Culture of Confrontation","type":"index"},{"homepage":false,"id":"191dff98-51bd-47a9-bfcf-f58d5e9fbd08","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a","path":"books/culture-of-confrontation-book-with-signed-print/untitled-196","position":0,"published_at":"2019-09-26T13:00:38Z","slug":"untitled-196","stacked":false,"title":"Untitled 196","type":"text"},{"homepage":false,"id":"b096027f-6df4-4c12-8aa8-b7445c7571f9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756","path":"exhibitions/exhibition-views","position":0,"published_at":"2019-12-20T14:26:14Z","slug":"exhibition-views","stacked":false,"title":"Exhibition Views","type":"row"},{"homepage":false,"id":"934be5f9-7021-49d4-9362-d5ebfb69a0a6","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba","path":"books/culture-of-confrontation-book/untitled-199","position":134217728,"published_at":"2019-12-23T03:24:38Z","slug":"untitled-199","stacked":false,"title":"Untitled 199","type":"grid"},{"homepage":false,"id":"f8627e0c-3b79-4bb3-a2c5-ea1df82f2a92","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-105","position":134217728,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-105","stacked":false,"title":"Untitled 105","type":"image"},{"homepage":false,"id":"f3a8cb30-895b-40ef-bffc-5e4567745f3d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-106","position":201326592,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-106","stacked":false,"title":"Untitled 106","type":"text"},{"homepage":false,"id":"645f779c-9aee-4f0b-9ac5-f74005c9b2cb","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-108","position":234881024,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-108","stacked":false,"title":"Untitled 108","type":"image"},{"homepage":false,"id":"893a8c56-d8a3-4214-bb29-c25290824f83","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","path":"works/tb-epidemic-in-ukraine","position":246693888,"published_at":"2019-05-12T12:53:23Z","slug":"tb-epidemic-in-ukraine","stacked":true,"title":"TB epidemic in Ukraine","type":"index"},{"homepage":false,"id":"1d88b5aa-e399-4403-b463-9e0b45ec1bf4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-107","position":251658240,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-107","stacked":false,"title":"Untitled 107","type":"text"},{"homepage":false,"id":"b56decc2-5b20-48d9-9ce6-27912b0f30f4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-111","position":260046848,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-111","stacked":false,"title":"Untitled 111","type":"image"},{"homepage":false,"id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","path":"works/crimea-sich","position":328925184,"published_at":"2020-02-03T14:40:26Z","slug":"crimea-sich","stacked":false,"title":"Crimea Sich","type":"index"},{"homepage":false,"id":"dffab777-5c70-408b-abcc-92fdbfbfaf12","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-179","position":337903616,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-179","stacked":false,"title":"Untitled 179","type":"slideshow"},{"homepage":false,"id":"88adc625-b88f-4a2d-a858-37cb39064e4c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"about","position":390654464,"published_at":"2019-05-08T17:54:13Z","slug":"about","stacked":true,"title":"About","type":"index"},{"homepage":false,"id":"27759c9c-1100-46b9-9d19-6f03754eb7aa","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610","path":"works/untitled-project-from-chernobyl/lost-family-album","position":536870912,"published_at":"2019-10-10T12:58:56Z","slug":"lost-family-album","stacked":false,"title":"Lost Family Album","type":"grid"},{"homepage":false,"id":"b7eab931-05c4-4e17-8fe7-33359d1c5899","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a","path":"books/culture-of-confrontation-book-with-signed-print/untitled-198","position":536870912,"published_at":"2019-12-23T03:28:18Z","slug":"untitled-198","stacked":false,"title":"Untitled 198","type":"grid"},{"homepage":false,"id":"4b38d11b-ec2d-48ee-94b6-e0174ad81ad0","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","path":"works/crimea-sich/documentary/untitled-103","position":805306368,"published_at":"2019-05-15T08:59:38Z","slug":"untitled-103","stacked":false,"title":"Untitled 103","type":"image"},{"homepage":false,"id":"09f73e6f-4e3c-4113-b8d4-57ce532cb96b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","path":"works/crimea-sich/documentary/untitled-104","position":872415232,"published_at":"2019-05-15T08:59:38Z","slug":"untitled-104","stacked":false,"title":"Untitled 104","type":"text"},{"homepage":false,"id":"0435e4ef-9a1a-46de-9a55-be21f2bf4cbd","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","path":"works/crimea-sich/documentary/untitled-117","position":939524096,"published_at":"2019-05-15T08:59:38Z","slug":"untitled-117","stacked":false,"title":"Untitled 117","type":"grid"},{"homepage":false,"id":"b40c950b-1fb3-458a-8e9b-12db33e96975","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":null,"path":"contact","position":976264192,"published_at":"2019-05-12T05:56:26Z","slug":"contact","stacked":true,"title":"Contact","type":"index"},{"homepage":false,"id":"b8d103d1-b9bf-4d66-886f-c23e5aee07c3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/slate-fr-text-by-fanny-arlandis-french-2018","position":1073741819,"published_at":"2019-05-09T10:23:38Z","slug":"slate-fr-text-by-fanny-arlandis-french-2018","stacked":true,"title":"Slate.fr, Text by Fanny Arlandis | french, 2018","type":"index"},{"homepage":false,"id":"ca57804a-8af5-49fa-a8e5-30e738290816","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019/untitled-224","position":1073741824,"published_at":"2020-01-22T03:44:28Z","slug":"untitled-224","stacked":false,"title":"Untitled 224","type":"text"},{"homepage":false,"id":"bed51e44-0273-43e9-b558-e47b9a5ec3a0","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f93a1d7b-48b9-4ae2-b335-edbde97f6233","path":"publications/essays-interviews/photogrvphy-interview-by-krystian-gerlach-english-2015/untitled-244","position":1073741824,"published_at":"2020-01-22T05:59:42Z","slug":"untitled-244","stacked":false,"title":"Untitled 244","type":"text"},{"homepage":false,"id":"965800bd-7728-4c1d-b023-6582b5c3ee9c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b1a41d0b-0462-40b8-b92a-d21de86db1a9","path":"publications/essays-interviews/hudruk-text-by-ruslan-onoprienko-russian-2016/untitled-239","position":1073741824,"published_at":"2020-01-22T05:35:01Z","slug":"untitled-239","stacked":false,"title":"Untitled 239","type":"text"},{"homepage":false,"id":"b91f140d-329b-41ef-bcde-61e10d697d7a","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","path":"books/culture-of-confrontation-book-with-signed-print","position":1073741824,"published_at":"2019-09-26T12:48:57Z","slug":"culture-of-confrontation-book-with-signed-print","stacked":true,"title":"Culture of Confrontation Book with Signed Print","type":"index"},{"homepage":false,"id":"e7fa876e-892e-429d-9e2c-56e2e8734687","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"864c29c1-607b-4099-a422-ebccd1f27da4","path":"publications/essays-interviews/the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016/untitled-241","position":1073741824,"published_at":"2020-01-22T05:46:30Z","slug":"untitled-241","stacked":false,"title":"Untitled 241","type":"text"},{"homepage":false,"id":"7c907c2e-e8f1-452d-bb72-84676845c124","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"156731b2-07cc-45bf-863c-abebfe0b58e9","path":"publications/essays-interviews/punto-de-fuga-interview-by-laura-carbonell-spanish-2018/untitled-229","position":1073741824,"published_at":"2020-01-22T04:41:42Z","slug":"untitled-229","stacked":false,"title":"Untitled 229","type":"text"},{"homepage":false,"id":"c6d4af48-0195-4438-b7eb-38120bd99f26","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018/untitled-230","position":1073741824,"published_at":"2020-01-22T04:45:03Z","slug":"untitled-230","stacked":false,"title":"Untitled 230","type":"text"},{"homepage":false,"id":"7f2ef685-d690-4854-bfbb-1c3bfb840e96","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e0c30cdf-1443-459b-a885-85b64507aa4d","path":"archive/faces-of-tuberculosis/untitled-123","position":1073741824,"published_at":"2019-05-17T12:41:04Z","slug":"untitled-123","stacked":false,"title":"Untitled 123","type":"text"},{"homepage":false,"id":"6e1c2bff-697b-4935-9c13-eea302c0f579","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"5d880632-3446-4eed-8fd2-a07a2f03af07","path":"publications/essays-interviews/onet-kultura-text-by-alan-rynkiewicz-polish-2018/untitled-228","position":1073741824,"published_at":"2020-01-22T04:33:45Z","slug":"untitled-228","stacked":false,"title":"Untitled 228","type":"text"},{"homepage":false,"id":"4ef91bfc-2edb-42d5-a941-eb8bf81ab8e6","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f19c0cbd-f933-458e-8b94-aebcc98d3949","path":"archive/video-poetry-a-small-town/untitled-40","position":1073741824,"published_at":"2019-05-09T15:54:41Z","slug":"untitled-40","stacked":false,"title":"Untitled 40","type":"text"},{"homepage":false,"id":"b36196cd-fd15-42ef-9366-bdbf3764befa","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d9b8f334-a659-491b-aad8-06f008512cdf","path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019/untitled-223","position":1073741824,"published_at":"2020-01-22T02:05:31Z","slug":"untitled-223","stacked":false,"title":"Untitled 223","type":"text"},{"homepage":false,"id":"9b5129f6-0960-406b-a6da-4fdd7f509c13","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b8d103d1-b9bf-4d66-886f-c23e5aee07c3","path":"publications/essays-interviews/slate-fr-text-by-fanny-arlandis-french-2018/untitled-225","position":1073741824,"published_at":"2020-01-22T03:49:44Z","slug":"untitled-225","stacked":false,"title":"Untitled 225","type":"text"},{"homepage":false,"id":"0210eb11-ca9b-4ab7-bccd-c54d32b8da63","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df","path":"publications/press","position":1073741824,"published_at":"2019-05-10T16:31:46Z","slug":"press","stacked":false,"title":"Press","type":"grid"},{"homepage":false,"id":"bb74e192-3249-45b2-9885-171a0c708739","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"015334e4-131b-42e7-b79f-ecd5f36df0e7","path":"publications/essays-interviews/lensculture-interview-by-alexander-strecker-english-2015/untitled-243","position":1073741824,"published_at":"2020-01-22T05:55:03Z","slug":"untitled-243","stacked":false,"title":"Untitled 243","type":"text"},{"homepage":false,"id":"54f8ea43-47e2-45b2-888f-aa43c0768696","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a","path":"books/culture-of-confrontation-book-with-signed-print/untitled-197","position":1073741824,"published_at":"2019-09-26T13:01:16Z","slug":"untitled-197","stacked":false,"title":"Untitled 197","type":"image"},{"homepage":false,"id":"0a10eb0b-2869-4fc9-a9cf-d57b7535fd8e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e772fa9-9496-43dd-9075-a41903e3d5e3","path":"publications/essays-interviews/bird-in-flight-interview-by-eugene-safonov-english-2014/untitled-247","position":1073741824,"published_at":"2020-01-22T06:25:55Z","slug":"untitled-247","stacked":false,"title":"Untitled 247","type":"text"},{"homepage":false,"id":"5b50e5b0-02d2-4e87-953d-773ab43cc78f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015/untitled-242","position":1073741824,"published_at":"2020-01-22T05:48:38Z","slug":"untitled-242","stacked":false,"title":"Untitled 242","type":"text"},{"homepage":false,"id":"276a722e-8edc-410c-b153-f3efd3528424","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019/untitled-221","position":1073741824,"published_at":"2020-01-21T11:10:44Z","slug":"untitled-221","stacked":false,"title":"Untitled 221","type":"text"},{"homepage":false,"id":"50f41e4a-fcca-460e-bf98-71a016cdfc50","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"4f9efa74-6aa8-4140-aa44-abe12586fa04","path":"publications/essays-interviews/fotopolis-interview-by-julia-kaczorowska-polish-2016/untitled-233","position":1073741824,"published_at":"2020-01-22T04:57:32Z","slug":"untitled-233","stacked":false,"title":"Untitled 233","type":"text"},{"homepage":false,"id":"29a5d832-8e00-4e30-8acf-1d3fcb9d06e2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a84bb198-654c-44de-8b9f-25ac9b0ba405","path":"publications/essays-interviews/the-new-york-times-text-by-matthew-sedacca-english-2018/untitled-227","position":1073741824,"published_at":"2020-01-22T04:27:33Z","slug":"untitled-227","stacked":false,"title":"Untitled 227","type":"text"},{"homepage":false,"id":"a52645d6-3601-452b-a7b0-f689645e837f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"88adc625-b88f-4a2d-a858-37cb39064e4c","path":"about/untitled-219","position":1073741824,"published_at":"2020-01-21T10:10:54Z","slug":"untitled-219","stacked":false,"title":"Untitled 219","type":"text"},{"homepage":false,"id":"fa5bfcdf-69ab-4ca3-a4dc-488ed2096ec3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2cd818e2-55bb-4bd5-884f-cf32a7415df5","path":"publications/essays-interviews/szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017/untitled-231","position":1073741824,"published_at":"2020-01-22T04:50:33Z","slug":"untitled-231","stacked":false,"title":"Untitled 231","type":"text"},{"homepage":false,"id":"bbae556d-3ffc-4b2b-bb6b-4be825846b15","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-44","position":1207959552,"published_at":"2019-05-11T16:30:31Z","slug":"untitled-44","stacked":false,"title":"Untitled 44","type":"grid"},{"homepage":false,"id":"c751f417-5a4b-429f-9ffd-a7d9145d6597","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","path":"works/uman-rosh-hashana","position":1238204416,"published_at":"2019-05-12T12:53:14Z","slug":"uman-rosh-hashana","stacked":false,"title":"Uman Rosh Hashana","type":"row"},{"homepage":false,"id":"5f5f6fda-a6e3-44cc-8598-72a2dbc485ad","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-131","position":1258291200,"published_at":"2019-05-30T10:32:57Z","slug":"untitled-131","stacked":false,"title":"Untitled 131","type":"text"},{"homepage":false,"id":"7a8c3a14-bc73-4002-b135-6838b80749c4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-48","position":1275068416,"published_at":"2019-05-11T16:30:31Z","slug":"untitled-48","stacked":false,"title":"Untitled 48","type":"text"},{"homepage":false,"id":"7ba2b8f7-e120-4131-b1a1-e05d78bd6820","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610","path":"works/untitled-project-from-chernobyl/repercussion","position":1342177280,"published_at":"2020-02-19T01:51:52Z","slug":"repercussion","stacked":false,"title":"Repercussion","type":"row"},{"homepage":false,"id":"b942cfaf-c42e-4c93-8dcd-f03cc3ec55ea","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-49","position":1342177280,"published_at":"2019-05-11T16:30:31Z","slug":"untitled-49","stacked":false,"title":"Untitled 49","type":"grid"},{"homepage":false,"id":"d4742f50-a37f-4a2c-ae27-540dd67c1e29","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","path":"works/crimea-sich/documentary/untitled-122","position":1476395008,"published_at":"2019-05-15T08:59:38Z","slug":"untitled-122","stacked":false,"title":"Untitled 122","type":"text"},{"homepage":false,"id":"eddbd666-58ec-43a5-81ee-437e25603ca8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b40c950b-1fb3-458a-8e9b-12db33e96975","path":"contact/untitled-253","position":1610612736,"published_at":"2020-03-13T03:48:41Z","slug":"untitled-253","stacked":false,"title":"Untitled 253","type":"text"},{"homepage":false,"id":"203ae947-ef39-43be-b845-ed160836e4f2","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a84bb198-654c-44de-8b9f-25ac9b0ba405","path":"publications/essays-interviews/the-new-york-times-text-by-matthew-sedacca-english-2018/untitled-75","position":1610612736,"published_at":"2019-05-09T10:38:50Z","slug":"untitled-75","stacked":false,"title":"Untitled 75","type":"text"},{"homepage":false,"id":"c054023b-89d5-4ad9-8c16-bf869a488302","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"2cd818e2-55bb-4bd5-884f-cf32a7415df5","path":"publications/essays-interviews/szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017/untitled-78","position":1610612736,"published_at":"2019-05-09T10:27:12Z","slug":"untitled-78","stacked":false,"title":"Untitled 78","type":"text"},{"homepage":false,"id":"1905a28e-91e8-4e90-ae98-6f65d5497b50","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"864c29c1-607b-4099-a422-ebccd1f27da4","path":"publications/essays-interviews/the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016/untitled-88","position":1610612736,"published_at":"2019-05-09T10:31:15Z","slug":"untitled-88","stacked":false,"title":"Untitled 88","type":"text"},{"homepage":false,"id":"f4f807cb-c35f-4f2a-8d28-54de50b75613","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018/untitled-77","position":1610612736,"published_at":"2019-05-09T10:41:40Z","slug":"untitled-77","stacked":false,"title":"Untitled 77","type":"text"},{"homepage":false,"id":"d52b7564-a20d-4b49-8c3e-f4a20d688763","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"156731b2-07cc-45bf-863c-abebfe0b58e9","path":"publications/essays-interviews/punto-de-fuga-interview-by-laura-carbonell-spanish-2018/untitled-76","position":1610612736,"published_at":"2019-05-09T10:41:22Z","slug":"untitled-76","stacked":false,"title":"Untitled 76","type":"text"},{"homepage":false,"id":"e7915cd2-aa00-49d6-9723-31085cb1ee67","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"9e772fa9-9496-43dd-9075-a41903e3d5e3","path":"publications/essays-interviews/bird-in-flight-interview-by-eugene-safonov-english-2014/untitled-94","position":1610612736,"published_at":"2019-05-09T10:35:38Z","slug":"untitled-94","stacked":false,"title":"Untitled 94","type":"text"},{"homepage":false,"id":"ddb061cf-eb82-47fe-84ce-f05cb962fe56","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"4f9efa74-6aa8-4140-aa44-abe12586fa04","path":"publications/essays-interviews/fotopolis-interview-by-julia-kaczorowska-polish-2016/untitled-80","position":1610612736,"published_at":"2019-05-09T10:27:51Z","slug":"untitled-80","stacked":false,"title":"Untitled 80","type":"text"},{"homepage":false,"id":"291a14cc-a151-404b-a7ab-88c32b68437c","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"5d880632-3446-4eed-8fd2-a07a2f03af07","path":"publications/essays-interviews/onet-kultura-text-by-alan-rynkiewicz-polish-2018/untitled-74","position":1610612736,"published_at":"2019-05-09T10:24:14Z","slug":"untitled-74","stacked":false,"title":"Untitled 74","type":"text"},{"homepage":false,"id":"5c68e29b-a409-4279-ac6e-6931ddaa4ce3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d9b8f334-a659-491b-aad8-06f008512cdf","path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019/untitled-212","position":1610612736,"published_at":"2019-12-22T04:07:04Z","slug":"untitled-212","stacked":false,"title":"Untitled 212","type":"text"},{"homepage":false,"id":"f39e24b9-4474-4c11-a73c-764f8ca45b2b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019/untitled-51","position":1610612736,"published_at":"2019-05-09T10:23:44Z","slug":"untitled-51","stacked":false,"title":"Untitled 51","type":"text"},{"homepage":false,"id":"cb72e9ee-66a6-4992-b57c-c9786a685d26","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"015334e4-131b-42e7-b79f-ecd5f36df0e7","path":"publications/essays-interviews/lensculture-interview-by-alexander-strecker-english-2015/untitled-90","position":1610612736,"published_at":"2019-05-09T10:31:57Z","slug":"untitled-90","stacked":false,"title":"Untitled 90","type":"text"},{"homepage":false,"id":"f5302794-192d-42a3-b2ac-cde4a56b8532","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b1a41d0b-0462-40b8-b92a-d21de86db1a9","path":"publications/essays-interviews/hudruk-text-by-ruslan-onoprienko-russian-2016/untitled-86","position":1610612736,"published_at":"2019-05-09T10:30:12Z","slug":"untitled-86","stacked":false,"title":"Untitled 86","type":"text"},{"homepage":false,"id":"991ab322-85b8-4a6e-9310-54a6c1b332dc","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019/untitled-194","position":1610612736,"published_at":"2019-09-23T08:56:47Z","slug":"untitled-194","stacked":false,"title":"Untitled 194","type":"text"},{"homepage":false,"id":"63f7a82d-2e26-4494-a95a-350594d123fe","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba","path":"books/culture-of-confrontation-book/untitled-193","position":1610612736,"published_at":"2019-09-22T12:02:07Z","slug":"untitled-193","stacked":false,"title":"Untitled 193","type":"image"},{"homepage":false,"id":"b92d7434-9679-4ca9-b693-946be3ca310b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"f93a1d7b-48b9-4ae2-b335-edbde97f6233","path":"publications/essays-interviews/photogrvphy-interview-by-krystian-gerlach-english-2015/untitled-91","position":1610612736,"published_at":"2019-05-09T10:32:18Z","slug":"untitled-91","stacked":false,"title":"Untitled 91","type":"text"},{"homepage":false,"id":"00462b19-2203-4bc2-8dbd-04901813ac50","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015/untitled-89","position":1610612736,"published_at":"2019-05-09T10:31:23Z","slug":"untitled-89","stacked":false,"title":"Untitled 89","type":"text"},{"homepage":false,"id":"f3ce76da-852b-41fe-a3e8-bf3f000696c9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"b8d103d1-b9bf-4d66-886f-c23e5aee07c3","path":"publications/essays-interviews/slate-fr-text-by-fanny-arlandis-french-2018/untitled-226","position":1610612736,"published_at":"2020-01-22T03:57:30Z","slug":"untitled-226","stacked":false,"title":"Untitled 226","type":"text"},{"homepage":false,"id":"7c31f51d-65b6-450d-9873-fba02f0d74fb","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"e0c30cdf-1443-459b-a885-85b64507aa4d","path":"archive/faces-of-tuberculosis/untitled-124","position":1610612736,"published_at":"2019-05-17T12:51:14Z","slug":"untitled-124","stacked":false,"title":"Untitled 124","type":"grid"},{"homepage":false,"id":"bba1322c-cc7f-4f47-b2b6-e2d495f604e8","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-128","position":1744830464,"published_at":"2019-05-30T10:22:15Z","slug":"untitled-128","stacked":false,"title":"Untitled 128","type":"text"},{"homepage":false,"id":"f046f9f6-9a08-4166-8e2d-43903c629990","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-201","position":1745354752,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-201","stacked":false,"title":"Untitled 201","type":"grid"},{"homepage":false,"id":"5d880632-3446-4eed-8fd2-a07a2f03af07","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/onet-kultura-text-by-alan-rynkiewicz-polish-2018","position":1879048182,"published_at":"2019-05-09T10:24:14Z","slug":"onet-kultura-text-by-alan-rynkiewicz-polish-2018","stacked":true,"title":"Onet Kultura, Text by Alan Rynkiewicz | polish, 2018","type":"index"},{"homepage":false,"id":"4015c7f1-fdad-4066-abab-b0ce282c0a2f","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ad53afc8-6d43-40fc-a93d-f9e542b55a72","path":"publications/essays-interviews/scena9-interview-by-ioana-cirlig-romanian-2018/untitled-220","position":1879048192,"published_at":"2020-01-21T10:34:54Z","slug":"untitled-220","stacked":false,"title":"Untitled 220","type":"text"},{"homepage":false,"id":"8d656e45-2cc6-494b-848b-12b796e733ce","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","path":"works/crimea-sich/documentary/untitled-121","position":1879048192,"published_at":"2019-05-15T08:59:38Z","slug":"untitled-121","stacked":false,"title":"Untitled 121","type":"grid"},{"homepage":false,"id":"7595c850-d9b5-4267-a1fd-220506203395","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-33","position":1879048203,"published_at":"2019-05-09T19:49:12Z","slug":"untitled-33","stacked":false,"title":"Untitled 33","type":"grid"},{"homepage":false,"id":"9c192508-ff26-4fa8-8de5-3caa3687a985","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-129","position":1946157056,"published_at":"2019-05-30T10:23:04Z","slug":"untitled-129","stacked":false,"title":"Untitled 129","type":"image"},{"homepage":false,"id":"06fd164f-4db9-47fb-a574-45835390ff98","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-202","position":1946419200,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-202","stacked":false,"title":"Untitled 202","type":"grid"},{"homepage":false,"id":"2d2c50a5-b198-4b59-862d-5acdb9bccfc4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-204","position":1971552256,"published_at":"2019-12-05T00:23:25Z","slug":"untitled-204","stacked":false,"title":"Untitled 204","type":"grid"},{"homepage":false,"id":"e42ac5ab-cbad-4543-b6fa-68716fe21b64","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-109","position":1979711488,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-109","stacked":false,"title":"Untitled 109","type":"text"},{"homepage":false,"id":"a84bb198-654c-44de-8b9f-25ac9b0ba405","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/the-new-york-times-text-by-matthew-sedacca-english-2018","position":2013265915,"published_at":"2019-05-09T10:38:50Z","slug":"the-new-york-times-text-by-matthew-sedacca-english-2018","stacked":true,"title":"The New York Times, Text by Matthew Sedacca | english, 2018","type":"index"},{"homepage":false,"id":"7c8d12dd-8428-4d7e-a34a-765a8afa1482","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"ad53afc8-6d43-40fc-a93d-f9e542b55a72","path":"publications/essays-interviews/scena9-interview-by-ioana-cirlig-romanian-2018/untitled-7","position":2013265920,"published_at":"2019-05-09T10:23:28Z","slug":"untitled-7","stacked":false,"title":"Untitled 7","type":"text"},{"homepage":false,"id":"c3b62569-f4de-4165-bf1f-485e49abab5d","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-126","position":2013265931,"published_at":"2019-05-30T10:10:22Z","slug":"untitled-126","stacked":false,"title":"Untitled 126","type":"text"},{"homepage":false,"id":"6e3c5619-591a-40c3-a16b-70835d523c16","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-113","position":2021654528,"published_at":"2019-05-09T19:47:06Z","slug":"untitled-113","stacked":false,"title":"Untitled 113","type":"image"},{"homepage":false,"id":"3e1739a1-f424-47f8-bc54-d1d8b36da53b","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-130","position":2046820352,"published_at":"2019-05-30T10:24:04Z","slug":"untitled-130","stacked":false,"title":"Untitled 130","type":"text"},{"homepage":false,"id":"53c19eab-7736-4d30-ab1e-9e13a58ab355","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-178","position":2059517952,"published_at":"2019-12-16T04:38:39Z","slug":"untitled-178","stacked":false,"title":"Untitled 178","type":"grid"},{"homepage":false,"id":"156731b2-07cc-45bf-863c-abebfe0b58e9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/punto-de-fuga-interview-by-laura-carbonell-spanish-2018","position":2080374781,"published_at":"2019-05-09T10:41:22Z","slug":"punto-de-fuga-interview-by-laura-carbonell-spanish-2018","stacked":true,"title":"PUNTO de FUGA, Interview by Laura Carbonell | spanish, 2018","type":"index"},{"homepage":false,"id":"5358b624-c3fe-4beb-9efa-4ad0051cc996","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-195","position":2080374789,"published_at":"2019-09-26T12:00:57Z","slug":"untitled-195","stacked":false,"title":"Untitled 195","type":"image"},{"homepage":false,"id":"4e585d03-e4e5-4558-8d04-4e05b790d836","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83","path":"works/tb-epidemic-in-ukraine/untitled-248","position":2097152000,"published_at":"2020-01-26T01:53:02Z","slug":"untitled-248","stacked":false,"title":"Untitled 248","type":"image"},{"homepage":false,"id":"3b6357e5-1056-4cae-ad4b-1f57df97c8b9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-192","position":2103500800,"published_at":"2019-12-16T04:40:34Z","slug":"untitled-192","stacked":false,"title":"Untitled 192","type":"slideshow"},{"homepage":false,"id":"8b1c526b-bcc5-4383-ae77-5064add26066","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-205","position":2104617552,"published_at":"2019-12-16T04:47:39Z","slug":"untitled-205","stacked":false,"title":"Untitled 205","type":"grid"},{"homepage":false,"id":"20ad07b5-d01c-4678-97a7-9ca8e2a299c3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-207","position":2104703456,"published_at":"2019-12-16T05:10:37Z","slug":"untitled-207","stacked":false,"title":"Untitled 207","type":"grid"},{"homepage":false,"id":"a2e98949-004a-45f2-9be4-28594a3c89bc","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-246","position":2105540608,"published_at":"2020-01-22T06:09:18Z","slug":"untitled-246","stacked":false,"title":"Untitled 246","type":"text"},{"homepage":false,"id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018","position":2113929214,"published_at":"2019-05-09T10:41:40Z","slug":"gup-magazine-text-by-marije-popping-english-2018","stacked":true,"title":"GUP Magazine, Text by Marije Pöpping | english, 2018","type":"index"},{"homepage":false,"id":"02ecebe1-5751-4da5-bab6-d37ea4c5249e","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-208","position":2113929218,"published_at":"2019-12-19T04:17:26Z","slug":"untitled-208","stacked":false,"title":"Untitled 208","type":"text"},{"homepage":false,"id":"ad53afc8-6d43-40fc-a93d-f9e542b55a72","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/scena9-interview-by-ioana-cirlig-romanian-2018","position":2122317823,"published_at":"2019-05-09T10:23:28Z","slug":"scena9-interview-by-ioana-cirlig-romanian-2018","stacked":true,"title":"Scena9, Interview by Ioana Cîrlig | romanian, 2018","type":"index"},{"homepage":false,"id":"0002c7b7-72af-4594-ab87-26df96a1facc","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-216","position":2126093552,"published_at":"2020-02-25T17:42:34Z","slug":"untitled-216","stacked":false,"title":"Untitled 216","type":"image"},{"homepage":false,"id":"2cd818e2-55bb-4bd5-884f-cf32a7415df5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017","position":2130706431,"published_at":"2019-05-09T10:27:12Z","slug":"szeroki-kadr-interview-by-aleksander-wasyluk-polish-2017","stacked":true,"title":"Szeroki Kadr, Interview by Aleksander Wasyluk | polish, 2017","type":"index"},{"homepage":false,"id":"27a49e09-8a0b-4ebe-a822-82ddd5531028","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-209","position":2130706433,"published_at":"2019-12-19T04:18:48Z","slug":"untitled-209","stacked":false,"title":"Untitled 209","type":"image"},{"homepage":false,"id":"331c3c4f-e9d6-44a1-8614-206285596710","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-252","position":2136788600,"published_at":"2020-02-25T17:47:56Z","slug":"untitled-252","stacked":false,"title":"Untitled 252","type":"text"},{"homepage":false,"id":"a6490173-0b6a-4efa-984d-40fcc94cef13","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016","position":2139095039,"published_at":"2019-05-09T10:27:32Z","slug":"are-we-europe-text-by-mick-ter-reehorst-english-2016","stacked":true,"title":"Are We Europe, Text by Mick ter Reehorst | english, 2016","type":"index"},{"homepage":false,"id":"852737ac-b67b-4906-93b3-c573d888ba76","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-210","position":2139095040,"published_at":"2019-12-19T04:22:12Z","slug":"untitled-210","stacked":false,"title":"Untitled 210","type":"text"},{"homepage":false,"id":"4f9efa74-6aa8-4140-aa44-abe12586fa04","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/fotopolis-interview-by-julia-kaczorowska-polish-2016","position":2141192191,"published_at":"2019-05-09T10:27:51Z","slug":"fotopolis-interview-by-julia-kaczorowska-polish-2016","stacked":true,"title":"Fotopolis, Interview by Julia Kaczorowska | polish, 2016","type":"index"},{"homepage":false,"id":"c76f816c-6a50-472e-af1e-912800959b13","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","position":2143289343,"published_at":"2019-05-09T10:28:15Z","slug":"roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","stacked":true,"title":"Roads and Kingdoms, Interview by Pauline Eiferman | english, 2016","type":"index"},{"homepage":false,"id":"22d74305-2fb5-4355-9e54-893d3413e2db","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","path":"works/culture-of-confrontation/untitled-251","position":2143289344,"published_at":"2020-01-24T04:51:10Z","slug":"untitled-251","stacked":false,"title":"Untitled 251","type":"image"},{"homepage":false,"id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016","position":2145386495,"published_at":"2019-05-09T10:28:31Z","slug":"mologue-interview-by-johannes-brummer-english-2016","stacked":true,"title":"MOLOGUE, Interview by Johannes Brümmer | english, 2016","type":"index"},{"homepage":false,"id":"05901042-5860-4de2-bbc8-5c89bddf9baf","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016","position":2146435071,"published_at":"2019-05-09T10:08:41Z","slug":"divis-info-interview-by-valeria-dubova-ukrainian-2016","stacked":true,"title":"Divis.info, Interview by Valeria Dubova | ukrainian, 2016","type":"index"},{"homepage":false,"id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016","position":2146959359,"published_at":"2019-05-09T10:29:02Z","slug":"talktome-interview-by-philip-dotsenko-russian-2016","stacked":true,"title":"Talktome, Interview by Philip Dotsenko | russian, 2016","type":"index"},{"homepage":false,"id":"d83567b2-b698-417f-b1fa-c753aaf44064","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016","position":2147221503,"published_at":"2019-05-09T10:29:23Z","slug":"preset-shop-text-by-shanna-june-english-2016","stacked":true,"title":"Preset Shop, Text by Shanna June | english, 2016","type":"index"},{"homepage":false,"id":"b1a41d0b-0462-40b8-b92a-d21de86db1a9","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/hudruk-text-by-ruslan-onoprienko-russian-2016","position":2147352575,"published_at":"2019-05-09T10:30:12Z","slug":"hudruk-text-by-ruslan-onoprienko-russian-2016","stacked":true,"title":"HUDRUK, Text by Ruslan Onoprienko | russian, 2016","type":"index"},{"homepage":false,"id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016","position":2147418111,"published_at":"2019-05-09T10:30:55Z","slug":"radio-liberty-interview-by-valentin-baryshnikov-russian-2016","stacked":true,"title":"Radio Liberty, Interview by Valentin Baryshnikov | russian, 2016","type":"index"},{"homepage":false,"id":"864c29c1-607b-4099-a422-ebccd1f27da4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016","position":2147450879,"published_at":"2019-05-09T10:31:15Z","slug":"the-british-journal-of-photography-text-by-brennavan-sritharan-english-2016","stacked":true,"title":"The British Journal of Photography, Text by Brennavan Sritharan | english, 2016","type":"index"},{"homepage":false,"id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015","position":2147467263,"published_at":"2019-05-09T10:31:23Z","slug":"quesabesde-interview-by-ivan-sanchez-spanish-2015","stacked":true,"title":"Quesabesde, Interview by Ivan Sanchez | spanish, 2015","type":"index"},{"homepage":false,"id":"015334e4-131b-42e7-b79f-ecd5f36df0e7","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/lensculture-interview-by-alexander-strecker-english-2015","position":2147475455,"published_at":"2019-05-09T10:31:57Z","slug":"lensculture-interview-by-alexander-strecker-english-2015","stacked":true,"title":"LensCulture, Interview by Alexander Strecker | english, 2015","type":"index"},{"homepage":false,"id":"f93a1d7b-48b9-4ae2-b335-edbde97f6233","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/photogrvphy-interview-by-krystian-gerlach-english-2015","position":2147479551,"published_at":"2019-05-09T10:32:18Z","slug":"photogrvphy-interview-by-krystian-gerlach-english-2015","stacked":true,"title":"PHOTOGRVPHY, Interview by Krystian Gerlach | english, 2015","type":"index"},{"homepage":false,"id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015","position":2147481599,"published_at":"2019-05-09T19:47:06Z","slug":"der-spiegel-video-interview-by-rosa-thoneick-german-2015","stacked":true,"title":"Der Spiegel, Video Interview by Rosa Thoneick | german, 2015","type":"index"},{"homepage":false,"id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014","position":2147482623,"published_at":"2019-05-09T10:18:03Z","slug":"quesabesde-text-by-ivan-sanchez-spanish-2014","stacked":true,"title":"Quesabesde, Text by Ivan Sanchez | spanish, 2014","type":"index"},{"homepage":false,"id":"9e772fa9-9496-43dd-9075-a41903e3d5e3","link_page_url":null,"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","menu_representation":"page","parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","path":"publications/essays-interviews/bird-in-flight-interview-by-eugene-safonov-english-2014","position":2147483135,"published_at":"2019-05-09T10:35:38Z","slug":"bird-in-flight-interview-by-eugene-safonov-english-2014","stacked":true,"title":"Bird in Flight, Interview by Eugene Safonov | english, 2014","type":"index"}],"pages":null,"show_title":false,"site":null,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slot":1,"title":"Primary","updated_at":"2018-07-02T13:11:58Z"},{"grouped":false,"id":"c85790fe-a185-421f-bcd6-323c4acdb1e7","inserted_at":"2018-07-02T13:11:58Z","items":[],"pages":null,"show_title":false,"site":null,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slot":2,"title":"Secondary","updated_at":"2018-07-02T13:11:58Z"}],"page_id":"3bbaddb4-da23-4543-82a3-086b2adc51e6","pages":[{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-24","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"align":"right"},"insert":"\n\n"}]},"title":"Untitled 24","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"CULTURE OF CONFRONTATION"},{"attributes":{"header":2},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-2147483647,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-24T05:03:55Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"This confrontation is eternal, it started ages ago and will continue again and again. It doesn’t depend what country.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation","rank":null,"published_at":"2019-05-12T12:53:00Z","summary":{"ops":[{"insert":"2013 -2014\n\nThe title Culture of Confrontation shouldn’t be taken too literally. Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:03:03Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation/untitled-24","rank":null,"published_at":"2019-05-09T19:49:12Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"7ea9ca47-9e9d-4240-9929-35c9e61a6d0f","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:04:08Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"1222:813","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","filesize":538816,"height":813,"hidden":false,"id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","inserted_at":"2019-05-07T08:08:13Z","name":null,"orientation":"Landscape","original_filename":"0010_DOM_2014_01_22_EM14914.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2130706432,"set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-07T08:52:33Z","weight":3,"width":1222},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-26","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"slideshow","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","description_enabled":false,"content_size_type_text":true,"description_content_html":null,"text_content2":{},"title":"Untitled 26","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":true,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-2147483646,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-20T07:57:01Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"This confrontation is eternal, it started ages ago and will continue again and again. It doesn’t depend what country.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation","rank":null,"published_at":"2019-05-12T12:53:00Z","summary":{"ops":[{"insert":"2013 -2014\n\nThe title Culture of Confrontation shouldn’t be taken too literally. Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:03:03Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation/untitled-26","rank":null,"published_at":"2019-05-09T19:49:12Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"ba5e27d3-7f5a-4dfe-a8b8-86a89b7c25fd","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Full","text_color":null,"menu_representation":"page","cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:07:24Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-25","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"insert":"On the Maidan, at some point, the emotions for me took on an almost abstract, or universal character. The battles on the streets appeared almost unreal, as though occurring in some medieval fable or legend. Visually my photos broke away from the specific context that this was all happening in Ukraine, in my hometown. What I tried to capture was the more abstract, universal conflict that was playing out, between light and shadow, between the thick black smoke and whiteness of the February snow, and in some sense between good and evil, though it was often impossible to tell which side was which."},{"attributes":{"align":"justify"},"insert":"\n"},{"insert":"\nFrom the beginning the revolution felt like a performance, with scenes of carnage interweaving with incredible beauty. In that sense I think I did manage to remain objective, to remain impartial, while still feeling and expressing all the powerful emotions that were playing out. Through my photos I showed the scale of all that was happening, and in the process the line between reality and fiction sometimes became blurred. I would forget the place, time and the cause of what was happening, and felt transported to some phantasmagoric place that resembled the awful battles of past wars. In that sense, what happened on the Maidan became a symbol to me of opposites colliding."},{"attributes":{"align":"justify"},"insert":"\n"}]},"title":"Untitled 25","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"The title Culture of Confrontation shouldn’t be taken too literally. Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014."},{"attributes":{"align":"justify"},"insert":"\n"},{"insert":"\nWinter 2014 changed Ukraine. Three months of bloody clashes, tears, fear, Molotov cocktails, burning car tires and deaths. Ukrainian revolution brought a new spirit, changed people and their minds, people became one organism that fights with great passion and intensity for its human rights. Project Culture of Confrontation was a turning point in my life. Maidan changed me and my perception of photography."},{"attributes":{"align":"justify"},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-2147483644,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-24T05:03:55Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"This confrontation is eternal, it started ages ago and will continue again and again. It doesn’t depend what country.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation","rank":null,"published_at":"2019-05-12T12:53:00Z","summary":{"ops":[{"insert":"2013 -2014\n\nThe title Culture of Confrontation shouldn’t be taken too literally. Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:03:03Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation/untitled-25","rank":null,"published_at":"2019-05-09T19:49:12Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"e5581133-01c8-4067-bbab-9c32eabd147c","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:04:36Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-190","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":"https://maximdondyuk.com/works/untitled-project-from-chernobyl/repercussion","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"}]},"title":"Untitled 190","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"color":"#000000"},"insert":"UNTITLED PROJECT"},{"attributes":{"header":1},"insert":"\n"},{"insert":"from Chernobyl"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\n"},{"attributes":{"bold":true,"color":"#000000"},"insert":"Movie Trailer:"},{"attributes":{"color":"#000000"},"insert":" "},{"attributes":{"color":"#000000","link":"https://maximdondyuk.com/works/untitled-project-from-chernobyl/movie-trailer-untitled-project"},"insert":"Untitled Project"},{"insert":"\n"},{"attributes":{"bold":true,"color":"#000000"},"insert":"I:"},{"attributes":{"color":"#000000"},"insert":" "},{"attributes":{"color":"#000000","link":"https://maximdondyuk.com/works/untitled-project-from-chernobyl/unknown-contact-sheets"},"insert":"Unknown Contact Sheets"},{"insert":"\n"},{"attributes":{"bold":true,"color":"#000000"},"insert":"II:"},{"attributes":{"color":"#000000"},"insert":" "},{"attributes":{"color":"#000000","link":"https://maximdondyuk.com/works/untitled-project-from-chernobyl/lost-family-album"},"insert":"Lost Family Album"},{"insert":"\n"},{"attributes":{"bold":true,"color":"#000000"},"insert":"III:"},{"attributes":{"color":"#000000"},"insert":" "},{"attributes":{"color":"#000000","link":"https://maximdondyuk.com/works/untitled-project-from-chernobyl/repercussion"},"insert":"Repercussion"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-2147417856,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:22:40Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled Project from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1979711488,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:02:56Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{"ops":[{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n\nThis project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-06T11:20:25Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-190","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b1bd6e11-8d74-45c4-aea6-96aed6a1955a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-14T08:30:53Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"The British Journal of Photography, Book review by Lauren Kelly | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-2097152000,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:23:05Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"essays-interviews","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Portrait","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Essays & Interviews","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-27T04:19:05Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews","rank":null,"published_at":"2019-05-10T09:42:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Right","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T08:52:11Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/the-british-journal-of-photography-book-review-by-lauren-kelly-english-2019","rank":null,"published_at":"2019-05-09T10:23:44Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["276a722e-8edc-410c-b153-f3efd3528424","f39e24b9-4474-4c11-a73c-764f8ca45b2b"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"ef4eab8d-6025-4672-83ef-a6b6d0b94c31","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T09:40:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"lensculture-book-review-by-sean-sheehan-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"LensCulture, Book review by Sean Sheehan | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-2046820352,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T06:23:21Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"essays-interviews","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Portrait","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Essays & Interviews","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-27T04:19:05Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews","rank":null,"published_at":"2019-05-10T09:42:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Right","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T08:52:11Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019","rank":null,"published_at":"2020-01-22T06:33:37Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":["2dde6d2e-03e9-44cd-a7b9-23c697bce5e1","34097854-2e66-46f0-9bd2-cd7997d5165b"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"79e63d4a-3e2e-410c-8003-f48d058c069a","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T06:33:37Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled Project from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1979711488,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:02:56Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"UNTITLED PROJECT from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1476395008,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl","rank":null,"published_at":"2019-05-15T05:48:58Z","summary":{"ops":[{"insert":"2016 - in progress\n\nNowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts. This project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"L","id":"53b7578d-467c-4474-95ed-53c7c8a86610","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Center","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","image_id":"66a9daee-2ad6-4eda-a321-b7a6ed070f02","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T13:17:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{"ops":[{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n\nThis project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["b1bd6e11-8d74-45c4-aea6-96aed6a1955a","81c8d4fe-725b-424a-a4d4-79d73624e9a9","338af9ca-ec51-4707-96aa-be12d0e0e653","b44c8160-e143-4845-93c2-e0174b1a8a28","99c3eba8-f106-4ef5-acb5-2a4278134d2e","dffab777-5c70-408b-abcc-92fdbfbfaf12","f046f9f6-9a08-4166-8e2d-43903c629990","06fd164f-4db9-47fb-a574-45835390ff98","2d2c50a5-b198-4b59-862d-5acdb9bccfc4","53c19eab-7736-4d30-ab1e-9e13a58ab355","3b6357e5-1056-4cae-ad4b-1f57df97c8b9","8b1c526b-bcc5-4383-ae77-5064add26066","20ad07b5-d01c-4678-97a7-9ca8e2a299c3","0002c7b7-72af-4594-ab87-26df96a1facc","331c3c4f-e9d6-44a1-8614-206285596710"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-06T11:20:25Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-187","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"image","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 187","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1945317168,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:03:05Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled Project from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1979711488,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:02:56Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{"ops":[{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n\nThis project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-06T11:20:25Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},"background_color":null,"image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"a236c8c5-89c8-472f-9c77-756c00bdd134.jpg","filesize":1470681,"height":2000,"hidden":false,"id":"a236c8c5-89c8-472f-9c77-756c00bdd134","inserted_at":"2020-03-25T06:02:39Z","name":"","orientation":"Landscape","original_filename":"+Untitled Project 07.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483646,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a236c8c5-89c8-472f-9c77-756c00bdd134.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2020-03-25T06:02:39Z","weight":3,"width":3000},"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-187","rank":null,"published_at":"2019-12-12T03:57:11Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"81c8d4fe-725b-424a-a4d4-79d73624e9a9","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"Full","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"a236c8c5-89c8-472f-9c77-756c00bdd134","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-12T03:57:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-200","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"insert":"But over time I discovered that these houses, like museums, stored so many memorable things, which all this time were just rotting under a thick layer of trash and mud: old films, family photographs, postcards, letters. The more time went on, the less memories of people, who inhabited that lands, remained. "},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"Looters took everything that was worth at least something, except these historical objects. I couldn’t watch how a huge part of history was disappearing, all my attention was turned to an attempt to find and save these memories."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"This project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"My visual exploration of the Present led me to the Past, and the two spaces were intertwined with each other. Observing the deserted and silent landscapes of the territories that were destroyed by the nuclear energy, at the same time we are witnessing life full of happiness, hope and love. The same villages, the same houses appear to us in the state as they were before nuclear energy pushed humans out of their homes. This is the story in which Chernobyl is still an unknown city for the world. This project shows the consequences of nuclear development and the life that existed prior to this destructive force. "},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"title":"Untitled 200","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"On the day of April 27, 1986 people in cities and villages of the Chernobyl zone heard a notice of a temporary evacuation because of the \"adverse radiation situation\". For that moment not everyone understood that under that words was meant an explosion at the nuclear power plant in Prypiat. The Soviet government promised people that they would return in a few days. They didn’t allow people to take with them anything except the most necessary things, which they would need for this short period. Unfortunately, most people didn’t see their homes again, as well as such priceless things as letters, photos of relatives and friends. With time these memories were coved with a thick layer of trash, mud and radiation."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"When I crossed the border of the exclusion zone for the first time, I was fascinated: entire villages and cities were disappearing under heavy branches of trees and shrubs. The once prosperous territories now were watching me silently. My project started as a visual exploration of the abandoned areas, villages and homes."},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1844266824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:16:43Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled Project from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1979711488,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:02:56Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{"ops":[{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n\nThis project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-06T11:20:25Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-200","rank":null,"published_at":"2019-12-12T03:57:43Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"338af9ca-ec51-4707-96aa-be12d0e0e653","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-12T03:57:43Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"apeiron"},{"attributes":{"align":"right","header":1},"insert":"\n"},{"insert":"“Like a living organism, a photograph is born directly on particles of silver, which ripen, flourish at some point, and then grows old”.* The photo negatives that were lost and forgotten several decades ago in the cities and villages of Chernobyl, have been subjected over the last 30 years to very slow degradation under the influence of radiation and the elements of nature. Passing through stages of disappearance, erasure and decay, they retained the traces of evidence of bodies or things that left their mark on the photosensitive film emulsion."},{"attributes":{"align":"justify","header":5},"insert":"\n"},{"attributes":{"header":5},"insert":"\n"},{"insert":"To let go of the facts, but also to go towards the self-contradiction in representing the facts to reach a certain artistic pursuit; leaving behind the spiritual and transcendental sphere, depriving it of semantic meaning, diving on deep feelings and immersing yourself into the flow of subjective consciousness and metaphysical imagery, playing with the human eye, which ceased to read out the images as clear and accessible to it."},{"attributes":{"align":"justify","header":5},"insert":"\n"},{"attributes":{"color":"#424242"},"insert":"*Roland Barthes"},{"attributes":{"align":"right","header":5},"insert":"\n"}]},"cover_image":{"aspect_ratio":"2000:1333","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"018ad23f-573b-49bb-a75c-3c57d59b3461.jpg","filesize":1576239,"height":1333,"hidden":false,"id":"018ad23f-573b-49bb-a75c-3c57d59b3461","inserted_at":"2019-06-23T07:41:47Z","name":null,"orientation":"Landscape","original_filename":"02_pr01_FILM03_20180508_0006.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1073741818,"set_id":"dcbea3c8-63c6-445e-b5d5-08562333a777","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/018ad23f-573b-49bb-a75c-3c57d59b3461.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-07-03T18:58:17Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"apeiron","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"slideshow","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"dcbea3c8-63c6-445e-b5d5-08562333a777","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Apeiron","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Right","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":true,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1811939328,"cover_text_color":"#ffffff","index_grid_item_grow":false,"published":true,"meta_description":"“Like a living organism, a photograph is born directly on particles of silver, which ripen, flourish at some point, and then grows old”.","text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"works","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Works","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"16:9","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1528430592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:49Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works","rank":null,"published_at":"2019-05-12T12:37:48Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Top","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:04:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/apeiron","rank":null,"published_at":"2019-11-27T03:25:35Z","summary":{"ops":[{"attributes":{"color":"#000000"},"insert":"2019"},{"insert":"\n\n"},{"attributes":{"color":"#000000"},"insert":"Like a living organism, a photograph is born directly on particles of silver, which ripen, flourish at some point, and then grows old. The photo negatives that were lost and forgotten several decades ago in the cities and villages of Chernobyl, have been subjected over the last 30 years to very slow degradation under the influence of radiation and the elements of nature. Passing through stages of disappearance, erasure and decay, they retained the traces of evidence of bodies or things that left their mark on the photosensitive film emulsion. "},{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"8b20dfab-60d4-4586-9d9b-c6ee2e4b9345","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"L","text_color":null,"menu_representation":"page","cover_image_id":"018ad23f-573b-49bb-a75c-3c57d59b3461","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-11-27T03:25:35Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"volker-sonntag-speech-about-culture-of-confrontation-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Volker Sonntag speech about \"Culture of Confrontation\" | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1744830464,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T06:23:29Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"essays-interviews","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Portrait","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Essays & Interviews","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-27T04:19:05Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews","rank":null,"published_at":"2019-05-10T09:42:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Right","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T08:52:11Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019","rank":null,"published_at":"2019-12-22T04:27:44Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":["4b753ad2-9d2a-40f6-a149-437a8e8bfae1","ebfe7e9b-ab00-4a78-931f-f2e9f2cb95d9"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"9e270bcd-77a5-4469-80da-0a75b380be3d","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T04:27:44Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"16:9","asset_id":"NgVvX5RqS7p2zFOz9SVP1WaOLEoP5sz01","cover_image":true,"description":{},"duration":19,"filename":"66251fd0-5711-4d1b-9f67-ea2d7645382c.mp4","filesize":27127845,"height":720,"hidden":false,"id":"66251fd0-5711-4d1b-9f67-ea2d7645382c","inserted_at":"2019-12-04T05:37:24Z","name":null,"orientation":"Landscape","original_filename":"CUT 1.mp4","playback_id":"wJszDGEVLK02UhErDMyJoWjXEWQ2TlAMu","poster_position":0.0,"private":false,"rank":1617802980,"set_id":"6f221907-2443-4c4e-8759-d0fa5c0cd94e","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/wJszDGEVLK02UhErDMyJoWjXEWQ2TlAMu.m3u8","poster":"https://image.mux.com/wJszDGEVLK02UhErDMyJoWjXEWQ2TlAMu/thumbnail.jpg"},"status":"ready","tag_ids":[],"type":"video","updated_at":"2019-12-16T00:44:46Z","weight":3,"width":1280},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-203","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"grid","content_size":"L","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"6f221907-2443-4c4e-8759-d0fa5c0cd94e","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 203","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Irregular","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1743216480,"cover_text_color":"#ffffff","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-01-20T07:50:51Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled Project from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1979711488,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:02:56Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{"ops":[{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n\nThis project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-06T11:20:25Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-203","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"b44c8160-e143-4845-93c2-e0174b1a8a28","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"66251fd0-5711-4d1b-9f67-ea2d7645382c","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-04T06:03:45Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-132","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 132","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"TB EPIDEMIC IN UKRAINE"},{"attributes":{"header":2},"insert":"\n"},{"attributes":{"color":"#7c7c7c"},"insert":"2010 - 2012"},{"attributes":{"header":5},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1728053248,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-19T03:15:01Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"tb-epidemic-in-ukraine","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"17070529-02c7-4277-961f-87a8078e55ce","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"TB epidemic in Ukraine","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":246693888,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Every hour 4 cases of tuberculosis are recorded.\nEvery day about 30 people die from the disease.\nEach year TB kills over 10,000 people.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/tb-epidemic-in-ukraine","rank":null,"published_at":"2019-05-12T12:53:23Z","summary":{"ops":[{"insert":"2010 - 2012\n\nEvery hour 4 cases of tuberculosis are recorded.\nEvery day about 30 people die from the disease.\nEach year TB kills over 10,000 people.\n\nNowadays there is a huge danger of TB expansion. Because of the war on the East of Ukraine and annexation of the Crimea by Russia, increased the number of refuges from Crimea and Donbass, over 1,2 million of people. Thousands of tuberculosis patients on the East were left without treatment, many prisoners were released and taken to the separatists’, pro-Russian army. Because of the lack of medical treatment, medicines, devastation and poorness, the TB epidemic increases day by day in the East of Ukraine.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"893a8c56-d8a3-4214-bb29-c25290824f83","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"091920dd-3d93-45f8-9e46-9c5de2687313","image_id":"cd2db50d-4cbe-40bb-b0cf-40a4b77e3070","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-08T17:12:04Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/tb-epidemic-in-ukraine/untitled-132","rank":null,"published_at":"2019-05-30T10:57:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"1fe2c86b-9ef3-40bb-b677-85f5d18c2a74","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-30T10:57:38Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"893a8c56-d8a3-4214-bb29-c25290824f83"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"video-poetry-a-small-town","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Video Poetry \"A Small Town\"","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1677721600,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-01-24T05:44:22Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"attributes":{"align":"right"},"insert":"\n"},{"attributes":{"color":"#e8e8e8"},"insert":"2010 -"},{"attributes":{"color":"#000000"},"insert":" "},{"attributes":{"color":"#c6c6c6"},"insert":"2011 - "},{"attributes":{"color":"#a6a6a6"},"insert":"2012 -"},{"attributes":{"color":"#c6c6c6"},"insert":" "},{"attributes":{"color":"#7c7c7c"},"insert":"2013 -"},{"attributes":{"color":"#686868"},"insert":" "},{"attributes":{"color":"#424242"},"insert":"2014 "},{"attributes":{"align":"right"},"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"archive","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Archive","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Right","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Irregular","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-367799296,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:56:31Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"archive","rank":null,"published_at":"2019-05-15T05:10:27Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-15T05:10:00Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"15c015ec-7c85-463b-bec2-ad4b25b93c6d.jpg","filesize":609182,"height":720,"hidden":false,"id":"15c015ec-7c85-463b-bec2-ad4b25b93c6d","inserted_at":"2019-05-07T08:17:54Z","name":"","orientation":"Landscape","original_filename":"Без имени-1.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-201326594,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/15c015ec-7c85-463b-bec2-ad4b25b93c6d.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-09T13:29:54Z","weight":3,"width":1280},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"archive/video-poetry-a-small-town","rank":null,"published_at":"2019-05-09T15:54:41Z","summary":{"ops":[{"insert":"2012\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["9475c78b-df67-41fa-a904-c9068be1523e","4ef91bfc-2edb-42d5-a941-eb8bf81ab8e6"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"f19c0cbd-f933-458e-8b94-aebcc98d3949","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"15c015ec-7c85-463b-bec2-ad4b25b93c6d","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-08T08:54:45Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4"},{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"works","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Works","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"16:9","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1528430592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:49Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works","rank":null,"published_at":"2019-05-12T12:37:48Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":["8b20dfab-60d4-4586-9d9b-c6ee2e4b9345","53b7578d-467c-4474-95ed-53c7c8a86610","812d3133-3ddc-41d5-b834-095ea1087e95","d3cc330a-b539-4bbc-916e-cc82c8e42caa","893a8c56-d8a3-4214-bb29-c25290824f83","06de7df7-c8be-4bb9-9029-49a2bf2a1da4","c751f417-5a4b-429f-9ffd-a7d9145d6597"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Top","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:04:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"2:3","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0.jpg","filesize":736195,"height":1500,"hidden":false,"id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","inserted_at":"2019-06-01T08:04:50Z","name":null,"orientation":"Portrait","original_filename":"16_17.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483647,"set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-06-01T08:09:51Z","weight":3,"width":1000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"UNTITLED PROJECT from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1476395008,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"works","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Works","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"16:9","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1528430592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:49Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works","rank":null,"published_at":"2019-05-12T12:37:48Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Top","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:04:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"160:209","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"66a9daee-2ad6-4eda-a321-b7a6ed070f02.jpg","filesize":415739,"height":1045,"hidden":false,"id":"66a9daee-2ad6-4eda-a321-b7a6ed070f02","inserted_at":"2019-05-07T12:18:26Z","name":"","orientation":"Portrait","original_filename":"01_i02 _FILM01_20170425-0001.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483646,"set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/66a9daee-2ad6-4eda-a321-b7a6ed070f02.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-06-01T08:08:06Z","weight":3,"width":800},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl","rank":null,"published_at":"2019-05-15T05:48:58Z","summary":{"ops":[{"insert":"2016 - in progress\n\nNowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts. This project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":["a5de068b-b6de-4463-a3e2-9b2e437f0b02","341e0215-f1bd-4682-81e2-45bbc7a3621c","ba922848-251d-42b5-bbe1-1f8f2b59c9c2","27759c9c-1100-46b9-9d19-6f03754eb7aa","7ba2b8f7-e120-4131-b1a1-e05d78bd6820"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"L","id":"53b7578d-467c-4474-95ed-53c7c8a86610","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Center","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","image_id":"66a9daee-2ad6-4eda-a321-b7a6ed070f02","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T13:17:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Dr. Katrin Burtschell speech about \"Culture of Confrontation\" | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1342177281,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T06:23:43Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"essays-interviews","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Portrait","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Essays & Interviews","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-27T04:19:05Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews","rank":null,"published_at":"2019-05-10T09:42:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Right","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T08:52:11Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/dr-katrin-burtschell-speech-about-culture-of-confrontation-english-2019","rank":null,"published_at":"2019-12-22T04:07:01Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":["b36196cd-fd15-42ef-9366-bdbf3764befa","5c68e29b-a409-4279-ac6e-6931ddaa4ce3"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"d9b8f334-a659-491b-aad8-06f008512cdf","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T04:07:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-114","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"Reviews\n\n"},{"attributes":{"link":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/"},"insert":"PhotoBook Journal"},{"insert":"\n"},{"attributes":{"color":"#000000","link":"https://www.bjp-online.com/2019/12/maxim-dondyuk-culture-of-the-confrontation/"},"insert":"British Journal of Photography"},{"insert":"\n"},{"attributes":{"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"}]},"title":"Untitled 114","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"Culture of Confrontation"},{"attributes":{"color":"#000000"},"insert":" Book"},{"attributes":{"header":2},"insert":"\n"},{"attributes":{"bold":true,"color":"#af2e28","link":"https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=MKEKM29Z7D9NC"},"insert":"ORDER YOUR COPY HERE"},{"insert":"\n\nHardcover with cloth spine\nSupplemented with a map and timeline\n292 pages, 18×24 cm, text in English \nFirst edition: 500 books printed in total signed and numbered\nPrice: 100 euro + shipping\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1342177280,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-03-28T03:50:56Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation-book","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation Book","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-24T10:52:51Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book","rank":null,"published_at":"2019-05-12T05:56:08Z","summary":{"ops":[{"attributes":{"color":"#868686"},"insert":"First edition: 500 books printed in total signed and numbered"},{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"283df543-a4e6-4107-a108-893ba3bb3fba","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","image_id":"47074826-f4e3-47cd-86f6-832fefe19998","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:11:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book/untitled-114","rank":null,"published_at":"2019-05-12T05:56:08Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c186c3b8-cb2c-4ca4-befb-35a5b616951e","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-10T08:38:51Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"4429:2953","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"73f5d251-9d80-4c48-97c9-decf1872a7e4.jpg","filesize":52329636,"height":5906,"hidden":false,"id":"73f5d251-9d80-4c48-97c9-decf1872a7e4","inserted_at":"2019-12-03T03:25:10Z","name":"","orientation":"Landscape","original_filename":"@HR_pr01_FILM03_20191116_0006.tiff","playback_id":null,"poster_position":0.0,"private":false,"rank":1550843904,"set_id":"a389aa75-6e82-4ab8-8520-0ece76f42b1d","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/73f5d251-9d80-4c48-97c9-decf1872a7e4.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-03T03:25:37Z","weight":3,"width":8858},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":true,"alignment":"Left","menu_disabled":false,"type":"cover","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"a389aa75-6e82-4ab8-8520-0ece76f42b1d","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Maxim Dondyuk","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Maxim Dondyuk","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1330481268,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Visual Artist, Photographer","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"","rank":null,"published_at":"2019-07-05T12:07:47Z","summary":{},"menu_id":null,"cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"3bbaddb4-da23-4543-82a3-086b2adc51e6","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"73f5d251-9d80-4c48-97c9-decf1872a7e4","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-05T12:07:47Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"431:610","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"International Committee of the Red Cross (ICRC)"}]},"duration":0,"filename":"d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f.jpg","filesize":353662,"height":1220,"hidden":false,"id":"d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f","inserted_at":"2019-08-01T10:53:55Z","name":null,"orientation":"Portrait","original_filename":"5f11cce7-170f-4dfc-9df2-8f2152197d49.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"53e4f578-d8bb-476a-9a56-8c3e68cdf996","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-01T11:32:13Z","weight":3,"width":862},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"unngo-portfolio","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"53e4f578-d8bb-476a-9a56-8c3e68cdf996","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"UN/NGO Portfolio","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1325917009,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":{"aspect_ratio":"863:1220","asset_id":null,"cover_image":false,"description":{"ops":[{"insert":"World Health Organization (WHO)"}]},"duration":0,"filename":"f4daf074-18a3-4b05-8b20-566ac594efe2.jpg","filesize":151018,"height":1220,"hidden":false,"id":"f4daf074-18a3-4b05-8b20-566ac594efe2","inserted_at":"2019-08-01T10:54:01Z","name":null,"orientation":"Portrait","original_filename":"87ea959f-b4ad-466c-b229-6106bad8816c.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1879048192,"set_id":"53e4f578-d8bb-476a-9a56-8c3e68cdf996","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/f4daf074-18a3-4b05-8b20-566ac594efe2.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-01T11:31:15Z","weight":3,"width":863},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"unngo-portfolio","rank":null,"published_at":"2019-08-02T12:58:09Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["5fb28ba2-4a84-464f-bd6e-6b866363ca7d","dda938d9-bdf5-4922-82f9-a9fa4d162711","02569cf6-1375-4944-a3ba-9add247e12f5","1c35e6f4-d299-4026-9085-f42af3e422d6","ee7c0a41-0118-49f7-a5c1-a415c0391f6f","acded8d9-81fa-4a83-87e6-29d76ca50e28","65a6c7b5-a06e-488c-b2f4-46d8741232c2","b0903f4a-8a03-4170-8e08-ac25af078ede","07292af8-7c05-4b51-b895-4dd5c6cfc64a","40e28273-c523-4522-934f-683c147707fd","10e58799-2de8-4447-88aa-c9519af3c29d","47024cb1-1d0b-43d3-8d81-3ee5b800b547","5cc8e665-d91d-4919-8066-c5e2abeffe48","22e852bd-a6f8-400a-a910-b50b78a14353","3292441e-b0c7-4d9a-807b-5f2f9f792ddb","4f46af5b-d9e5-4569-a0ab-0d68bcfc20b9","858b5877-3933-4212-b782-f2bcc8f72c5a","2ee32bdc-f21e-40b1-aeda-9c0f7017743e","f4a47f32-35a9-420c-b787-9f81d8939895","70c29514-fe8b-42ff-b7e6-ae13e1f45473","da0caef0-4274-448b-a26d-6d88ade03298","0a29f271-4ca5-4c1d-957e-e12ad715480b","6f6cb74e-c6c9-4d5a-83bc-4bd0ab195a61","7456b3ef-789d-484a-a5ee-dcae95fc42aa"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"dadb3008-4aaa-413a-9a12-3f0ad3b98b67","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f","image_id":"f4daf074-18a3-4b05-8b20-566ac594efe2","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-02T12:58:09Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"artist-statement","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"ARTIST STATEMENT","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1321352750,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"artist-statement","rank":null,"published_at":"2019-07-03T19:25:33Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["41c20381-fdbc-4a04-adfc-074738179675"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"bd109835-0ef8-431e-b929-dce95d2c5cf1","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-03T19:25:33Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"WARUKRAINE"},{"attributes":{"header":1},"insert":"\n"},{"insert":"\nThe War in Donbass is an armed conflict in the Donbass region of Ukraine. From the beginning of March 2014, protests by pro-Russian and anti-government groups took place in the Donetsk and Luhansk oblasts of Ukraine, commonly collectively called the \"Donbass\", in the aftermath of the 2014 Ukrainian revolution and the Euromaidan movement. These demonstrations, which followed the annexation of Crimea by the Russian Federation (February to March 2014), and which were part of a wider group of concurrent pro-Russian protests across southern and eastern Ukraine, escalated into an armed conflict between the separatist forces of the self-declared Donetsk and Luhansk People's Republics (DPR and LPR respectively), and the Ukrainian government. In the Donetsk People's Republic, from May 2014 until a change of the top leadership in August 2014, some of the top leaders were Russian citizens. According to the Ukrainian government, at the height of the conflict in mid-2014, Russian paramilitaries were reported to make up between 15% to 80% of the combatants.\n"}]},"cover_image":{"aspect_ratio":"611:408","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"30e655aa-127a-4757-a35e-6681b7e3b943.jpg","filesize":392353,"height":816,"hidden":false,"id":"30e655aa-127a-4757-a35e-6681b7e3b943","inserted_at":"2019-05-08T17:36:17Z","name":null,"orientation":"Landscape","original_filename":"0005_03_DOM_2017_01_14_0019.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-268435460,"set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/30e655aa-127a-4757-a35e-6681b7e3b943.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-07-26T09:20:11Z","weight":3,"width":1222},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"warukraine","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"WARUKRAINE","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1298531455,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":{"aspect_ratio":"611:408","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"30e655aa-127a-4757-a35e-6681b7e3b943.jpg","filesize":392353,"height":816,"hidden":false,"id":"30e655aa-127a-4757-a35e-6681b7e3b943","inserted_at":"2019-05-08T17:36:17Z","name":null,"orientation":"Landscape","original_filename":"0005_03_DOM_2017_01_14_0019.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-268435460,"set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/30e655aa-127a-4757-a35e-6681b7e3b943.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-07-26T09:20:11Z","weight":3,"width":1222},"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine","rank":null,"published_at":"2019-07-28T10:31:21Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":["6c493860-a519-427c-89d2-1c2127c407b5","34efcebb-b5e7-4fc8-befd-110c27c2b067","6c92f458-4f8d-419f-8091-afde6ba77752"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6625d89e-96ab-474c-bb9a-f75be2449c7a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-28T10:31:21Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"6c0451ed-f763-49e2-b08f-ce71232f9e47.jpg","filesize":393930,"height":1000,"hidden":false,"id":"6c0451ed-f763-49e2-b08f-ce71232f9e47","inserted_at":"2019-06-09T08:48:56Z","name":null,"orientation":"Landscape","original_filename":"01_pr01_FILM11_20180508_0006.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"0a3eff72-5c31-4462-8d19-5f3a6f7e3c86","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/6c0451ed-f763-49e2-b08f-ce71232f9e47.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-07-03T13:53:09Z","weight":3,"width":1500},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"sfera","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"grid","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"0a3eff72-5c31-4462-8d19-5f3a6f7e3c86","description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"SFERA","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1293967196,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"sfera","rank":null,"published_at":"2019-06-09T08:48:28Z","summary":{},"menu_id":null,"cover_media_fit":"contain","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"443e224b-ba04-49fc-9105-9d83394fc198","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"6c0451ed-f763-49e2-b08f-ce71232f9e47","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-06-09T08:48:28Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"1333:2000","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"618e4e32-739d-4bae-a902-5826b06ad1e4.jpg","filesize":1347948,"height":2000,"hidden":false,"id":"618e4e32-739d-4bae-a902-5826b06ad1e4","inserted_at":"2019-05-21T14:08:27Z","name":null,"orientation":"Portrait","original_filename":"06_DOM_2011_08_17_TB8542.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1648068846,"set_id":"279ca05e-12a8-457e-8ec0-0d7f4eab95ae","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/618e4e32-739d-4bae-a902-5826b06ad1e4.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-30T08:50:57Z","weight":3,"width":1333},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"faces-of-tuberculosis","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"279ca05e-12a8-457e-8ec0-0d7f4eab95ae","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Faces of Tuberculosis","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Faces of Tuberculosis | TB epidemic in Ukraine","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1207959552,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-13T03:42:59Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"attributes":{"align":"right"},"insert":"\n"},{"attributes":{"color":"#e8e8e8"},"insert":"2010 -"},{"attributes":{"color":"#000000"},"insert":" "},{"attributes":{"color":"#c6c6c6"},"insert":"2011 - "},{"attributes":{"color":"#a6a6a6"},"insert":"2012 -"},{"attributes":{"color":"#c6c6c6"},"insert":" "},{"attributes":{"color":"#7c7c7c"},"insert":"2013 -"},{"attributes":{"color":"#686868"},"insert":" "},{"attributes":{"color":"#424242"},"insert":"2014 "},{"attributes":{"align":"right"},"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"archive","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Archive","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Right","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Irregular","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-367799296,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:56:31Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"archive","rank":null,"published_at":"2019-05-15T05:10:27Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-15T05:10:00Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"1333:2000","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"0910f04f-a63e-4130-ae49-bcb96d31d41f.jpg","filesize":1078220,"height":2000,"hidden":false,"id":"0910f04f-a63e-4130-ae49-bcb96d31d41f","inserted_at":"2019-05-21T14:05:53Z","name":null,"orientation":"Portrait","original_filename":"01_DOM_2011_08_31_TB9615.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483646,"set_id":"279ca05e-12a8-457e-8ec0-0d7f4eab95ae","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/0910f04f-a63e-4130-ae49-bcb96d31d41f.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-21T14:14:48Z","weight":3,"width":1333},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"archive/faces-of-tuberculosis","rank":null,"published_at":"2019-05-17T09:45:10Z","summary":{"ops":[{"insert":"2012\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["7f2ef685-d690-4854-bfbb-1c3bfb840e96","7c31f51d-65b6-450d-9873-fba02f0d74fb"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"e0c30cdf-1443-459b-a885-85b64507aa4d","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"618e4e32-739d-4bae-a902-5826b06ad1e4","image_id":"0910f04f-a63e-4130-ae49-bcb96d31d41f","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-12T12:48:27Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"documentary","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Documentary","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Documentary \"Crimea Sich\"","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. ","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-03T15:16:13Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"CRIMEA SICH"},{"attributes":{"header":2},"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"crimea-sich","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"4:3","imagegrid_ratio_orientation":"Landscape","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Crimea Sich","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":328925184,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich","rank":null,"published_at":"2020-02-03T14:40:26Z","summary":{"ops":[{"insert":"2010 - 2013\n\nThe Crimea Sich is a young cossack military-patriotic camp. It is located in a beautiful place of Crimea, in the canyon of medieval fortress town Eski-Kerman surrounded by all sides by mountains and forests. Field kitchen, morning exercises, hand-to-hand fighting of Kadochnikov system, combat training walk in the mountains and forests, target shooting and climbing training, this is a little part of what is going on in the camp. It is divided into 3 military units, while two are training, the third one is on duty. In the camp there are children from 7 to 16 years old. Military officers  who passed many wars share their experience with children. In the camp very important role is given to the orthodox religion. \n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2020-02-03T14:40:26Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":{"aspect_ratio":"1917:1078","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2.jpg","filesize":666567,"height":1078,"hidden":false,"id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","inserted_at":"2019-05-09T14:40:39Z","name":null,"orientation":"Landscape","original_filename":"Krym Sich 16x9.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1610612738,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-09T19:48:16Z","weight":3,"width":1917},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{"ops":[{"insert":"2013 | the film is on post-production stage\n\nI discovered the camp in 2010, and for three years I kept coming back there with a camera to understand why at such tender age children needed to be taught how to deal with real weapons in time of peace, and what the camp was all about. In 2013 together with my brother, we shot the last days of the camp, a half year later Russia annexed Crimea, which led to the conflict between Ukraine and Russia and war in Donbass. Cossacks, who previously considered themselves brotherly nations, split up for those who fight for maintaining their country’s boundaries and those who wanted to revive the former Russian empire.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["63655730-e34d-4be2-be69-de0cb9ede6e9","4b38d11b-ec2d-48ee-94b6-e0174ad81ad0","09f73e6f-4e3c-4113-b8d4-57ce532cb96b","0435e4ef-9a1a-46de-9a55-be21f2bf4cbd","d4742f50-a37f-4a2c-ae27-540dd67c1e29","8d656e45-2cc6-494b-848b-12b796e733ce"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T14:19:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"attributes":{"italic":true},"insert":"\"Although war, perhaps, aims to achieve peace, it’s an undoubted evil\". Lao Tzu"},{"insert":"\n\nWar lets loose all the destructive forces of mankind against itself. What kind of insanity is this? It takes away the dearest people and hope, breaks fate, ruins dreams. War takes any meaning and breeds emptiness. An emptiness that burns all around leaving just ruins. Person’s mind, traumatized after the war, reminds these deserted landscapes of ruins, that continue its existence misunderstood and forgotten, storing the memories of war.\n"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Project INTER VITAM ET MORTEM (latin for “Between Life & Death”) is a reflection on the wars, which like cancer spread all over the earth. On the photos you can see my exploration of territories of Eastern Ukraine devastated by the war, of places that were of high importance before and during the fights, but after were standing abandoned. I visited the places where I was in 2014 while documenting the armed conflict in Donbas when everything was flooded with blood and lead. Areas that had recently witnessed bloody clashes, now stood abandoned in absolute silence. Schools, hospitals, factories, checkpoints - they looked like forgotten monuments of war.\n"},{"attributes":{"header":5},"insert":"\n"},{"insert":"This project is about scars that wars leave in human souls. It’s about emptiness and loneliness. Wars change everyone and everything. Soldiers who come back from war are most often forgotten by their state and misunderstood by their family and friends. Civil population, children, who faced the war, received big psychological traumas, that remains for rest of their life. They had to leave along with their fear, anger, pain. Who won and who lost is not a question. In war, no one wins or loses. There is only destruction.\n"},{"attributes":{"header":5},"insert":"\n"},{"insert":"After facing the war myself, I already didn’t want to show its bloody, frightening appearance, nor to romanticize it. The commotion of death appears in these images as absolute silence. I’m using landscape photography, a more intimate approach, to convey feelings more deeply. Sometimes thoughts of the past and the scars of war are much more painful for the people and the country that survived the war than the battles themselves. These feelings will never stop. They will remain for their whole lives.\n"}]},"cover_image":{"aspect_ratio":"611:408","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"30e655aa-127a-4757-a35e-6681b7e3b943.jpg","filesize":392353,"height":816,"hidden":false,"id":"30e655aa-127a-4757-a35e-6681b7e3b943","inserted_at":"2019-05-08T17:36:17Z","name":null,"orientation":"Landscape","original_filename":"0005_03_DOM_2017_01_14_0019.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-268435460,"set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/30e655aa-127a-4757-a35e-6681b7e3b943.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-07-26T09:20:11Z","weight":3,"width":1222},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"inter-vitam-et-mortem","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"slideshow","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"INTER VITAM ET MORTEM","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":true,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Project INTER VITAM ET MORTEM (latin for “Between Life & Death”) is a reflection on the wars, which like cancer spread all over the earth. ","text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"works","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Works","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"16:9","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1528430592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:49Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works","rank":null,"published_at":"2019-05-12T12:37:48Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Top","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:04:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/inter-vitam-et-mortem","rank":null,"published_at":"2019-05-15T08:17:14Z","summary":{"ops":[{"insert":"2017\n\n"},{"attributes":{"italic":true},"insert":"\"Although war, perhaps, aims to achieve peace, it’s an undoubted evil\". - Lao Tzu"},{"insert":"\n\nProject INTER VITAM ET MORTEM (latin for “Between Life & Death”) is a reflection on the wars, which like cancer spread all over the earth. On the photos you can see my exploration of territories of Eastern Ukraine devastated by the war, of places that were of high importance before and during the fights, but after were standing abandoned. This project is about scars that wars leave in human souls. It’s about emptiness and loneliness. Wars change everyone and everything. Soldiers who come back from war are most often forgotten by their state and misunderstood by their family and friends. Civil population, children, who faced the war, received big psychological traumas, that remains for rest of their life. They had to leave along with their fear, anger, pain. Who won and who lost is not a question. In war, no one wins or loses. There is only destruction.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"812d3133-3ddc-41d5-b834-095ea1087e95","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"L","text_color":null,"menu_representation":"page","cover_image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T07:18:38Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-245","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 245","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"En ese momento pensé que Ucrania se estaba rompiendo en diferentes países"},{"insert":"\n\nEstaba participando en una masterclass en Bielorrusia cuando todo se desató en Kiev. Al regresar, la situación era muy complicada e incluso había agresiones a periodistas. En mi primer día allí, el 1 de diciembre [de 2013], participé activamente en todos los acontecimientos como fotógrafo documental con mi cámara, sin tomar parte de la lucha ni lanzar cócteles molotov.\n\nNo tenía ningún encargo, pero se trataba de un momento histórico para mi país, así que necesitaba documentarlo todo. Fue algo muy inesperado no solo para mí, sino para todos los ucranianos. Desafortunadamente, todas las señales que vaticinaban malos augurios se cumplieron y la situación fue empeorando día a día.\n\nEstuve en Maidán prácticamente todo el tiempo, hablando con los manifestantes y conociéndoles. Estaba claro que las protestas no iban a ser el final del conflicto, así que después estuve en el este de Ucrania -Donetsk, Slaviansk, Lugansk- y también en Crimea. Estuve dos meses con los separatistas rusos y el último mes trabajé con el ejército ucraniano.\n\nEn un cierto momento, sin motivo aparente, los manifestantes comenzaron a correr y a lanzar consignas a favor de Ucrania. El escenario era el de una película de guerra muy antigua, con los militares corriendo y gritando. Yo corrí detrás de ellos, no sabía bien qué estaba ocurriendo, pero sabía que debía seguirles. Y entonces el hombre que porta la bandera apareció frente a mí. Fue un momento histórico.\n\nFue algo muy simbólico, porque antes de la revolución la bandera no tenía tanta importancia para el pueblo, pero ahora es muy importante y necesaria. Algunos ucranianos han muerto bajo esa bandera y por la independencia de Ucrania. Maidán fue solo el principio de la lucha por la independencia de Ucrania respecto a Rusia.\n\nPara mí es muy difícil hablar de metáfora cuando analizo la imagen, porque depende mucho del conocimiento y la personalidad de cada uno. Todos tenemos nuestra propia forma de entender las cosas y construir metáforas. En ese momento lo único que me pasó por la cabeza es que Ucrania se estaba rompiendo en diferentes países.\n\nEn épocas anteriores y durante mucho tiempo Ucrania ha estado bajo el control de diferentes países, siempre ha sido un objetivo. Bajo el signo de esta bandera, la gente luchó por la independencia de Ucrania ya antes de la Unión Soviética y de nuevo tras su desintegración.\nMe da la sensación de que lo que está ocurriendo en el Donbass es solo el comienzo de algo más grande. Es algo que no podemos solucionar tan fácilmente como se podría pensar. Si cedemos la región del Donbass de forma sencilla, igual que pasó con Crimea, Rusia después querrá anexionarse otras regiones como Járkov. No podemos ceder en esto porque hay mucha gente que está a favor de Ucrania, no de Rusia. Gente que ha luchado por ser ucraniana.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:34Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"quesabesde-text-by-ivan-sanchez-spanish-2014","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Quesabesde, Text by Ivan Sanchez | spanish, 2014","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"5:4","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147482623,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:34Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014","rank":null,"published_at":"2019-05-09T10:18:03Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:21Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-245","rank":null,"published_at":"2020-01-22T06:23:48Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"0363095b-39b5-499a-9b2a-908c9f7ecc67","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T06:23:48Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-236","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 236","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Український військовий фотограф: чому українці неправильно бачать війну"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Максим Дондюк – український фотограф-документаліст. Знімав проект, присвячений людям із туберкульозом, робив фото з війни на Донбасі для закордонних агенцій. Працював для ЗМІ США, Польщі, Німеччини, Фінляндії тощо. Один із авторів виставки «Забуті світом», яка експонується цими днями у львівському Палаці мистецтв."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Що Ви думаєте щодо негативної реакції частини відвідувачів на виставку?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"У мене було відчуття віддзеркалення Донецька, просто інший бік дзеркала, де люди неспроможні сприймати не те, щоб іншу сторону, а взагалі бачать лише свою позицію, лише біле або лише чорне. І це дуже-дуже сумно, тому що демократична країна будується зовсім іншим шляхом."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Я і полякам казав: ви повинні розуміти, що ви проведете виставку, а тут люди, яких торкнулась ця трагедія, це війна! І от прийдуть на виставку ті, в кого загинули близькі, а ви показуєте прапори «ДНР», Росії… Вони зробили ризикований хід, що зробили виставку тут. Якби привезли її у Київ, це було би трохи інша реакція."},{"attributes":{"header":5},"insert":"\n"},{"insert":"А тут дійсно віддзеркалення того, що є там. Там гіперболізована любов до «совка», а тут – прагнення бути незалежними. І зараз знову окупаційна війна, тож це болюча тема. Але ж Росія не вторглася у Львів, Росія вторглася в Донецьк і люди у Львові мають зрозуміти, що там люди трохи інакше міркують, ніж тут."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Для цього треба відсторонитись і подивитись на це інакше. Але для організаторів це теж досвід. Бо вони там в Польщі думають, що тут всі демократичні, що всі розуміють, що і як. А от приїхали і побачили, як є. Я думав про те, аби зняти всі підписи на виставці, але організатори ж європейці, для них це шок, вони вважають це цензурою."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Я був і тут, і там, тож трохи з різних боків усе бачив. Але я не знаю, як би я поводився, якби мешкав тут, у Львові постійно і якби у мене забрали брата, сина, родича, і якби він там загинув від рук російських окупантів. І що б я тоді казав?"},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Мене якраз виставка і здивувала тим, що вона про різні боки конфлікту. Відчувається, що вона робилась для зовнішнього глядача, для європейського, який хоче відсторонитись і зрозуміти суть. Як думаєте, а тут це можливо?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Варто розуміти, що організатори не українці і не росіяни, вони поляки і вони щиро співпереживають. І для них, як і для іншого світу, важливо дивитись, що трапилось дійсно, а не лише з одного боку."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Як мені здається, тут би хотіли побачити лише поховання українських військових, тільки зруйнування, спричинені російською артилерією. Але ж ми всі розуміємо, що якщо хтось думає, що війна це тільки шкода з одної сторони, то це абсурд"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Війна – це дуже велика біда для людей, котрі там мешкають. Вона чілпяє кожну людину і з одного, і з іншого боку. Але війна рано чи пізно скінчиться. Ми маємо розуміти, що ми мешкаємо в одній країні і не пройде таке, що ми туди прийдемо, всім скажемо: вдягайте вишиванки, розмовляйте українською. Треба шукати компроміси. Я це дуже добре розумію, хоч я втратив на цій війні багато друзів та знайомих, це і моя особиста війна, особиста трагедія. Але я був і по цей, і по той бік…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Хочу ще наголосити, що саме «завдяки» українській владі та українській прес-службі в зоні АТО ми бачимо так багато картинок по той бік (на окупованій частині території, – ред.). Тому що вони (прес-центр АТО, – ред.) не давали дозволу знімати."},{"attributes":{"header":5},"insert":"\n"},{"insert":"І коли я був кілька місяців з того боку під «прикриттям» російської прес-карти, поки мене не «викрили» українські ЗМІ, то мені давали дозвіл знімати все. Все, що я хотів. Бо російська пропаганда знає силу медіа, вона розуміє, що треба пускати медіа. І закордонні журналісти там мали змогу знімати все. А коли я почав знімати з української сторони, то я вже проїжджав на лінію фронту як військовий, на якихось броньовиках, з військовими, з якими домовлявся сам, бо прес-служба АТО возила всіх по одних і тих же блок-постах і показувала добру і гарну картинку."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Але у той же час були насправді місця, де військові по три місяці жили в окопах, їли тушонку, не маючи жодної гарячої їжі, тобто, трагічна ситуація була. Але влада не хотіла цього показувати!"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Ні закордонні, ні українські медіа не допускались. І лише певні окремі журналісти, яким було важливо туди потрапити, самі влаштовували собі ці поїздки, самі домовлялись про все з волонтерами чи батальйонами, чи військовими… І я з кількома фотографами був в Іловайському котлі. І в нас залишились фотографії, завдяки яким люди можуть бачити, що там було. Але є така трагедія як Савур Могила, звідки немає жодної фотографії, ми навіть не знаємо і не бачимо обличь цих наших героїв. І це тому, що нікого не хотіли туди пускати."},{"attributes":{"header":5},"insert":"\n"},{"insert":"А закордонні журналісти приїжджають, їм треба це якось показувати, а тут їм не дають, не пускають, показують якусь фігню… Вони думають, що журналісти, котрі вже по 20 років працюють на війні, поведуться на блок-пости оці випещені, де все добре? Вони їдуть на той бік, де їм кажуть «знімайте все», їдьте в морг, на передову, куди хочете: «Ти сам за себе відповідаєш, а якщо загинеш – то твоя справа». А з нашого боку це було можливим тільки з батальйонами і тільки завдяки ним."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Я так потрапив в Іловайський котел із батальйоном «Донбас». Я поїхав туди власним коштом, просто зі мною була камера. І от хлопці кажуть: «Ти ж розумієш, що ми вже в оточенні, і виїжджати ти будеш уже з нами». І так і вийшло, що на цій виставці я один, хто був ще з українського боку фронту. Звісно, тут представлена дуже маленька частина того, що у мене є. Але, власне, так і сталось, що світ бачить цю війну крізь трагедію та страждання тієї сторони, бо наша сторона дуже і дуже не хоче показувати, що дійсно відбувається."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А як довго Ви там були?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я 1 грудня вийшов на Майдан. Я три місяці був на Майдані під час усіх активних фаз, далі – Крим. Був десь місяць у Криму до «референдуму», коли анексія почалась. І коли почались події на Донбасі, окупація… Хоча це ж треба розуміти, що якби на Майдані дали б всім автомати, почалась би війна. Є збурені люди, котрі хочуть якихось змін. І якби їм дали не бруківку, а автомат, також почались би те саме. Але туди приїхали росіяни, дали зброю, було декілька спецзагонів, які координували це."},{"attributes":{"header":5},"insert":"\n"},{"insert":"І з нашого боку ж теж масла у вогонь підливали. Тож потім я там був аж до Іловайського котла. Потім я виїхав… і ще в грудні повертався уже з «Червоним Хрестом», їздив по зруйнованих містах з нашого боку. І з 2015 року я вирішив для себе, що не хочу туди повертатись, я вже не розумів для себе, що я там буду робити."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А чому? Війна ж продовжується…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Коли ти розумієш, що можеш сьогодні загинути, але водночас ти робиш важливу справу, то це одна річ. А коли ти повинен постійно сперечатись з якоюсь там владою, військовими, домовлятись… До того ж я просто «видохся» за цей рік. І за той час я багато працював зі світовими медіа, з українськими я зовсім не працюю, бо виникло багато розчарувань. І я зрозумів, що мені потрібна перерва."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Насправді, коли був Іловайськ, це дійсно було трагічно, бо нам по радіо чи телефону казали, що там парад готують, що міністр приймає нову зірку, а тут у хлопців 4 чи 5 БМП («бойова машина піхоти», – ред.), а на нас танк приїжджає прямою наводкою б’є…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"І жодного танку в нас нема, зв’язку нема, хлопці самі в кредит брали рації, щоб якось орієнтуватись у цих коробках. І є дуже багато є питань і ці всі трагічні програші, це програш не нашої армії мужньої, а нашої влади, яка, на жаль, себе не виправдала"},{"attributes":{"header":5},"insert":"\n"},{"insert":"І от за рік ти розумієш, що прес-служба робить усе, аби ти нічого не зняв, що українські медіа дуже часто цікавить тільки одна сторона, яка показує лише одну правду, а іншої правди бути не може, що інша правда – це проросійська пропаганда… Багато військових повертаються туди, бо тут у них немає іншого життя, бо ними ніхто не займається, держава ними не займається. Влада зовсім не розуміє, що люди, котрі були на війні, іншою мірою все вимірюють і їх треба до чогось долучатись, їм треба допомагати. І зламана душа, бо вона ж дійсно зламана, бо, коли ти бачиш як люди гинуть, як твої друзі гинуть, а сюди приїздиш, то тут дуже тяжко. І це проблема країни, а не тільки їх самих."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Вони там герої були, захищали країну, а тут приїжджають, не можуть вирішити якісь проблеми, їм ніхто не допомагає, то починаються різні неприємні речі… У мене відчуття, що у владі взагалі не розуміють того. І, не дай Бог нам третього Майдану. Бо перший був «лайт», революція у 2013 була така «мідіум», а «хардкор» буде наступний, бо будуть військові, для них стріляти – це вже нормально. І всі ми розуміємо, що зараз в Україні багато незареєстрованої зброї і, якщо почнеться хвиля, а влада потроху до цього йде, не знаю, зо може початись…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Але є й позитивні зрушення, бо частково військові потрапили і в нормальні ситуації, наприклад, помічниками депутатів абощо, тож якийсь дрібний відсоток присутній і у владі. І я дуже сподіваюсь, що це розумні люди, сподіваюсь, що вони все ж будуть розуміти, що єдині, кому ми можемо довіряти – це фронтовикам, тим, хто допомагав цим людям."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Ми можемо Донбас повернути, але силою, якщо й вийде, то просто патріотизм там буде інший, бо там лишились люди, які постраждали, зокрема, і від нашої армії. Так трапилось…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Будь-яка людина, що вміє думати, розуміє, що там можна було це все на початку ще згладити, що можна було зробити це все не так криваво, що просто хтось (навіть не з того боку, не з Росії) дуже-дуже хотів, що у нас почалась кривава м’ясорубка. І що влада може заробляти на війні, і що там ми втратили дуже багато патріотів, які могли би змінити країну, але пішли на фронт і загинули. Бо ж 2014 рік це була дійсно м’ясорубка, бійці просто в маршрутках заїжджали на фронт проти танків."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Як було на Майдані, коли снайпери стріляли в людей, які захищались якимись алюмінієвими щитами, то на сході 2014 року було те ж саме, але не сотні – тисячі. І коли з Іловайська виходили, то російська армія мала зв’язок і все, що треба, а у нас… Ми коли там були, то хлопці дзвонили по мобільному і наводили артилеристів, але ж ті все прослуховують, захотіли – заглушили мобільний зв’язок нашим – просто халепа. А люди воювали на патріотизмі. Я досі не розумію, як Муженко не те, що служить, як його не заарештували досі."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ваші світлини, представлені на виставці, дуже тяжкі. Як, власне, і більшість світлин на виставці. З людської саме позиції, наскільки важко так працювати – знімати смерть, похорон, травми…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Кожен документаліст, який працює з такими темами, шукає власні шляхи, як це подолати. Ще до війни я працював з тяжкими темами у документалістиці і багато бачив трагічних подій. Це важко, але я думаю, що мені легше, аніж людині, яка того не бачить. Контакт з постійною трагедією, смертю, змінює людину, відбувається переоцінка цінностей."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Якщо знову до виставки. То чи така подача на часі? Бо війна досі є…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я вважаю, що є культурна еліта, яка розуміє все, яка проти війни і розуміє, що ненависть породжує далі війну, помсту і тому подібне. Напевно, якщо привезти до Одеси виставку, реакція буде іншою. Там же через цей відсоток проросійський будуть зовсім інше пропагувати."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Знаєте, будь-які фотографії такі можуть бути розтлумачені кожною стороною по-своєму. Тут така реакція, в Одесі буде інша, а якщо в Москву її повезти, то скажуть, що це взагалі проукраїнська пропаганда."},{"attributes":{"header":5},"insert":"\n"},{"insert":"От є фото на виставці, де українські військові звільняють людей. Люди два тижні в дитсадку сиділи, в підвалі. Прийшли двоє хлопців військових, принесли їжу, якісь ліки. І люди там плачуть і підпис, що військові їх звільнили. А у Москві то показати, так скажуть, що вони прийшли людей розстрілювати, бо військові з автоматами, а люди плачуть. Кожен буде тлумачити по-своєму. Це постійна суперечка."},{"attributes":{"header":5},"insert":"\n"},{"insert":"І коли голова ЛОР говорив, що він не вірить, що військові вбили ту дівчину в Краматорську, це ж про мою фотографію мова. Я там був і це бачив. І якщо він думає, що українська армія нікого не вбиває, то, значить, він не був на війні. Там таке трапляється… І я не оцінюю – це погано чи добре. Але ми мусимо розуміти, що крім військових страждають і мирні люди. Насправді, я думаю, що такі виставки треба показувати дещо пізніше, коли рани вже загоються. Бо я розумію, наскільки тяжко приходити і на це дивитись."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Але невже хтось розраховує, що весь світ має жаліти Україну, знати досконало історію України… І без того світ багато для нас зробив"},{"attributes":{"header":5},"insert":"\n"},{"insert":"На Заході усі розуміють становище ,усі проти агресії Росії, али вимагати від поляків, щоб вони показували тільки проукраїнську виставку – безглуздо."},{"attributes":{"header":5},"insert":"\n"},{"insert":"Дуже прикро й соромно, що у нас є діти, яким ця організація, цей проект допомагають. Бо ж на них тут ставлять на них хрест, а поляки збирають кошти, забирають ту дитину, лікують її, і виліковують. Вони сімом дітям допомогли вже. А у Львові всі прийшли, покричали свої патріотичні лозунги і майже ніхто копійки не дав. І це дуже-дуже соромно, бо українці хочуть, аби всі нам допомагали, а самі собі допомагати не хочуть."},{"attributes":{"header":5},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:04Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"divis-info-interview-by-valeria-dubova-ukrainian-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Divis.info, Interview by Valeria Dubova | ukrainian, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2146435071,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:42Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016","rank":null,"published_at":"2019-05-09T10:08:41Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"05901042-5860-4de2-bbc8-5c89bddf9baf","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:38:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-236","rank":null,"published_at":"2020-01-22T05:21:35Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"f4e7021e-1e8f-44ab-ba13-035f2db1ac6e","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T05:21:35Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-238","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 238","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"WHAT’S IN MY BAG | MAXIM DONDYUK"},{"insert":"\n\nOver the moon to have the award winning photographer and visual artist Maxim Dondyuk back up on our blog today. He’s been a very busy boy since we spoke to him last (check our past interview with him here), so we are well pleased he’s made time for us once again. This time Maxim has kindly given us a run down of what’s in his photography bag and why… He also speaks about his photohgraphy, and has provided us with some killer back stage fashion week pictures all edited with our cross process film emulation presets +PS LOOKS N°3.\n\n"},{"attributes":{"italic":true},"insert":"Maxim’s Gear"},{"insert":"\n\nEverything is quite simple, starting from 2015 I use Nikon D810, before that I had a Nikon D3s, which I won in a contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object I am shooting. It is a very close distance, so you began to feel the same emotions, fear, happiness or sadness. When people look at such photos, they also feel emotions of your character. I also have a 50mm film lens, but it’s more like an emergency lens, if it happens that my 35mm lens breaks or in case I need to make some portraits for magazines.\n\nI don’t like artificial light and don’t use a flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\n"},{"attributes":{"italic":true},"insert":"Maxim’s Photography"},{"insert":"\n\nMy photography it’s my personal visual diary. It’s not a hobby or work for me, it’s my philosophy and my religion. It helps me to discover and understand this world. With the help of photography I can live the life of any person, to be present during different events and to empathize with them.\n\nWhen taking photos I always think about the emotions they evoke. Photography has both an emotional and visual side. Photography does not only answer questions like – what, where and when, but it also evokes personal associations. For example – the plot of your favorite book, film or memories from your childhood. A good photo is an emotional photo. People should feel all of the emotions from the moment the picture was taken, and of course – you should feel your own emotions too. If a photo is technically good but has no emotion, this type of photo in my opinion is dead. Of course all photographers need to know the technical aspects of photography.. But I believe they need to learn them once, and then forget about them – and just make everything organically – only with emotion.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:58Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"preset-shop-text-by-shanna-june-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Preset Shop, Text by Shanna June | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147221503,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:54Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016","rank":null,"published_at":"2019-05-09T10:29:23Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d83567b2-b698-417f-b1fa-c753aaf44064","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:40:23Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-238","rank":null,"published_at":"2020-01-22T05:31:26Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"35b37293-cf1f-4aaf-b79b-3816ca0e4c81","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T05:31:26Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-222","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 222","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"In winter 2013/2014 the Independence Square in Kyiv - the Ukrainian word for place is \"maidan\" - became a focal point of world events.\n\nAfter the dissolution of the Soviet Union in 1991 states such as Ukraine were in one political tug-of-war between Russia and the EU. The economic situation of the general population had worsened. The state was weakened, a network of oligarchs and old party networks had taken control over public property and the media. They used the political parties for their purposes, unemployment increased and corruption flourished. In November 2013, demonstrations began on the Maidan against these conditions. The reason was that President Yanukovych had obeyed pressure from Moscow not to sign an association agreement with the EU. The protesters behaved peacefully, concerts took place, often there was a veritable festival atmosphere. Maxim Dondyuk, who lived in Kyiv, was there from the beginning.\n\nThen the situation escalated. On the night of December 1st, the demonstrators were dispersed by a special police unit with brutal force. Increasingly, the situation got out of control, public buildings were occupied by protesters and barricades built. On 18 February 2014 the Militia shot with live ammunition. In the end there were over 120 dead and countless wounded. On 21 February the conflict ended with an internationally signed contract, Russian friendly President Yanukovych fled to Moscow.\n\nHot spots such as Euromaidan, as it is called today, attract hundreds of media people, always in search of the spectacular picture but without the time to deal with the backgrounds. A cameraman working for an American news channel told that within two weeks he had worked in five countries on three continents. In our media society information has become a highly profitable commodity that no longer is being measured by the criteria of truth and lie but by their attractiveness - they have to sell well by satisfying the sensation-seeking public.\n\nDondyuk noted that about 200 photographers were on the field, barely one spoke the language or understood the history of his country. Their inner distance was visible for everyone because mostly their cameras were equipped with long telephoto lenses by which you can zoom near what happens far away without being close.\n\nIn contrast to their working routine Dondyuk's reportages are characterized by empathy and compassion. He is interested in people. For three months he lived with the demonstrators on the Maidan. Instead of using a telephoto lens he works consistently with a 35mm wide-angle lens so that for a close-up he must get close to the people he is photographing. This gives his pictures their strong emotional intensity that we deeply feel.\n\nHe is not even a meter away of the three praying women or the three soldiers in this room whom a protester is offering flowers. Each face of the three women touches us with an individual expression of grief, sorrow, and pleading to God. Here Dondyuk has created an iconic picture of pain, such as Matthias Grünewald in the Isenheim Altarpiece brought to timeless expression with the three mourning figures at the foot of the crucifixion.\n\nAt the same time, Dondyuk combines such closeness with respect. In the last room of our exhibition he does not aim the camera at the faces or injuries of the wounded and dead but on the priest, the paramedics and the relatives. Their feelings affect us emotionally much more than a voyeuristic portrayal of the horror.\n\nSuch proximity to the motif creates an emotional impact that can be experienced best in the large formats in our exhibition. The four heavily armed, muzzled militiamen in the next room who roll away an oil barrel are moving straight towards the photographer, their eyes meet him and thus us. Dondyuk paid his tribute for such proximity with two injuries by rubber bullets.\n\n\"This revolution has changed not only myself  but also my photography and visual language,” he says. \"Of course I was on the side of protesters but it was also important for me to know what on the other side of the barricades was going on. I did not want to show the good guys and the bad guys but the confrontation of two different philosophies of the world - \"the culture of confrontation\".\n\nThis is how Dondyuk's artistic intentions have changed in the course of this project. He was no longer concerned with documenting the actual event, instead he wanted to work out its universal human character, as Shakespeare did in his historical dramas like Macbeth, King Lear or Richard II.\n\nTherefore his relation to the event has changed. He goes on distance and shows a panorama from a high perspective. One can look at these scenes as human moodscapes, like paintings of Bruegel in which due to the wide depth of focus of the wide-angle-objective we can observe unbelievably many details. These pictures are no longer made for the small-format magazines but for large formats, as in our exhibition.\n\nNow the aesthetic design becomes very important. Dondyuk photographs digitally and edits files on the computer specifically for their aesthetic effect.\n\nA central design element becomes the Light. The external circumstances are already spectacular. Fire and smoke of burning barricades, foggy steam from water cannons, reflections on the wet ground and the low winter sun, which intensifies shadows, contrasts and plasticity create highly dramatic moods like Baroque paintings from Turner, Caravaggio or Hollywood fantasy movies. The human drama becomes a drama of light.\n\nThe artist also makes the Light shine as a spiritual power as in paintings by Rembrandt. Have a look at the light of the candles the three women are holding in their hands and see how it is being repeated in the dome of the Michaelskirche during the funeral, but also on the tops of the tents.\n\nThe protesters built barricades with burning car tires and buses. Fire has always been a symbol of revolution. In the next room emerges a black shadow figure who bears a striking resemblance to the allegory of freedom in Delacroix's revolutionary painting \"Freedom Leads the People\". But in another picture, a single man stares shocked in a fiery inferno of burning buses. Such scenes are reminiscent of gothic paintings by Bruegel or Hieronymus Bosch of the Last Judgment where volcanoes break out of the earth and burn down houses, mountains, and seas to mark the end of humanity. \n\nAt the same time fire also visualizes what happens inside the people. They are transformed from a self-determined individual into an element of a mass. In his great study \"Mass and Power\" Nobel Prize winner Elias Canetti analyses the fire as a mass symbol. I quote: \"Mass symbols express the essential properties of the mass. The fire is sudden, everywhere, it is contagious and insatiable. The mass also forms and inflames suddenly by an external event, few can resist its contagion, they want to keep going and are hardly controllable anymore. The crowd feels attracted from fire and hurries to the scene of the fire, in front of which the individuals feel connected and close to all the others.\" This rapturous, almost ritualistic mood of the mass in front of a big fire Dondyuk recorded in a picture in the next room.\n\nThe antithesis of fire is the coldness of the ice, which means the death of all life, stagnation, and endpoint. Because of the winter and the water cannons, ice was everywhere on the Maidan in impressive formations. In C.D.Friedrich's painting “the lost hope” the ship stranded in the Arctic Ocean can be seen as a symbol of the lost hope for democratic freedom in the era of political restoration after Napoleon's defeat. In Dondyuk’s Maidan pictures ice could also be interpreted as a metaphor of the political and social situation in Ukraine which the protesters try to melt by their fire.\n\nIt is no coincidence that \"Songs of Ice and Fire\" is the title of the original book for the most successful American television series \"Game of Thrones\", which settles in a fictitious medieval world and thematizes the eternal struggle for power and Good and Evil. It has been always the same pictures that accompany our human history: the burning of Troy, of Jerusalem, the old Rome, Constantinople, the world wars, the pictures from Iraq, Syria. This timeless ubiquity of violence we also experience in Dondyuk's photographs. With their helmets, big shields and rubber truncheons the militia could be moved from the Maidan directly into the Middle Ages and the demonstrators with their wooden beating sticks and construction helmets could be directly related to the peasant wars.\n\nThe militiamen with their big shields form human walls as we know from Roman and medieval battle orders. These scenes convey what Canetti has analyzed as the essence of the mass: The police have lost their self-responsibility and individuality and are just a number written on their helmets. Their identity has been reduced to enforcers of an outside command. But the demonstrators have lost their individuality and self-control, too. They became part of the angry flames of destructive fire which they inflame as black shadow ghosts with Molotov cocktails and burning car tires.\n\nWith the pictures of this exhibition, Dondyuk has dissolved the border between documentation and art. Documentation has to be truthful and objective: This event happened exactly as the photographer has photographed it. But what is a reality? For Dondyuk reality became translucent on the Maidan. He says, \"I suddenly saw no revolution on Independence Square anymore, in front of me opened Battle scenes from legends and fairytales. Euromaidan became one of the visually most beautiful revolutions, like scenes in a Hollywood movie. The border between reality and fiction disappeared for me.” This personal subjective experience has guided him in his recordings.\n\nSo did he distort reality? Did he play down the terrible by its aestheticization? What difference does it make for us viewers whether the terrible is real or fiction and carefully staged by a painter or film director? Is there beauty in the terrible - volcanic eruptions, thunderstorms, forest fires, the planes in the World Trade Center in NY? - that fascinates us deeply? These are questions that have to be discussed in detail and controversially why we cannot deal with it here and now.\n\nBut what we can say is that Dondyuk´s photographs have gained new and complex dimensions through his devotion to art. What is it that makes a good work of art? Art arises from a touching experience that is aesthetically so designed that through the artwork also the viewers are being touched. It must be designed so that it provides us with many references and associations which we can connect with our personal and cultural experiences and those from the collective unconscious. \n\nI want to conclude with my thoughts about two pictures in this room which touch me very much: The first is about the motif of the candle as a symbol of life and hope as you can see it in the image of the three praying women in this room. This motif is being resumed in the next room. There it is a young protester holding a Molotov cocktail, a devoted expression on his face, like a sacral candle in his hands that another man just ignites. This young man is outshone by a bright, aura-like light, as we know it from paintings by Rembrandt. There are so many ambiguous meanings in this picture that one could write a short story about it.\n\nThe young cellist of the Dakh Daughters Band is on her way to play a concert on the Maidan. With her face painted white, her huge eyes, the long headscarf and the fur coat she appears as a being from another world, reminiscent of angelic representations in medieval paintings. The cello box on her back makes one think of wings, but also of a person she carries. She moves towards a doorway in the boarded-off space, into one other world, looking in our direction. Iconographically it is the motif of a guardian angel, a shaman, a spiritual leader like she appears in the guise of Beatrice in Dante's “Divine Comedy” who leads him through the nine celestial spheres. For me, she has protected Dondyuk on his way on the Maidan.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:23:35Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"volker-sonntag-speech-about-culture-of-confrontation-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Volker Sonntag speech about \"Culture of Confrontation\" | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1744830464,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T06:23:29Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019","rank":null,"published_at":"2019-12-22T04:27:44Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"9e270bcd-77a5-4469-80da-0a75b380be3d","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T04:27:44Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-222","rank":null,"published_at":"2020-01-22T01:58:41Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"4b753ad2-9d2a-40f6-a149-437a8e8bfae1","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T01:58:41Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-235","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 235","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Maxim Dondyuk"},{"insert":"\n\nHow and when did you come up with the idea of working in photography?\nI came to a photography professionally at the third try. The first experience I had when I was 5, with my mother, who was enthusiast, I used to watch how she processed family photos in a darkroom. Later I was given my first soviet camera SMENA, and started doing my own photos. After the collapse of the Soviet Union to buy and process film became more difficult and expensive, so my mother stopped doing it and me too. The second try was at the age of 12, than I joined the photo club, began shooting film and processing photos myself. But my enthusiasm didn’t last long. The third time I came back to photography was at the age of 24. I had a routine job, which I went every day, year after year, time flew quickly and nothing changed in my life. I understood that I need some hobby. I became interested in photography. All my free time I studied photography, read all kinds of literature and practiced. It allowed me to travel around the region I lived at that moment, after I started travel around the country. With the help of photography I can live the live of any person, to be present during different events and to empathize with them. My professional career began in Ukrainian media as a photojournalist in 2007. Since 2010 I’m a freelancer, work on creating and promoting my own documentary projects. Photography it’s my personal visual diary. It’s not a hobby or work for me, photography it’s my philosophy and religion. I don’t believe in God, but photography helps me to discover and understand this world.\n\n"},{"attributes":{"italic":true},"insert":"What equipment do you use?"},{"insert":"\n\nEverything is quite simple, starting from 2015 I use Nikon D810, before I had Nikon D3s, which I won at the contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object. It is very close distance, you began to feel the same emotions, fear, happiness, sadness. When people look at such photos, they also feel emotions of your character. I also have 50mm film lens, but it’s more like emergency lens, as it happened that 35mm broke or in case I need to make some portraits for the magazines. I don’t like artificial light and don’t use flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\n"},{"attributes":{"italic":true},"insert":"Where do you get your creative inspiration from?"},{"insert":"\n\nMostly I’m influenced not by photographers but by writers and painters. Each time I come to a new country, I visit museums, galleries. I love paintings of artists who worked in realism. They painted such important battle scenes and historical moments but never forgot about aesthetic side. Their paintings are very beautiful.\n\n"},{"attributes":{"italic":true},"insert":"How would you define your own photographic style?"},{"insert":"\n\nI’m a documentary photographer. But emotions and visual language are more important than facts (what, where, when?). I feel myself more like an artist than a photojournalist. What, from your point of view, are the major challenges in photography? I work a lot with international magazines and know that in this sphere there is a big problems now. They already don’t have such budgets as some years ago, and mostly really good stories were shoot by photographers independently, without assignments. But if to talk about contemporary photography, I think in this field everything is more than good, and it has great perspectives.\n\n"},{"attributes":{"italic":true},"insert":"Can you describe your workflow for „culture of confrontation“?"},{"insert":"\n\nIn mid 2013, because of a number of reasons, I seriously thought about documentary films. It seemed to me that they tell socially relevant stories much better than photography. I decided to make a documentary film about one of my projects about the Crimea Sich. In summer 2013 I with my brother, went to the Crimea Mountains, spending the last money for the equipment. It was an attempt to find answers to the questions that griped my mind. After I was selected to a grand for directors of documentary films, it was held by an American Documentary Film Festival in Ukraine. During that period began Euromaidan in Ukraine. Prior to December 1, 2013 I couldn’t understand whether I need to continue working on my film, or to go to Maidan with a camera. I also didn’t know what I want to do at Maidan, to shoot video or photo. So at the beginning I just watched, analyzed, tried to find the answers. But, suddenly, I was given the second photographic breath and understood that I looked at Maidan through associative images, which contains the second associative level. I wasn’t trying to show what was happening as a photojournalist. With my photos, I wanted to awake people’s strongest associations and emotions, wanted them to see what I saw. For me it wasn’t a revolution at the Independence Square, in front of me opened battle scenes from legends and fairy tales. During clashes between police and protesters, I felt myself like in a parallel, fictional world. It was a battle between good and evil, light and shadow, fire and frost. On the revolutionary canvas creepy bloody scenes interwove with incredibly beautiful, from visually side, views. The line between reality and fiction had gone. I understood that photography for me isn’t just the way to tell the story, but also a visual image that holds emotions, allows the viewer to interpret the reality and think about important life questions.\n\n"},{"attributes":{"italic":true},"insert":"Why do you take this pictures (culture of confrontation)?"},{"insert":"\n\nI began to shoot for the reason that it happened in my country, in the city where I live. At some point I realized that it touches me personally, and this is a historic moment in my country.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:56Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"mologue-interview-by-johannes-brummer-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"MOLOGUE, Interview by Johannes Brümmer | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2145386495,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:30Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016","rank":null,"published_at":"2019-05-09T10:28:31Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:37:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-235","rank":null,"published_at":"2020-01-22T05:18:11Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"0ad351cb-489e-4a01-a57f-0d8c065b84bd","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T05:18:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-240","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 240","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Фотограф Максим Дондюк – о войне, Майдане, Украине, России и стене, сдвигающейся на восток."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Фотограф Максим Дондюк снимал Майдан и войну на востоке Украины, с обеих сторон. Он может рассказать, как ему грозили расстрелом пророссийские сепаратисты, как он был в окружении под Иловайском и как ему мешали работать украинские штабисты."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Накануне второй годовщины победы Майдана, бегства президента Виктора Януковича и последовавших за этим российской аннексией Крыма и войной в Донбассе Радио Свобода публикует еще неизданные фотографии Максима Дондюка."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Он родился на западе Украине, в Хмельницкой области, в небольшом городке Славута, затем вместе с семьей (отец Дондюка – военный) переехал на юг, в Херсонскую область, в Новую Каховку, где и прошла большая часть его детства."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Дондюк рассказывает, что фотографии его учила мать, описывает, что сидел с ней в “красной” комнате, называет советские камеры: “Зенит”, “Смена”. Позже он стал ходить в кружок фотографии. И, наконец, уже в 24 года, после армии, в Харькове, работая поваром, он вдруг вернулся к фотографии, занимался ею все свободное время, читал книги по фотоискусству, экспериментировал. Через год он бросил работу, стал профессиональным фотографом, переехал в Киев. Поначалу, говорит Дондюк, речь не шла о документалистике:"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Вначале я смотрел в сторону каких-то студийных вещей, пейзажных вещей, занимался сферическими панорамами – это очень технически сложная вещь тогда была. По сути дела, что такое репортаж в хорошем смысле, я уже узнал, когда переехал в Киев. Потому что в Харькове очень сильная художественная школа, все, что я там видел из репортажей, – это очень скучные газетные вещи, новости, которые никак не вдохновляли. В то время я бы очень удивился, если бы мне кто-то сказал, что я буду документалистом."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Как вы стали документалистом? Каким образом вы стали автором проекта про туберкулезных больных, за который получили призы?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Это был первый серьезный проект. До этого я переехал в Киев, работал в новостном агентстве. Я долгое время ездил в командировки по всей стране. Это было вначале захватывающе, съемки были на темы от политики, футбола и села до митингов и Верховной Рады. Это хороший опыт и колоссальная школа, но через несколько лет мне стало скучно, я сильно погрузился в документальную фотографию, очень был вдохновлен. В тот момент я понял, что хочу заняться более глубоким проектом на какую-то социальную тематику. Через какое-то время я пришел к проблеме туберкулеза, о котором сам тогда ничего толком не знал. Мне тогда казалось, что я управлюсь за месяц или два, что это не так сложно и займет не так много времени, но получилось, что этот проект полностью засосал меня – такая черная дыра, в которую я попал и которая полностью изменила мою жизнь. Я провел два года, снимая этот проект, больше ничем не занимался. Жизнь, которая была до этого проекта, полностью исчезла, работа, семья, отношения, многие друзья, мое мировоззрение. Человек, который после этого проекта образовался, – это уже был совсем другой человек. Поэтому для меня это оказалось проектом становления как другой личности. Для меня фотография – не работа, не хобби, это философия, я ее очень сильно за это люблю, что она позволяет мне меняться благодаря жизни с людьми в других ситуациях, в которые я не смог бы попасть, если бы не был документалистом."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вам не страшно было работать с туберкулезными больными?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Не страшно, наверное, только сумасшедшим. Вначале не было сильного страха, я понимал, что делаю. Были вспышки паники, конечно, но они быстро устранялись, я делал для себя выводы, решал – продолжаю я это делать или останавливаюсь. И продолжал. Я пытался побороться со стигмой, существующей в обществе, с предвзятостью, с неосведомленностью об этой проблеме. Я сам был частью этого общества, я тоже считал, что, если человек переболел туберкулезом, он чуть ли не заразный. Я абсолютно ничего не понимал. Это был большой опыт, потому что туберкулез – это не война, но ты постоянно сталкиваешься с медленной смертью. Контакт с такой жизнью сильно сказывается на тебе. К концу проекта я понимал, что я теряю ощущение реальности, у меня начались проблемы с реальной жизнью, когда я возвращался. Я уволился, я потерял семью, мне негде было жить в Киеве, я в какой-то момент стал жить в больницах, потому что мне некуда было возвращаться. Может быть, на фоне всего, что я снимал, мои проблемы не казались какими-то значимыми. Через два года я стал понимать, что теряю грань, что я живу только той жизнью, абсолютно не понимаю, что происходит в другой жизни. У психологов называется выгорание."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Но вы вернулись в обычную жизнь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Конечно, вернулся, все нормально. Просто какой-то период адаптации был, так же, как когда ты возвращаешься с фронта. У меня были друзья, которые болели туберкулезом, есть люди, которые умерли, я был у них на похоронах. Для меня важно, когда я куда-то уезжаю, стараться, чтобы я был там не гостем, чтобы это было полное погружение, чтобы я был частью того, что происходит. Я уезжал, допустим, в Донецкую, Луганскую или Херсонскую область, потом в Крым, договаривался с областным врачом о том, что я хочу у них снимать, – все это на личных контактах, я не работал в СМИ, у меня не было ксив, даже камеры не было, друзья заняли. Некоторые врачи посылали, а некоторые говорили: круто, молодец, что тебе надо? Мне надо было разрешение на съемку и чтобы я мог переночевать, поесть, у меня нет денег гостиницу снимать, неделю давайте поживу в этой больнице, неделю в той. Иногда снимал квартиру в том же городке, дешево выходило. С тюрьмами точно так же договаривался. Они говорили: пробей хоть какое-то разрешение, чтобы твоя фамилия была, а мы тут тебе уже покажем все, что можем."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Давайте поговорим о Майдане. Два года назад он победил. Вы осмыслили то, что произошло, спустя два года?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Мне кажется, я и тогда все понимал, и моя точка зрения не изменилась. Для меня то, что произошло на Майдане, – это Берлинская стена, которая пала, – она просто продолжает свое продвижение к Красной площади, меняет географическое расположение. На Майдане в центре Киева произошло противостояние между двумя абсолютно разными культурами, двумя разными пластами восприятия и мировоззрения. Это не означает, что были молодые против старого поколения. Просто одна культура – это попытка быть независимыми, попытка изменить жизнь, стать частью… – я бы не сказал частью Европы, мы понимаем, что у Украины много проблем и стать частью Европы очень сложно, – но попытаться жить самостоятельно, без навязанной точки зрения, жить, как нам нужно жить. Другая культура ностальгирует, хочет вернуть былые времена, ей неинтересно это другое будущее. Мой проект назывался “Культура конфронтации”, это противостояние двух абсолютно разных культур было в Берлине, Чехия до этого, “Солидарность” и так далее. Стена движется, и влияние России постепенно сдвигается, вот здесь и произошел такой раскол. Потому что многие люди – те, кто в возрасте, – запуганы. А молодежь, которая родилась в 1991 году, в независимой Украине, они вообще не понимали, когда им говорили, мол, мы хотим Советский Союз или бывшую империю, – они говорили: я не знаю, что это, я родился в Украине, я не понимаю, о чем вы. Для меня это противостояние абсолютно разных культур. Нельзя сказать, что одна хорошая, а другая плохая, они смотрят просто совсем в разные стороны."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы работали в Донбассе фактически военным корреспондентом. Как вы относитесь к тем, кто, грубо говоря, на другой стороне?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Первые несколько месяцев я был на Донбассе нелегально, делал вид, будто я русский корреспондент, пока меня наши доблестные украинские СМИ не вскрыли. Я там находился с русскими ксивами как москвич, акал, бекал. Для меня было важно находиться там с людьми, которые оккупируют мою страну, с российскими флагами, я хотел все это видеть не через телевизор, а лично. Я видел, как сепаратисты, оккупанты, которые приезжали с оружием уже из Крыма, захватывают мою страну. И бывало, что киевское правительство усугубляло взрывоопасную ситуацию, чего можно было избежать. К людям, которые взяли там оружие, конечно, я отношусь негативно, потому что я сам сидел под обстрелом российской артиллерии, я потерял друзей и знакомых из-за людей с российскими флагами. У меня личные претензии, потому что захватили часть моей страны. Меня допрашивали, меня вели расстреливать, мне на голову надевали мешок, я оказывался в печальных, плачевных ситуациях. Поэтому у меня как у гражданина Украины и просто как у человека, на которого наводили автоматы эти люди, к ним большие претензии."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"На самом деле вся ситуация стандартная – это повторение того, что было в Приднестровье, в Осетии, все по кругу идет. Просто жалко людей, которые поверили и вышли, увидев, что Крым так мирно присоединили, – они подумали, что их присоединят так же. Это обычные люди, у них нет даже загранпаспорта, они говорят: я в Киеве никогда не был, я в Ростов езжу на базар. У них абсолютно свой мир. В Луганской и Донецкой области с флагами “ДНР” и “ЛНР” выходили с 2005 года, и правительство в Киеве никак не реагировало на это, никто не поднимал шум. Эти флаги придумали не в 2014 году. Конечно, Россия помогла вооружением и людьми, которые это все захватывали. Но то, что люди на той территории и в Крыму были настроены против Украины, – это большая проблема 20-летней политики Украины по отношению к этим людям. Они просто не захотели жить в этой стране и помогли оккупантам и людям с оружием."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​У вас был проект в Крыму о детском военно-патриотическом лагере, который тоже раскололся на проукраинскую и пророссийскую части."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Сейчас я работаю над первым документальным фильмом, который был снят за несколько месяцев до Майдана, – именно про этот лагерь “Крым-Сичь”. Уже в этом фильме четко видно, что эта проблема не из-за Майдана, она существовала, просто Майдан был последней точкой, когда каждый должен был сказать, на чьей он стороне. Конфликт существовал, и его не гасили. Почему они там не встали на сторону Украины? Там трудяги, в шахту спустились-поднялись, многие в Киеве не были за всю свою жизнь. Вот он живет в Макеевке или в Луганске, он вообще не был никогда в Киеве. Он в этой пропаганде погряз, он не знает, что происходит. Это проблема страны, почему туда не доносили, почему не помогали. В новостях про Луганскую область вообще не вспоминали никогда, пока не началась война. Как про Северный полюс. А там уже флаги “ЛНР” были, митинги, жесткие праздники 9 мая, которые ничем не отличались от того, что сейчас, такой же бред происходил и раньше."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​А что за история, когда вас на расстрел выводили?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Эта в Славянске было. Я вошел настолько близко в контакт, что мог заходить в кабинет к Пономареву, такой мэр был, я знал всех, кто захватывал Краматорск и Славянск. У меня были два друга, действительно москвичи, российские корреспонденты, хорошие друзья. Они на самом деле мне жизнь спасали намного больше, чем многие украинские СМИ, из-за которых потом у меня было много проблем. Они прикрылись русскими паспортами, а я липовыми корочками, мы типа втроем москвичи, – они знали, что я не москвич, просили меня, чтобы я не полностью сливал, что происходит, потому что тогда головы всем снесут. Я постоянно выставлял фотографии в “Инстаграме”: заявление делает Аваков (министр внутренних дел Украины. – Прим.), что все блокпосты в Славянске уничтожены, Национальная гвардия полностью захватила Славянск. Украинские СМИ тогда врали так, что у меня уши заворачивались. Я ехал, снимал на телефон все блокпосты, где стоят сепаратисты, и это выставлял в “Инстаграме” – типа, чуваки, это не так. Когда украинская армия переходила на их сторону, я снимал номера БМП, все время показывал, что очень много врут украинские каналы. Так как я там был из украинцев, то украинские СМИ начали делать материалы, где какой-то журналист выходит на черном фоне и говорит: я веду спецрепортаж из Славянска. Называют мое реальное имя, фамилию, которое у меня в российских удостоверениях, и говорят: вот он нам сообщил. Начинают нести какой-то бред, показывать мои фотографии с бойцами, которых я снимаю в “Инстаграм”, начинают говорить: он нам сообщил, что они спецагенты ГРУ. Из-за этих действий меня арестовывали, выводили на расстрел, но, как оказалось потом, – просто пугали, все было холостое. Мешок на голову, 6 часов интересных разговоров, но все закончилось хорошо."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы наблюдали вблизи так называемое “ДНР”, у вас какое впечатление – это идейные люди?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Поначалу все идейные из местного населения, потому что они хотят быть частью России, они увидели, что в Крыму произошло. А эта верхушка, что воевала, там приезжают те, кто в Чечне воевал, в Осетии воевал. “Стрелок” (Игорь Стрелков, бывший министр обороны так называемой “ДНР”. – Прим.) воевал в Боснии. Знаете, есть такие туристы военные. Они за идею, но за какую, хрен поймешь, просто, наверное, повоевать. У каждого свой “русский мир” в голове был – я не могу сказать, что это не за идею. Точно не за то, чтобы им заплатили кучу бабла. Большинство – это люди, которые приехали из России, из Крыма, с вдохновением, азартом, много местных. Но были наркоманы, алкоголики, которые за 300 рублей стояли на блокпостах, – но если видели БМП, они все бросали и уезжали. На самом деле это очень отработанная система, которую Россия использовала много раз не только в Украине, все повторяется и повторяется."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​А как вы работали с “украинской” стороны?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Когда я с “той” стороны снимал, я один раз попал под обстрел украинской армии и понял, что если меня убьют на Донбассе, то я умру со стороны России, буду объявлен сепаратистом, мне не очень этого хотелось. Я решил попытаться снимать со стороны украинской армии и столкнулся с колоссальным сопротивлением пресс-службы АТО, украинского правительства и всех, кого только можно. Если ты находишься на той стороне, у тебя полностью зеленый свет на все, а с нашей стороны тебе все запрещают. Ты приезжаешь куда-нибудь к бойцам, как это было в начале, бойцы говорят: да. А пресс-служба присылает за тобой и тебя увозят. Были батальоны такие, как “Донбасс”, “Айдар”, “Правый сектор”, с которыми намного проще это все решалось. В какой-то момент, когда пресс-служба опять ничего не давала снимать, я сказал Саше (фотограф Александр Гляделов. – РС), что знаю командира Семенченко, поедем в Донбасс, посмотрим, что там можно делать. Так сложилось, что мы приехали перед Иловайскими событиями (когда подразделения украинской армии попали в окружение. – РС) и вместе с ними поехали в Иловайск, проезжали через все блокпосты вместе с ними на их машинах. На блокпостах никто не знал, что мы пресса. Да и слабо можно назвать нас прессой, потому что мы нигде не работали, никто нам за это не платил, ехали сами, а потом уже как выйдет. Документировали все."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Не мне судить, из-за чьих ошибок попали в окружение, как и все бойцы, ждали, надеялись. К сожалению, все закончилось плачевно для очень многих, кто там был. Нам с Сашей повезло, Сашу ранило через несколько дней после того, как мы туда зашли, не тяжело. Мы рядом были, меня не задело, ему задело ногу, я ему оказывал медицинскую помощь. Очень много было раненых, медиков было всего пара человек, они занимались, в основном, бойцами, я Саше помогал, потом его увезли вместе с ранеными. Смешная история была, у Саши, когда его увозили, все пленки, которые он сделал в Иловайске, выпали. И какой-то боец принес мне все его пленки, когда Сашу уже увезли. Я думаю: вот прикол, теперь мне нужно выбраться из “котла” с моими фотографиями, еще и с Сашиными. Мне повезло, я уехал раньше, за пару дней до того, как всех расстреляли. Нас выпустили на автобусе, обстреливали минометами, но лобового сопротивления, чтобы кто-то вышел прямо на какой-то коробочке, БМП или танке, – не было, хотя за день до нас такой же автобус расстреляли. Мне нужно было уезжать, у меня была выставка о Майдане во Франции, у меня был уже самолет, меня даже совесть мучила, что я не хотел уезжать, хотел до конца быть. Но я вынужден был ехать с бойцами, которые вывозили раненых, мы уезжали на микроавтобусе. Я помню, был парень с перебитым позвоночником, я его поддерживал, потому что на кочках мы очень сильно съехали, по нам минометом сильно шарахали. Он, помню, держал гранату в руках и говорил: “Макс, без обид, но если засада, я ее на хер взрываю”. Так мы 10 километров по красной линии ехали, три бойца были или четыре, раненые и я, выбирались оттуда. Через несколько дней много погибло парней."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы описывали, как вы сидели в Иловайске, потом выходили оттуда, потому что у вас самолет во Францию на выставку. Это очень сильный перепад – сидеть под бомбежкой, а потом во Франции выставка. Вы как чувствуете себя в этой вилке? Где вы больше себя ощущаете как дома?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"На самом деле все было психологически сложно, хотя я не понимал это тогда. Мои друзья после этой выставки повезли на Лазурный берег, где-то в Сан-Тропе или в Ницце. Мне друг говорит: “Как ты себя чувствуешь? Пять дней назад ты был под артобстрелом”. Эти все синдромы послевоенные не чувствуются, на тот момент я не понимал, что у меня какой-то перепад. Сейчас я осознаю, что, конечно, очень нервный, психованный был, очень сильно сказывается. Где я себя лучше чувствую? Мне кажется, я себя лучше чувствую в своей жизни, моя жизнь там, где я нахожусь. Я знаю многих фотографов, которые, уезжая с войны, не могут нормально жить мирной жизнью, возвращаются на войну. Я к таким не отношусь, потому что мне есть чем заняться и на гражданке. Я не считаю себя военным фотографом. Я был на войне, потому что я захотел там побывать. Не потому, что я репортер, который должен это снимать. Это произошло в моей стране, это история моей страны, я начал ее снимать с Майдана, я был в Крыму, потом я был на Донбассе, изначально принципиально поехал на ту сторону. Для меня это моя история, я был со всех сторон. Это мой опыт. Сейчас я туда не возвращаюсь, потому что я не понимаю, что я буду там делать. Я там был в тот момент, я себя чувствовал комфортно, когда я был там, сейчас я себя чувствую комфортно не на войне."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​Вы снимали на Майдане, вы снимали украинских солдат на войне, это часто сильное воодушевление, движение духа. Трагические события были на Майдане и на войне, но без сомнения, в этом было что-то возвышающее. У вас сейчас ощущение, что это прошло, ушло куда-то, это воодушевление людей, которые меняли Украину, отстаивали ее?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Все это вдохновение должно подпитываться чем-то, на самом деле оно сейчас держится на энтузиастах, но это не благодаря, а вопреки тому, что происходит. К сожалению, то, за что вышли люди, произошло в очень минимальном процентном соотношении по отношению к тому, что хотелось бы. Во власти осталось много старых людей, система не очень изменилась. Старая система другими способами пытается . Старой системой я называю не систему Януковича: система Порошенко, система Тимошенко, система всех политиков, которые были тогда, – они ничем не отличаются. Новая власть в виде новых людей, которые пришли после Майдана, – это очень малое процентное соотношение, мы бы хотели, чтобы все произошло намного быстрее. К сожалению, теперь нам остается надеяться на то, что постепенно молодая кровь будет вытеснять старую. Но старая система очень борется, есть очень большое сопротивление, и это очень тяжело. У меня много знакомых, которые ушли из бизнеса, пошли в политику или в министерство какое-то, у них были очень хорошие зарплаты, а там им дали зарплату пять тысяч гривен, 200 долларов. Они два года работают, говорят: у меня все сбережения закончились. Я работаю, я депутат, в министерстве, и у меня нет денег. И им говорят: мы все ждем, пока вы устанете, уйдете, мы дальше будет опять делать, что делали. К сожалению, сейчас единственный шаг – это медленно, постепенно молодая свежая кровь должна вытеснять этот старый режим. Флаги поменялись, а мировоззрение наверху у людей не поменялось. Я не говорю про всех, я считаю, что одна треть, хотя бы одна треть – это люди, которые пытаются изменить страну. Но существуют две трети, которые не хотят ничего менять, они не приспособлены к новому европейскому государству. Все бы хотели, чтобы они собрались со своими деньгами и куда-нибудь укатили, чтобы молодое поколение, интеллигенция вела бы страну в какие-то новые времена. Многие люди возвращались из Европы сюда, чтобы что-то изменить, но я знаю сейчас тенденцию – они уезжают, потому что разочарованы, что ничего не изменилось."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я хочу вернуться к тому, с чего вы начали, к этому движению стены. Стена, которая рухнула в Берлине, на Майдане ее частично обрушили, и она…"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Сдвинулась в Донбасс."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Движется на восток. Я хотел вас спросить, как вы относитесь к России, чем это движение стены, с вашей точки зрения, закончится?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Это очень сложный вопрос, потому что у меня в России есть много друзей, с которыми у нас очень хорошие отношения. До всего, что случилось, я часто приезжал в Россию, был в Москве. Это больше похоже на помешательство. Я отношусь хорошо к людям, которых знаю в России, а к общей массе у меня плохое отношение, потому что они поддерживают то, что делает их правительство. Они молчат, боятся, не хотят ничего говорить. У меня, наверное, больше не ненависть, а разочарование или непонимание, как можно не видеть, что происходит. Потому что ощущение, что это возвращение назад, полностью в Советский Союз, и люди счастливы от того, что это происходит. Люди довольны, люди поддерживают войну, люди максимально разжигают ненависть – все эти лозунги, призывы и то, как они реагировали, говорило о том, что проблема не в Майдане. Стоило только назвать украинцев фашистами, сразу же большая часть населения России это поддержала. Это говорит о том, что эта мысль в голове культивировалась, Малороссия, все остальное – было уже в головах, это не могло появиться за одну неделю. Отношение истинное… Мне кажется, большая проблема россиян – это империализм, они хотят вернуть свою империю, свое влияние на соседние государства. Они не могут найти ничего другого, как сделать это силой, и в этом именно моя претензия к России. Они убивают мой народ. Как можно рассказать детям, у которых стоят дома фотографии их родителей, отцов, которые были убиты людьми с российскими флагами, что это наша братская страна? Та война, которая произошла, уже нас разделила. На самом деле это за год, за два, даже за пять, за десять лет – не разрешится, потому что эта война затронула каждого. У каждого кто-то из знакомых погиб, или пришел раненый, или был на фронте, или он был там сам. На самом деле это глобальная проблема, потому что люди потеряли близких. И с той стороны та же ситуация."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"​А про стену?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Так получилось, что в Украине сейчас процентное соотношение людей – еще до Майдана было – немного другое, они хотят другой жизни, не хотят возвращаться в ту жизнь с Советским Союзом, в те времена. А на Донбассе – люди, которые отстаивают это. Стена – это граница империализма, она сдвигается. Это просто геополитическое влияние. Сейчас Россия не имеет такого влияния на Украину – на ту часть Украины, которая контролируется украинской армией, украинским правительством, – как она влияла до Майдана. Эта стена – влияние России на соседние государства, влияние на умы. Потому что когда человек перестает смотреть только российское телевидение, только российские новости, то он начинает иметь другую точку зрения. Мы все думаем, что у нас у всех есть свобода, мы можем зайти в интернет, все увидеть, все почитать, но большинство людей, что в России, что в Украине, включают телевизор и смотрят то, что там показывают, слушают, читают газеты, общаются. Когда я был в Крыму и в Донбассе, то порой доходило до смешного, люди рассказывают такие сказки. Я был свидетелем какой-то ситуации, а люди через час уже все настолько перевирали и в это верили, какой-то “Правый сектор”, который кому-то отрезал голову, сидит где-то в погребе. В чем Россия хороша, так это в информационной войне. На самом деле вся война России в Украине началась благодаря СМИ. У меня иногда много вопросов к СМИ, потому что люди верят."},{"attributes":{"header":5},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:28:44Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"radio-liberty-interview-by-valentin-baryshnikov-russian-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Radio Liberty, Interview by Valentin Baryshnikov | russian, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147418111,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:28:36Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016","rank":null,"published_at":"2019-05-09T10:30:55Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:41:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-240","rank":null,"published_at":"2020-01-22T05:42:42Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"13c9eb55-c7f2-450d-abef-b404e5c4852a","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T05:42:42Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-250","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 250","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Between the Anvil and the Hammer: Confronting Culture"},{"insert":"\n\nIn Maxim Dondyuk’s new book, Ukraine’s 2013-2014 civil unrest is rendered as a conflict between shadows and light, snow and fire, two generations, and two layers of culture colliding on the territory of a single country.\n\nWe live in an age of confrontation. It wraps itself around us like the plastic wrapping on supermarket food: usually unnecessary, leaving behind a mess and the problem of safe disposal without further harm to the environment.\n\nMaxim Dondyuk knows this from first-hand experience, having lived through the conflict that erupted in his country, Ukraine, in 2013. Starting with mass protests against government moves to ally itself more with Russia than the EU, the conflict developed into a major political crisis.\n\nDondyuk’s photographs of the violent confrontations are extraordinary, transcending the political particularities that gave monstrous birth to what his camera records as a hellish phantasmagoria.\n\nJust as the violence of World War II in eastern Europe possessed a barbarity and level of savagery surpassing what took place in the west of the continent, the confrontations in Ukraine are rendered, through the lens of Dondyuk, as a nightmarish inferno that dwarfs scenes of civil unrest witnessed in other European capitals. What we see is more evocative of the 1942-43 battle of Stalingrad than the 1968 street fights in Paris or the Poll Tax riots in British cities in 1990. The closest comparison would come from distilling the thirty-year conflict of Northern Ireland’s Troubles down to the scale of the three months that rocked Kyiv over the winter of 2013-14.\n\nFeatures of civic clashes—barricades, fire, smoke, flags—are familiar enough but their presence in Dondyuk’s photobook are resonant of a stark, primitive discord that confronts the very notion of culture as something ennobling. On the streets of Kyiv, state authority and its foundations were contested; law became not an abstract force, but a material one, belonging to the side whose strength would endure and defeat its rivals. What would be decided was the power to decide; the end to be justified by the violence of the means. The present cannot be mortgaged when all that matters is whose force and determination prevails in the here and now of bloody confrontation.\n\nDondyuk notes Sebastião Salgado as an influence. It shows in his eye for multitudes, his sense of the epic and his depictions of collective endeavour. He is drawn to the massed lines of protestors and police, opposing armies in an urban battlefield; phalanxes of police with black helmets facing protestors in orange hard hats; swirling smoke and night skies lit by fire. With no sense of good guys and bad guys, left wing or right wing, East or West, there is something medieval about the crudity and rawness of the conflict. This accords with Dondyuk’s statement that what he tried to capture was the more “abstract, universal conflict that was playing out, between light and shadow, between the thick black smoke and whiteness of the February snow, and in some sense between good and evil, though it was often impossible to tell which side was which.”\n\nIndividuals stand stationary, emblems of the mayhem around them: a young man cowering in fear, desperate for protection as he covers his head; a figure silhouetted in an open space amidst burnt-out buses and continuing fire from riot police; and an almost surreal moment of beauty when a fur-clad member of the Dakh Daughters band, with a double bass in its case strapped on her back, glances backwards on her way to a concert performance on the night of December 21. One wonders if Dondyuk has watched the films of Eisenstein.\n\nThe visceral quality of the pictures is also akin to the multimedia effect of a blockbuster movie and this is related to the fact that all the photos were taken with one 35mm lens. The camera is only a few feet away from the subject matter of each image. You should not feel intimidated by a photograph but seeing the tooled-up police and the makeshift weapons of protestors is frightening; the acrid smoke and smell of burnt tyres gets into your throat. The tumult is audible and you can hear the breaking glass of Molotov cocktails.\n\nMaxim Dondyuk did not drop into the city of Kyiv for a day’s shoot. He lives there and he lived the confrontations of that winter of discontent. He attended the first mass rally that took place on the Maidan, the city’s central square a major crossroad, in December 2013: “I felt sure that by the morning the police would clean the entire Maidan. I didn’t have the slightest idea that I would spend the next three months there.” The street battles culminated in the shooting of dozens of unarmed protestors by the police, the fleeing of the fourth President of Ukraine in a helicopter over the border to Russia and a week of public mourning for those who had died.\n\nOn one occasion, Dondyuk found himself on the police side of the barricades and spent the rest of the day there, returning a number of times. On whatever side of the battlefield he stood, he remained between the anvil and the hammer and Culture of Confrontation is unflinching testimony to what he saw taking place in his city.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:19:47Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"lensculture-book-review-by-sean-sheehan-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"LensCulture, Book review by Sean Sheehan | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-2046820352,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T06:23:21Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019","rank":null,"published_at":"2020-01-22T06:33:37Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"79e63d4a-3e2e-410c-8003-f48d058c069a","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T06:33:37Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-250","rank":null,"published_at":"2020-01-22T06:37:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"2dde6d2e-03e9-44cd-a7b9-23c697bce5e1","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T06:37:38Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-232","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 232","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Interview with Maxim Dondyuk"},{"insert":"\n\nWith its visceral and visual clashes of police and protesters, the images of the 2013 revolution in Ukraine are difficult to forget. Over the course of the next years, the civil war in Eastern Ukraine and the annexation of Crimea left deep scars in the country. Maxim Dondyuk, from Ukraine himself, photographed the EuroMaidan revolution and documented child soldier camps and tuberculosis in Crimea. Are We Europe sat down with him and his wife, Irina, to discuss their work together as well as Maxim’s experience as a photographer on the front line.\n\n“People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nMaxim is 30 years old, has a long beard and tattoos. He’s restless, sympathetic and passionate. He and his wife Irina are staying at the artist-in-residence housing in central Paris for a few months. What is perhaps the most striking about his photos is the scale of the clashes he captures. Just as he says himself: they look like epic historical battles.\n\n“After I was in Ukraine for 2 weeks, I opened my eyes. I forgot about the real situation and started to see it like another world.” When I ask him how it felt to stand so close to the protesters and to actually be there, surrounded by flying Molotov cocktails, he quickly stands up, pretends to have a camera in front of his face and clicks away. “I tried before to take pictures this close. But in Maidan I started to take in the whole scene, with those hundreds of people. It was very hard not to create a picture or painting.”\n\nHe is silent for a while, then says “I don’t believe, I don’t believe, I don’t believe, I don’t believe,” while still holding the camera in front of his face.\n\nHe tells me there were in total about 200 photographers, with 20 photographers right next to him most of the time. All with big lenses, snapping away mostly at people’s faces.\n\n“But I was just thinking about stories. I kind of lost my mind and only saw battles, legends and I tried to put what I saw in the camera, in the frame. I wanted to put my emotion in the frame. It didn’t matter what happened, it was not the Ukrainian revolution anymore. For me the legends just continued.” \n\nBattles and Legends\n\nThe legend’s spell broke with a bang. A grenade exploded nearby and a shard shot into his left leg two days after he got there. He touches his leg and says, “at first, I didn’t even feel it. And then my leg really started to hurt and my friends took me to a hospital. It was a 40-minute operation – they took out the shard.”\n\nThe next day, all bandaged up, he slumped his way between the protesters again. He reenacts this for me, limping his leg and pretending to climb barricades and dodge Molotovs. “I couldn’t, I could not not go. I needed to go, go, go.” His sentences are short and active, with his English sometimes failing him, yet it doesn’t take away from his powerful acting. Now Irina steps in, having mostly listened to him and occasionally helped him with translating. “It was good, because after he was wounded, it was more peaceful. He could rest for a few days.”\n\nWe drink our coffee and look out over Paris for some time. We even talk about the weather, the beautiful buildings and the things they’ve done and seen here. But then Maxim takes us back to the battleground.\n\n“It wasn’t all as dangerous as what people think about it. But sometimes protesters threw grenades next to me and in other situations, police officers helped me. It was a crazy situation. Some policemen were crazy though.”\n\n“In every life, every culture, some people are bad and you can really see that in protests.”\n\nSuddenly we are back and right in between the protesters and the police, with Molotov cocktails flying over. He whistles a ”wooooo” sound, like a falling bomb. This is not a place where you can be without any risks. “You need to feel the situation,” he says. “Sometimes young people just go and think ‘I’m young and a journalist’. You need to have experience; think about it. Can I run and snap, or not?”\n\nHe keeps on standing up from his seat, producing comical movie sounds while acting out the intensity of the protest, waving his arms, moving up and down in his char. But his photos tell the story even better. The violence, the clashes – they truly are spectacular images.\n\nBut amidst the waterfall of words, he says something I didn’t expect.\n\n“I was very happy. The revolution was so sad, but sometimes it was so beautiful. Sometimes, if you forget about what happened, it was better than a movie. It was such an unreal situation.”\n\nThe Battle – Good vs. Evil\n\nHe continued talking about legendary battles, the good versus evil look-and-feel of it. Did he feel like it was Russia vs. Europe?\n\n“With this project I didn’t really think about Russia being evil. EuroMaidan was not necessarily anti-Russian. But afterwards people started to understand that Russian media create another reality. There were more than half a million people at the Maidan square, but Russian television always talked about 200 radicals.”\n\nHe goes on to give some historical context, and comes back to the Crimean annexation. ”After Crimea, Russia was evil for me.” So I asked him again, especially since his series is named Culture of Confrontation. “No, it’s not between Europe and Russia. It’s between two cultures. Two cultures that want a change in life. One doesn’t want to be like Europe, they just want to live without corruption. The other one is not about Russia, it’s about their dream about the Soviet Union.”\n\nEast and West Ukraine are completely different countries, he says. Kiev is mixed, sure, but if you go to the East, it’s like a complete mirror of the West. And with a lot of excited hand gestures, Maxim talks about his own very early memories of the Soviet Union, and mirrors it with his travels through Europe. “People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nTuberculosis and child soldiers\n\nSomething else that you’d think was a thing from the past is tuberculosis. But Maxim shot a compelling photoseries about tuberculosis in Crimea. The government in Crimea was not very cooperative, but he kept pushing, until a director of a hospital gave him permission to take pictures. He tells me how he spent 3 months in Sebastopol and comes back to something he only briefly mentioned before: Crimea Sich – a military training camp for children between 7 and 16, situated in the Crimean Mountains. “I kept coming back to Crimea, spending one year taking pictures there. Then I started to think about a documentary movie, which is better for storytelling than pictures.” \n\nHis brother, a young Ukrainian filmmaker, convinced him to go back again and shoot in the mountains. “I lost 7 kg per two weeks climbing mountains, with my gear. It was intense.” He pants heavily, reenacting the scene. “We climbed mountains with the cameras. It was so good, so beautiful, but also pretty crazy.” One of his filmmaker friends from Europe told him he is crazy. And as if he agrees, he repeats the word multiple times: “crazy, crazy … crazy.”\n\nMaxim and his brother came back with over 40 hours of footage of child soldiers from Ukraine, from Russia and Moldova. He tried to kickstart the documentary, but couldn’t get the money together. According to him, there are not enough rich people in Ukraine. \n\nFinally, I ask him if he’s looking forward to going back to Ukraine in December. He is silent for ten seconds, coughs a few times and then says solemnly “It’s a very, very sensitive question. Unfortunately, in the Ukrainian situation, not a lot has changed. The old system is still in place. Old politics, old people who don’t want change. It might be better after 10 or 20 years”.\n\nWhen I am almost ready to go, he suddenly asks me about what I thought about him, his photos, his English. I give him some compliments, and I mean them, but he doesn’t really seem to register it.\n\nThen he says, “I don’t like a system or any structure. I’m just a person that lives on this planet. Why do people start a war? I have friends in Russia, and they are very good. I don’t have problems with Russians, with the government, with people who believe propaganda. In Europe it’s the same, people watch TV and just believe that. It’s about the Ukrainian revolution and you try to help people understand, but not everyone understands. It’s still a war that’s going on. A war between cultures.”\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:25:58Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"are-we-europe-text-by-mick-ter-reehorst-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Are We Europe, Text by Mick ter Reehorst | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2139095039,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:25:54Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016","rank":null,"published_at":"2019-05-09T10:27:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a6490173-0b6a-4efa-984d-40fcc94cef13","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:35:14Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-232","rank":null,"published_at":"2020-01-22T04:53:59Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"7947ee57-38af-4dc8-8c3b-28058e7bdcb2","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T04:53:59Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-237","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 237","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Максим Дондюк"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Talktome разносторонне интересуется искусством, и искусство фотографии для нас является одним из самых впечатляющих и насыщенных. "},{"attributes":{"header":5},"insert":"\n"},{"insert":"Мы поговорили с Максимом Дондюком — фотографом, чьи проекты и принты — это нечто большее, чем просто фиксирование отдельных моментов. "},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Привет. Рад, что получилось тебя настигнуть перед очередным путешествием. Далеко уезжаешь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"В Грузию. На фестиваль KOLGA TBILISI PHOTO, там будет выставка победителей и финалистов конкурса. Пока еще непонятно, кто победил. Все это будет длиться дней 5, а потом еще остаемся на пару недель – мы никогда не были в Грузии, а тут такая возможность."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А «мы» — это…?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я с Ирой – это моя невеста, она же и является моим артист-менеджером. В последний год она занимается вопросами по переписке, логистике, продаже принтов. В общем, она взяла на себя тяжелый удар. Я занимаюсь творчеством, она занимается бизнесом. Я очень не люблю онлайн общение – это выбивает меня из колеи, мне хочется больше натуральной жизни."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Может ли художник сочетать в себе два этих мира – творчество и бизнес?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я сочетал до того, как встретил Иру, и это было очень тяжело."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Другого выхода просто не было?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Другого выхода просто не существует. В идеале, мы все равно сейчас ищем известного куратора или известную галерею, если мы говорим о работе в documentaryart, когда автор настроен на презентацию своих работ в галерейном и музейном пространстве. Маленькие галереи, которые на нас выходили, меня не устраивают, потому что этот объем работы мы и сами тянем, а с крупными галереями все сложно –туда не зовут кого попало, как и в крупные коллективы, вроде Magnum, которые зарабатывают больше на продаже принтов. Нужно работать и работать. В последний год я радикально изменил свой вектор – работа с журналами и медиа ушла на второй план. Я работаю только с проверенными людьми и с проверенными изданиями, с интересными изданиями и хорошими гонорарами, но абсолютно не делаю на это упор. Пытаюсь зарабатывать от продажи фотографии коллекционерам."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Такая модель заработка невозможна в Украине?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Вообще невозможна. Продажа фотографий может и есть, но тот уровень цен, за которые я продаю в Европе, отличается от уровня цен в Украине. Здесь человек подойдет и будет спрашивать у меня: почему твоя работа стоит такую-то сумму?"},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Нужно объяснять, чем уникальна фотография?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да. В Европе человек подходит и не спрашивает, почему она столько стоит. Он интересуется типом бумаги, на чем была напечатана, в каком принтхаусе она была напечатана, какой лимит, какие размеры. Покупатель понимает, что лимитированные принты – это уникальные вещи и уважающий себя коллекционер не будет покупать не «limitededition». Но это мир, который существует там, а в Украине документальная фотография не относится к искусству вообще. Меня тут кем угодно могут считать — и репортером, и документалистом, но точно не человеком, который зарабатывает на продаже принтов."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А кем ты себя ощущаешь, в первую очередь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я себя ощущаю документалистом, но в тоже время я, как это называют в Европе, visualartist. То бишь, мне не интересна фотография в плане «что? где? когда?», мне не интересна просто хроника. Мне не интересно рассказывать просто историю, хотя это идет вразрез с идеологией документальной фотографии. Меня больше интересует личная интерпретация автора, его наблюдения и фотография, пропущенная через его сознание и мироощущение."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"То есть, ты не снимаешь репортаж?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я начинал как репортер. Но сейчас я больше отстраняюсь от этого. Есть фотожурналисты, которых я уважаю, но большая часть из них мне не интересны."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Почему?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Из-за идеологии, которую они ведут. Нужно быть честным и говорить честно, а не снимать все с одной стороны."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Это касается, в основном, военной фотографии?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"В том числе. Я не считаю, что военная фотография останавливает войну, она ее пропагандирует. Я раньше считал, что военная фотография может изменить что-то, а сейчас мне интереснее являться человеком искусства, который работает в документальном жанре и выставлять работы в музее или галерее, а не печататься в журналах, ведь там у меня совсем другая свобода – другой формат фотографий, правильный свет, на правильной бумаге."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Но ты снимал войну (военный конфликт на Донбассе – прим. ред.), причем с обеих сторон…"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да, да. В данном случае это был очень важный experience. С двух сторон я научился снимать еще когда туберкулез делал (фотопроект об эпидемии туберкулеза в Украине – прим. ред.). Снимая с одной стороны, очень сложно понять, что происходит. Ты становишься очень близок к одной из сторон, начинаешь ей доверять и кажется, что она говорит только правду. Как у меня было с больными туберкулезом, которые говорили, как все печально, как все плохо, что нужны деньги, а ты идешь к врачу и узнаешь, что герой кого-то изнасиловал или убил. И весы восприятия сразу стабилизируются. Так же мне было важно быть на Майдане с двух сторон, и в Крым поехать, и на Донбассе была возможность сначала как московский журналист работать, а потом с украинской армией снимать."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Скажи, из интернета ты тоже стараешься уходить?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да вообще ушел. Есть друзья близкие, с которыми я общаюсь, и они знают, чем я занимаюсь. А остальные вообще, наверное, не понимают, что со мной происходит. Для меня перестало быть значимым, чтоб другие люди знали, чем я занимаюсь, или оставаться в поле зрения. Люди, которые покупают работы, не в интернете меня находят. Если у тебя нет выставки в музее или галерее, то они тебя не найдут."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Новостная фотография тебе тоже не интересна?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да. Она стала мне безразлична. Даже когда в Париже был теракт, то я отказывался от съемок."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ты считаешь, что какие-то кадры лучше оставить неснятыми?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Я снимаю все, что происходит, все, что я могу и хочу снимать. Но, может быть, часть вещей нельзя показывать."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ты можешь дать определение хорошей фотографии?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Сложно сказать. Это же не спорт, где соревнуются «кто выше прыгнет». Когда меня попросили отобрать десять лучших своих фотографий, я не смог этого сделать. Они все разные, у них у всех разные истории. Что значит лучшие? Визуально хорошие или эмоции, которые я переживал в тот момент, или что случилось позже? Я понял, что я не могу выделить вообще ни одной своей фотографии. В каждой моей фотографии часть моей души и часть того, что останется после меня. Со временем у человека вырабатывается визуальный вкус и становится легче отличить хорошую фотографию от плохой. Но все равно это какой-то стандарт, ведь когда мы смотрим на фотографию, наш разум работает как компьютер, и многих вещей может просто не осознавать, а фотография может быть шедевром в данный момент. Разум может этого не понимать, но человек это почувствует."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Твои стандарты к хорошей фотографии сильно изменились с начала карьеры?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Мое сознание меняется очень быстро. То, что год назад было для меня идеалом, сейчас находится на противоположной стороне. Я сам меняюсь, и меняется мой подход к творчеству. Именно поэтому я не хочу вести группы учеников и читать какие-то глубокие лекции, мне интереснее рассказывать о своем пути."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"В одном из своих интервью ты рассказывал, что во время выступления перед студентами-фотографами, один из учеников показал тебе свои работы до и после поступления в университет. Те, что были сделаны «до», оказались живее сделанных «после». Как ты тогда сказал, парня просто научили зарабатывать деньги. Ты на себе эти шаблоны чувствуешь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Может мне кажется, но я избавился от влияния очень многих факторов. До этого я воспитывался здесь всевозможными фотографами, своим кругом общения, которые навязывал мне свое мнение, определенное мышление. Это все делает нас узниками сознания, потому что творческий человек может делать все, что захочет и не важно, кто что скажет. Упала планка важности «что про тебя скажут, что про тебя подумают». Иногда тебе навязывают какую-то точку зрения, с которой ты соглашаешься, но чувствуешь дискомфорт внутри. Потому что так надо, так сказали наставники. Я сейчас живу по другим принципам – если я чего-то внутри чувствую, что хочу это делать, а разум говорит, что это катастрофа и полный абсурд, то разуму я говорю гудбай. Разум всегда говорит только о плохом, но если посмотреть на мое развитие в фотографии, то это все иррациональные действия, которые я никак не предсказывал."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ну да. Туберкулез ты снимал совершенно без денег. Не было желания плюнуть и уйти в студию или снимать свадьбы?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Ну… Наверное, привычка еще со службы на флоте – рубить концы, называется. Это означает, что ты не можешь пристать к причалу. Есть вещи, которые мне не нравятся, они как адамово яблоко – соблазняют меня. В тот момент я четко и агрессивно давал понять, что свадьбы я снимать не буду. Тогда я оставил для себя два варианта заработать: либо получить публикации, либо выиграть на конкурсе. Все остальные варианты были отрублены полностью. Но ничего не дается легко."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Тебя поддерживал хоть кто-то? Может, родители?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Нет (смеется). Сложный вопрос. С родителями у меня непростые отношения, я с ними давно не живу, и они не вмешиваются в мою жизнь. У меня тогда появились новые друзья, которые мне помогали. Саша Гляделов много помогал – давал советы, познакомил меня с врачом, когда я думал, что заболею."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Этот проект изменил твою жизнь?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да, произошла полная переоценка ценностей. Мне было тяжело приезжать в Киев и общаться с друзьями, которые рассказывали о своих проблемах – у одного украли телефон, у другого ушла девушка. А я знаю человека, принявшего то, что завтра или послезавтра он умрет. И он счастлив – выходит на улицу, дышит воздухом."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А что, по-твоему, счастье?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Шикарное чувство, когда ты свободен и никому ничего не должен – ни объяснять, ни доказывать, ни рассказывать. Нет этого чувства долга. Я вообще против понятия коллективного счастья, когда всем хорошо. Есть мое личное счастье и счастье близких мне людей. А вот это «я должен» – это какая-то навязанная обществом идея. Для того чтоб избавиться от этого влияния, ты должен снизить свою важность и просто жить в свое удовольствие. Найти равновесие."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А ты это равновесие нашел? Ты счастлив?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Да. Я сейчас вообще в каком-то раю нахожусь. Хотя, это скорее навязано сознанием. Думаю, раньше моя жизнь была ничуть не хуже, просто я по-другому смотрю на одни и те же вещи. Думаю, фотография и есть моя философия – она меня меняет, я развиваюсь вместе с ней."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"А каким ты был до фотографии?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Думаю, это лучше спросить у кого-то другого. Наверное, был более резким, критичным, самоуверенным. Я и сейчас такой, но мне не нужно ничего доказывать. Я понял, что если я хочу, чтоб люди воспринимали меня таким, какой я есть, то и мне нужно воспринимать людей такими, какие они есть, и не пытаться их изменить и особенно указывать им на их недостатки. Просто, наверное, постарел."},{"attributes":{"header":5},"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Ритм жизни тоже стал более размеренным?"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Темп жизни у меня идет скачками. Но раньше я бежал и куда-то опаздывал. Вся моя жизнь заключалась в том, чтоб что-то успеть. А сейчас у меня больше времени – я успеваю заниматься собой, ходить в спортзал, читать книги, встречаться с друзьями, работать и не зацикливаюсь на том, чтобы кому-то что-то доказывать. При этом жизнь стала более ритмичной, но чувствую я себя увереннее и спокойнее. Это как взять пилота Формулы-1 – он спокоен, сосредоточен, он контролирует ситуацию, у него нет паники, но при этом скорость у него безумная. И в этом сейчас вся моя жизнь."},{"attributes":{"header":5},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:46Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"talktome-interview-by-philip-dotsenko-russian-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Talktome, Interview by Philip Dotsenko | russian, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2146959359,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:44Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016","rank":null,"published_at":"2019-05-09T10:29:02Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:39:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-237","rank":null,"published_at":"2020-01-22T05:25:11Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"10f87ba0-4be9-41a6-aeb1-7d0de7dfc528","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T05:25:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","filesize":33936,"height":1335,"hidden":false,"id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","inserted_at":"2019-08-11T14:54:41Z","name":"","orientation":"Landscape","original_filename":"WARUKRAINE.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:54:41Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"20140406","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"20140406","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2019-08-11T14:55:52Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"WARUKRAINE"},{"attributes":{"header":1},"insert":"\n"},{"insert":"\nThe War in Donbass is an armed conflict in the Donbass region of Ukraine. From the beginning of March 2014, protests by pro-Russian and anti-government groups took place in the Donetsk and Luhansk oblasts of Ukraine, commonly collectively called the \"Donbass\", in the aftermath of the 2014 Ukrainian revolution and the Euromaidan movement. These demonstrations, which followed the annexation of Crimea by the Russian Federation (February to March 2014), and which were part of a wider group of concurrent pro-Russian protests across southern and eastern Ukraine, escalated into an armed conflict between the separatist forces of the self-declared Donetsk and Luhansk People's Republics (DPR and LPR respectively), and the Ukrainian government. In the Donetsk People's Republic, from May 2014 until a change of the top leadership in August 2014, some of the top leaders were Russian citizens. According to the Ukrainian government, at the height of the conflict in mid-2014, Russian paramilitaries were reported to make up between 15% to 80% of the combatants.\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"warukraine","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"WARUKRAINE","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1298531455,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine","rank":null,"published_at":"2019-07-28T10:31:21Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6625d89e-96ab-474c-bb9a-f75be2449c7a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-28T10:31:21Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","filesize":33936,"height":1335,"hidden":false,"id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","inserted_at":"2019-08-11T14:54:41Z","name":"","orientation":"Landscape","original_filename":"WARUKRAINE.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:54:41Z","weight":3,"width":2000},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine/20140406","rank":null,"published_at":"2019-08-11T14:55:17Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["e2237fe0-b5a7-4595-82d0-c7182a80b54b"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6c493860-a519-427c-89d2-1c2127c407b5","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-11T14:55:17Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6625d89e-96ab-474c-bb9a-f75be2449c7a"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-234","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 234","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Theater of War: Q&A with Maxim Dondyuk"},{"insert":"\n\nIn the summer of 2013, months before Euromaidan started, photographer Maxim Dondyuk had traded his camera for video equipment. He was in Crimea, trying his hand at documentary filmmaking, when 2,000 protesters peacefully gathered in Kiev’s main square after the government decided to suspend its process of integration into the European Union. He watched as the protests intensified and, on November 30th, as the authorities started cracking down. The next day, he was at Maidan. “Euromaidan became one of the most visually beautiful revolutions,” Dondyuk wrote after spending three months in the square. The photos he came back with are incredibly cinematic, like scenes from a Hollywood film, and show another side to a widely-documented event. Now he’s making a book, in which aesthetics and emotions take the lead.\n\n"},{"attributes":{"italic":true},"insert":"Roads & Kingdoms: When did you first visit Maidan?"},{"insert":"\n\nMaxim Dondyuk: Everything happened in the city I live in. The first mass assembly was on December 1st 2013, and it included people from all walks of life. I took a photo from the subway where you can see how crowded it was. The two blocks around Maidan were absolutely packed. People were coming from the entire country, not only to support European integration, but to protest against the impunity of those who beat up students there a few days earlier. People were coming out to defend civil rights. That was my first day at Maidan and I couldn’t have imagined were it would be leading me. That day, the authorities made a mistake: on Bankova street, right near the office of the President, demonstrators and journalists were beaten up. That same day, demonstrators started occupying City Hall and barricades started going up. Despite that, I was sure that by the morning the police would have cleared the entire place. I didn’t have the slightest idea that I would spend the next three months there.\n\n"},{"attributes":{"italic":true},"insert":"R&K: At what point did you decide this project would be something different than a photojournalistic reportage?"},{"insert":"\n\nDondyuk: During the first few weeks of December, before the first attempt to clear the square, I didn’t know what I wanted to photograph and in what way. There were hundreds of journalists in Kiev. Sometimes you would see 20 people with cameras standing in a single square meter. It was very difficult to photograph in such conditions, especially as I do not cover news. The more time I spent at Maidan, the more I realized that my subconscious distorted reality. I found myself in front of battle scenes that reminded me of what I had seen in museums, in Realist paintings. It became important to interpret what I saw and felt rather than answer the questions what? where? when? I decided to document Euromaidan through emotions and visual language.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How did you achieve that way of photographing?"},{"insert":"\n\nDondyuk: As soon as I stopped trying to control my subconscious, I stopped following the rules imposed on me, and gave myself complete freedom. I was transported in a different reality, far from the demonstrations in Kiev. In front of me, I saw scenes that were both beautiful and horrible. My camera became my notebook, my visual diary.\n\n"},{"attributes":{"italic":true},"insert":"R&K: Did you feel like your role changed at that moment?"},{"insert":"\n\nDondyuk: I was at Maidan from the 1st of December to the end. It was a very tragic period for my country. But I was happy that I could be present at this historic moment to convey what I saw to future generations and to people from different countries. Being a documentary photographer, I think it was my duty.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How was the work received? People must have been surprised at how different it looked."},{"insert":"\n\nDondyuk: I worked mostly with international magazines that I trust. They contacted me. I was not looking for assignments, and often refused them if they didn’t coincide with my interests. So far, I haven’t had any offers to create an exhibition in Ukraine, but the book I’m working on will present 100 to 150 photos. It divides the Revolution in three different visual phases. I want people to see what I saw. I want to explain to people who live far from Ukraine why a completely peaceful demonstration turned into armageddon. Why people left everything, their work, their home, and came to the capital of Ukraine to fight for freedom. But you will know more after the book is ready, I don’t want to reveal all my secrets.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How has this project changed the way you practice photography?"},{"insert":"\n\nDondyuk: After this project, I started to feel more like a visual artist. I became interested in exhibitions and galleries rather than what was being published in the media, which I paid a lot of attention to before. Photography is my philosophy and my religion. I don’t believe in God, but photography helps me discover and understand this world. I believe that photography, just like any other type of art, is a container of emotions. And a documentary photographer only has a quick moment to work before everything ends.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:22Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Roads and Kingdoms, Interview by Pauline Eiferman | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2143289343,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:20Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","rank":null,"published_at":"2019-05-09T10:28:15Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c76f816c-6a50-472e-af1e-912800959b13","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:36:18Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-234","rank":null,"published_at":"2020-01-22T05:14:20Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"0e463d74-9539-4477-b78d-99bd0c207250","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T05:14:20Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c76f816c-6a50-472e-af1e-912800959b13"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibitions-history","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Exhibitions History","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T05:22:18Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibitions","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Exhibitions","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-556359680,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:04Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions","rank":null,"published_at":"2020-01-21T09:40:09Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"65cff99d-6fec-407c-8319-9fcba32ac756","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"submenu","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:40:09Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions/exhibitions-history","rank":null,"published_at":"2020-01-21T09:41:11Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":["c701cec8-8364-4150-894c-b1ca22061a10"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:41:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":{"aspect_ratio":"75:31","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"cf0ccaf5-abb0-42af-9a16-9849997587df.jpg","filesize":638960,"height":620,"hidden":false,"id":"cf0ccaf5-abb0-42af-9a16-9849997587df","inserted_at":"2019-08-14T08:27:09Z","name":null,"orientation":"Landscape","original_filename":"03_DOM_2017_12_27_2703.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":1610612736,"set_id":"67da28d7-06b7-4eaa-b682-d92f16dfff59","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/cf0ccaf5-abb0-42af-9a16-9849997587df.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-21T09:27:08Z","weight":4,"width":1500},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-191","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"grid","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"67da28d7-06b7-4eaa-b682-d92f16dfff59","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 191","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Irregular","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1069547520,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-22T03:39:27Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled Project from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1979711488,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:02:56Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{"ops":[{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n\nThis project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-06T11:20:25Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-191","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"99c3eba8-f106-4ef5-acb5-2a4278134d2e","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"L","text_color":null,"menu_representation":"page","cover_image_id":"cf0ccaf5-abb0-42af-9a16-9849997587df","image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-14T08:31:13Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"movie-trailer-untitled-project","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Movie Trailer: Untitled Project","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Movie Trailer: UNTITLED PROJECT from Chernobyl","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1056964608,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-13T03:39:55Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"UNTITLED PROJECT from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1476395008,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl","rank":null,"published_at":"2019-05-15T05:48:58Z","summary":{"ops":[{"insert":"2016 - in progress\n\nNowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts. This project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"L","id":"53b7578d-467c-4474-95ed-53c7c8a86610","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Center","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","image_id":"66a9daee-2ad6-4eda-a321-b7a6ed070f02","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T13:17:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"2f95220c-d45e-4b1e-b157-f710b9db3729.png","filesize":1116465,"height":1080,"hidden":false,"id":"2f95220c-d45e-4b1e-b157-f710b9db3729","inserted_at":"2019-05-07T08:17:50Z","name":"","orientation":"Landscape","original_filename":"Cover for promo.png","playback_id":null,"poster_position":0.0,"private":false,"rank":1916796926,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/2f95220c-d45e-4b1e-b157-f710b9db3729.png","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-12T13:06:44Z","weight":3,"width":1920},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/movie-trailer-untitled-project","rank":null,"published_at":"2019-12-12T04:29:02Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":["9f8d7582-96cb-452e-ae97-fdf815c4b845"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"341e0215-f1bd-4682-81e2-45bbc7a3621c","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"2f95220c-d45e-4b1e-b157-f710b9db3729","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-12T04:29:02Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"books","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"M","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Books","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-839254016,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:55Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books","rank":null,"published_at":"2019-07-28T12:08:43Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":["283df543-a4e6-4107-a108-893ba3bb3fba","b91f140d-329b-41ef-bcde-61e10d697d7a"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-28T12:08:43Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-217","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":"https://www.facebook.com/CrimeaSich","text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"align":"right","header":2},"insert":"\n"},{"attributes":{"color":"#3b5998"},"insert":"Facebook: "},{"attributes":{"color":"#3b5998","link":"https://www.facebook.com/CrimeaSich"},"insert":"CrimeaSich"},{"attributes":{"align":"right"},"insert":"\n"}]},"title":"Untitled 217","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"Crimea Sich"},{"attributes":{"header":2},"insert":"\n"},{"attributes":{"color":"#686868"},"insert":"Documentary ・ 2013 ・ film is on post-production stage"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-671088640,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-19T01:08:50Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"documentary","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Documentary","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Documentary \"Crimea Sich\"","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. ","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-03T15:16:13Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{"ops":[{"insert":"2013 | the film is on post-production stage\n\nI discovered the camp in 2010, and for three years I kept coming back there with a camera to understand why at such tender age children needed to be taught how to deal with real weapons in time of peace, and what the camp was all about. In 2013 together with my brother, we shot the last days of the camp, a half year later Russia annexed Crimea, which led to the conflict between Ukraine and Russia and war in Donbass. Cossacks, who previously considered themselves brotherly nations, split up for those who fight for maintaining their country’s boundaries and those who wanted to revive the former Russian empire.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T14:19:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary/untitled-217","rank":null,"published_at":"2020-01-21T02:20:47Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"63655730-e34d-4be2-be69-de0cb9ede6e9","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T02:20:47Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibitions","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Exhibitions","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-556359680,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:04Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions","rank":null,"published_at":"2020-01-21T09:40:09Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":["3aaf4162-7f49-471a-8c0c-b223a45e8e90","b096027f-6df4-4c12-8aa8-b7445c7571f9"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"65cff99d-6fec-407c-8319-9fcba32ac756","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"submenu","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:40:09Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"publications","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Publications","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-540643328,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:56:04Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications","rank":null,"published_at":"2020-01-21T09:56:30Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":["d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","0210eb11-ca9b-4ab7-bccd-c54d32b8da63"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"dd9bf816-b615-4648-94d9-506f07dff3df","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"submenu","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:56:30Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Apócrifa Art Magazine, Text by Eusebio Nava | spanish, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-536870914,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:23:49Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"essays-interviews","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Portrait","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Essays & Interviews","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-27T04:19:05Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews","rank":null,"published_at":"2019-05-10T09:42:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Right","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T08:52:11Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/apocrifa-art-magazine-text-by-eusebio-nava-spanish-2019","rank":null,"published_at":"2019-09-23T08:54:22Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["ca57804a-8af5-49fa-a8e5-30e738290816","991ab322-85b8-4a6e-9310-54a6c1b332dc"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-09-23T08:54:22Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-160","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"}]},"title":"Untitled 160","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"UN/NGO PORTFOLIO"},{"attributes":{"header":2},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-536870912,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2019-08-05T02:26:16Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"unngo-portfolio","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"53e4f578-d8bb-476a-9a56-8c3e68cdf996","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"UN/NGO Portfolio","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1325917009,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"unngo-portfolio","rank":null,"published_at":"2019-08-02T12:58:09Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"dadb3008-4aaa-413a-9a12-3f0ad3b98b67","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"d9d2cb3a-2ec5-4ab0-bb6c-01d1f4808c1f","image_id":"f4daf074-18a3-4b05-8b20-566ac594efe2","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-02T12:58:09Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"unngo-portfolio/untitled-160","rank":null,"published_at":"2019-08-02T12:59:05Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"5fb28ba2-4a84-464f-bd6e-6b866363ca7d","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-02T12:59:05Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dadb3008-4aaa-413a-9a12-3f0ad3b98b67"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"attributes":{"align":"right"},"insert":"\n"},{"attributes":{"color":"#e8e8e8"},"insert":"2010 -"},{"attributes":{"color":"#000000"},"insert":" "},{"attributes":{"color":"#c6c6c6"},"insert":"2011 - "},{"attributes":{"color":"#a6a6a6"},"insert":"2012 -"},{"attributes":{"color":"#c6c6c6"},"insert":" "},{"attributes":{"color":"#7c7c7c"},"insert":"2013 -"},{"attributes":{"color":"#686868"},"insert":" "},{"attributes":{"color":"#424242"},"insert":"2014 "},{"attributes":{"align":"right"},"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"archive","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Archive","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Right","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Irregular","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-367799296,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:56:31Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"archive","rank":null,"published_at":"2019-05-15T05:10:27Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":["f19c0cbd-f933-458e-8b94-aebcc98d3949","e0c30cdf-1443-459b-a885-85b64507aa4d"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-15T05:10:00Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"from "},{"attributes":{"link":"https://maximdondyuk.com/untitled-project%2Fabout-project"},"insert":"Untitled Project"},{"insert":"\n"}]},"cover_image":{"aspect_ratio":"2:3","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0.jpg","filesize":736195,"height":1500,"hidden":false,"id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","inserted_at":"2019-06-01T08:04:50Z","name":null,"orientation":"Portrait","original_filename":"16_17.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483647,"set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-06-01T08:09:51Z","weight":3,"width":1000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"unknown-contact-sheets","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"None","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"row","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Unknown Contact Sheets","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Unknown Contact Sheets | UNTITLED PROJECT from Chernobyl","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-134217728,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Films from the family archives. Found in the abandoned settlements of the Chernobyl zone, weather and time.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-13T03:40:11Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"UNTITLED PROJECT from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1476395008,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl","rank":null,"published_at":"2019-05-15T05:48:58Z","summary":{"ops":[{"insert":"2016 - in progress\n\nNowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts. This project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"L","id":"53b7578d-467c-4474-95ed-53c7c8a86610","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Center","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","image_id":"66a9daee-2ad6-4eda-a321-b7a6ed070f02","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T13:17:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/unknown-contact-sheets","rank":null,"published_at":"2019-05-07T12:41:04Z","summary":{"ops":[{"insert":"Films from the family archives. Found in the abandoned settlements of the Chernobyl zone, where since 1986 they were rotting under a thick layer of trash and mud. Most of the films were damaged by radiation, weather and time. Found objects were restored and scanned.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"S","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"ba922848-251d-42b5-bbe1-1f8f2b59c9c2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T09:47:53Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-50","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"insert":"Exhibitions"},{"attributes":{"align":"right","header":2},"insert":"\n"}]},"title":"Untitled 50","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"align":"right","header":2},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-134213621,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-24T05:03:55Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"This confrontation is eternal, it started ages ago and will continue again and again. It doesn’t depend what country.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation","rank":null,"published_at":"2019-05-12T12:53:00Z","summary":{"ops":[{"insert":"2013 -2014\n\nThe title Culture of Confrontation shouldn’t be taken too literally. Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:03:03Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation/untitled-50","rank":null,"published_at":"2019-05-09T19:49:12Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"bc10c9f6-8ad5-4ddc-a990-7bc0260a122d","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:07:04Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-39","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"image","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 39","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2019-07-06T15:49:44Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"video-poetry-a-small-town","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Video Poetry \"A Small Town\"","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1677721600,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-01-24T05:44:22Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"archive/video-poetry-a-small-town","rank":null,"published_at":"2019-05-09T15:54:41Z","summary":{"ops":[{"insert":"2012\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"f19c0cbd-f933-458e-8b94-aebcc98d3949","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"15c015ec-7c85-463b-bec2-ad4b25b93c6d","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-08T08:54:45Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"fa9f95a0-e507-49f8-976b-ab0ca42863f4"},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":"GzhFIgvQyxHKB6joRdgzqD4pZlar7edB","cover_image":false,"description":{},"duration":238,"filename":"4ecc4f21-895c-4815-bea4-a5bd4baa060c.mp4","filesize":79619878,"height":720,"hidden":false,"id":"4ecc4f21-895c-4815-bea4-a5bd4baa060c","inserted_at":"2019-05-08T08:54:27Z","name":null,"orientation":"Landscape","original_filename":"Videopoetry “A Small Town”.mp4","playback_id":"btKr01alNyfQq00vBGFFdv5H00xTQi2nH62","poster_position":219.9139301,"private":false,"rank":-134217730,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/btKr01alNyfQq00vBGFFdv5H00xTQi2nH62.m3u8","poster":"https://image.mux.com/btKr01alNyfQq00vBGFFdv5H00xTQi2nH62/thumbnail.jpg?time=219.9139301"},"status":"ready","tag_ids":[],"type":"video","updated_at":"2019-07-26T10:38:11Z","weight":3,"width":1280},"video_autoplay":false,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"archive/video-poetry-a-small-town/untitled-39","rank":null,"published_at":"2019-05-09T15:54:41Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"9475c78b-df67-41fa-a904-c9068be1523e","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Full","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"4ecc4f21-895c-4815-bea4-a5bd4baa060c","slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-08T08:56:21Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"f19c0cbd-f933-458e-8b94-aebcc98d3949"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553.jpg","filesize":277439,"height":840,"hidden":false,"id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","inserted_at":"2019-12-22T09:47:55Z","name":"","orientation":"Landscape","original_filename":"5a73dafd-c5c8-4d8e-9c3f-2014d1cb687c.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/5aabc2f1-3dce-44b8-8f52-4cdaf96b1553.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-22T09:47:55Z","weight":3,"width":1260},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-211","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"slideshow","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","description_enabled":false,"content_size_type_text":true,"description_content_html":null,"text_content2":{},"title":"Untitled 211","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-23T03:00:55Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-01-23T03:01:01Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions-22/culture-of-confrontation","rank":null,"published_at":"2019-12-22T09:43:07Z","summary":{"ops":[{"insert":"Solo Exhibition\n\nStädtische Galerie\nEhingen, Germany, 2019\n"}]},"menu_id":null,"cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"b30e2771-fe51-4d2d-b6d3-c110354c6071","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","image_id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T09:43:07Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"590cf8c8-e884-4ced-affe-5b124d449eeb"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions-22/culture-of-confrontation/untitled-211","rank":null,"published_at":"2019-12-22T09:46:29Z","summary":{},"menu_id":null,"cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"7987356f-bed2-46db-af59-d3212e96ce1b","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T09:46:29Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"b30e2771-fe51-4d2d-b6d3-c110354c6071"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-84","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Максим Дондюк"},{"insert":"\n\nTalktome разносторонне интересуется искусством, и искусство фотографии для нас является одним из самых впечатляющих и насыщенных. \nМы поговорили с Максимом Дондюком — фотографом, чьи проекты и принты — это нечто большее, чем просто фиксирование отдельных моментов. \n\n"},{"attributes":{"italic":true},"insert":"Привет. Рад, что получилось тебя настигнуть перед очередным путешествием. Далеко уезжаешь?"},{"insert":"\n\nВ Грузию. На фестиваль KOLGA TBILISI PHOTO, там будет выставка победителей и финалистов конкурса. Пока еще непонятно, кто победил. Все это будет длиться дней 5, а потом еще остаемся на пару недель – мы никогда не были в Грузии, а тут такая возможность.\n\n"},{"attributes":{"italic":true},"insert":"А «мы» — это…?"},{"insert":"\n\nЯ с Ирой – это моя невеста, она же и является моим артист-менеджером. В последний год она занимается вопросами по переписке, логистике, продаже принтов. В общем, она взяла на себя тяжелый удар. Я занимаюсь творчеством, она занимается бизнесом. Я очень не люблю онлайн общение – это выбивает меня из колеи, мне хочется больше натуральной жизни.\n\n"},{"attributes":{"italic":true},"insert":"Может ли художник сочетать в себе два этих мира – творчество и бизнес?"},{"insert":"\n\nЯ сочетал до того, как встретил Иру, и это было очень тяжело.\n\n"},{"attributes":{"italic":true},"insert":"Другого выхода просто не было?"},{"insert":"\n\nДругого выхода просто не существует. В идеале, мы все равно сейчас ищем известного куратора или известную галерею, если мы говорим о работе в documentaryart, когда автор настроен на презентацию своих работ в галерейном и музейном пространстве. Маленькие галереи, которые на нас выходили, меня не устраивают, потому что этот объем работы мы и сами тянем, а с крупными галереями все сложно –туда не зовут кого попало, как и в крупные коллективы, вроде Magnum, которые зарабатывают больше на продаже принтов. Нужно работать и работать. В последний год я радикально изменил свой вектор – работа с журналами и медиа ушла на второй план. Я работаю только с проверенными людьми и с проверенными изданиями, с интересными изданиями и хорошими гонорарами, но абсолютно не делаю на это упор. Пытаюсь зарабатывать от продажи фотографии коллекционерам.\n\n"},{"attributes":{"italic":true},"insert":"Такая модель заработка невозможна в Украине?"},{"insert":"\n\nВообще невозможна. Продажа фотографий может и есть, но тот уровень цен, за которые я продаю в Европе, отличается от уровня цен в Украине. Здесь человек подойдет и будет спрашивать у меня: почему твоя работа стоит такую-то сумму?\n\n"},{"attributes":{"italic":true},"insert":"Нужно объяснять, чем уникальна фотография?"},{"insert":"\n\nДа. В Европе человек подходит и не спрашивает, почему она столько стоит. Он интересуется типом бумаги, на чем была напечатана, в каком принтхаусе она была напечатана, какой лимит, какие размеры. Покупатель понимает, что лимитированные принты – это уникальные вещи и уважающий себя коллекционер не будет покупать не «limitededition». Но это мир, который существует там, а в Украине документальная фотография не относится к искусству вообще. Меня тут кем угодно могут считать — и репортером, и документалистом, но точно не человеком, который зарабатывает на продаже принтов.\n\n"},{"attributes":{"italic":true},"insert":"А кем ты себя ощущаешь, в первую очередь?"},{"insert":"\n\nЯ себя ощущаю документалистом, но в тоже время я, как это называют в Европе, visualartist. То бишь, мне не интересна фотография в плане «что? где? когда?», мне не интересна просто хроника. Мне не интересно рассказывать просто историю, хотя это идет вразрез с идеологией документальной фотографии. Меня больше интересует личная интерпретация автора, его наблюдения и фотография, пропущенная через его сознание и мироощущение.\n\n"},{"attributes":{"italic":true},"insert":"То есть, ты не снимаешь репортаж?"},{"insert":"\n\nЯ начинал как репортер. Но сейчас я больше отстраняюсь от этого. Есть фотожурналисты, которых я уважаю, но большая часть из них мне не интересны.\n\n"},{"attributes":{"italic":true},"insert":"Почему?"},{"insert":"\n\nИз-за идеологии, которую они ведут. Нужно быть честным и говорить честно, а не снимать все с одной стороны.\n\n"},{"attributes":{"italic":true},"insert":"Это касается, в основном, военной фотографии?"},{"insert":"\n\nВ том числе. Я не считаю, что военная фотография останавливает войну, она ее пропагандирует. Я раньше считал, что военная фотография может изменить что-то, а сейчас мне интереснее являться человеком искусства, который работает в документальном жанре и выставлять работы в музее или галерее, а не печататься в журналах, ведь там у меня совсем другая свобода – другой формат фотографий, правильный свет, на правильной бумаге.\n\n"},{"attributes":{"italic":true},"insert":"Но ты снимал войну (военный конфликт на Донбассе – прим. ред.), причем с обеих сторон…"},{"insert":"\n\nДа, да. В данном случае это был очень важный experience. С двух сторон я научился снимать еще когда туберкулез делал (фотопроект об эпидемии туберкулеза в Украине – прим. ред.). Снимая с одной стороны, очень сложно понять, что происходит. Ты становишься очень близок к одной из сторон, начинаешь ей доверять и кажется, что она говорит только правду. Как у меня было с больными туберкулезом, которые говорили, как все печально, как все плохо, что нужны деньги, а ты идешь к врачу и узнаешь, что герой кого-то изнасиловал или убил. И весы восприятия сразу стабилизируются. Так же мне было важно быть на Майдане с двух сторон, и в Крым поехать, и на Донбассе была возможность сначала как московский журналист работать, а потом с украинской армией снимать.\n\n"},{"attributes":{"italic":true},"insert":"Скажи, из интернета ты тоже стараешься уходить?"},{"insert":"\n\nДа вообще ушел. Есть друзья близкие, с которыми я общаюсь, и они знают, чем я занимаюсь. А остальные вообще, наверное, не понимают, что со мной происходит. Для меня перестало быть значимым, чтоб другие люди знали, чем я занимаюсь, или оставаться в поле зрения. Люди, которые покупают работы, не в интернете меня находят. Если у тебя нет выставки в музее или галерее, то они тебя не найдут.\n\n"},{"attributes":{"italic":true},"insert":"Новостная фотография тебе тоже не интересна?"},{"insert":"\n\nДа. Она стала мне безразлична. Даже когда в Париже был теракт, то я отказывался от съемок.\n\n"},{"attributes":{"italic":true},"insert":"Ты считаешь, что какие-то кадры лучше оставить неснятыми?"},{"insert":"\n\nЯ снимаю все, что происходит, все, что я могу и хочу снимать. Но, может быть, часть вещей нельзя показывать.\n\n"},{"attributes":{"italic":true},"insert":"Ты можешь дать определение хорошей фотографии?"},{"insert":"\n\nСложно сказать. Это же не спорт, где соревнуются «кто выше прыгнет». Когда меня попросили отобрать десять лучших своих фотографий, я не смог этого сделать. Они все разные, у них у всех разные истории. Что значит лучшие? Визуально хорошие или эмоции, которые я переживал в тот момент, или что случилось позже? Я понял, что я не могу выделить вообще ни одной своей фотографии. В каждой моей фотографии часть моей души и часть того, что останется после меня. Со временем у человека вырабатывается визуальный вкус и становится легче отличить хорошую фотографию от плохой. Но все равно это какой-то стандарт, ведь когда мы смотрим на фотографию, наш разум работает как компьютер, и многих вещей может просто не осознавать, а фотография может быть шедевром в данный момент. Разум может этого не понимать, но человек это почувствует.\n\n"},{"attributes":{"italic":true},"insert":"Твои стандарты к хорошей фотографии сильно изменились с начала карьеры?"},{"insert":"\n\nМое сознание меняется очень быстро. То, что год назад было для меня идеалом, сейчас находится на противоположной стороне. Я сам меняюсь, и меняется мой подход к творчеству. Именно поэтому я не хочу вести группы учеников и читать какие-то глубокие лекции, мне интереснее рассказывать о своем пути.\n\n"},{"attributes":{"italic":true},"insert":"В одном из своих интервью ты рассказывал, что во время выступления перед студентами-фотографами, один из учеников показал тебе свои работы до и после поступления в университет. Те, что были сделаны «до», оказались живее сделанных «после». Как ты тогда сказал, парня просто научили зарабатывать деньги. Ты на себе эти шаблоны чувствуешь?"},{"insert":"\n\nМожет мне кажется, но я избавился от влияния очень многих факторов. До этого я воспитывался здесь всевозможными фотографами, своим кругом общения, которые навязывал мне свое мнение, определенное мышление. Это все делает нас узниками сознания, потому что творческий человек может делать все, что захочет и не важно, кто что скажет. Упала планка важности «что про тебя скажут, что про тебя подумают». Иногда тебе навязывают какую-то точку зрения, с которой ты соглашаешься, но чувствуешь дискомфорт внутри. Потому что так надо, так сказали наставники. Я сейчас живу по другим принципам – если я чего-то внутри чувствую, что хочу это делать, а разум говорит, что это катастрофа и полный абсурд, то разуму я говорю гудбай. Разум всегда говорит только о плохом, но если посмотреть на мое развитие в фотографии, то это все иррациональные действия, которые я никак не предсказывал.\n\n"},{"attributes":{"italic":true},"insert":"Ну да. Туберкулез ты снимал совершенно без денег. Не было желания плюнуть и уйти в студию или снимать свадьбы?"},{"insert":"\n\nНу… Наверное, привычка еще со службы на флоте – рубить концы, называется. Это означает, что ты не можешь пристать к причалу. Есть вещи, которые мне не нравятся, они как адамово яблоко – соблазняют меня. В тот момент я четко и агрессивно давал понять, что свадьбы я снимать не буду. Тогда я оставил для себя два варианта заработать: либо получить публикации, либо выиграть на конкурсе. Все остальные варианты были отрублены полностью. Но ничего не дается легко.\n\n"},{"attributes":{"italic":true},"insert":"Тебя поддерживал хоть кто-то? Может, родители?"},{"insert":"\n\nНет (смеется). Сложный вопрос. С родителями у меня непростые отношения, я с ними давно не живу, и они не вмешиваются в мою жизнь. У меня тогда появились новые друзья, которые мне помогали. Саша Гляделов много помогал – давал советы, познакомил меня с врачом, когда я думал, что заболею.\n\n"},{"attributes":{"italic":true},"insert":"Этот проект изменил твою жизнь?"},{"insert":"\n\nДа, произошла полная переоценка ценностей. Мне было тяжело приезжать в Киев и общаться с друзьями, которые рассказывали о своих проблемах – у одного украли телефон, у другого ушла девушка. А я знаю человека, принявшего то, что завтра или послезавтра он умрет. И он счастлив – выходит на улицу, дышит воздухом.\n\n"},{"attributes":{"italic":true},"insert":"А что, по-твоему, счастье?"},{"insert":"\n\nШикарное чувство, когда ты свободен и никому ничего не должен – ни объяснять, ни доказывать, ни рассказывать. Нет этого чувства долга. Я вообще против понятия коллективного счастья, когда всем хорошо. Есть мое личное счастье и счастье близких мне людей. А вот это «я должен» – это какая-то навязанная обществом идея. Для того чтоб избавиться от этого влияния, ты должен снизить свою важность и просто жить в свое удовольствие. Найти равновесие.\n\n"},{"attributes":{"italic":true},"insert":"А ты это равновесие нашел? Ты счастлив?"},{"insert":"\n\nДа. Я сейчас вообще в каком-то раю нахожусь. Хотя, это скорее навязано сознанием. Думаю, раньше моя жизнь была ничуть не хуже, просто я по-другому смотрю на одни и те же вещи. Думаю, фотография и есть моя философия – она меня меняет, я развиваюсь вместе с ней.\n\n"},{"attributes":{"italic":true},"insert":"А каким ты был до фотографии?"},{"insert":"\n\nДумаю, это лучше спросить у кого-то другого. Наверное, был более резким, критичным, самоуверенным. Я и сейчас такой, но мне не нужно ничего доказывать. Я понял, что если я хочу, чтоб люди воспринимали меня таким, какой я есть, то и мне нужно воспринимать людей такими, какие они есть, и не пытаться их изменить и особенно указывать им на их недостатки. Просто, наверное, постарел.\n\n"},{"attributes":{"italic":true},"insert":"Ритм жизни тоже стал более размеренным?"},{"insert":"\n\nТемп жизни у меня идет скачками. Но раньше я бежал и куда-то опаздывал. Вся моя жизнь заключалась в том, чтоб что-то успеть. А сейчас у меня больше времени – я успеваю заниматься собой, ходить в спортзал, читать книги, встречаться с друзьями, работать и не зацикливаюсь на том, чтобы кому-то что-то доказывать. При этом жизнь стала более ритмичной, но чувствую я себя увереннее и спокойнее. Это как взять пилота Формулы-1 – он спокоен, сосредоточен, он контролирует ситуацию, у него нет паники, но при этом скорость у него безумная. И в этом сейчас вся моя жизнь.\n"}]},"title":"Untitled 84","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Talktome"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Philip Dotsenko"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"russian, 2016"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:18Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"talktome-interview-by-philip-dotsenko-russian-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Talktome, Interview by Philip Dotsenko | russian, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2146959359,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:44Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016","rank":null,"published_at":"2019-05-09T10:29:02Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"f09a1faa-4cbb-4414-842c-11f0df907bfd","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:39:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/talktome-interview-by-philip-dotsenko-russian-2016/untitled-84","rank":null,"published_at":"2019-05-09T10:29:02Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"e071aa70-2e0d-47d8-bbbc-edf99c4310ea","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:09:55Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"f09a1faa-4cbb-4414-842c-11f0df907bfd"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-213","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Introduction to exhibition \"Culture of Confrontation\""},{"insert":"\n"},{"attributes":{"bold":true},"insert":"in the Städtische Galerie Ehingen, Germany, 2019."},{"insert":"\n\nIn winter 2013/2014 the Independence Square in Kyiv - the Ukrainian word for place is \"maidan\" - became a focal point of world events.\n\nAfter the dissolution of the Soviet Union in 1991 states such as Ukraine were in one political tug-of-war between Russia and the EU. The economic situation of the general population had worsened. The state was weakened, a network of oligarchs and old party networks had taken control over public property and the media. They used the political parties for their purposes, unemployment increased and corruption flourished. In November 2013, demonstrations began on the Maidan against these conditions. The reason was that President Yanukovych had obeyed pressure from Moscow not to sign an association agreement with the EU. The protesters behaved peacefully, concerts took place, often there was a veritable festival atmosphere. Maxim Dondyuk, who lived in Kyiv, was there from the beginning.\n\nThen the situation escalated. On the night of December 1st, the demonstrators were dispersed by a special police unit with brutal force. Increasingly, the situation got out of control, public buildings were occupied by protesters and barricades built. On 18 February 2014 the Militia shot with live ammunition. In the end there were over 120 dead and countless wounded. On 21 February the conflict ended with an internationally signed contract, Russian friendly President Yanukovych fled to Moscow.\n\nHot spots such as Euromaidan, as it is called today, attract hundreds of media people, always in search of the spectacular picture but without the time to deal with the backgrounds. A cameraman working for an American news channel told that within two weeks he had worked in five countries on three continents. In our media society information has become a highly profitable commodity that no longer is being measured by the criteria of truth and lie but by their attractiveness - they have to sell well by satisfying the sensation-seeking public.\n\nDondyuk noted that about 200 photographers were on the field, barely one spoke the language or understood the history of his country. Their inner distance was visible for everyone because mostly their cameras were equipped with long telephoto lenses by which you can zoom near what happens far away without being close.\n\nIn contrast to their working routine Dondyuk's reportages are characterized by empathy and compassion. He is interested in people. For three months he lived with the demonstrators on the Maidan. Instead of using a telephoto lens he works consistently with a 35mm wide-angle lens so that for a close-up he must get close to the people he is photographing. This gives his pictures their strong emotional intensity that we deeply feel.\n\nHe is not even a meter away of the three praying women or the three soldiers in this room whom a protester is offering flowers. Each face of the three women touches us with an individual expression of grief, sorrow, and pleading to God. Here Dondyuk has created an iconic picture of pain, such as Matthias Grünewald in the Isenheim Altarpiece brought to timeless expression with the three mourning figures at the foot of the crucifixion.\n\nAt the same time, Dondyuk combines such closeness with respect. In the last room of our exhibition he does not aim the camera at the faces or injuries of the wounded and dead but on the priest, the paramedics and the relatives. Their feelings affect us emotionally much more than a voyeuristic portrayal of the horror.\n\nSuch proximity to the motif creates an emotional impact that can be experienced best in the large formats in our exhibition. The four heavily armed, muzzled militiamen in the next room who roll away an oil barrel are moving straight towards the photographer, their eyes meet him and thus us. Dondyuk paid his tribute for such proximity with two injuries by rubber bullets.\n\n\"This revolution has changed not only myself  but also my photography and visual language,” he says. \"Of course I was on the side of protesters but it was also important for me to know what on the other side of the barricades was going on. I did not want to show the good guys and the bad guys but the confrontation of two different philosophies of the world - \"the culture of confrontation\".\n\nThis is how Dondyuk's artistic intentions have changed in the course of this project. He was no longer concerned with documenting the actual event, instead he wanted to work out its universal human character, as Shakespeare did in his historical dramas like Macbeth, King Lear or Richard II.\n\nTherefore his relation to the event has changed. He goes on distance and shows a panorama from a high perspective. One can look at these scenes as human moodscapes, like paintings of Bruegel in which due to the wide depth of focus of the wide-angle-objective we can observe unbelievably many details. These pictures are no longer made for the small-format magazines but for large formats, as in our exhibition.\n\nNow the aesthetic design becomes very important. Dondyuk photographs digitally and edits files on the computer specifically for their aesthetic effect.\n\nA central design element becomes the Light. The external circumstances are already spectacular. Fire and smoke of burning barricades, foggy steam from water cannons, reflections on the wet ground and the low winter sun, which intensifies shadows, contrasts and plasticity create highly dramatic moods like Baroque paintings from Turner, Caravaggio or Hollywood fantasy movies. The human drama becomes a drama of light.\n\nThe artist also makes the Light shine as a spiritual power as in paintings by Rembrandt. Have a look at the light of the candles the three women are holding in their hands and see how it is being repeated in the dome of the Michaelskirche during the funeral, but also on the tops of the tents.\n\nThe protesters built barricades with burning car tires and buses. Fire has always been a symbol of revolution. In the next room emerges a black shadow figure who bears a striking resemblance to the allegory of freedom in Delacroix's revolutionary painting \"Freedom Leads the People\". But in another picture, a single man stares shocked in a fiery inferno of burning buses. Such scenes are reminiscent of gothic paintings by Bruegel or Hieronymus Bosch of the Last Judgment where volcanoes break out of the earth and burn down houses, mountains, and seas to mark the end of humanity. \n\nAt the same time fire also visualizes what happens inside the people. They are transformed from a self-determined individual into an element of a mass. In his great study \"Mass and Power\" Nobel Prize winner Elias Canetti analyses the fire as a mass symbol. I quote: \"Mass symbols express the essential properties of the mass. The fire is sudden, everywhere, it is contagious and insatiable. The mass also forms and inflames suddenly by an external event, few can resist its contagion, they want to keep going and are hardly controllable anymore. The crowd feels attracted from fire and hurries to the scene of the fire, in front of which the individuals feel connected and close to all the others.\" This rapturous, almost ritualistic mood of the mass in front of a big fire Dondyuk recorded in a picture in the next room.\n\nThe antithesis of fire is the coldness of the ice, which means the death of all life, stagnation, and endpoint. Because of the winter and the water cannons, ice was everywhere on the Maidan in impressive formations. In C.D.Friedrich's painting “the lost hope” the ship stranded in the Arctic Ocean can be seen as a symbol of the lost hope for democratic freedom in the era of political restoration after Napoleon's defeat. In Dondyuk’s Maidan pictures ice could also be interpreted as a metaphor of the political and social situation in Ukraine which the protesters try to melt by their fire.\n\nIt is no coincidence that \"Songs of Ice and Fire\" is the title of the original book for the most successful American television series \"Game of Thrones\", which settles in a fictitious medieval world and thematizes the eternal struggle for power and Good and Evil. It has been always the same pictures that accompany our human history: the burning of Troy, of Jerusalem, the old Rome, Constantinople, the world wars, the pictures from Iraq, Syria. This timeless ubiquity of violence we also experience in Dondyuk's photographs. With their helmets, big shields and rubber truncheons the militia could be moved from the Maidan directly into the Middle Ages and the demonstrators with their wooden beating sticks and construction helmets could be directly related to the peasant wars.\n\nThe militiamen with their big shields form human walls as we know from Roman and medieval battle orders. These scenes convey what Canetti has analyzed as the essence of the mass: The police have lost their self-responsibility and individuality and are just a number written on their helmets. Their identity has been reduced to enforcers of an outside command. But the demonstrators have lost their individuality and self-control, too. They became part of the angry flames of destructive fire which they inflame as black shadow ghosts with Molotov cocktails and burning car tires.\n\nWith the pictures of this exhibition, Dondyuk has dissolved the border between documentation and art. Documentation has to be truthful and objective: This event happened exactly as the photographer has photographed it. But what is a reality? For Dondyuk reality became translucent on the Maidan. He says, \"I suddenly saw no revolution on Independence Square anymore, in front of me opened Battle scenes from legends and fairytales. Euromaidan became one of the visually most beautiful revolutions, like scenes in a Hollywood movie. The border between reality and fiction disappeared for me.” This personal subjective experience has guided him in his recordings.\n\nSo did he distort reality? Did he play down the terrible by its aestheticization? What difference does it make for us viewers whether the terrible is real or fiction and carefully staged by a painter or film director? Is there beauty in the terrible - volcanic eruptions, thunderstorms, forest fires, the planes in the World Trade Center in NY? - that fascinates us deeply? These are questions that have to be discussed in detail and controversially why we cannot deal with it here and now.\n\nBut what we can say is that Dondyuk´s photographs have gained new and complex dimensions through his devotion to art. What is it that makes a good work of art? Art arises from a touching experience that is aesthetically so designed that through the artwork also the viewers are being touched. It must be designed so that it provides us with many references and associations which we can connect with our personal and cultural experiences and those from the collective unconscious. \n\nI want to conclude with my thoughts about two pictures in this room which touch me very much: The first is about the motif of the candle as a symbol of life and hope as you can see it in the image of the three praying women in this room. This motif is being resumed in the next room. There it is a young protester holding a Molotov cocktail, a devoted expression on his face, like a sacral candle in his hands that another man just ignites. This young man is outshone by a bright, aura-like light, as we know it from paintings by Rembrandt. There are so many ambiguous meanings in this picture that one could write a short story about it.\n\nThe young cellist of the Dakh Daughters Band is on her way to play a concert on the Maidan. With her face painted white, her huge eyes, the long headscarf and the fur coat she appears as a being from another world, reminiscent of angelic representations in medieval paintings. The cello box on her back makes one think of wings, but also of a person she carries. She moves towards a doorway in the boarded-off space, into one other world, looking in our direction. Iconographically it is the motif of a guardian angel, a shaman, a spiritual leader like she appears in the guise of Beatrice in Dante's “Divine Comedy” who leads him through the nine celestial spheres. For me, she has protected Dondyuk on his way on the Maidan.\n"}]},"title":"Untitled 213","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Introduction speech to exhibition \"Culture of Confrontation\""},{"insert":"\n"},{"attributes":{"italic":true},"insert":"in the Städtische Galerie Ehingen, Germany"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"by Volker Sonntag, english, 2019"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:15:13Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"volker-sonntag-speech-about-culture-of-confrontation-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Volker Sonntag speech about \"Culture of Confrontation\" | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1744830464,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T06:23:29Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019","rank":null,"published_at":"2019-12-22T04:27:44Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"9e270bcd-77a5-4469-80da-0a75b380be3d","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T04:27:44Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/volker-sonntag-speech-about-culture-of-confrontation-english-2019/untitled-213","rank":null,"published_at":"2019-12-22T04:27:48Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"ebfe7e9b-ab00-4a78-931f-f2e9f2cb95d9","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T04:27:48Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"9e270bcd-77a5-4469-80da-0a75b380be3d"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-218","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 218","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"Solo Exhibitions"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2019 Culture of Confrontation, the Städtische Galerie Ehingen, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2019 Untitled Project, Fotográfica Bogota Biennale, Bogota, Colombia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2019 Culture of Confrontation, the Stadtisches Museum im Kornhouse, Kirchheim unter Teck, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 Past. Present. Future. Building Life after Displacement, The GIZ-Haus, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 Past. Present. Future. Building Life after Displacement, Contemporary Art Center M17, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Culture of the Confrontation, Fotográfica Bogota Biennale, Fundación Gilberto Alzate Avendaño, Bogota, Columbia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 This is War, LUMIX Festival for Young Photojournalism, Hanover, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, La Quatrieme Image Photo Fair, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Orvieto Fotografia Festival, Orvieto, Italia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 This is War, Camera Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, FOTOISTANBUL, Istanbul, Turkey"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Visa pour l’Image Perpignan, Pergipinan, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Ministry of Foreign Affairs of Ukraine, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Special Galerie Peppi Guggenheim International, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, PARTcom Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 TB epidemic in Ukraine, PhotoReportAge Festiva, Pomarico, Italy"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Uman Rosh Hashanah, Camera Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Old Age, Municipal Art Gallery, Nova Kachovka, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Crimea Sich, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Kvartira Arts Center, Dnepropetrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Kirovohrad Regional Museum of Art, Kirovograd, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Art-Donbass, Donetsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Zaporozhye, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Uzhgorod, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Vinnitsa, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Center for Documentary Photography FOTODOC, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Kiev-Pasazhyrskyi Railway Station, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Uman Rosh Hashanah, 5X5 Gallery, Lviv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2008 Old Age, Actor’s House, Kharkiv, Ukraine"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Group Shows"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2018 Fotomuse 20th, Fundación Gilberto Alzate Avendaño, Bogota, Colombia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Battle of Ilovaisk, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Ukrainian Archetype, Photo Kyiv Fair, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Battle of Ilovaisk, Historical Museum, Khmelnytskyi, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Disorder Prix Pictet, Palau Robert, Barcelona, Spain"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Disorder Prix Pictet, Museum of Photographic Arts, San Diego, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Battle of Ilovaisk, Palace of Culture, Lutsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Kunstverein, Hamburg, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Dublin Gallery of Photography, Dublin, Ireland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Historical Museum, Pokrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, National Historical Museum, Dnipropetrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Artemivsk State Museum of Local Lore, Bakhmut, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Art Museum, Kramatorsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Deformation, Suwon Photo Festival, Suwon, Korea"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Bank Gallery, Tokyo, Japan"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, The Old Municipal Gallery, Athens, Greece"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Unstable Fields, Athens Photo Festival, Benaki Museum, Athens, Greece"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Forgotten by World, Lviv Palace of Arts, Lviv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 LensCulture, Photo London, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Kolga Tbilisi Award Exhibition, Kolga Tbilisi Photo Festival, Tbilisi, Georgia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, LUMA Westbau – Löwenbräukunst, Zurich, Switzerland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, International Red Cross and Red Crescent Museum, Geneva, Switzerland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, CAB Art Center, Brussels, Belgium"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Cultural Center of Ukraine, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Forgotten by World, European Solidarity Centre, Gdansk, Poland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, MAXXI, National Museum of XXI Century Arts, Rome, Italy"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, Jackson Institute for Global Affairs, Yale, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Disorder Prix Pictet, Musée d’Art Moderne, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Museum of the History, Dniprodzerzhynsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, National Architecture-Historical Sanctuary ‘Chernihiv Ancient’, Chernihiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Splashlight, New-York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Forgotten by World, Royal Castle, Warsaw, Poland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, National Taras Shevchenko Museum, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Ministry of Foreign Affairs, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Museum of The History of Ukraine in World War II, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Global Control and Censorship, Center for Art and Media Karlsruhe, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 At the borders of the EU, People Palace, Bucharest, Rumania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 70 Years of Peace, Kirchheim unter Teck, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, The George Washington University, Washington, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, Rayburn House Office Building, Washington, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 A War in Europe’s Neighborhood, Eurooppasali, Helsinki, Finland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, The Stay Gallery, Los Angeles, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Road to Freedom, Ukrainian House, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Road to Freedom, Ukrainian Institute of America, New York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Shift: Ukraine in Crisis, Third Floor Gallery, Cardiff, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Apocalypse of the 20th Century, Museum of The History of Ukraine in World War II, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 30 Under 30 Winners Gallery, The Photography Show, Birmingham, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Road to Freedom, Checkpoint Charlie Museum, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Sony World Photography Awards, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Best Photographer of Year, M17 Contemporary Art Center, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 FotoEvidence, VII Photo Agency Gallery, New York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Other World, Leeds, UK "},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Hope for a Healthy World, LOOK3 Festival of the Photograph, Charlottesville, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Best Photographer, Center of Photography Lumiere Brothers, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-22T02:58:16Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibitions-history","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Exhibitions History","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T05:22:18Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions/exhibitions-history","rank":null,"published_at":"2020-01-21T09:41:11Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:41:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Top","hide_from_menu":false,"path":"exhibitions/exhibitions-history/untitled-218","rank":null,"published_at":"2020-01-21T09:43:03Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"c701cec8-8364-4150-894c-b1ca22061a10","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:43:03Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"3aaf4162-7f49-471a-8c0c-b223a45e8e90"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-85","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":"https://presetshop.com/whats-bag-maxim-dondyuk/","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"WHAT’S IN MY BAG | MAXIM DONDYUK"},{"insert":"\n\nOver the moon to have the award winning photographer and visual artist Maxim Dondyuk back up on our blog today. He’s been a very busy boy since we spoke to him last (check our past interview with him here), so we are well pleased he’s made time for us once again. This time Maxim has kindly given us a run down of what’s in his photography bag and why… He also speaks about his photohgraphy, and has provided us with some killer back stage fashion week pictures all edited with our cross process film emulation presets +PS LOOKS N°3.\n\nMaxim’s Gear\nEverything is quite simple, starting from 2015 I use Nikon D810, before that I had a Nikon D3s, which I won in a contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object I am shooting. It is a very close distance, so you began to feel the same emotions, fear, happiness or sadness. When people look at such photos, they also feel emotions of your character. I also have a 50mm film lens, but it’s more like an emergency lens, if it happens that my 35mm lens breaks or in case I need to make some portraits for magazines.\n\nI don’t like artificial light and don’t use a flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\nMaxim’s Photography\nMy photography it’s my personal visual diary. It’s not a hobby or work for me, it’s my philosophy and my religion. It helps me to discover and understand this world. With the help of photography I can live the life of any person, to be present during different events and to empathize with them.\n\nWhen taking photos I always think about the emotions they evoke. Photography has both an emotional and visual side. Photography does not only answer questions like – what, where and when, but it also evokes personal associations. For example – the plot of your favorite book, film or memories from your childhood. A good photo is an emotional photo. People should feel all of the emotions from the moment the picture was taken, and of course – you should feel your own emotions too. If a photo is technically good but has no emotion, this type of photo in my opinion is dead. Of course all photographers need to know the technical aspects of photography.. But I believe they need to learn them once, and then forget about them – and just make everything organically – only with emotion.\n\n"},{"attributes":{"link":"https://presetshop.com/whats-bag-maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"title":"Untitled 85","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://presetshop.com/whats-bag-maxim-dondyuk/"},"insert":"Preset Shop"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Text by Shanna June"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:28:00Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"preset-shop-text-by-shanna-june-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Preset Shop, Text by Shanna June | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147221503,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:27:54Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016","rank":null,"published_at":"2019-05-09T10:29:23Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d83567b2-b698-417f-b1fa-c753aaf44064","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:40:23Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/preset-shop-text-by-shanna-june-english-2016/untitled-85","rank":null,"published_at":"2019-05-09T10:29:23Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6195a2cd-c7db-448d-815a-436c0dc10db1","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:11:16Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d83567b2-b698-417f-b1fa-c753aaf44064"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-93","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"En ese momento pensé que Ucrania se estaba rompiendo en diferentes países"},{"insert":"\n\nEstaba participando en una masterclass en Bielorrusia cuando todo se desató en Kiev. Al regresar, la situación era muy complicada e incluso había agresiones a periodistas. En mi primer día allí, el 1 de diciembre [de 2013], participé activamente en todos los acontecimientos como fotógrafo documental con mi cámara, sin tomar parte de la lucha ni lanzar cócteles molotov.\n\nNo tenía ningún encargo, pero se trataba de un momento histórico para mi país, así que necesitaba documentarlo todo. Fue algo muy inesperado no solo para mí, sino para todos los ucranianos. Desafortunadamente, todas las señales que vaticinaban malos augurios se cumplieron y la situación fue empeorando día a día.\n\nEstuve en Maidán prácticamente todo el tiempo, hablando con los manifestantes y conociéndoles. Estaba claro que las protestas no iban a ser el final del conflicto, así que después estuve en el este de Ucrania -Donetsk, Slaviansk, Lugansk- y también en Crimea. Estuve dos meses con los separatistas rusos y el último mes trabajé con el ejército ucraniano.\n\nEn un cierto momento, sin motivo aparente, los manifestantes comenzaron a correr y a lanzar consignas a favor de Ucrania. El escenario era el de una película de guerra muy antigua, con los militares corriendo y gritando. Yo corrí detrás de ellos, no sabía bien qué estaba ocurriendo, pero sabía que debía seguirles. Y entonces el hombre que porta la bandera apareció frente a mí. Fue un momento histórico.\n\nFue algo muy simbólico, porque antes de la revolución la bandera no tenía tanta importancia para el pueblo, pero ahora es muy importante y necesaria. Algunos ucranianos han muerto bajo esa bandera y por la independencia de Ucrania. Maidán fue solo el principio de la lucha por la independencia de Ucrania respecto a Rusia.\n\nPara mí es muy difícil hablar de metáfora cuando analizo la imagen, porque depende mucho del conocimiento y la personalidad de cada uno. Todos tenemos nuestra propia forma de entender las cosas y construir metáforas. En ese momento lo único que me pasó por la cabeza es que Ucrania se estaba rompiendo en diferentes países.\n\nEn épocas anteriores y durante mucho tiempo Ucrania ha estado bajo el control de diferentes países, siempre ha sido un objetivo. Bajo el signo de esta bandera, la gente luchó por la independencia de Ucrania ya antes de la Unión Soviética y de nuevo tras su desintegración.\nMe da la sensación de que lo que está ocurriendo en el Donbass es solo el comienzo de algo más grande. Es algo que no podemos solucionar tan fácilmente como se podría pensar. Si cedemos la región del Donbass de forma sencilla, igual que pasó con Crimea, Rusia después querrá anexionarse otras regiones como Járkov. No podemos ceder en esto porque hay mucha gente que está a favor de Ucrania, no de Rusia. Gente que ha luchado por ser ucraniana.\n"}]},"title":"Untitled 93","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Quesabesde"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Text by Ivan Sanchez"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"spanish, 2014"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:34Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"quesabesde-text-by-ivan-sanchez-spanish-2014","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Quesabesde, Text by Ivan Sanchez | spanish, 2014","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"5:4","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147482623,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:34Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014","rank":null,"published_at":"2019-05-09T10:18:03Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:21Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/quesabesde-text-by-ivan-sanchez-spanish-2014/untitled-93","rank":null,"published_at":"2019-05-09T10:18:03Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"4232e3f1-c03c-413c-9309-19a1822f118c","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:17:40Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"2599d79d-2694-45d5-b4ec-d14e14acc2e4"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-140","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"Untitled 140","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2019-07-03T19:25:54Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"artist-statement","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"ARTIST STATEMENT","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1321352750,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"artist-statement","rank":null,"published_at":"2019-07-03T19:25:33Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"bd109835-0ef8-431e-b929-dce95d2c5cf1","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-03T19:25:33Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"artist-statement/untitled-140","rank":null,"published_at":"2019-07-03T19:25:54Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"41c20381-fdbc-4a04-adfc-074738179675","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-03T19:25:54Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"bd109835-0ef8-431e-b929-dce95d2c5cf1"},{"imagegrid_columns":"XL","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"photo-project","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"M","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"grid","content_size":"Full","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Photo project","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"M","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Irregular","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Crimea Sich is a documentary about the patriotic and spiritual upbringing of future soldiers in the Crimean Peninsula and its consequences.","text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-03T14:47:07Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"CRIMEA SICH"},{"attributes":{"header":2},"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"crimea-sich","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"4:3","imagegrid_ratio_orientation":"Landscape","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Crimea Sich","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":328925184,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich","rank":null,"published_at":"2020-02-03T14:40:26Z","summary":{"ops":[{"insert":"2010 - 2013\n\nThe Crimea Sich is a young cossack military-patriotic camp. It is located in a beautiful place of Crimea, in the canyon of medieval fortress town Eski-Kerman surrounded by all sides by mountains and forests. Field kitchen, morning exercises, hand-to-hand fighting of Kadochnikov system, combat training walk in the mountains and forests, target shooting and climbing training, this is a little part of what is going on in the camp. It is divided into 3 military units, while two are training, the third one is on duty. In the camp there are children from 7 to 16 years old. Military officers  who passed many wars share their experience with children. In the camp very important role is given to the orthodox religion. \n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2020-02-03T14:40:26Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/photo-project","rank":null,"published_at":"2019-05-12T12:53:08Z","summary":{"ops":[{"insert":"2010 - 2013\n\nThe Crimea Sich is a young cossack military-patriotic camp. It is located in a beautiful place of Crimea, in the canyon of medieval fortress town Eski-Kerman surrounded by all sides by mountains and forests. Field kitchen, morning exercises, hand-to-hand fighting of Kadochnikov system, combat training walk in the mountains and forests, target shooting and climbing training, this is a little part of what is going on in the camp. It is divided into 3 military units, while two are training, the third one is on duty. In the camp there are children from 7 to 16 years old. Military officers  who passed many wars share their experience with children. In the camp very important role is given to the orthodox religion. \n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"L","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"3bf89c53-5099-46cf-8013-656904999c50","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-08T17:13:56Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-81","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":"https://roadsandkingdoms.com/2016/theater-of-war-qa-with-maxim-dondyuk/","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Theater of War: Q&A with Maxim Dondyuk"},{"insert":"\n\nIn the summer of 2013, months before Euromaidan started, photographer Maxim Dondyuk had traded his camera for video equipment. He was in Crimea, trying his hand at documentary filmmaking, when 2,000 protesters peacefully gathered in Kiev’s main square after the government decided to suspend its process of integration into the European Union. He watched as the protests intensified and, on November 30th, as the authorities started cracking down. The next day, he was at Maidan. “Euromaidan became one of the most visually beautiful revolutions,” Dondyuk wrote after spending three months in the square. The photos he came back with are incredibly cinematic, like scenes from a Hollywood film, and show another side to a widely-documented event. Now he’s making a book, in which aesthetics and emotions take the lead.\n\n"},{"attributes":{"italic":true},"insert":"Roads & Kingdoms: When did you first visit Maidan?"},{"insert":"\n\nMaxim Dondyuk: Everything happened in the city I live in. The first mass assembly was on December 1st 2013, and it included people from all walks of life. I took a photo from the subway where you can see how crowded it was. The two blocks around Maidan were absolutely packed. People were coming from the entire country, not only to support European integration, but to protest against the impunity of those who beat up students there a few days earlier. People were coming out to defend civil rights. That was my first day at Maidan and I couldn’t have imagined were it would be leading me. That day, the authorities made a mistake: on Bankova street, right near the office of the President, demonstrators and journalists were beaten up. That same day, demonstrators started occupying City Hall and barricades started going up. Despite that, I was sure that by the morning the police would have cleared the entire place. I didn’t have the slightest idea that I would spend the next three months there.\n\n"},{"attributes":{"italic":true},"insert":"R&K: At what point did you decide this project would be something different than a photojournalistic reportage?"},{"insert":"\n\nDondyuk: During the first few weeks of December, before the first attempt to clear the square, I didn’t know what I wanted to photograph and in what way. There were hundreds of journalists in Kiev. Sometimes you would see 20 people with cameras standing in a single square meter. It was very difficult to photograph in such conditions, especially as I do not cover news. The more time I spent at Maidan, the more I realized that my subconscious distorted reality. I found myself in front of battle scenes that reminded me of what I had seen in museums, in Realist paintings. It became important to interpret what I saw and felt rather than answer the questions what? where? when? I decided to document Euromaidan through emotions and visual language.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How did you achieve that way of photographing?"},{"insert":"\n\nDondyuk: As soon as I stopped trying to control my subconscious, I stopped following the rules imposed on me, and gave myself complete freedom. I was transported in a different reality, far from the demonstrations in Kiev. In front of me, I saw scenes that were both beautiful and horrible. My camera became my notebook, my visual diary.\n\n"},{"attributes":{"italic":true},"insert":"R&K: Did you feel like your role changed at that moment?"},{"insert":"\n\nDondyuk: I was at Maidan from the 1st of December to the end. It was a very tragic period for my country. But I was happy that I could be present at this historic moment to convey what I saw to future generations and to people from different countries. Being a documentary photographer, I think it was my duty.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How was the work received? People must have been surprised at how different it looked."},{"insert":"\n\nDondyuk: I worked mostly with international magazines that I trust. They contacted me. I was not looking for assignments, and often refused them if they didn’t coincide with my interests. So far, I haven’t had any offers to create an exhibition in Ukraine, but the book I’m working on will present 100 to 150 photos. It divides the Revolution in three different visual phases. I want people to see what I saw. I want to explain to people who live far from Ukraine why a completely peaceful demonstration turned into armageddon. Why people left everything, their work, their home, and came to the capital of Ukraine to fight for freedom. But you will know more after the book is ready, I don’t want to reveal all my secrets.\n\n"},{"attributes":{"italic":true},"insert":"R&K: How has this project changed the way you practice photography?"},{"insert":"\n\nDondyuk: After this project, I started to feel more like a visual artist. I became interested in exhibitions and galleries rather than what was being published in the media, which I paid a lot of attention to before. Photography is my philosophy and my religion. I don’t believe in God, but photography helps me discover and understand this world. I believe that photography, just like any other type of art, is a container of emotions. And a documentary photographer only has a quick moment to work before everything ends.\n\n"},{"attributes":{"link":"https://roadsandkingdoms.com/2016/theater-of-war-qa-with-maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"title":"Untitled 81","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://roadsandkingdoms.com/2016/theater-of-war-qa-with-maxim-dondyuk/"},"insert":"Roads and Kingdoms"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Pauline Eiferman"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:17:39Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Roads and Kingdoms, Interview by Pauline Eiferman | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2143289343,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:20Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016","rank":null,"published_at":"2019-05-09T10:28:15Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c76f816c-6a50-472e-af1e-912800959b13","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:36:18Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/roads-and-kingdoms-interview-by-pauline-eiferman-english-2016/untitled-81","rank":null,"published_at":"2019-05-09T10:28:15Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"abf05ec6-0a91-47c2-a6a3-6227cbc684f1","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:07:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c76f816c-6a50-472e-af1e-912800959b13"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-87","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":"https://www.svoboda.org/a/27564707.html","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Фотограф Максим Дондюк – о войне, Майдане, Украине, России и стене, сдвигающейся на восток."},{"insert":"\n\nФотограф Максим Дондюк снимал Майдан и войну на востоке Украины, с обеих сторон. Он может рассказать, как ему грозили расстрелом пророссийские сепаратисты, как он был в окружении под Иловайском и как ему мешали работать украинские штабисты.\n\nНакануне второй годовщины победы Майдана, бегства президента Виктора Януковича и последовавших за этим российской аннексией Крыма и войной в Донбассе Радио Свобода публикует еще неизданные фотографии Максима Дондюка.\n\nОн родился на западе Украине, в Хмельницкой области, в небольшом городке Славута, затем вместе с семьей (отец Дондюка – военный) переехал на юг, в Херсонскую область, в Новую Каховку, где и прошла большая часть его детства.\n\nДондюк рассказывает, что фотографии его учила мать, описывает, что сидел с ней в “красной” комнате, называет советские камеры: “Зенит”, “Смена”. Позже он стал ходить в кружок фотографии. И, наконец, уже в 24 года, после армии, в Харькове, работая поваром, он вдруг вернулся к фотографии, занимался ею все свободное время, читал книги по фотоискусству, экспериментировал. Через год он бросил работу, стал профессиональным фотографом, переехал в Киев. Поначалу, говорит Дондюк, речь не шла о документалистике:\n\nВначале я смотрел в сторону каких-то студийных вещей, пейзажных вещей, занимался сферическими панорамами – это очень технически сложная вещь тогда была. По сути дела, что такое репортаж в хорошем смысле, я уже узнал, когда переехал в Киев. Потому что в Харькове очень сильная художественная школа, все, что я там видел из репортажей, – это очень скучные газетные вещи, новости, которые никак не вдохновляли. В то время я бы очень удивился, если бы мне кто-то сказал, что я буду документалистом.\n\n"},{"attributes":{"italic":true},"insert":"​Как вы стали документалистом? Каким образом вы стали автором проекта про туберкулезных больных, за который получили призы?"},{"insert":"\n\nЭто был первый серьезный проект. До этого я переехал в Киев, работал в новостном агентстве. Я долгое время ездил в командировки по всей стране. Это было вначале захватывающе, съемки были на темы от политики, футбола и села до митингов и Верховной Рады. Это хороший опыт и колоссальная школа, но через несколько лет мне стало скучно, я сильно погрузился в документальную фотографию, очень был вдохновлен. В тот момент я понял, что хочу заняться более глубоким проектом на какую-то социальную тематику. Через какое-то время я пришел к проблеме туберкулеза, о котором сам тогда ничего толком не знал. Мне тогда казалось, что я управлюсь за месяц или два, что это не так сложно и займет не так много времени, но получилось, что этот проект полностью засосал меня – такая черная дыра, в которую я попал и которая полностью изменила мою жизнь. Я провел два года, снимая этот проект, больше ничем не занимался. Жизнь, которая была до этого проекта, полностью исчезла, работа, семья, отношения, многие друзья, мое мировоззрение. Человек, который после этого проекта образовался, – это уже был совсем другой человек. Поэтому для меня это оказалось проектом становления как другой личности. Для меня фотография – не работа, не хобби, это философия, я ее очень сильно за это люблю, что она позволяет мне меняться благодаря жизни с людьми в других ситуациях, в которые я не смог бы попасть, если бы не был документалистом.\n\n"},{"attributes":{"bold":true,"italic":true},"insert":"​Вам не страшно было работать с туберкулезными больными?"},{"insert":"\n\nНе страшно, наверное, только сумасшедшим. Вначале не было сильного страха, я понимал, что делаю. Были вспышки паники, конечно, но они быстро устранялись, я делал для себя выводы, решал – продолжаю я это делать или останавливаюсь. И продолжал. Я пытался побороться со стигмой, существующей в обществе, с предвзятостью, с неосведомленностью об этой проблеме. Я сам был частью этого общества, я тоже считал, что, если человек переболел туберкулезом, он чуть ли не заразный. Я абсолютно ничего не понимал. Это был большой опыт, потому что туберкулез – это не война, но ты постоянно сталкиваешься с медленной смертью. Контакт с такой жизнью сильно сказывается на тебе. К концу проекта я понимал, что я теряю ощущение реальности, у меня начались проблемы с реальной жизнью, когда я возвращался. Я уволился, я потерял семью, мне негде было жить в Киеве, я в какой-то момент стал жить в больницах, потому что мне некуда было возвращаться. Может быть, на фоне всего, что я снимал, мои проблемы не казались какими-то значимыми. Через два года я стал понимать, что теряю грань, что я живу только той жизнью, абсолютно не понимаю, что происходит в другой жизни. У психологов называется выгорание.\n\n"},{"attributes":{"italic":true},"insert":"​Но вы вернулись в обычную жизнь?"},{"insert":"\n\nКонечно, вернулся, все нормально. Просто какой-то период адаптации был, так же, как когда ты возвращаешься с фронта. У меня были друзья, которые болели туберкулезом, есть люди, которые умерли, я был у них на похоронах. Для меня важно, когда я куда-то уезжаю, стараться, чтобы я был там не гостем, чтобы это было полное погружение, чтобы я был частью того, что происходит. Я уезжал, допустим, в Донецкую, Луганскую или Херсонскую область, потом в Крым, договаривался с областным врачом о том, что я хочу у них снимать, – все это на личных контактах, я не работал в СМИ, у меня не было ксив, даже камеры не было, друзья заняли. Некоторые врачи посылали, а некоторые говорили: круто, молодец, что тебе надо? Мне надо было разрешение на съемку и чтобы я мог переночевать, поесть, у меня нет денег гостиницу снимать, неделю давайте поживу в этой больнице, неделю в той. Иногда снимал квартиру в том же городке, дешево выходило. С тюрьмами точно так же договаривался. Они говорили: пробей хоть какое-то разрешение, чтобы твоя фамилия была, а мы тут тебе уже покажем все, что можем.\n\n"},{"attributes":{"italic":true},"insert":"​Давайте поговорим о Майдане. Два года назад он победил. Вы осмыслили то, что произошло, спустя два года?"},{"insert":"\n\nМне кажется, я и тогда все понимал, и моя точка зрения не изменилась. Для меня то, что произошло на Майдане, – это Берлинская стена, которая пала, – она просто продолжает свое продвижение к Красной площади, меняет географическое расположение. На Майдане в центре Киева произошло противостояние между двумя абсолютно разными культурами, двумя разными пластами восприятия и мировоззрения. Это не означает, что были молодые против старого поколения. Просто одна культура – это попытка быть независимыми, попытка изменить жизнь, стать частью… – я бы не сказал частью Европы, мы понимаем, что у Украины много проблем и стать частью Европы очень сложно, – но попытаться жить самостоятельно, без навязанной точки зрения, жить, как нам нужно жить. Другая культура ностальгирует, хочет вернуть былые времена, ей неинтересно это другое будущее. Мой проект назывался “Культура конфронтации”, это противостояние двух абсолютно разных культур было в Берлине, Чехия до этого, “Солидарность” и так далее. Стена движется, и влияние России постепенно сдвигается, вот здесь и произошел такой раскол. Потому что многие люди – те, кто в возрасте, – запуганы. А молодежь, которая родилась в 1991 году, в независимой Украине, они вообще не понимали, когда им говорили, мол, мы хотим Советский Союз или бывшую империю, – они говорили: я не знаю, что это, я родился в Украине, я не понимаю, о чем вы. Для меня это противостояние абсолютно разных культур. Нельзя сказать, что одна хорошая, а другая плохая, они смотрят просто совсем в разные стороны.\n\n"},{"attributes":{"italic":true},"insert":"​Вы работали в Донбассе фактически военным корреспондентом. Как вы относитесь к тем, кто, грубо говоря, на другой стороне?"},{"insert":"\n\nПервые несколько месяцев я был на Донбассе нелегально, делал вид, будто я русский корреспондент, пока меня наши доблестные украинские СМИ не вскрыли. Я там находился с русскими ксивами как москвич, акал, бекал. Для меня было важно находиться там с людьми, которые оккупируют мою страну, с российскими флагами, я хотел все это видеть не через телевизор, а лично. Я видел, как сепаратисты, оккупанты, которые приезжали с оружием уже из Крыма, захватывают мою страну. И бывало, что киевское правительство усугубляло взрывоопасную ситуацию, чего можно было избежать. К людям, которые взяли там оружие, конечно, я отношусь негативно, потому что я сам сидел под обстрелом российской артиллерии, я потерял друзей и знакомых из-за людей с российскими флагами. У меня личные претензии, потому что захватили часть моей страны. Меня допрашивали, меня вели расстреливать, мне на голову надевали мешок, я оказывался в печальных, плачевных ситуациях. Поэтому у меня как у гражданина Украины и просто как у человека, на которого наводили автоматы эти люди, к ним большие претензии.\n\nНа самом деле вся ситуация стандартная – это повторение того, что было в Приднестровье, в Осетии, все по кругу идет. Просто жалко людей, которые поверили и вышли, увидев, что Крым так мирно присоединили, – они подумали, что их присоединят так же. Это обычные люди, у них нет даже загранпаспорта, они говорят: я в Киеве никогда не был, я в Ростов езжу на базар. У них абсолютно свой мир. В Луганской и Донецкой области с флагами “ДНР” и “ЛНР” выходили с 2005 года, и правительство в Киеве никак не реагировало на это, никто не поднимал шум. Эти флаги придумали не в 2014 году. Конечно, Россия помогла вооружением и людьми, которые это все захватывали. Но то, что люди на той территории и в Крыму были настроены против Украины, – это большая проблема 20-летней политики Украины по отношению к этим людям. Они просто не захотели жить в этой стране и помогли оккупантам и людям с оружием.\n\n"},{"attributes":{"italic":true},"insert":"​У вас был проект в Крыму о детском военно-патриотическом лагере, который тоже раскололся на проукраинскую и пророссийскую части."},{"insert":"\n\nСейчас я работаю над первым документальным фильмом, который был снят за несколько месяцев до Майдана, – именно про этот лагерь “Крым-Сичь”. Уже в этом фильме четко видно, что эта проблема не из-за Майдана, она существовала, просто Майдан был последней точкой, когда каждый должен был сказать, на чьей он стороне. Конфликт существовал, и его не гасили. Почему они там не встали на сторону Украины? Там трудяги, в шахту спустились-поднялись, многие в Киеве не были за всю свою жизнь. Вот он живет в Макеевке или в Луганске, он вообще не был никогда в Киеве. Он в этой пропаганде погряз, он не знает, что происходит. Это проблема страны, почему туда не доносили, почему не помогали. В новостях про Луганскую область вообще не вспоминали никогда, пока не началась война. Как про Северный полюс. А там уже флаги “ЛНР” были, митинги, жесткие праздники 9 мая, которые ничем не отличались от того, что сейчас, такой же бред происходил и раньше.\n\n"},{"attributes":{"italic":true},"insert":"​А что за история, когда вас на расстрел выводили?"},{"insert":"\n\nЭта в Славянске было. Я вошел настолько близко в контакт, что мог заходить в кабинет к Пономареву, такой мэр был, я знал всех, кто захватывал Краматорск и Славянск. У меня были два друга, действительно москвичи, российские корреспонденты, хорошие друзья. Они на самом деле мне жизнь спасали намного больше, чем многие украинские СМИ, из-за которых потом у меня было много проблем. Они прикрылись русскими паспортами, а я липовыми корочками, мы типа втроем москвичи, – они знали, что я не москвич, просили меня, чтобы я не полностью сливал, что происходит, потому что тогда головы всем снесут. Я постоянно выставлял фотографии в “Инстаграме”: заявление делает Аваков (министр внутренних дел Украины. – Прим.), что все блокпосты в Славянске уничтожены, Национальная гвардия полностью захватила Славянск. Украинские СМИ тогда врали так, что у меня уши заворачивались. Я ехал, снимал на телефон все блокпосты, где стоят сепаратисты, и это выставлял в “Инстаграме” – типа, чуваки, это не так. Когда украинская армия переходила на их сторону, я снимал номера БМП, все время показывал, что очень много врут украинские каналы. Так как я там был из украинцев, то украинские СМИ начали делать материалы, где какой-то журналист выходит на черном фоне и говорит: я веду спецрепортаж из Славянска. Называют мое реальное имя, фамилию, которое у меня в российских удостоверениях, и говорят: вот он нам сообщил. Начинают нести какой-то бред, показывать мои фотографии с бойцами, которых я снимаю в “Инстаграм”, начинают говорить: он нам сообщил, что они спецагенты ГРУ. Из-за этих действий меня арестовывали, выводили на расстрел, но, как оказалось потом, – просто пугали, все было холостое. Мешок на голову, 6 часов интересных разговоров, но все закончилось хорошо.\n\n"},{"attributes":{"italic":true},"insert":"​Вы наблюдали вблизи так называемое “ДНР”, у вас какое впечатление – это идейные люди?"},{"insert":"\n\nПоначалу все идейные из местного населения, потому что они хотят быть частью России, они увидели, что в Крыму произошло. А эта верхушка, что воевала, там приезжают те, кто в Чечне воевал, в Осетии воевал. “Стрелок” (Игорь Стрелков, бывший министр обороны так называемой “ДНР”. – Прим.) воевал в Боснии. Знаете, есть такие туристы военные. Они за идею, но за какую, хрен поймешь, просто, наверное, повоевать. У каждого свой “русский мир” в голове был – я не могу сказать, что это не за идею. Точно не за то, чтобы им заплатили кучу бабла. Большинство – это люди, которые приехали из России, из Крыма, с вдохновением, азартом, много местных. Но были наркоманы, алкоголики, которые за 300 рублей стояли на блокпостах, – но если видели БМП, они все бросали и уезжали. На самом деле это очень отработанная система, которую Россия использовала много раз не только в Украине, все повторяется и повторяется.\n\n"},{"attributes":{"italic":true},"insert":"​А как вы работали с “украинской” стороны?"},{"insert":"\n\nКогда я с “той” стороны снимал, я один раз попал под обстрел украинской армии и понял, что если меня убьют на Донбассе, то я умру со стороны России, буду объявлен сепаратистом, мне не очень этого хотелось. Я решил попытаться снимать со стороны украинской армии и столкнулся с колоссальным сопротивлением пресс-службы АТО, украинского правительства и всех, кого только можно. Если ты находишься на той стороне, у тебя полностью зеленый свет на все, а с нашей стороны тебе все запрещают. Ты приезжаешь куда-нибудь к бойцам, как это было в начале, бойцы говорят: да. А пресс-служба присылает за тобой и тебя увозят. Были батальоны такие, как “Донбасс”, “Айдар”, “Правый сектор”, с которыми намного проще это все решалось. В какой-то момент, когда пресс-служба опять ничего не давала снимать, я сказал Саше (фотограф Александр Гляделов. – РС), что знаю командира Семенченко, поедем в Донбасс, посмотрим, что там можно делать. Так сложилось, что мы приехали перед Иловайскими событиями (когда подразделения украинской армии попали в окружение. – РС) и вместе с ними поехали в Иловайск, проезжали через все блокпосты вместе с ними на их машинах. На блокпостах никто не знал, что мы пресса. Да и слабо можно назвать нас прессой, потому что мы нигде не работали, никто нам за это не платил, ехали сами, а потом уже как выйдет. Документировали все.\n\nНе мне судить, из-за чьих ошибок попали в окружение, как и все бойцы, ждали, надеялись. К сожалению, все закончилось плачевно для очень многих, кто там был. Нам с Сашей повезло, Сашу ранило через несколько дней после того, как мы туда зашли, не тяжело. Мы рядом были, меня не задело, ему задело ногу, я ему оказывал медицинскую помощь. Очень много было раненых, медиков было всего пара человек, они занимались, в основном, бойцами, я Саше помогал, потом его увезли вместе с ранеными. Смешная история была, у Саши, когда его увозили, все пленки, которые он сделал в Иловайске, выпали. И какой-то боец принес мне все его пленки, когда Сашу уже увезли. Я думаю: вот прикол, теперь мне нужно выбраться из “котла” с моими фотографиями, еще и с Сашиными. Мне повезло, я уехал раньше, за пару дней до того, как всех расстреляли. Нас выпустили на автобусе, обстреливали минометами, но лобового сопротивления, чтобы кто-то вышел прямо на какой-то коробочке, БМП или танке, – не было, хотя за день до нас такой же автобус расстреляли. Мне нужно было уезжать, у меня была выставка о Майдане во Франции, у меня был уже самолет, меня даже совесть мучила, что я не хотел уезжать, хотел до конца быть. Но я вынужден был ехать с бойцами, которые вывозили раненых, мы уезжали на микроавтобусе. Я помню, был парень с перебитым позвоночником, я его поддерживал, потому что на кочках мы очень сильно съехали, по нам минометом сильно шарахали. Он, помню, держал гранату в руках и говорил: “Макс, без обид, но если засада, я ее на хер взрываю”. Так мы 10 километров по красной линии ехали, три бойца были или четыре, раненые и я, выбирались оттуда. Через несколько дней много погибло парней.\n\n"},{"attributes":{"italic":true},"insert":"​Вы описывали, как вы сидели в Иловайске, потом выходили оттуда, потому что у вас самолет во Францию на выставку. Это очень сильный перепад – сидеть под бомбежкой, а потом во Франции выставка. Вы как чувствуете себя в этой вилке? Где вы больше себя ощущаете как дома?"},{"insert":"\n\nНа самом деле все было психологически сложно, хотя я не понимал это тогда. Мои друзья после этой выставки повезли на Лазурный берег, где-то в Сан-Тропе или в Ницце. Мне друг говорит: “Как ты себя чувствуешь? Пять дней назад ты был под артобстрелом”. Эти все синдромы послевоенные не чувствуются, на тот момент я не понимал, что у меня какой-то перепад. Сейчас я осознаю, что, конечно, очень нервный, психованный был, очень сильно сказывается. Где я себя лучше чувствую? Мне кажется, я себя лучше чувствую в своей жизни, моя жизнь там, где я нахожусь. Я знаю многих фотографов, которые, уезжая с войны, не могут нормально жить мирной жизнью, возвращаются на войну. Я к таким не отношусь, потому что мне есть чем заняться и на гражданке. Я не считаю себя военным фотографом. Я был на войне, потому что я захотел там побывать. Не потому, что я репортер, который должен это снимать. Это произошло в моей стране, это история моей страны, я начал ее снимать с Майдана, я был в Крыму, потом я был на Донбассе, изначально принципиально поехал на ту сторону. Для меня это моя история, я был со всех сторон. Это мой опыт. Сейчас я туда не возвращаюсь, потому что я не понимаю, что я буду там делать. Я там был в тот момент, я себя чувствовал комфортно, когда я был там, сейчас я себя чувствую комфортно не на войне.\n\n"},{"attributes":{"italic":true},"insert":"​Вы снимали на Майдане, вы снимали украинских солдат на войне, это часто сильное воодушевление, движение духа. Трагические события были на Майдане и на войне, но без сомнения, в этом было что-то возвышающее. У вас сейчас ощущение, что это прошло, ушло куда-то, это воодушевление людей, которые меняли Украину, отстаивали ее?"},{"insert":"\n\nВсе это вдохновение должно подпитываться чем-то, на самом деле оно сейчас держится на энтузиастах, но это не благодаря, а вопреки тому, что происходит. К сожалению, то, за что вышли люди, произошло в очень минимальном процентном соотношении по отношению к тому, что хотелось бы. Во власти осталось много старых людей, система не очень изменилась. Старая система другими способами пытается . Старой системой я называю не систему Януковича: система Порошенко, система Тимошенко, система всех политиков, которые были тогда, – они ничем не отличаются. Новая власть в виде новых людей, которые пришли после Майдана, – это очень малое процентное соотношение, мы бы хотели, чтобы все произошло намного быстрее. К сожалению, теперь нам остается надеяться на то, что постепенно молодая кровь будет вытеснять старую. Но старая система очень борется, есть очень большое сопротивление, и это очень тяжело. У меня много знакомых, которые ушли из бизнеса, пошли в политику или в министерство какое-то, у них были очень хорошие зарплаты, а там им дали зарплату пять тысяч гривен, 200 долларов. Они два года работают, говорят: у меня все сбережения закончились. Я работаю, я депутат, в министерстве, и у меня нет денег. И им говорят: мы все ждем, пока вы устанете, уйдете, мы дальше будет опять делать, что делали. К сожалению, сейчас единственный шаг – это медленно, постепенно молодая свежая кровь должна вытеснять этот старый режим. Флаги поменялись, а мировоззрение наверху у людей не поменялось. Я не говорю про всех, я считаю, что одна треть, хотя бы одна треть – это люди, которые пытаются изменить страну. Но существуют две трети, которые не хотят ничего менять, они не приспособлены к новому европейскому государству. Все бы хотели, чтобы они собрались со своими деньгами и куда-нибудь укатили, чтобы молодое поколение, интеллигенция вела бы страну в какие-то новые времена. Многие люди возвращались из Европы сюда, чтобы что-то изменить, но я знаю сейчас тенденцию – они уезжают, потому что разочарованы, что ничего не изменилось.\n\n"},{"attributes":{"italic":true},"insert":"Я хочу вернуться к тому, с чего вы начали, к этому движению стены. Стена, которая рухнула в Берлине, на Майдане ее частично обрушили, и она…"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Сдвинулась в Донбасс."},{"insert":"\n\n"},{"attributes":{"italic":true},"insert":"Движется на восток. Я хотел вас спросить, как вы относитесь к России, чем это движение стены, с вашей точки зрения, закончится?"},{"insert":"\n\nЭто очень сложный вопрос, потому что у меня в России есть много друзей, с которыми у нас очень хорошие отношения. До всего, что случилось, я часто приезжал в Россию, был в Москве. Это больше похоже на помешательство. Я отношусь хорошо к людям, которых знаю в России, а к общей массе у меня плохое отношение, потому что они поддерживают то, что делает их правительство. Они молчат, боятся, не хотят ничего говорить. У меня, наверное, больше не ненависть, а разочарование или непонимание, как можно не видеть, что происходит. Потому что ощущение, что это возвращение назад, полностью в Советский Союз, и люди счастливы от того, что это происходит. Люди довольны, люди поддерживают войну, люди максимально разжигают ненависть – все эти лозунги, призывы и то, как они реагировали, говорило о том, что проблема не в Майдане. Стоило только назвать украинцев фашистами, сразу же большая часть населения России это поддержала. Это говорит о том, что эта мысль в голове культивировалась, Малороссия, все остальное – было уже в головах, это не могло появиться за одну неделю. Отношение истинное… Мне кажется, большая проблема россиян – это империализм, они хотят вернуть свою империю, свое влияние на соседние государства. Они не могут найти ничего другого, как сделать это силой, и в этом именно моя претензия к России. Они убивают мой народ. Как можно рассказать детям, у которых стоят дома фотографии их родителей, отцов, которые были убиты людьми с российскими флагами, что это наша братская страна? Та война, которая произошла, уже нас разделила. На самом деле это за год, за два, даже за пять, за десять лет – не разрешится, потому что эта война затронула каждого. У каждого кто-то из знакомых погиб, или пришел раненый, или был на фронте, или он был там сам. На самом деле это глобальная проблема, потому что люди потеряли близких. И с той стороны та же ситуация.\n\n"},{"attributes":{"italic":true},"insert":"​А про стену?"},{"insert":"\n\nТак получилось, что в Украине сейчас процентное соотношение людей – еще до Майдана было – немного другое, они хотят другой жизни, не хотят возвращаться в ту жизнь с Советским Союзом, в те времена. А на Донбассе – люди, которые отстаивают это. Стена – это граница империализма, она сдвигается. Это просто геополитическое влияние. Сейчас Россия не имеет такого влияния на Украину – на ту часть Украины, которая контролируется украинской армией, украинским правительством, – как она влияла до Майдана. Эта стена – влияние России на соседние государства, влияние на умы. Потому что когда человек перестает смотреть только российское телевидение, только российские новости, то он начинает иметь другую точку зрения. Мы все думаем, что у нас у всех есть свобода, мы можем зайти в интернет, все увидеть, все почитать, но большинство людей, что в России, что в Украине, включают телевизор и смотрят то, что там показывают, слушают, читают газеты, общаются. Когда я был в Крыму и в Донбассе, то порой доходило до смешного, люди рассказывают такие сказки. Я был свидетелем какой-то ситуации, а люди через час уже все настолько перевирали и в это верили, какой-то “Правый сектор”, который кому-то отрезал голову, сидит где-то в погребе. В чем Россия хороша, так это в информационной войне. На самом деле вся война России в Украине началась благодаря СМИ. У меня иногда много вопросов к СМИ, потому что люди верят.\n\n"},{"attributes":{"link":"https://www.svoboda.org/a/27564707.html"},"insert":"Link"},{"insert":"\n"}]},"title":"Untitled 87","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.svoboda.org/a/27564707.html"},"insert":"Radio Liberty"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Valentin Baryshnikov"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"russian, 2016"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:28:44Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"radio-liberty-interview-by-valentin-baryshnikov-russian-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Radio Liberty, Interview by Valentin Baryshnikov | russian, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147418111,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:28:36Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016","rank":null,"published_at":"2019-05-09T10:30:55Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:41:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/radio-liberty-interview-by-valentin-baryshnikov-russian-2016/untitled-87","rank":null,"published_at":"2019-05-09T10:30:55Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"0e2a5ff8-764f-4440-9481-5afe98520ac6","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:12:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"2daabd7d-0205-411b-b6b8-1fa3c06d31ea"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"2000:1339","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"66f46dd9-3fbc-4df9-847a-9828dd293a17.png","filesize":4132197,"height":1339,"hidden":false,"id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","inserted_at":"2019-09-26T11:55:31Z","name":null,"orientation":"Landscape","original_filename":"DOM_2019_09_26_1202.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-1073741825,"set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/66f46dd9-3fbc-4df9-847a-9828dd293a17.png","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-23T03:29:03Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation-book","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation Book","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-24T10:52:51Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"books","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"M","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Books","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-839254016,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:55Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books","rank":null,"published_at":"2019-07-28T12:08:43Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"368f0bc0-abda-4010-8ba4-1512a5a0695c","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-28T12:08:43Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"1500:1001","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"47074826-f4e3-47cd-86f6-832fefe19998.jpg","filesize":600018,"height":1001,"hidden":false,"id":"47074826-f4e3-47cd-86f6-832fefe19998","inserted_at":"2019-12-21T07:36:05Z","name":"","orientation":"Landscape","original_filename":"DOM_2019_09_26_1194.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-3,"set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/47074826-f4e3-47cd-86f6-832fefe19998.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-23T03:25:45Z","weight":3,"width":1500},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book","rank":null,"published_at":"2019-05-12T05:56:08Z","summary":{"ops":[{"attributes":{"color":"#868686"},"insert":"First edition: 500 books printed in total signed and numbered"},{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["c186c3b8-cb2c-4ca4-befb-35a5b616951e","934be5f9-7021-49d4-9362-d5ebfb69a0a6","63f7a82d-2e26-4494-a95a-350594d123fe"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"283df543-a4e6-4107-a108-893ba3bb3fba","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","image_id":"47074826-f4e3-47cd-86f6-832fefe19998","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:11:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c"},{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"293:400","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"Cover of a Book \"Pictures for the press freedom 2015\", Reporters without borders."}]},"duration":0,"filename":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3.jpg","filesize":2252288,"height":2000,"hidden":false,"id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","inserted_at":"2019-05-09T16:11:07Z","name":null,"orientation":"Portrait","original_filename":"0033_DOM_4054.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1595273552,"set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/5d9bf3e9-67c5-466f-a379-880d48a0dfb3.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-10T17:39:14Z","weight":3,"width":1465},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"essays-interviews","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Portrait","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Essays & Interviews","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-27T04:19:05Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"publications","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Publications","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-540643328,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:56:04Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications","rank":null,"published_at":"2020-01-21T09:56:30Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"dd9bf816-b615-4648-94d9-506f07dff3df","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"submenu","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:56:30Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"8:5","asset_id":null,"cover_image":false,"description":{"ops":[{"attributes":{"link":"https://www.nytimes.com/2018/07/31/lens/recovering-lost-photos-of-life-before-the-chernobyl-disaster.html"},"insert":"New York Times, USA"},{"insert":"\n"}]},"duration":0,"filename":"757621af-f2ec-4afc-a107-c2558704acda.png","filesize":4618766,"height":2100,"hidden":false,"id":"757621af-f2ec-4afc-a107-c2558704acda","inserted_at":"2019-05-09T16:03:35Z","name":null,"orientation":"Landscape","original_filename":"0002_Screen Shot 2018-10-23 at 11.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483639,"set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/757621af-f2ec-4afc-a107-c2558704acda.png","status":"ready","tag_ids":[],"type":"photo","updated_at":"2020-01-06T09:25:40Z","weight":3,"width":3360},"video_autoplay":false,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews","rank":null,"published_at":"2019-05-10T09:42:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":["ef4eab8d-6025-4672-83ef-a6b6d0b94c31","79e63d4a-3e2e-410c-8003-f48d058c069a","9e270bcd-77a5-4469-80da-0a75b380be3d","d9b8f334-a659-491b-aad8-06f008512cdf","1be66fe0-5f3c-4c44-b9c7-dc488dad8bb8","b8d103d1-b9bf-4d66-886f-c23e5aee07c3","5d880632-3446-4eed-8fd2-a07a2f03af07","a84bb198-654c-44de-8b9f-25ac9b0ba405","156731b2-07cc-45bf-863c-abebfe0b58e9","fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","ad53afc8-6d43-40fc-a93d-f9e542b55a72","2cd818e2-55bb-4bd5-884f-cf32a7415df5","a6490173-0b6a-4efa-984d-40fcc94cef13","4f9efa74-6aa8-4140-aa44-abe12586fa04","c76f816c-6a50-472e-af1e-912800959b13","b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","05901042-5860-4de2-bbc8-5c89bddf9baf","f09a1faa-4cbb-4414-842c-11f0df907bfd","d83567b2-b698-417f-b1fa-c753aaf44064","b1a41d0b-0462-40b8-b92a-d21de86db1a9","2daabd7d-0205-411b-b6b8-1fa3c06d31ea","864c29c1-607b-4099-a422-ebccd1f27da4","c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","015334e4-131b-42e7-b79f-ecd5f36df0e7","f93a1d7b-48b9-4ae2-b335-edbde97f6233","c837f25e-ff12-42c4-8a0d-2b608ef23f92","2599d79d-2694-45d5-b4ec-d14e14acc2e4","9e772fa9-9496-43dd-9075-a41903e3d5e3"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Right","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T08:52:11Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-249","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture","text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 249","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Book review by Sean Sheehan"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2019"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-01-22T06:44:52Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"lensculture-book-review-by-sean-sheehan-english-2019","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"LensCulture, Book review by Sean Sheehan | english, 2019","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-2046820352,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-12T06:23:21Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019","rank":null,"published_at":"2020-01-22T06:33:37Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"79e63d4a-3e2e-410c-8003-f48d058c069a","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T06:33:37Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/lensculture-book-review-by-sean-sheehan-english-2019/untitled-249","rank":null,"published_at":"2020-01-22T06:36:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"34097854-2e66-46f0-9bd2-cd7997d5165b","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T06:36:38Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"79e63d4a-3e2e-410c-8003-f48d058c069a"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-79","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":"https://www.areweeurope.com/confrontation-interview-maxim-dondyuk/","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Interview with Maxim Dondyuk"},{"insert":"\n\nWith its visceral and visual clashes of police and protesters, the images of the 2013 revolution in Ukraine are difficult to forget. Over the course of the next years, the civil war in Eastern Ukraine and the annexation of Crimea left deep scars in the country. Maxim Dondyuk, from Ukraine himself, photographed the EuroMaidan revolution and documented child soldier camps and tuberculosis in Crimea. Are We Europe sat down with him and his wife, Irina, to discuss their work together as well as Maxim’s experience as a photographer on the front line.\n\n“People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nMaxim is 30 years old, has a long beard and tattoos. He’s restless, sympathetic and passionate. He and his wife Irina are staying at the artist-in-residence housing in central Paris for a few months. What is perhaps the most striking about his photos is the scale of the clashes he captures. Just as he says himself: they look like epic historical battles.\n\n“After I was in Ukraine for 2 weeks, I opened my eyes. I forgot about the real situation and started to see it like another world.” When I ask him how it felt to stand so close to the protesters and to actually be there, surrounded by flying Molotov cocktails, he quickly stands up, pretends to have a camera in front of his face and clicks away. “I tried before to take pictures this close. But in Maidan I started to take in the whole scene, with those hundreds of people. It was very hard not to create a picture or painting.”\n\nHe is silent for a while, then says “I don’t believe, I don’t believe, I don’t believe, I don’t believe,” while still holding the camera in front of his face.\n\nHe tells me there were in total about 200 photographers, with 20 photographers right next to him most of the time. All with big lenses, snapping away mostly at people’s faces.\n\n“But I was just thinking about stories. I kind of lost my mind and only saw battles, legends and I tried to put what I saw in the camera, in the frame. I wanted to put my emotion in the frame. It didn’t matter what happened, it was not the Ukrainian revolution anymore. For me the legends just continued.” \n\nBattles and Legends\n\nThe legend’s spell broke with a bang. A grenade exploded nearby and a shard shot into his left leg two days after he got there. He touches his leg and says, “at first, I didn’t even feel it. And then my leg really started to hurt and my friends took me to a hospital. It was a 40-minute operation – they took out the shard.”\n\nThe next day, all bandaged up, he slumped his way between the protesters again. He reenacts this for me, limping his leg and pretending to climb barricades and dodge Molotovs. “I couldn’t, I could not not go. I needed to go, go, go.” His sentences are short and active, with his English sometimes failing him, yet it doesn’t take away from his powerful acting. Now Irina steps in, having mostly listened to him and occasionally helped him with translating. “It was good, because after he was wounded, it was more peaceful. He could rest for a few days.”\n\nWe drink our coffee and look out over Paris for some time. We even talk about the weather, the beautiful buildings and the things they’ve done and seen here. But then Maxim takes us back to the battleground.\n\n“It wasn’t all as dangerous as what people think about it. But sometimes protesters threw grenades next to me and in other situations, police officers helped me. It was a crazy situation. Some policemen were crazy though.”\n\n“In every life, every culture, some people are bad and you can really see that in protests.”\n\nSuddenly we are back and right in between the protesters and the police, with Molotov cocktails flying over. He whistles a ”wooooo” sound, like a falling bomb. This is not a place where you can be without any risks. “You need to feel the situation,” he says. “Sometimes young people just go and think ‘I’m young and a journalist’. You need to have experience; think about it. Can I run and snap, or not?”\n\nHe keeps on standing up from his seat, producing comical movie sounds while acting out the intensity of the protest, waving his arms, moving up and down in his char. But his photos tell the story even better. The violence, the clashes – they truly are spectacular images.\n\nBut amidst the waterfall of words, he says something I didn’t expect.\n\n“I was very happy. The revolution was so sad, but sometimes it was so beautiful. Sometimes, if you forget about what happened, it was better than a movie. It was such an unreal situation.”\n\nThe Battle – Good vs. Evil\n\nHe continued talking about legendary battles, the good versus evil look-and-feel of it. Did he feel like it was Russia vs. Europe?\n\n“With this project I didn’t really think about Russia being evil. EuroMaidan was not necessarily anti-Russian. But afterwards people started to understand that Russian media create another reality. There were more than half a million people at the Maidan square, but Russian television always talked about 200 radicals.”\n\nHe goes on to give some historical context, and comes back to the Crimean annexation. ”After Crimea, Russia was evil for me.” So I asked him again, especially since his series is named Culture of Confrontation. “No, it’s not between Europe and Russia. It’s between two cultures. Two cultures that want a change in life. One doesn’t want to be like Europe, they just want to live without corruption. The other one is not about Russia, it’s about their dream about the Soviet Union.”\n\nEast and West Ukraine are completely different countries, he says. Kiev is mixed, sure, but if you go to the East, it’s like a complete mirror of the West. And with a lot of excited hand gestures, Maxim talks about his own very early memories of the Soviet Union, and mirrors it with his travels through Europe. “People didn’t live in Russia, but they lived in the Soviet Union, they remember how it was, it’s a dream about being young again, about going back to the way things were.”\n\nTuberculosis and child soldiers\n\nSomething else that you’d think was a thing from the past is tuberculosis. But Maxim shot a compelling photoseries about tuberculosis in Crimea. The government in Crimea was not very cooperative, but he kept pushing, until a director of a hospital gave him permission to take pictures. He tells me how he spent 3 months in Sebastopol and comes back to something he only briefly mentioned before: Crimea Sich – a military training camp for children between 7 and 16, situated in the Crimean Mountains. “I kept coming back to Crimea, spending one year taking pictures there. Then I started to think about a documentary movie, which is better for storytelling than pictures.” \n\nHis brother, a young Ukrainian filmmaker, convinced him to go back again and shoot in the mountains. “I lost 7 kg per two weeks climbing mountains, with my gear. It was intense.” He pants heavily, reenacting the scene. “We climbed mountains with the cameras. It was so good, so beautiful, but also pretty crazy.” One of his filmmaker friends from Europe told him he is crazy. And as if he agrees, he repeats the word multiple times: “crazy, crazy … crazy.”\n\nMaxim and his brother came back with over 40 hours of footage of child soldiers from Ukraine, from Russia and Moldova. He tried to kickstart the documentary, but couldn’t get the money together. According to him, there are not enough rich people in Ukraine. \n\nFinally, I ask him if he’s looking forward to going back to Ukraine in December. He is silent for ten seconds, coughs a few times and then says solemnly “It’s a very, very sensitive question. Unfortunately, in the Ukrainian situation, not a lot has changed. The old system is still in place. Old politics, old people who don’t want change. It might be better after 10 or 20 years”.\n\nWhen I am almost ready to go, he suddenly asks me about what I thought about him, his photos, his English. I give him some compliments, and I mean them, but he doesn’t really seem to register it.\n\nThen he says, “I don’t like a system or any structure. I’m just a person that lives on this planet. Why do people start a war? I have friends in Russia, and they are very good. I don’t have problems with Russians, with the government, with people who believe propaganda. In Europe it’s the same, people watch TV and just believe that. It’s about the Ukrainian revolution and you try to help people understand, but not everyone understands. It’s still a war that’s going on. A war between cultures.”\n\n"},{"attributes":{"link":"https://www.areweeurope.com/confrontation-interview-maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"title":"Untitled 79","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.areweeurope.com/confrontation-interview-maxim-dondyuk/"},"insert":"Are We Europe"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Text by Mick ter Reehorst"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:16:59Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"are-we-europe-text-by-mick-ter-reehorst-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Are We Europe, Text by Mick ter Reehorst | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2139095039,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:25:54Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016","rank":null,"published_at":"2019-05-09T10:27:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a6490173-0b6a-4efa-984d-40fcc94cef13","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:35:14Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/are-we-europe-text-by-mick-ter-reehorst-english-2016/untitled-79","rank":null,"published_at":"2019-05-09T10:27:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"e805174d-1d0c-4e5e-816c-84ad2b11067e","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:05:28Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a6490173-0b6a-4efa-984d-40fcc94cef13"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-206","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"image","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 206","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2019-12-12T13:56:58Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"movie-trailer-untitled-project","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Movie Trailer: Untitled Project","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Movie Trailer: UNTITLED PROJECT from Chernobyl","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-1056964608,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-13T03:39:55Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/movie-trailer-untitled-project","rank":null,"published_at":"2019-12-12T04:29:02Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"341e0215-f1bd-4682-81e2-45bbc7a3621c","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"2f95220c-d45e-4b1e-b157-f710b9db3729","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-12T04:29:02Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":"Be8vueCGYv02ePeDksgx73007aA02jK7r01g","cover_image":false,"description":{},"duration":299,"filename":"04f01caf-7741-4b22-91ed-55c684e5bcbd.mov","filesize":567885188,"height":1080,"hidden":false,"id":"04f01caf-7741-4b22-91ed-55c684e5bcbd","inserted_at":"2019-05-07T08:26:24Z","name":null,"orientation":"Landscape","original_filename":"Promo Final.mov","playback_id":"Y4IOhrlDAlw2xmvRUu2nNMSa3ViXpaK9","poster_position":288.223100594,"private":false,"rank":2030043134,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/Y4IOhrlDAlw2xmvRUu2nNMSa3ViXpaK9.m3u8","poster":"https://image.mux.com/Y4IOhrlDAlw2xmvRUu2nNMSa3ViXpaK9/thumbnail.jpg?time=288.223100594"},"status":"ready","tag_ids":[],"type":"video","updated_at":"2019-10-17T18:13:18Z","weight":3,"width":1920},"video_autoplay":false,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/movie-trailer-untitled-project/untitled-206","rank":null,"published_at":"2019-12-12T04:29:12Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"9f8d7582-96cb-452e-ae97-fdf815c4b845","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"Full","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"04f01caf-7741-4b22-91ed-55c684e5bcbd","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-12T04:29:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"341e0215-f1bd-4682-81e2-45bbc7a3621c"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-82","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":"https://www.mologue.de/de/ausgabe/maxim-dondyuk/","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Maxim Dondyuk"},{"insert":"\n\nHow and when did you come up with the idea of working in photography?\nI came to a photography professionally at the third try. The first experience I had when I was 5, with my mother, who was enthusiast, I used to watch how she processed family photos in a darkroom. Later I was given my first soviet camera SMENA, and started doing my own photos. After the collapse of the Soviet Union to buy and process film became more difficult and expensive, so my mother stopped doing it and me too. The second try was at the age of 12, than I joined the photo club, began shooting film and processing photos myself. But my enthusiasm didn’t last long. The third time I came back to photography was at the age of 24. I had a routine job, which I went every day, year after year, time flew quickly and nothing changed in my life. I understood that I need some hobby. I became interested in photography. All my free time I studied photography, read all kinds of literature and practiced. It allowed me to travel around the region I lived at that moment, after I started travel around the country. With the help of photography I can live the live of any person, to be present during different events and to empathize with them. My professional career began in Ukrainian media as a photojournalist in 2007. Since 2010 I’m a freelancer, work on creating and promoting my own documentary projects. Photography it’s my personal visual diary. It’s not a hobby or work for me, photography it’s my philosophy and religion. I don’t believe in God, but photography helps me to discover and understand this world.\n\n"},{"attributes":{"italic":true},"insert":"What equipment do you use?"},{"insert":"\n\nEverything is quite simple, starting from 2015 I use Nikon D810, before I had Nikon D3s, which I won at the contest for my project «TB epidemic in Ukraine». As for the lenses, I use only one lens 35mm, it’s an old film lens with autofocus. I’m used to this focal length and don’t need zoom. I must be half a meter from the object. It is very close distance, you began to feel the same emotions, fear, happiness, sadness. When people look at such photos, they also feel emotions of your character. I also have 50mm film lens, but it’s more like emergency lens, as it happened that 35mm broke or in case I need to make some portraits for the magazines. I don’t like artificial light and don’t use flash. I take photos only in RAW format, as color correction is very important for me, I pay special attention to it. And I don’t use continuous shooting.\n\n"},{"attributes":{"italic":true},"insert":"Where do you get your creative inspiration from?"},{"insert":"\n\nMostly I’m influenced not by photographers but by writers and painters. Each time I come to a new country, I visit museums, galleries. I love paintings of artists who worked in realism. They painted such important battle scenes and historical moments but never forgot about aesthetic side. Their paintings are very beautiful.\n\n"},{"attributes":{"italic":true},"insert":"How would you define your own photographic style?"},{"insert":"\n\nI’m a documentary photographer. But emotions and visual language are more important than facts (what, where, when?). I feel myself more like an artist than a photojournalist. What, from your point of view, are the major challenges in photography? I work a lot with international magazines and know that in this sphere there is a big problems now. They already don’t have such budgets as some years ago, and mostly really good stories were shoot by photographers independently, without assignments. But if to talk about contemporary photography, I think in this field everything is more than good, and it has great perspectives.\n\n"},{"attributes":{"italic":true},"insert":"Can you describe your workflow for „culture of confrontation“?"},{"insert":"\n\nIn mid 2013, because of a number of reasons, I seriously thought about documentary films. It seemed to me that they tell socially relevant stories much better than photography. I decided to make a documentary film about one of my projects about the Crimea Sich. In summer 2013 I with my brother, went to the Crimea Mountains, spending the last money for the equipment. It was an attempt to find answers to the questions that griped my mind. After I was selected to a grand for directors of documentary films, it was held by an American Documentary Film Festival in Ukraine. During that period began Euromaidan in Ukraine. Prior to December 1, 2013 I couldn’t understand whether I need to continue working on my film, or to go to Maidan with a camera. I also didn’t know what I want to do at Maidan, to shoot video or photo. So at the beginning I just watched, analyzed, tried to find the answers. But, suddenly, I was given the second photographic breath and understood that I looked at Maidan through associative images, which contains the second associative level. I wasn’t trying to show what was happening as a photojournalist. With my photos, I wanted to awake people’s strongest associations and emotions, wanted them to see what I saw. For me it wasn’t a revolution at the Independence Square, in front of me opened battle scenes from legends and fairy tales. During clashes between police and protesters, I felt myself like in a parallel, fictional world. It was a battle between good and evil, light and shadow, fire and frost. On the revolutionary canvas creepy bloody scenes interwove with incredibly beautiful, from visually side, views. The line between reality and fiction had gone. I understood that photography for me isn’t just the way to tell the story, but also a visual image that holds emotions, allows the viewer to interpret the reality and think about important life questions.\n\n"},{"attributes":{"italic":true},"insert":"Why do you take this pictures (culture of confrontation)?"},{"insert":"\n\nI began to shoot for the reason that it happened in my country, in the city where I live. At some point I realized that it touches me personally, and this is a historic moment in my country.\n\n"},{"attributes":{"link":"https://www.mologue.de/de/ausgabe/maxim-dondyuk/"},"insert":"Link"},{"insert":"\n"}]},"title":"Untitled 82","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true,"link":"https://www.mologue.de/de/ausgabe/maxim-dondyuk/"},"insert":"MOLOGUE"},{"insert":"\nInterview by "},{"attributes":{"italic":true},"insert":"Johannes Brümmer"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"english, 2016"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:17:59Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"mologue-interview-by-johannes-brummer-english-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"MOLOGUE, Interview by Johannes Brümmer | english, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2145386495,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:30Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016","rank":null,"published_at":"2019-05-09T10:28:31Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:37:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/mologue-interview-by-johannes-brummer-english-2016/untitled-82","rank":null,"published_at":"2019-05-09T10:28:31Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"dcea79e4-ba64-4aee-b658-065d376737f5","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:07:43Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"b7fb5cbd-cda4-4a6c-875c-5c4bf81ca7db"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-83","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Український військовий фотограф: чому українці неправильно бачать війну"},{"insert":"\n\nМаксим Дондюк – український фотограф-документаліст. Знімав проект, присвячений людям із туберкульозом, робив фото з війни на Донбасі для закордонних агенцій. Працював для ЗМІ США, Польщі, Німеччини, Фінляндії тощо. Один із авторів виставки «Забуті світом», яка експонується цими днями у львівському Палаці мистецтв.\n\n"},{"attributes":{"italic":true},"insert":"Що Ви думаєте щодо негативної реакції частини відвідувачів на виставку?"},{"insert":"\n\nУ мене було відчуття віддзеркалення Донецька, просто інший бік дзеркала, де люди неспроможні сприймати не те, щоб іншу сторону, а взагалі бачать лише свою позицію, лише біле або лише чорне. І це дуже-дуже сумно, тому що демократична країна будується зовсім іншим шляхом.\nЯ і полякам казав: ви повинні розуміти, що ви проведете виставку, а тут люди, яких торкнулась ця трагедія, це війна! І от прийдуть на виставку ті, в кого загинули близькі, а ви показуєте прапори «ДНР», Росії… Вони зробили ризикований хід, що зробили виставку тут. Якби привезли її у Київ, це було би трохи інша реакція.\nА тут дійсно віддзеркалення того, що є там. Там гіперболізована любов до «совка», а тут – прагнення бути незалежними. І зараз знову окупаційна війна, тож це болюча тема. Але ж Росія не вторглася у Львів, Росія вторглася в Донецьк і люди у Львові мають зрозуміти, що там люди трохи інакше міркують, ніж тут.\nДля цього треба відсторонитись і подивитись на це інакше. Але для організаторів це теж досвід. Бо вони там в Польщі думають, що тут всі демократичні, що всі розуміють, що і як. А от приїхали і побачили, як є. Я думав про те, аби зняти всі підписи на виставці, але організатори ж європейці, для них це шок, вони вважають це цензурою.\nЯ був і тут, і там, тож трохи з різних боків усе бачив. Але я не знаю, як би я поводився, якби мешкав тут, у Львові постійно і якби у мене забрали брата, сина, родича, і якби він там загинув від рук російських окупантів. І що б я тоді казав?\n\n"},{"attributes":{"italic":true},"insert":"Мене якраз виставка і здивувала тим, що вона про різні боки конфлікту. Відчувається, що вона робилась для зовнішнього глядача, для європейського, який хоче відсторонитись і зрозуміти суть. Як думаєте, а тут це можливо?"},{"insert":"\n\nВарто розуміти, що організатори не українці і не росіяни, вони поляки і вони щиро співпереживають. І для них, як і для іншого світу, важливо дивитись, що трапилось дійсно, а не лише з одного боку.\nЯк мені здається, тут би хотіли побачити лише поховання українських військових, тільки зруйнування, спричинені російською артилерією. Але ж ми всі розуміємо, що якщо хтось думає, що війна це тільки шкода з одної сторони, то це абсурд\nВійна – це дуже велика біда для людей, котрі там мешкають. Вона чілпяє кожну людину і з одного, і з іншого боку. Але війна рано чи пізно скінчиться. Ми маємо розуміти, що ми мешкаємо в одній країні і не пройде таке, що ми туди прийдемо, всім скажемо: вдягайте вишиванки, розмовляйте українською. Треба шукати компроміси. Я це дуже добре розумію, хоч я втратив на цій війні багато друзів та знайомих, це і моя особиста війна, особиста трагедія. Але я був і по цей, і по той бік…\nХочу ще наголосити, що саме «завдяки» українській владі та українській прес-службі в зоні АТО ми бачимо так багато картинок по той бік (на окупованій частині території, – ред.). Тому що вони (прес-центр АТО, – ред.) не давали дозволу знімати.\nІ коли я був кілька місяців з того боку під «прикриттям» російської прес-карти, поки мене не «викрили» українські ЗМІ, то мені давали дозвіл знімати все. Все, що я хотів. Бо російська пропаганда знає силу медіа, вона розуміє, що треба пускати медіа. І закордонні журналісти там мали змогу знімати все. А коли я почав знімати з української сторони, то я вже проїжджав на лінію фронту як військовий, на якихось броньовиках, з військовими, з якими домовлявся сам, бо прес-служба АТО возила всіх по одних і тих же блок-постах і показувала добру і гарну картинку.\nАле у той же час були насправді місця, де військові по три місяці жили в окопах, їли тушонку, не маючи жодної гарячої їжі, тобто, трагічна ситуація була. Але влада не хотіла цього показувати!\nНі закордонні, ні українські медіа не допускались. І лише певні окремі журналісти, яким було важливо туди потрапити, самі влаштовували собі ці поїздки, самі домовлялись про все з волонтерами чи батальйонами, чи військовими… І я з кількома фотографами був в Іловайському котлі. І в нас залишились фотографії, завдяки яким люди можуть бачити, що там було. Але є така трагедія як Савур Могила, звідки немає жодної фотографії, ми навіть не знаємо і не бачимо обличь цих наших героїв. І це тому, що нікого не хотіли туди пускати.\nА закордонні журналісти приїжджають, їм треба це якось показувати, а тут їм не дають, не пускають, показують якусь фігню… Вони думають, що журналісти, котрі вже по 20 років працюють на війні, поведуться на блок-пости оці випещені, де все добре? Вони їдуть на той бік, де їм кажуть «знімайте все», їдьте в морг, на передову, куди хочете: «Ти сам за себе відповідаєш, а якщо загинеш – то твоя справа». А з нашого боку це було можливим тільки з батальйонами і тільки завдяки ним.\nЯ так потрапив в Іловайський котел із батальйоном «Донбас». Я поїхав туди власним коштом, просто зі мною була камера. І от хлопці кажуть: «Ти ж розумієш, що ми вже в оточенні, і виїжджати ти будеш уже з нами». І так і вийшло, що на цій виставці я один, хто був ще з українського боку фронту. Звісно, тут представлена дуже маленька частина того, що у мене є. Але, власне, так і сталось, що світ бачить цю війну крізь трагедію та страждання тієї сторони, бо наша сторона дуже і дуже не хоче показувати, що дійсно відбувається.\n\n"},{"attributes":{"italic":true},"insert":"А як довго Ви там були?"},{"insert":"\n\nЯ 1 грудня вийшов на Майдан. Я три місяці був на Майдані під час усіх активних фаз, далі – Крим. Був десь місяць у Криму до «референдуму», коли анексія почалась. І коли почались події на Донбасі, окупація… Хоча це ж треба розуміти, що якби на Майдані дали б всім автомати, почалась би війна. Є збурені люди, котрі хочуть якихось змін. І якби їм дали не бруківку, а автомат, також почались би те саме. Але туди приїхали росіяни, дали зброю, було декілька спецзагонів, які координували це.\nІ з нашого боку ж теж масла у вогонь підливали. Тож потім я там був аж до Іловайського котла. Потім я виїхав… і ще в грудні повертався уже з «Червоним Хрестом», їздив по зруйнованих містах з нашого боку. І з 2015 року я вирішив для себе, що не хочу туди повертатись, я вже не розумів для себе, що я там буду робити.\n\n"},{"attributes":{"italic":true},"insert":"А чому? Війна ж продовжується…"},{"insert":"\n\nКоли ти розумієш, що можеш сьогодні загинути, але водночас ти робиш важливу справу, то це одна річ. А коли ти повинен постійно сперечатись з якоюсь там владою, військовими, домовлятись… До того ж я просто «видохся» за цей рік. І за той час я багато працював зі світовими медіа, з українськими я зовсім не працюю, бо виникло багато розчарувань. І я зрозумів, що мені потрібна перерва.\nНасправді, коли був Іловайськ, це дійсно було трагічно, бо нам по радіо чи телефону казали, що там парад готують, що міністр приймає нову зірку, а тут у хлопців 4 чи 5 БМП («бойова машина піхоти», – ред.), а на нас танк приїжджає прямою наводкою б’є…\nІ жодного танку в нас нема, зв’язку нема, хлопці самі в кредит брали рації, щоб якось орієнтуватись у цих коробках. І є дуже багато є питань і ці всі трагічні програші, це програш не нашої армії мужньої, а нашої влади, яка, на жаль, себе не виправдала\nІ от за рік ти розумієш, що прес-служба робить усе, аби ти нічого не зняв, що українські медіа дуже часто цікавить тільки одна сторона, яка показує лише одну правду, а іншої правди бути не може, що інша правда – це проросійська пропаганда… Багато військових повертаються туди, бо тут у них немає іншого життя, бо ними ніхто не займається, держава ними не займається. Влада зовсім не розуміє, що люди, котрі були на війні, іншою мірою все вимірюють і їх треба до чогось долучатись, їм треба допомагати. І зламана душа, бо вона ж дійсно зламана, бо, коли ти бачиш як люди гинуть, як твої друзі гинуть, а сюди приїздиш, то тут дуже тяжко. І це проблема країни, а не тільки їх самих.\nВони там герої були, захищали країну, а тут приїжджають, не можуть вирішити якісь проблеми, їм ніхто не допомагає, то починаються різні неприємні речі… У мене відчуття, що у владі взагалі не розуміють того. І, не дай Бог нам третього Майдану. Бо перший був «лайт», революція у 2013 була така «мідіум», а «хардкор» буде наступний, бо будуть військові, для них стріляти – це вже нормально. І всі ми розуміємо, що зараз в Україні багато незареєстрованої зброї і, якщо почнеться хвиля, а влада потроху до цього йде, не знаю, зо може початись…\nАле є й позитивні зрушення, бо частково військові потрапили і в нормальні ситуації, наприклад, помічниками депутатів абощо, тож якийсь дрібний відсоток присутній і у владі. І я дуже сподіваюсь, що це розумні люди, сподіваюсь, що вони все ж будуть розуміти, що єдині, кому ми можемо довіряти – це фронтовикам, тим, хто допомагав цим людям.\nМи можемо Донбас повернути, але силою, якщо й вийде, то просто патріотизм там буде інший, бо там лишились люди, які постраждали, зокрема, і від нашої армії. Так трапилось…\nБудь-яка людина, що вміє думати, розуміє, що там можна було це все на початку ще згладити, що можна було зробити це все не так криваво, що просто хтось (навіть не з того боку, не з Росії) дуже-дуже хотів, що у нас почалась кривава м’ясорубка. І що влада може заробляти на війні, і що там ми втратили дуже багато патріотів, які могли би змінити країну, але пішли на фронт і загинули. Бо ж 2014 рік це була дійсно м’ясорубка, бійці просто в маршрутках заїжджали на фронт проти танків.\nЯк було на Майдані, коли снайпери стріляли в людей, які захищались якимись алюмінієвими щитами, то на сході 2014 року було те ж саме, але не сотні – тисячі. І коли з Іловайська виходили, то російська армія мала зв’язок і все, що треба, а у нас… Ми коли там були, то хлопці дзвонили по мобільному і наводили артилеристів, але ж ті все прослуховують, захотіли – заглушили мобільний зв’язок нашим – просто халепа. А люди воювали на патріотизмі. Я досі не розумію, як Муженко не те, що служить, як його не заарештували досі.\n\n"},{"attributes":{"italic":true},"insert":"Ваші світлини, представлені на виставці, дуже тяжкі. Як, власне, і більшість світлин на виставці. З людської саме позиції, наскільки важко так працювати – знімати смерть, похорон, травми…"},{"insert":"\n\nКожен документаліст, який працює з такими темами, шукає власні шляхи, як це подолати. Ще до війни я працював з тяжкими темами у документалістиці і багато бачив трагічних подій. Це важко, але я думаю, що мені легше, аніж людині, яка того не бачить. Контакт з постійною трагедією, смертю, змінює людину, відбувається переоцінка цінностей.\n\n"},{"attributes":{"italic":true},"insert":"Якщо знову до виставки. То чи така подача на часі? Бо війна досі є…"},{"insert":"\n\nЯ вважаю, що є культурна еліта, яка розуміє все, яка проти війни і розуміє, що ненависть породжує далі війну, помсту і тому подібне. Напевно, якщо привезти до Одеси виставку, реакція буде іншою. Там же через цей відсоток проросійський будуть зовсім інше пропагувати.\nЗнаєте, будь-які фотографії такі можуть бути розтлумачені кожною стороною по-своєму. Тут така реакція, в Одесі буде інша, а якщо в Москву її повезти, то скажуть, що це взагалі проукраїнська пропаганда.\nОт є фото на виставці, де українські військові звільняють людей. Люди два тижні в дитсадку сиділи, в підвалі. Прийшли двоє хлопців військових, принесли їжу, якісь ліки. І люди там плачуть і підпис, що військові їх звільнили. А у Москві то показати, так скажуть, що вони прийшли людей розстрілювати, бо військові з автоматами, а люди плачуть. Кожен буде тлумачити по-своєму. Це постійна суперечка.\nІ коли голова ЛОР говорив, що він не вірить, що військові вбили ту дівчину в Краматорську, це ж про мою фотографію мова. Я там був і це бачив. І якщо він думає, що українська армія нікого не вбиває, то, значить, він не був на війні. Там таке трапляється… І я не оцінюю – це погано чи добре. Але ми мусимо розуміти, що крім військових страждають і мирні люди. Насправді, я думаю, що такі виставки треба показувати дещо пізніше, коли рани вже загоються. Бо я розумію, наскільки тяжко приходити і на це дивитись.\nАле невже хтось розраховує, що весь світ має жаліти Україну, знати досконало історію України… І без того світ багато для нас зробив\nНа Заході усі розуміють становище ,усі проти агресії Росії, али вимагати від поляків, щоб вони показували тільки проукраїнську виставку – безглуздо.\nДуже прикро й соромно, що у нас є діти, яким ця організація, цей проект допомагають. Бо ж на них тут ставлять на них хрест, а поляки збирають кошти, забирають ту дитину, лікують її, і виліковують. Вони сімом дітям допомогли вже. А у Львові всі прийшли, покричали свої патріотичні лозунги і майже ніхто копійки не дав. І це дуже-дуже соромно, бо українці хочуть, аби всі нам допомагали, а самі собі допомагати не хочуть.\n"}]},"title":"Untitled 83","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"italic":true},"insert":"Divis.info"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"Interview by Valeria Dubova"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"ukrainian, 2016"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":true,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:19:37Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"divis-info-interview-by-valeria-dubova-ukrainian-2016","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Divis.info, Interview by Valeria Dubova | ukrainian, 2016","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2146435071,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:26:42Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016","rank":null,"published_at":"2019-05-09T10:08:41Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"05901042-5860-4de2-bbc8-5c89bddf9baf","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:38:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/divis-info-interview-by-valeria-dubova-ukrainian-2016/untitled-83","rank":null,"published_at":"2019-05-09T10:08:41Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"2ef1788c-84db-4737-b7d4-86f8ce3e4b0f","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:08:08Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"05901042-5860-4de2-bbc8-5c89bddf9baf"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-92","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":"http://www.spiegel.de/politik/ausland/fotograf-maxim-dondyuk-ueber-die-ukraine-krise-a-1018083.html","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Video-Spezial zur Ukraine-Krise"},{"insert":"\n"},{"attributes":{"bold":true},"insert":"Mein Jahr im Krieg"},{"insert":"\n\nEr begleitete undercover russische Separatisten, lebte auf dem Maidan und fotografierte für den SPIEGEL. Maxim Dondyuk erzählt die Geschichten seiner preisgekrönten Bilder – Zeugnisse eines Krieges.\n"}]},"title":"Untitled 92","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Video-Spezial zur Ukraine-Krise: Mein Jahr im Krieg"},{"insert":"\n\nEr begleitete undercover russische Separatisten, lebte auf dem Maidan und fotografierte für den SPIEGEL. Maxim Dondyuk erzählt die Geschichten seiner preisgekrönten Bilder – Zeugnisse eines Krieges.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:06Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"der-spiegel-video-interview-by-rosa-thoneick-german-2015","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Der Spiegel, Video Interview by Rosa Thoneick | german, 2015","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147481599,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:16Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-92","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"60970f4c-95ad-482d-aa44-0458e033680d","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T10:16:50Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","filesize":33936,"height":1335,"hidden":false,"id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","inserted_at":"2019-08-11T14:54:41Z","name":"","orientation":"Landscape","original_filename":"WARUKRAINE.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:54:41Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-186","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"grid","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"Untitled 186","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2019-08-11T14:55:31Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"20140406","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"94752e8c-c3f7-418c-806a-58957f83bc82","description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"20140406","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2019-08-11T14:55:52Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine/20140406","rank":null,"published_at":"2019-08-11T14:55:17Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6c493860-a519-427c-89d2-1c2127c407b5","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-11T14:55:17Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6625d89e-96ab-474c-bb9a-f75be2449c7a"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine/20140406/untitled-186","rank":null,"published_at":"2019-08-11T14:55:27Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"e2237fe0-b5a7-4595-82d0-c7182a80b54b","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"ec6fa0e9-fea4-4a48-973c-bf4cbdf82fac","image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-11T14:55:27Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6c493860-a519-427c-89d2-1c2127c407b5"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","filesize":33912,"height":1335,"hidden":false,"id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"20140810.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:59:42Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-189","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"grid","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"510450d3-3774-46b2-a638-4b845238d8aa","description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"Untitled 189","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2019-08-11T15:05:26Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"20140722","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"510450d3-3774-46b2-a638-4b845238d8aa","description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"20140722","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2019-08-11T15:05:38Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine/20140722","rank":null,"published_at":"2019-08-11T15:05:02Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6c92f458-4f8d-419f-8091-afde6ba77752","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","image_id":"18070829-d1b6-4d23-b162-83cf7346a335","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-11T15:05:02Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6625d89e-96ab-474c-bb9a-f75be2449c7a"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine/20140722/untitled-189","rank":null,"published_at":"2019-08-11T15:05:22Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"390bdd03-c903-4fa0-9308-1a65926545f0","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-11T15:05:22Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6c92f458-4f8d-419f-8091-afde6ba77752"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"1222:813","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","filesize":538816,"height":813,"hidden":false,"id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","inserted_at":"2019-05-07T08:08:13Z","name":null,"orientation":"Landscape","original_filename":"0010_DOM_2014_01_22_EM14914.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2130706432,"set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-07T08:52:33Z","weight":3,"width":1222},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"This confrontation is eternal, it started ages ago and will continue again and again. It doesn’t depend what country.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"works","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Works","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"16:9","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1528430592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:49Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works","rank":null,"published_at":"2019-05-12T12:37:48Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Top","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:04:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"1222:813","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","filesize":538816,"height":813,"hidden":false,"id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","inserted_at":"2019-05-07T08:08:13Z","name":null,"orientation":"Landscape","original_filename":"0010_DOM_2014_01_22_EM14914.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2130706432,"set_id":"ddeb515c-f2c8-46ff-adce-d56be93aeb93","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/4c3c6359-1c55-4ad1-a292-5be587c0f8e8.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-07T08:52:33Z","weight":3,"width":1222},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/culture-of-confrontation","rank":null,"published_at":"2019-05-12T12:53:00Z","summary":{"ops":[{"insert":"2013 -2014\n\nThe title Culture of Confrontation shouldn’t be taken too literally. Everything that happened in Ukraine, beginning with Maidan, is a confrontation of two different cultures. One culture tried to cling to old times, old ways of living. They were nostalgic for a past that meant a lot to them, to their parents and grandparents. Yet there was another culture that felt completely differently. They looked ahead to forging something new, a different country. By the word culture, I mean worldview, a term that encompasses a state of mind. On the Maidan there wasn’t merely a clash of two different generations. There were two layers of culture colliding on the territory of a single country. This confrontation is eternal. It transcends Ukraine, and it definitely transcends that city square where the revolution took place in the winter of 2013-2014.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["7ea9ca47-9e9d-4240-9929-35c9e61a6d0f","ba5e27d3-7f5a-4dfe-a8b8-86a89b7c25fd","e5581133-01c8-4067-bbab-9c32eabd147c","bc10c9f6-8ad5-4ddc-a990-7bc0260a122d","7595c850-d9b5-4267-a1fd-220506203395","c3b62569-f4de-4165-bf1f-485e49abab5d","5358b624-c3fe-4beb-9efa-4ad0051cc996","02ecebe1-5751-4da5-bab6-d37ea4c5249e","27a49e09-8a0b-4ebe-a822-82ddd5531028","852737ac-b67b-4906-93b3-c573d888ba76","22d74305-2fb5-4355-9e54-893d3413e2db"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d3cc330a-b539-4bbc-916e-cc82c8e42caa","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","image_id":"4c3c6359-1c55-4ad1-a292-5be587c0f8e8","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T08:03:03Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":true,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"Exhibition Views"},{"attributes":{"header":1},"insert":"\n"}]},"cover_image":{"aspect_ratio":"1000:667","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"International Red Cross and Red Crescent Museum, Geneva. (Switzerland, 2016)"}]},"duration":0,"filename":"d3e2222d-8eae-4443-888d-11680f24740f.jpg","filesize":655471,"height":1334,"hidden":false,"id":"d3e2222d-8eae-4443-888d-11680f24740f","inserted_at":"2019-05-09T11:39:31Z","name":null,"orientation":"Landscape","original_filename":"_DSC0603.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-2147483609,"set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/d3e2222d-8eae-4443-888d-11680f24740f.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-09-29T09:55:58Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibition-views","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"row","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"0cf4b4ab-b35c-42dc-a4d3-86e4190b0d53","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Exhibition Views","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-08T01:21:13Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibitions","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Exhibitions","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":-556359680,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:04Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions","rank":null,"published_at":"2020-01-21T09:40:09Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"65cff99d-6fec-407c-8319-9fcba32ac756","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"submenu","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T09:40:09Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions/exhibition-views","rank":null,"published_at":"2019-12-20T14:26:14Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"b096027f-6df4-4c12-8aa8-b7445c7571f9","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"d3e2222d-8eae-4443-888d-11680f24740f","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-20T14:26:14Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"65cff99d-6fec-407c-8319-9fcba32ac756"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-196","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n\n"},{"insert":"Reviews\n\n"},{"attributes":{"link":"https://photobookjournal.com/2020/03/27/maxim-dondyuk-culture-of-confrontation/"},"insert":"PhotoBook Journal"},{"insert":"\n"},{"attributes":{"link":"https://www.bjp-online.com/2019/12/maxim-dondyuk-culture-of-the-confrontation/"},"insert":"British Journal of Photography"},{"insert":"\n"},{"attributes":{"link":"https://www.lensculture.com/articles/maxim-dondyuk-between-the-anvil-and-the-hammer-confronting-culture"},"insert":"LensCulture"},{"insert":"\n"}]},"title":"Untitled 196","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"Culture of Confrontation Book"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Limited Edition Signed Print"},{"attributes":{"header":2},"insert":"\n"},{"attributes":{"bold":true,"color":"#af2e28","link":"https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=BGGSJTMR46RA2"},"insert":"ORDER YOUR COPY HERE"},{"insert":"\n\nHardcover with cloth spine\nSupplemented with a map and timeline\n292 pages, 18×24 cm, text in English \nSpecial edition: Book signed and numbered (500 books printed in total)\nwith limited edition signed print 23x16 cm (100 copies in total) \nPrice: 200 euro + shipping\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-03-28T03:50:51Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation-book-with-signed-print","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation Book with Signed Print","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-24T10:52:59Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book-with-signed-print","rank":null,"published_at":"2019-09-26T12:48:57Z","summary":{"ops":[{"attributes":{"color":"#868686"},"insert":"Special edition: Book signed and numbered with limited edition print 23x16cm (100 copies in total) "},{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b91f140d-329b-41ef-bcde-61e10d697d7a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","image_id":"72ff1415-3550-47e6-aebf-4261f9752daf","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-09-26T12:48:57Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book-with-signed-print/untitled-196","rank":null,"published_at":"2019-09-26T13:00:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"191dff98-51bd-47a9-bfcf-f58d5e9fbd08","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-09-26T13:00:38Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","filesize":33912,"height":1335,"hidden":false,"id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"20140810.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:59:42Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"20140810","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"510450d3-3774-46b2-a638-4b845238d8aa","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"20140810","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2019-08-11T15:00:24Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"WARUKRAINE"},{"attributes":{"header":1},"insert":"\n"},{"insert":"\nThe War in Donbass is an armed conflict in the Donbass region of Ukraine. From the beginning of March 2014, protests by pro-Russian and anti-government groups took place in the Donetsk and Luhansk oblasts of Ukraine, commonly collectively called the \"Donbass\", in the aftermath of the 2014 Ukrainian revolution and the Euromaidan movement. These demonstrations, which followed the annexation of Crimea by the Russian Federation (February to March 2014), and which were part of a wider group of concurrent pro-Russian protests across southern and eastern Ukraine, escalated into an armed conflict between the separatist forces of the self-declared Donetsk and Luhansk People's Republics (DPR and LPR respectively), and the Ukrainian government. In the Donetsk People's Republic, from May 2014 until a change of the top leadership in August 2014, some of the top leaders were Russian citizens. According to the Ukrainian government, at the height of the conflict in mid-2014, Russian paramilitaries were reported to make up between 15% to 80% of the combatants.\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"warukraine","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"WARUKRAINE","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1298531455,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine","rank":null,"published_at":"2019-07-28T10:31:21Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6625d89e-96ab-474c-bb9a-f75be2449c7a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-28T10:31:21Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","filesize":33912,"height":1335,"hidden":false,"id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"20140810.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:59:42Z","weight":3,"width":2000},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine/20140810","rank":null,"published_at":"2019-07-28T10:24:59Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["3ab27604-668e-45de-8bde-168066316aed"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"34efcebb-b5e7-4fc8-befd-110c27c2b067","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-28T10:24:59Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6625d89e-96ab-474c-bb9a-f75be2449c7a"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553.jpg","filesize":277439,"height":840,"hidden":false,"id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","inserted_at":"2019-12-22T09:47:55Z","name":"","orientation":"Landscape","original_filename":"5a73dafd-c5c8-4d8e-9c3f-2014d1cb687c.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/5aabc2f1-3dce-44b8-8f52-4cdaf96b1553.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-22T09:47:55Z","weight":3,"width":1260},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-01-23T03:01:01Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibitions-22","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"EXHIBITIONS 22","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":691485469,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-04-01T02:37:25Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions-22","rank":null,"published_at":"2019-12-22T09:40:26Z","summary":{},"menu_id":null,"cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"590cf8c8-e884-4ced-affe-5b124d449eeb","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Bottom","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T09:40:26Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553.jpg","filesize":277439,"height":840,"hidden":false,"id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","inserted_at":"2019-12-22T09:47:55Z","name":"","orientation":"Landscape","original_filename":"5a73dafd-c5c8-4d8e-9c3f-2014d1cb687c.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/5aabc2f1-3dce-44b8-8f52-4cdaf96b1553.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-22T09:47:55Z","weight":3,"width":1260},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions-22/culture-of-confrontation","rank":null,"published_at":"2019-12-22T09:43:07Z","summary":{"ops":[{"insert":"Solo Exhibition\n\nStädtische Galerie\nEhingen, Germany, 2019\n"}]},"menu_id":null,"cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":["7987356f-bed2-46db-af59-d3212e96ce1b","b3d04535-5114-463d-8f09-a1dcabad6b8d"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"b30e2771-fe51-4d2d-b6d3-c110354c6071","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","image_id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T09:43:07Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"590cf8c8-e884-4ced-affe-5b124d449eeb"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"2000:1339","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"66f46dd9-3fbc-4df9-847a-9828dd293a17.png","filesize":4132197,"height":1339,"hidden":false,"id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","inserted_at":"2019-09-26T11:55:31Z","name":null,"orientation":"Landscape","original_filename":"DOM_2019_09_26_1202.png","playback_id":null,"poster_position":0.0,"private":false,"rank":-1073741825,"set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/66f46dd9-3fbc-4df9-847a-9828dd293a17.png","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-23T03:29:03Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-199","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"grid","content_size":"L","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 199","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":134217728,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-07T15:20:27Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation-book","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation Book","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-24T10:52:51Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book","rank":null,"published_at":"2019-05-12T05:56:08Z","summary":{"ops":[{"attributes":{"color":"#868686"},"insert":"First edition: 500 books printed in total signed and numbered"},{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"283df543-a4e6-4107-a108-893ba3bb3fba","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","image_id":"47074826-f4e3-47cd-86f6-832fefe19998","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:11:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book/untitled-199","rank":null,"published_at":"2019-12-23T03:24:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"934be5f9-7021-49d4-9362-d5ebfb69a0a6","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-23T03:24:38Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"283df543-a4e6-4107-a108-893ba3bb3fba"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-105","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"image","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":true,"description_content_html":null,"text_content2":{},"title":"Untitled 105","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":134217728,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-22T06:18:31Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"der-spiegel-video-interview-by-rosa-thoneick-german-2015","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Der Spiegel, Video Interview by Rosa Thoneick | german, 2015","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147481599,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:16Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":"00hY7WUS02UIZE7bURDJjiAh4f73R81Afv","cover_image":false,"description":{},"duration":42,"filename":"a6ec3db0-868c-4ebc-83c4-eab068b9630d.mp4","filesize":2494443,"height":360,"hidden":false,"id":"a6ec3db0-868c-4ebc-83c4-eab068b9630d","inserted_at":"2019-05-09T19:35:22Z","name":"","orientation":"Landscape","original_filename":"Spiegel 00.mp4","playback_id":"oGlPDgsnDXiizjNgHdDLloPAs02xWH7wk","poster_position":0.0,"private":false,"rank":1308622846,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/oGlPDgsnDXiizjNgHdDLloPAs02xWH7wk.m3u8","poster":"https://image.mux.com/oGlPDgsnDXiizjNgHdDLloPAs02xWH7wk/thumbnail.jpg"},"status":"ready","tag_ids":[],"type":"video","updated_at":"2019-06-18T14:28:00Z","weight":3,"width":640},"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-105","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"f8627e0c-3b79-4bb3-a2c5-ea1df82f2a92","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"a6ec3db0-868c-4ebc-83c4-eab068b9630d","slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T19:38:50Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-106","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"insert":"Es ist noch Nacht in Kiew, als Maxim Dondyuk am frühen Morgen des 1. Dezember 2013 auf den Maidan fährt. Er fotografiert die ersten Auseinandersetzungen zwischen Demonstranten und Polizisten. In den folgenden drei Monaten wird er auf dem Maidan arbeiten, essen, schlafen und den Platz kaum mehr verlassen.\n\nIn diesen Videos erzählt Dondyuk seine Geschichte:\n\nTeil I: Wie ich plötzlich Teil der Revolution wurde\n"}]},"title":"Untitled 106","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"Es ist noch Nacht in Kiew, als Maxim Dondyuk am frühen Morgen des 1. Dezember 2013 auf den Maidan fährt. Er fotografiert die ersten Auseinandersetzungen zwischen Demonstranten und Polizisten. In den folgenden drei Monaten wird er auf dem Maidan arbeiten, essen, schlafen und den Platz kaum mehr verlassen.\n\nIn diesen Videos erzählt Dondyuk seine Geschichte:\n\nTeil I: Wie ich plötzlich Teil der Revolution wurde"},{"attributes":{"header":2},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":201326592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:06Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"der-spiegel-video-interview-by-rosa-thoneick-german-2015","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Der Spiegel, Video Interview by Rosa Thoneick | german, 2015","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147481599,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:16Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-106","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"f3a8cb30-895b-40ef-bffc-5e4567745f3d","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T19:38:54Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-108","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"image","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":true,"description_content_html":null,"text_content2":{},"title":"Untitled 108","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":234881024,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-22T06:18:41Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"der-spiegel-video-interview-by-rosa-thoneick-german-2015","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Der Spiegel, Video Interview by Rosa Thoneick | german, 2015","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147481599,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:16Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":"Jphc3QOKhK6fIE5702q4aEY9eG44zYI3m","cover_image":false,"description":{"ops":[{"insert":"Teil I: Wie ich plötzlich Teil der Revolution wurde\n"}]},"duration":286,"filename":"8ea125ac-10c0-4c1b-9e80-6213bc1ab4fa.mp4","filesize":20663501,"height":360,"hidden":false,"id":"8ea125ac-10c0-4c1b-9e80-6213bc1ab4fa","inserted_at":"2019-05-09T19:35:27Z","name":"Teil I: Wie ich plötzlich Teil der Revolution wurde","orientation":"Landscape","original_filename":"Spiegel 01.mp4","playback_id":"QueUqBSCCRLAvIUovxL4ODxdAPZPegDE","poster_position":0.0,"private":false,"rank":1526726654,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/QueUqBSCCRLAvIUovxL4ODxdAPZPegDE.m3u8","poster":"https://image.mux.com/QueUqBSCCRLAvIUovxL4ODxdAPZPegDE/thumbnail.jpg"},"status":"ready","tag_ids":[],"type":"video","updated_at":"2019-06-18T14:28:04Z","weight":3,"width":640},"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-108","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"645f779c-9aee-4f0b-9ac5-f74005c9b2cb","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"L","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"8ea125ac-10c0-4c1b-9e80-6213bc1ab4fa","slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T19:40:31Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"1600:1067","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":"He worked in the mine. In 2007 pulmonary tuberculosis was discovered. Doctors prescribed the treatment. As soon as he felt really good he started to drink a lot of alcohol. In 2010 the acute abdominal pain appeared. The numerous ulcers formed in the bowel, intestinal TB was diagnosed. Doctors demanded to transport the patient to a TB hospital or home immediately, they didn’t allow him to stay in a post-operational department. He was transported by a taxi, as an ambulance also didn’t want to help. After operation all the sutures on his stomach diverged because of multiple ulcers. Doctors told that he could probably live just a couple of days. The family decided to take the dying man home. He was walking around the apartment and brawling during the whole month with an open wound on his stomach. The wife had to beg doctors to take him to the hospital. He died in December 23, 2010. This photo was made two hours before his death. "}]},"duration":0,"filename":"091920dd-3d93-45f8-9e46-9c5de2687313.jpg","filesize":761853,"height":1067,"hidden":false,"id":"091920dd-3d93-45f8-9e46-9c5de2687313","inserted_at":"2019-05-08T17:29:10Z","name":"Gennady, 1962. Diagnosis: MDR TB + HIV. Donetsk TB hospital, Donbass, December 2010. ","orientation":"Landscape","original_filename":"0022_DOM_2010_12_23_TB1502.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1263225664,"set_id":"17070529-02c7-4277-961f-87a8078e55ce","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/091920dd-3d93-45f8-9e46-9c5de2687313.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-04T01:17:52Z","weight":3,"width":1600},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"tb-epidemic-in-ukraine","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"17070529-02c7-4277-961f-87a8078e55ce","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"TB epidemic in Ukraine","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":246693888,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Every hour 4 cases of tuberculosis are recorded.\nEvery day about 30 people die from the disease.\nEach year TB kills over 10,000 people.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:57:08Z","parent":{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"works","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Works","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"16:9","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1528430592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:49Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works","rank":null,"published_at":"2019-05-12T12:37:48Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Top","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:04:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"3:2","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"cd2db50d-4cbe-40bb-b0cf-40a4b77e3070.jpg","filesize":2328293,"height":2000,"hidden":false,"id":"cd2db50d-4cbe-40bb-b0cf-40a4b77e3070","inserted_at":"2019-05-09T05:57:22Z","name":null,"orientation":"Landscape","original_filename":"TB epidemic in Ukraine.jpeg","playback_id":null,"poster_position":0.0,"private":false,"rank":-2139588487,"set_id":"17070529-02c7-4277-961f-87a8078e55ce","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/cd2db50d-4cbe-40bb-b0cf-40a4b77e3070.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-11T16:34:13Z","weight":3,"width":3000},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/tb-epidemic-in-ukraine","rank":null,"published_at":"2019-05-12T12:53:23Z","summary":{"ops":[{"insert":"2010 - 2012\n\nEvery hour 4 cases of tuberculosis are recorded.\nEvery day about 30 people die from the disease.\nEach year TB kills over 10,000 people.\n\nNowadays there is a huge danger of TB expansion. Because of the war on the East of Ukraine and annexation of the Crimea by Russia, increased the number of refuges from Crimea and Donbass, over 1,2 million of people. Thousands of tuberculosis patients on the East were left without treatment, many prisoners were released and taken to the separatists’, pro-Russian army. Because of the lack of medical treatment, medicines, devastation and poorness, the TB epidemic increases day by day in the East of Ukraine.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["1fe2c86b-9ef3-40bb-b677-85f5d18c2a74","bbae556d-3ffc-4b2b-bb6b-4be825846b15","5f5f6fda-a6e3-44cc-8598-72a2dbc485ad","7a8c3a14-bc73-4002-b135-6838b80749c4","b942cfaf-c42e-4c93-8dcd-f03cc3ec55ea","bba1322c-cc7f-4f47-b2b6-e2d495f604e8","9c192508-ff26-4fa8-8de5-3caa3687a985","3e1739a1-f424-47f8-bc54-d1d8b36da53b","4e585d03-e4e5-4558-8d04-4e05b790d836"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"893a8c56-d8a3-4214-bb29-c25290824f83","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"091920dd-3d93-45f8-9e46-9c5de2687313","image_id":"cd2db50d-4cbe-40bb-b0cf-40a4b77e3070","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-08T17:12:04Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-107","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"insert":"Dondyuk ist in der Nähe der Krim geboren, er spricht lieber Russisch als Ukrainisch. Als der Konflikt auch die Krim erfasst, reist der Fotojournalist dorthin. Die Separatisten erobern Slowjansk, Dondyuk ist schon dort. Doch eines Tages gerät die Situation vor Ort außer Kontrolle.\n\nTeil II: Wie sie mich zur Jagd freigaben\n"}]},"title":"Untitled 107","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"insert":"Dondyuk ist in der Nähe der Krim geboren, er spricht lieber Russisch als Ukrainisch. Als der Konflikt auch die Krim erfasst, reist der Fotojournalist dorthin. Die Separatisten erobern Slowjansk, Dondyuk ist schon dort. Doch eines Tages gerät die Situation vor Ort außer Kontrolle.\n\nTeil II: Wie sie mich zur Jagd freigaben"},{"attributes":{"align":"center","header":2},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":251658240,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:06Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"der-spiegel-video-interview-by-rosa-thoneick-german-2015","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Der Spiegel, Video Interview by Rosa Thoneick | german, 2015","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147481599,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:16Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-107","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"1d88b5aa-e399-4403-b463-9e0b45ec1bf4","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T19:39:26Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-111","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"image","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":true,"description_content_html":null,"text_content2":{},"title":"Untitled 111","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":260046848,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-01-22T06:19:21Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"der-spiegel-video-interview-by-rosa-thoneick-german-2015","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Der Spiegel, Video Interview by Rosa Thoneick | german, 2015","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147481599,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:31:16Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:46:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":"FGYILW9nEIhjZT9ntYsgETavc1DYUpDO","cover_image":false,"description":{"ops":[{"insert":"\n"}]},"duration":157,"filename":"5378ca13-b82f-4a32-a4a1-41b799df1e7e.mp4","filesize":11019014,"height":360,"hidden":false,"id":"5378ca13-b82f-4a32-a4a1-41b799df1e7e","inserted_at":"2019-05-09T19:35:29Z","name":null,"orientation":"Landscape","original_filename":"Spiegel 02.mp4","playback_id":"yVdw701fnVimW2ohBP1RHsu87hrd6XRIN","poster_position":0.0,"private":false,"rank":1635778558,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/yVdw701fnVimW2ohBP1RHsu87hrd6XRIN.m3u8","poster":"https://image.mux.com/yVdw701fnVimW2ohBP1RHsu87hrd6XRIN/thumbnail.jpg"},"status":"ready","tag_ids":[],"type":"video","updated_at":"2019-06-18T14:28:01Z","weight":3,"width":640},"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/der-spiegel-video-interview-by-rosa-thoneick-german-2015/untitled-111","rank":null,"published_at":"2019-05-09T19:47:06Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b56decc2-5b20-48d9-9ce6-27912b0f30f4","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"L","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"5378ca13-b82f-4a32-a4a1-41b799df1e7e","slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T19:42:40Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c837f25e-ff12-42c4-8a0d-2b608ef23f92"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"CRIMEA SICH"},{"attributes":{"header":2},"insert":"\n"}]},"cover_image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"crimea-sich","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"4:3","imagegrid_ratio_orientation":"Landscape","set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Crimea Sich","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":328925184,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":{"imagegrid_columns":"S","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"works","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Works","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Columns","imagegrid_ratio":"16:9","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1528430592,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:55:49Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works","rank":null,"published_at":"2019-05-12T12:37:48Z","summary":{"ops":[{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Top","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T17:04:34Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"320:213","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","filesize":752042,"height":1065,"hidden":false,"id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","inserted_at":"2019-05-08T17:15:35Z","name":null,"orientation":"Landscape","original_filename":"0007_06_DOM_2012_08_06_CS4677.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1599189950,"set_id":"bf5d0a1b-da78-4089-9c1b-c8a7900b1956","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-22T04:50:29Z","weight":4,"width":1600},"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich","rank":null,"published_at":"2020-02-03T14:40:26Z","summary":{"ops":[{"insert":"2010 - 2013\n\nThe Crimea Sich is a young cossack military-patriotic camp. It is located in a beautiful place of Crimea, in the canyon of medieval fortress town Eski-Kerman surrounded by all sides by mountains and forests. Field kitchen, morning exercises, hand-to-hand fighting of Kadochnikov system, combat training walk in the mountains and forests, target shooting and climbing training, this is a little part of what is going on in the camp. It is divided into 3 military units, while two are training, the third one is on duty. In the camp there are children from 7 to 16 years old. Military officers  who passed many wars share their experience with children. In the camp very important role is given to the orthodox religion. \n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":["cb8ab988-c3cb-4d68-91f4-10c60080ff2a","3bf89c53-5099-46cf-8013-656904999c50"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","image_id":"97a3ec95-9cbc-4d0d-a1ba-6b2dccece78d","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2020-02-03T14:40:26Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"500:359","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"2b91521a-43ac-4575-a7ed-5ab56ba93fa5.jpg","filesize":1010632,"height":1077,"hidden":false,"id":"2b91521a-43ac-4575-a7ed-5ab56ba93fa5","inserted_at":"2019-08-21T10:21:06Z","name":"","orientation":"Landscape","original_filename":"01_m28_IMG_20180416_0122.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"25d0308e-ce96-469d-b3ce-8c1e312bf3d6","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/2b91521a-43ac-4575-a7ed-5ab56ba93fa5.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-21T10:21:06Z","weight":3,"width":1500},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-179","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"slideshow","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"16:9","imagegrid_ratio_orientation":"Landscape","set_id":"25d0308e-ce96-469d-b3ce-8c1e312bf3d6","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 179","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":337903616,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-25T17:32:03Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled Project from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1979711488,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T06:02:56Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{"ops":[{"insert":"Nowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.\n\nThis project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-06T11:20:25Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/untitled-project-from-chernobyl/untitled-179","rank":null,"published_at":"2019-12-05T00:23:25Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"dffab777-5c70-408b-abcc-92fdbfbfaf12","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"L","text_color":null,"menu_representation":"page","cover_image_id":"2b91521a-43ac-4575-a7ed-5ab56ba93fa5","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-21T10:24:32Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"a5de068b-b6de-4463-a3e2-9b2e437f0b02"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"about","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"About","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":390654464,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:56:41Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"about","rank":null,"published_at":"2019-05-08T17:54:13Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["a52645d6-3601-452b-a7b0-f689645e837f"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"88adc625-b88f-4a2d-a858-37cb39064e4c","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T10:12:32Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"Lost"},{"attributes":{"header":1},"insert":"\n"},{"insert":"Family"},{"attributes":{"header":1},"insert":"\n"},{"insert":"Album"},{"attributes":{"header":1},"insert":"\n"},{"attributes":{"header":2},"insert":"\n"},{"insert":"\"Attention! Attention! Today, on April 27, in connection with the accident at the Chernobyl nuclear power plant, in the city of Pripyat is emerging a vulnerable radiation situation. It becomes necessary to conduct a temporary evacuation of the city's inhabitants. It is recommended to take documents with you, highly necessary things, and food for the short term. We ask you to remain calm, to maintain organization and order during the temporary evacuation!\" An announcement that was broadcast on radio in Pripyat on April 27, 1986. Voice belongs to the announcer of the Pripyat city radio - Nina Melnik."},{"attributes":{"align":"justify","header":5},"insert":"\n\n"},{"insert":"On that day the story of flourishing cities and villages in Chernobyl area ended. Most people never came back to their homes. Family photos, memorable letters were coved with a thick layer of trash and mud. The more time went on, the less memories of people, who inhabited that lands, remained. "},{"attributes":{"align":"justify","header":5},"insert":"\n"}]},"cover_image":{"aspect_ratio":"172:125","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"19a7f9f5-288d-4872-a017-d1eacf9214d4.jpg","filesize":133610,"height":250,"hidden":false,"id":"19a7f9f5-288d-4872-a017-d1eacf9214d4","inserted_at":"2019-05-07T11:40:44Z","name":null,"orientation":"Landscape","original_filename":"100_i03 _IMG_20170425_0003.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1932843728,"set_id":"fbb73213-721e-41b7-bec0-5b22355d84ae","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/19a7f9f5-288d-4872-a017-d1eacf9214d4.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-08T09:26:27Z","weight":3,"width":344},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"lost-family-album","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"grid","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"fbb73213-721e-41b7-bec0-5b22355d84ae","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Lost Family Album","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Lost Family Album | UNTITLED PROJECT from Chernobyl","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":536870912,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-13T03:41:51Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"untitled-project-from-chernobyl","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"13a077f6-ef7c-4896-851c-9d4b7e105b62","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"UNTITLED PROJECT from Chernobyl","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1476395008,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts.","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-03-25T18:57:08Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl","rank":null,"published_at":"2019-05-15T05:48:58Z","summary":{"ops":[{"insert":"2016 - in progress\n\nNowadays, for everyone Chernobyl is associated only with a tragedy at the nuclear power plant and its consequences. But what if we come back to the flourishing times that were so far from the events of 1986? This is where the UNTITLED PROJECT starts. This project is like an archaeological dig. Going through heaps of garbage in nearly destroyed houses, I learned more and more about their inhabitants. Lost memories were everywhere: on the floor and under broken furniture, some of them totally destroyed, some still intact. It was impossible to predict whether found films retained at least some images. Everything was covered with dirt. It took lots of time to clean it, dry and sort it out. Among photos eaten by mold, appeared smiling faces of people, their holidays, wedding ceremonies, the birth of children. I didn’t expect to find such a huge archive. Chernobyl was no longer associated with death and tragedy for me.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"L","id":"53b7578d-467c-4474-95ed-53c7c8a86610","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Center","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"c4d832ca-8faa-4db6-a3fb-7e3ecdf1f7a0","image_id":"66a9daee-2ad6-4eda-a321-b7a6ed070f02","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T13:17:12Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6bef0088-5e62-45a5-84f8-e894bc8bdf58"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/untitled-project-from-chernobyl/lost-family-album","rank":null,"published_at":"2019-10-10T12:58:56Z","summary":{"ops":[{"insert":"On that day the story of flourishing cities and villages in Chernobyl area ended. Most people never came back to their homes. Family photos, memorable letters were coved with a thick layer of trash and mud. The more time went on, the less memories of people, who inhabited that lands, remained. \n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"full","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"27759c9c-1100-46b9-9d19-6f03754eb7aa","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"19a7f9f5-288d-4872-a017-d1eacf9214d4","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-07T10:16:39Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"53b7578d-467c-4474-95ed-53c7c8a86610"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"72ff1415-3550-47e6-aebf-4261f9752daf.png","filesize":3228434,"height":1335,"hidden":false,"id":"72ff1415-3550-47e6-aebf-4261f9752daf","inserted_at":"2019-09-26T12:58:35Z","name":"","orientation":"Landscape","original_filename":"DOM_2019_09_26_1189.png","playback_id":null,"poster_position":0.0,"private":false,"rank":2147483644,"set_id":"9a105b12-1ca8-4b01-8258-bb4c4c35853a","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/72ff1415-3550-47e6-aebf-4261f9752daf.png","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-12-23T03:23:51Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-198","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"grid","content_size":"L","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"9a105b12-1ca8-4b01-8258-bb4c4c35853a","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 198","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":536870912,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-07T15:20:33Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation-book-with-signed-print","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"34e4f2fb-5afc-4d37-9c7a-5141c4bdd5a3","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation Book with Signed Print","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-24T10:52:59Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book-with-signed-print","rank":null,"published_at":"2019-09-26T12:48:57Z","summary":{"ops":[{"attributes":{"color":"#868686"},"insert":"Special edition: Book signed and numbered with limited edition print 23x16cm (100 copies in total) "},{"insert":"\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b91f140d-329b-41ef-bcde-61e10d697d7a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"66f46dd9-3fbc-4df9-847a-9828dd293a17","image_id":"72ff1415-3550-47e6-aebf-4261f9752daf","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-09-26T12:48:57Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"368f0bc0-abda-4010-8ba4-1512a5a0695c"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"books/culture-of-confrontation-book-with-signed-print/untitled-198","rank":null,"published_at":"2019-12-23T03:28:18Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"b7eab931-05c4-4e17-8fe7-33359d1c5899","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"72ff1415-3550-47e6-aebf-4261f9752daf","image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-23T03:28:18Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"b91f140d-329b-41ef-bcde-61e10d697d7a"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"exhibitions-22","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"EXHIBITIONS 22","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":691485469,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-04-01T02:37:25Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions-22","rank":null,"published_at":"2019-12-22T09:40:26Z","summary":{},"menu_id":null,"cover_media_fit":"full","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":["b30e2771-fe51-4d2d-b6d3-c110354c6071"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"590cf8c8-e884-4ced-affe-5b124d449eeb","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Bottom","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T09:40:26Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"25:8","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","filesize":721689,"height":640,"hidden":false,"id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","inserted_at":"2019-05-30T10:02:01Z","name":null,"orientation":"Landscape","original_filename":"rd06_FILM01_20180506_0002_2.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":2147475454,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/e9a0ee7c-2ab4-459d-b510-3c45f57cd9be.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-10T11:43:21Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-103","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"image","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":true,"description_content_html":null,"text_content2":{},"title":"Untitled 103","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":805306368,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2019-10-17T18:06:21Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"documentary","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Documentary","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Documentary \"Crimea Sich\"","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. ","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-03T15:16:13Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{"ops":[{"insert":"2013 | the film is on post-production stage\n\nI discovered the camp in 2010, and for three years I kept coming back there with a camera to understand why at such tender age children needed to be taught how to deal with real weapons in time of peace, and what the camp was all about. In 2013 together with my brother, we shot the last days of the camp, a half year later Russia annexed Crimea, which led to the conflict between Ukraine and Russia and war in Donbass. Cossacks, who previously considered themselves brotherly nations, split up for those who fight for maintaining their country’s boundaries and those who wanted to revive the former Russian empire.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T14:19:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4"},"background_color":null,"image":{"aspect_ratio":"16:9","asset_id":"egtHcqFErBp01zlaajLfOdaX3QH7kh52e","cover_image":false,"description":{},"duration":318,"filename":"0433969c-0090-4daf-b8c4-63155c41efd6.mp4","filesize":809564375,"height":1080,"hidden":false,"id":"0433969c-0090-4daf-b8c4-63155c41efd6","inserted_at":"2019-05-09T16:10:22Z","name":null,"orientation":"Landscape","original_filename":"Crimea Sich without voice.mp4","playback_id":"pPaVWWV400ctImKfQ8HS01GiukpQPjGR8B","poster_position":307.369535441,"private":false,"rank":-1342177282,"set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":{"hls":"https://stream.mux.com/pPaVWWV400ctImKfQ8HS01GiukpQPjGR8B.m3u8","poster":"https://image.mux.com/pPaVWWV400ctImKfQ8HS01GiukpQPjGR8B/thumbnail.jpg?time=307.369535441"},"status":"ready","tag_ids":[],"type":"video","updated_at":"2019-10-17T18:04:25Z","weight":3,"width":1920},"video_autoplay":false,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary/untitled-103","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"4b38d11b-ec2d-48ee-94b6-e0174ad81ad0","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"L","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"0433969c-0090-4daf-b8c4-63155c41efd6","slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T14:22:39Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-104","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":"https://www.facebook.com/CrimeaSich","text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"Abou film:"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Crimea Sich is a documentary about the patriotic and spiritual upbringing of future soldiers in the Crimean Peninsula and its consequences. Each August, children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. The training included target practice with real weapons, live ammunition and instilling Christian values into the young Cossacks. \n"}]},"title":"Untitled 104","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"header":2},"insert":"\n"},{"insert":"Team:"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Maxim Dondyuk - Director, Director of photography, Producer, 1st camera\nNikolay Dondyuk - Co-director, Film Editor, 2d camera\nIrina Dondyuk - Executive Producer, Translator\nYuri Samson - Composer, Sound designer\nViacheslav Polyakov - Graphic Designer\nMykola Bazarkin - Film Editor\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":872415232,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2020-02-19T01:08:48Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"documentary","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Documentary","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Documentary \"Crimea Sich\"","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. ","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-03T15:16:13Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{"ops":[{"insert":"2013 | the film is on post-production stage\n\nI discovered the camp in 2010, and for three years I kept coming back there with a camera to understand why at such tender age children needed to be taught how to deal with real weapons in time of peace, and what the camp was all about. In 2013 together with my brother, we shot the last days of the camp, a half year later Russia annexed Crimea, which led to the conflict between Ukraine and Russia and war in Donbass. Cossacks, who previously considered themselves brotherly nations, split up for those who fight for maintaining their country’s boundaries and those who wanted to revive the former Russian empire.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T14:19:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary/untitled-104","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"09f73e6f-4e3c-4113-b8d4-57ce532cb96b","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T14:22:43Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a"},{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"340:227","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"8a4c5fa3-83ee-4a04-8e06-29c85ffc55da.jpg","filesize":100016,"height":454,"hidden":false,"id":"8a4c5fa3-83ee-4a04-8e06-29c85ffc55da","inserted_at":"2019-05-12T05:39:15Z","name":null,"orientation":"Landscape","original_filename":"0531aa172e975c4da620024224f569fa_original.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-939524096,"set_id":"17c95e4b-4e05-4d31-916e-dd16b18f16b8","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/8a4c5fa3-83ee-4a04-8e06-29c85ffc55da.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-05-15T08:32:41Z","weight":3,"width":680},"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-117","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"grid","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"17c95e4b-4e05-4d31-916e-dd16b18f16b8","description_enabled":false,"content_size_type_text":true,"description_content_html":null,"text_content2":{},"title":"Untitled 117","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"Two","imagegrid_layout":"Rows","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":939524096,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":false,"imagegrid_caption_enabled":false,"updated_at":"2019-06-29T17:49:47Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"documentary","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"ceee5b83-3e43-42d2-8af9-6941b8237747","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Documentary","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":"Documentary \"Crimea Sich\"","viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":true,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":"Children aged 7 to 16 attended military boot camp training there. Their instructors were Ukrainian and Russian Cossacks with the real-life war experience. ","text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-03T15:16:13Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{"ops":[{"insert":"2013 | the film is on post-production stage\n\nI discovered the camp in 2010, and for three years I kept coming back there with a camera to understand why at such tender age children needed to be taught how to deal with real weapons in time of peace, and what the camp was all about. In 2013 together with my brother, we shot the last days of the camp, a half year later Russia annexed Crimea, which led to the conflict between Ukraine and Russia and war in Donbass. Cossacks, who previously considered themselves brotherly nations, split up for those who fight for maintaining their country’s boundaries and those who wanted to revive the former Russian empire.\n"}]},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"e9a0ee7c-2ab4-459d-b510-3c45f57cd9be","image_id":"3cfe7ff3-62db-4d1a-9dc2-b5b71ccfbff2","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T14:19:46Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"06de7df7-c8be-4bb9-9029-49a2bf2a1da4"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"works/crimea-sich/documentary/untitled-117","rank":null,"published_at":"2019-05-15T08:59:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"0435e4ef-9a1a-46de-9a55-be21f2bf4cbd","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"8a4c5fa3-83ee-4a04-8e06-29c85ffc55da","image_id":null,"slideshow_show_count_enabled":false,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-12T05:46:00Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"cb8ab988-c3cb-4d68-91f4-10c60080ff2a"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"contact","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Contact","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":976264192,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:56:46Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"contact","rank":null,"published_at":"2019-05-12T05:56:26Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["eddbd666-58ec-43a5-81ee-437e25603ca8"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b40c950b-1fb3-458a-8e9b-12db33e96975","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T10:12:43Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"slate-fr-text-by-fanny-arlandis-french-2018","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Slate.fr, Text by Fanny Arlandis | french, 2018","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":1073741819,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:23:55Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"essays-interviews","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Portrait","set_id":"d4bd2147-65d7-4910-82e9-68a61bb79208","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Essays & Interviews","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Center","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"3:2","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":0,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-02-27T04:19:05Z","parent":null,"background_color":null,"image":null,"video_autoplay":false,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews","rank":null,"published_at":"2019-05-10T09:42:32Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Right","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"5d9bf3e9-67c5-466f-a379-880d48a0dfb3","image_id":"757621af-f2ec-4afc-a107-c2558704acda","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T08:52:11Z","imagerid_viewer_enabled":false,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"dd9bf816-b615-4648-94d9-506f07dff3df"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/slate-fr-text-by-fanny-arlandis-french-2018","rank":null,"published_at":"2019-05-09T10:23:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["9b5129f6-0960-406b-a6da-4fdd7f509c13","f3ce76da-852b-41fe-a3e8-bf3f000696c9"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"b8d103d1-b9bf-4d66-886f-c23e5aee07c3","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T09:30:01Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-214","tags":null,"text_image_enabled":false,"text_columns":"Two","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{"ops":[{"attributes":{"bold":true},"insert":"Introduction speech by Volker Sonntag "},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"In winter 2013/2014 the Independence Square in Kyiv - the Ukrainian word for place is \"maidan\" - became a focal point of world events."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"After the dissolution of the Soviet Union in 1991 states such as Ukraine were in one political tug-of-war between Russia and the EU. The economic situation of the general population had worsened. The state was weakened, a network of oligarchs and old party networks had taken control over public property and the media. They used the political parties for their purposes, unemployment increased and corruption flourished. In November 2013, demonstrations began on the Maidan against these conditions. The reason was that President Yanukovych had obeyed pressure from Moscow not to sign an association agreement with the EU. The protesters behaved peacefully, concerts took place, often there was a veritable festival atmosphere. Maxim Dondyuk, who lived in Kyiv, was there from the beginning."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Then the situation escalated. On the night of December 1st, the demonstrators were dispersed by a special police unit with brutal force. Increasingly, the situation got out of control, public buildings were occupied by protesters and barricades built. On 18 February 2014 the Militia shot with live ammunition. In the end there were over 120 dead and countless wounded. On 21 February the conflict ended with an internationally signed contract, Russian friendly President Yanukovych fled to Moscow."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Hot spots such as Euromaidan, as it is called today, attract hundreds of media people, always in search of the spectacular picture but without the time to deal with the backgrounds. A cameraman working for an American news channel told that within two weeks he had worked in five countries on three continents. In our media society information has become a highly profitable commodity that no longer is being measured by the criteria of truth and lie but by their attractiveness - they have to sell well by satisfying the sensation-seeking public."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Dondyuk noted that about 200 photographers were on the field, barely one spoke the language or understood the history of his country. Their inner distance was visible for everyone because mostly their cameras were equipped with long telephoto lenses by which you can zoom near what happens far away without being close."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"In contrast to their working routine Dondyuk's reportages are characterized by empathy and compassion. He is interested in people. For three months he lived with the demonstrators on the Maidan. Instead of using a telephoto lens he works consistently with a 35mm wide-angle lens so that for a close-up he must get close to the people he is photographing. This gives his pictures their strong emotional intensity that we deeply feel."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"He is not even a meter away of the three praying women or the three soldiers in this room whom a protester is offering flowers. Each face of the three women touches us with an individual expression of grief, sorrow, and pleading to God. Here Dondyuk has created an iconic picture of pain, such as Matthias Grünewald in the Isenheim Altarpiece brought to timeless expression with the three mourning figures at the foot of the crucifixion."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"At the same time, Dondyuk combines such closeness with respect. In the last room of our exhibition he does not aim the camera at the faces or injuries of the wounded and dead but on the priest, the paramedics and the relatives. Their feelings affect us emotionally much more than a voyeuristic portrayal of the horror."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Such proximity to the motif creates an emotional impact that can be experienced best in the large formats in our exhibition. The four heavily armed, muzzled militiamen in the next room who roll away an oil barrel are moving straight towards the photographer, their eyes meet him and thus us. Dondyuk paid his tribute for such proximity with two injuries by rubber bullets."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"\"This revolution has changed not only myself  but also my photography and visual language,” he says. \"Of course I was on the side of protesters but it was also important for me to know what on the other side of the barricades was going on. I did not want to show the good guys and the bad guys but the confrontation of two different philosophies of the world - \"the culture of confrontation\"."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"This is how Dondyuk's artistic intentions have changed in the course of this project. He was no longer concerned with documenting the actual event, instead he wanted to work out its universal human character, as Shakespeare did in his historical dramas like Macbeth, King Lear or Richard II."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Therefore his relation to the event has changed. He goes on distance and shows a panorama from a high perspective. One can look at these scenes as human moodscapes, like paintings of Bruegel in which due to the wide depth of focus of the wide-angle-objective we can observe unbelievably many details. These pictures are no longer made for the small-format magazines but for large formats, as in our exhibition."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Now the aesthetic design becomes very important. Dondyuk photographs digitally and edits files on the computer specifically for their aesthetic effect."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"A central design element becomes the Light. The external circumstances are already spectacular. Fire and smoke of burning barricades, foggy steam from water cannons, reflections on the wet ground and the low winter sun, which intensifies shadows, contrasts and plasticity create highly dramatic moods like Baroque paintings from Turner, Caravaggio or Hollywood fantasy movies. The human drama becomes a drama of light."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"The artist also makes the Light shine as a spiritual power as in paintings by Rembrandt. Have a look at the light of the candles the three women are holding in their hands and see how it is being repeated in the dome of the Michaelskirche during the funeral, but also on the tops of the tents."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"The protesters built barricades with burning car tires and buses. Fire has always been a symbol of revolution. In the next room emerges a black shadow figure who bears a striking resemblance to the allegory of freedom in Delacroix's revolutionary painting \"Freedom Leads the People\". But in another picture, a single man stares shocked in a fiery inferno of burning buses. Such scenes are reminiscent of gothic paintings by Bruegel or Hieronymus Bosch of the Last Judgment where volcanoes break out of the earth and burn down houses, mountains, and seas to mark the end of humanity. "},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"At the same time fire also visualizes what happens inside the people. They are transformed from a self-determined individual into an element of a mass. In his great study \"Mass and Power\" Nobel Prize winner Elias Canetti analyses the fire as a mass symbol. I quote: \"Mass symbols express the essential properties of the mass. The fire is sudden, everywhere, it is contagious and insatiable. The mass also forms and inflames suddenly by an external event, few can resist its contagion, they want to keep going and are hardly controllable anymore. The crowd feels attracted from fire and hurries to the scene of the fire, in front of which the individuals feel connected and close to all the others.\" This rapturous, almost ritualistic mood of the mass in front of a big fire Dondyuk recorded in a picture in the next room."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"The antithesis of fire is the coldness of the ice, which means the death of all life, stagnation, and endpoint. Because of the winter and the water cannons, ice was everywhere on the Maidan in impressive formations. In C.D.Friedrich's painting “the lost hope” the ship stranded in the Arctic Ocean can be seen as a symbol of the lost hope for democratic freedom in the era of political restoration after Napoleon's defeat. In Dondyuk’s Maidan pictures ice could also be interpreted as a metaphor of the political and social situation in Ukraine which the protesters try to melt by their fire."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"It is no coincidence that \"Songs of Ice and Fire\" is the title of the original book for the most successful American television series \"Game of Thrones\", which settles in a fictitious medieval world and thematizes the eternal struggle for power and Good and Evil. It has been always the same pictures that accompany our human history: the burning of Troy, of Jerusalem, the old Rome, Constantinople, the world wars, the pictures from Iraq, Syria. This timeless ubiquity of violence we also experience in Dondyuk's photographs. With their helmets, big shields and rubber truncheons the militia could be moved from the Maidan directly into the Middle Ages and the demonstrators with their wooden beating sticks and construction helmets could be directly related to the peasant wars."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"The militiamen with their big shields form human walls as we know from Roman and medieval battle orders. These scenes convey what Canetti has analyzed as the essence of the mass: The police have lost their self-responsibility and individuality and are just a number written on their helmets. Their identity has been reduced to enforcers of an outside command. But the demonstrators have lost their individuality and self-control, too. They became part of the angry flames of destructive fire which they inflame as black shadow ghosts with Molotov cocktails and burning car tires."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"With the pictures of this exhibition, Dondyuk has dissolved the border between documentation and art. Documentation has to be truthful and objective: This event happened exactly as the photographer has photographed it. But what is a reality? For Dondyuk reality became translucent on the Maidan. He says, \"I suddenly saw no revolution on Independence Square anymore, in front of me opened Battle scenes from legends and fairytales. Euromaidan became one of the visually most beautiful revolutions, like scenes in a Hollywood movie. The border between reality and fiction disappeared for me.” This personal subjective experience has guided him in his recordings."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"So did he distort reality? Did he play down the terrible by its aestheticization? What difference does it make for us viewers whether the terrible is real or fiction and carefully staged by a painter or film director? Is there beauty in the terrible - volcanic eruptions, thunderstorms, forest fires, the planes in the World Trade Center in NY? - that fascinates us deeply? These are questions that have to be discussed in detail and controversially why we cannot deal with it here and now."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"But what we can say is that Dondyuk´s photographs have gained new and complex dimensions through his devotion to art. What is it that makes a good work of art? Art arises from a touching experience that is aesthetically so designed that through the artwork also the viewers are being touched. It must be designed so that it provides us with many references and associations which we can connect with our personal and cultural experiences and those from the collective unconscious. "},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"I want to conclude with my thoughts about two pictures in this room which touch me very much: The first is about the motif of the candle as a symbol of life and hope as you can see it in the image of the three praying women in this room. This motif is being resumed in the next room. There it is a young protester holding a Molotov cocktail, a devoted expression on his face, like a sacral candle in his hands that another man just ignites. This young man is outshone by a bright, aura-like light, as we know it from paintings by Rembrandt. There are so many ambiguous meanings in this picture that one could write a short story about it."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"The young cellist of the Dakh Daughters Band is on her way to play a concert on the Maidan. With her face painted white, her huge eyes, the long headscarf and the fur coat she appears as a being from another world, reminiscent of angelic representations in medieval paintings. The cello box on her back makes one think of wings, but also of a person she carries. She moves towards a doorway in the boarded-off space, into one other world, looking in our direction. Iconographically it is the motif of a guardian angel, a shaman, a spiritual leader like she appears in the guise of Beatrice in Dante's “Divine Comedy” who leads him through the nine celestial spheres. For me, she has protected Dondyuk on his way on the Maidan."},{"attributes":{"header":5},"insert":"\n"}]},"title":"Untitled 214","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"Culture of Confrontation"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"01 September - 27 November 2019"},{"attributes":{"header":5},"insert":"\n"},{"insert":"\nStädtische Galerie"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Ehingen, Germany"},{"attributes":{"header":5},"insert":"\n"},{"attributes":{"link":"https://galerie.ehingen.de/index.php?id=3"},"insert":"galerie.ehingen.de"},{"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-01-23T03:01:13Z","parent":{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"culture-of-confrontation","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":"7d681ce7-6fc2-4580-9892-fe89fc1e1e70","description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Culture of Confrontation","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":0,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":true,"updated_at":"2020-01-23T03:01:01Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions-22/culture-of-confrontation","rank":null,"published_at":"2019-12-22T09:43:07Z","summary":{"ops":[{"insert":"Solo Exhibition\n\nStädtische Galerie\nEhingen, Germany, 2019\n"}]},"menu_id":null,"cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"b30e2771-fe51-4d2d-b6d3-c110354c6071","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","image_id":"5aabc2f1-3dce-44b8-8f52-4cdaf96b1553","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T09:43:07Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"590cf8c8-e884-4ced-affe-5b124d449eeb"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"exhibitions-22/culture-of-confrontation/untitled-214","rank":null,"published_at":"2019-12-22T09:48:44Z","summary":{},"menu_id":null,"cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"b3d04535-5114-463d-8f09-a1dcabad6b8d","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2019-12-22T09:48:44Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"b30e2771-fe51-4d2d-b6d3-c110354c6071"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":true,"description":{},"duration":0,"filename":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","filesize":33912,"height":1335,"hidden":false,"id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"20140810.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":0,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/a0c47bc3-a80f-4f69-9869-ee78a7c71ea4.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:59:42Z","weight":3,"width":2000},"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"20140722","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"510450d3-3774-46b2-a638-4b845238d8aa","description_enabled":false,"content_size_type_text":false,"description_content_html":"","text_content2":{},"title":"20140722","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":1073741824,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":"","slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2019-08-11T15:05:38Z","parent":{"imagegrid_columns":"XS","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{"ops":[{"insert":"WARUKRAINE"},{"attributes":{"header":1},"insert":"\n"},{"insert":"\nThe War in Donbass is an armed conflict in the Donbass region of Ukraine. From the beginning of March 2014, protests by pro-Russian and anti-government groups took place in the Donetsk and Luhansk oblasts of Ukraine, commonly collectively called the \"Donbass\", in the aftermath of the 2014 Ukrainian revolution and the Euromaidan movement. These demonstrations, which followed the annexation of Crimea by the Russian Federation (February to March 2014), and which were part of a wider group of concurrent pro-Russian protests across southern and eastern Ukraine, escalated into an armed conflict between the separatist forces of the self-declared Donetsk and Luhansk People's Republics (DPR and LPR respectively), and the Ukrainian government. In the Donetsk People's Republic, from May 2014 until a change of the top leadership in August 2014, some of the top leaders were Russian citizens. According to the Ukrainian government, at the height of the conflict in mid-2014, Russian paramilitaries were reported to make up between 15% to 80% of the combatants.\n"}]},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"warukraine","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"L","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":"1a77ea5e-a28d-4476-b917-b7fa8f5898a5","description_enabled":true,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"WARUKRAINE","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Cover","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":-1298531455,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-04-01T02:37:24Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine","rank":null,"published_at":"2019-07-28T10:31:21Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6625d89e-96ab-474c-bb9a-f75be2449c7a","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","image_id":"30e655aa-127a-4757-a35e-6681b7e3b943","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-07-28T10:31:21Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":{"aspect_ratio":"400:267","asset_id":null,"cover_image":false,"description":{},"duration":0,"filename":"18070829-d1b6-4d23-b162-83cf7346a335.jpg","filesize":33936,"height":1335,"hidden":false,"id":"18070829-d1b6-4d23-b162-83cf7346a335","inserted_at":"2019-08-11T14:59:42Z","name":"","orientation":"Landscape","original_filename":"WARUKRAINE.jpg","playback_id":null,"poster_position":0.0,"private":false,"rank":-1073741824,"set_id":"510450d3-3774-46b2-a638-4b845238d8aa","site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","src":"https://images.fotomat.io/prod/63cff860-2a49-4d8f-a534-f9fab068f116/18070829-d1b6-4d23-b162-83cf7346a335.jpg","status":"ready","tag_ids":[],"type":"photo","updated_at":"2019-08-11T14:59:45Z","weight":3,"width":2000},"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"warukraine/20140722","rank":null,"published_at":"2019-08-11T15:05:02Z","summary":{},"menu_id":null,"cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":["390bdd03-c903-4fa0-9308-1a65926545f0"],"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"6c92f458-4f8d-419f-8091-afde6ba77752","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":"a0c47bc3-a80f-4f69-9869-ee78a7c71ea4","image_id":"18070829-d1b6-4d23-b162-83cf7346a335","slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-08-11T15:05:02Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"6625d89e-96ab-474c-bb9a-f75be2449c7a"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-219","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 219","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"color":"#000000"},"insert":"Biography"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Maxim Dondyuk, b. 1983"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Visual Artist, Photographer, Documentarist"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"His first projects were made out of a long-term immersion into the social and historical reality of his country. Among the issues Maxim raised were the problem of tuberculosis in Ukraine; the military upbringing of children in the secret camp in the Crimea Mountains; the Ukrainian revolution. The project “Culture of Confrontation” became a turning point in Maxim’s artistic work. He moved away from classical documentary narrative form and rather plunged into emotions, reflection, and more universal terms. The subsequent projects become the author’s experimentation with themes, meanings and forms."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"In 2017 he worked on a project “Inter Vitam et Mortem”, which tells the horror of war through destroyed and forgotten places, previously been bloody battlefields, through traces of hundreds of bullet holes in houses. The scars on buildings and fields are the scars in human souls, who have ever witnessed the war. Starting from 2016 Maxim works on a long-term photographic research project “Untitled Project”, where he starts combining his photographs with archival materials found in the Chernobyl restricted areas. Working as a photographer and some kind of an archeologist, Maxim puts together the images of Past and Present. Landscapes of the territories devastated by nuclear energy, intertwined with the found films and photographs, which show people, who inhabited these territories, in their everyday life. In 2019 appeared an abstract series “Apeiron”. In this work, Maxim plays with his own and viewers’ imagination. He proposes to go beyond direct contemplation and to challenge one’s perceptions and assumptions, while looking on images on the films which, after staying for more than 30 years in the Chernobyl restricted zone, lost their former meaning."},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Maxim has been widely awarded and nominated for numerous international recognitions including International Photographer of the Year in Lucie Awards, finalist of the Prix Pictet Photography Prize, a Magnum Photos competition ‘30 under 30’ for emerging documentary photographers, finalist of the W. Eugene Smith Grant in Humanistic Photography. His works have been exhibited internationally, at the Musée d’Art Moderne in Paris, Somerset House in London, MAXXI National Museum of XXI Century Arts in Rome, International Red Cross and Red Crescent Museum in Geneva, the Biennale of Photography in Bogota in Colombia, among others. He also was awarded an artist residency Cité Internationale des Arts in Paris. Maxim’s works are held in private and museum collections, including the National Museum of Photography in Colombia, the Benaki Museum in Greece, the National Museum of The History of Ukraine in WWII."},{"attributes":{"header":5},"insert":"\n"},{"insert":"\n\n\nCV"},{"attributes":{"header":1},"insert":"\n"},{"insert":"Awards & Nominations"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2018 Imagely Fund Grant, 3rd prize"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 W. Eugene Smith Grant in Humanistic Photography, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Vilnius Photo Circle, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Magnum Photography Awards, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Kolga Tbilisi Photo Award, Best Documentary Series"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 LensCulture Exposure Awards, 3rd prize series"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 JGS Photography Contest, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 LensCulture Visual Storytelling Award, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 IPA British Journal of Photography, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Prix Pictet Disorder, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Lucie Award, International Photographer of the Year"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Lucie Award, Editorial Photographer of the Year"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Humanity Photo Award UNESCO/CFPA, Grand Prix"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Humanity Photo Award UNESCO/CFPA, Winner in Documentary category"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Istanbul Photo Award, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Direct Look photo contest, 1st prize"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Fine Art Photography Award, Professional Fine Art Photographer of the Year"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 7th Pollux Award, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Voies Off, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 PX3 Prix de la Photographie Paris, 1st prize"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Prix Photo La Quatrieme Image, Winner"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 PDN Photo Annual, Winner in Documentary category"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Vilnius Photo Circle, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Ville de Perpignan Remi Ochlik Award, Winner"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Magnum 30 Under 30"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 W. Eugene Smith Grant in Humanistic Photography, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 FotoVisura Grant, Honorable Mention"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Photographer of the Year in Ukraine, Grand Prix of the Best Photo of the Year"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Sony World Photography Awards, Shortlist in Portraiture category"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 JGS Photography Contest, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Small Stories Contest, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Vilnius Photo Circle, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Lucie Award, Country’s Pick 1st place"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Annual Lucie Award, Honourable Mention"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 AnthropoGraphia Human Rights Through Visual Storytelling, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 The Manuel Rivera-Ortiz Foundation for Documentary Photography & Film"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 The Best Photographer in Russia, Grand Prix of the Photostory of the Year"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 JGS Photography Contest, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 BD’s Hope for a Healthy World Photo Competition, Grand Prix"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Lumix Festival for Young Photojournalism, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Photographers Giving Back Contest, 2nd prize"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Photo Evidence Book Award, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Picture of the Year Int’l (POYi), Issue Reporting Multimedia Story, Award of Excellence"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Pikto International Competition, Finalist"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Vilnius Photo Circle, Grand Prix"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Chernihiv Photo Fest, Photo Film, Grand Prix "},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Yonhap International Press Photo Awards, Honorable Mention"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2010 Photojournalism Development Foundation Award, 2nd & 3rd prize"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Solo Exhibitions"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2019 Culture of Confrontation, the Städtische Galerie Ehingen, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2019 Untitled Project, Fotográfica Bogota Biennale, Bogota, Colombia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2019 Culture of Confrontation, the Stadtisches Museum im Kornhouse, Kirchheim unter Teck, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 Past. Present. Future. Building Life after Displacement, The GIZ-Haus, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 Past. Present. Future. Building Life after Displacement, Contemporary Art Center M17, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Culture of the Confrontation, Fotográfica Bogota Biennale, Fundación Gilberto Alzate Avendaño, Bogota, Columbia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 This is War, LUMIX Festival for Young Photojournalism, Hanover, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, La Quatrieme Image Photo Fair, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Orvieto Fotografia Festival, Orvieto, Italia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 This is War, Camera Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, FOTOISTANBUL, Istanbul, Turkey"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Visa pour l’Image Perpignan, Pergipinan, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Ministry of Foreign Affairs of Ukraine, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Special Galerie Peppi Guggenheim International, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, PARTcom Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 TB epidemic in Ukraine, PhotoReportAge Festiva, Pomarico, Italy"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Uman Rosh Hashanah, Camera Gallery, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Old Age, Municipal Art Gallery, Nova Kachovka, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Crimea Sich, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Kvartira Arts Center, Dnepropetrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Kirovohrad Regional Museum of Art, Kirovograd, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Art-Donbass, Donetsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Zaporozhye, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Uzhgorod, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Vinnitsa, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Center for Documentary Photography FOTODOC, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Kiev-Pasazhyrskyi Railway Station, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Uman Rosh Hashanah, 5X5 Gallery, Lviv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2008 Old Age, Actor’s House, Kharkiv, Ukraine"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Group Shows"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2018 Fotomuse 20th, Fundación Gilberto Alzate Avendaño, Bogota, Colombia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Battle of Ilovaisk, Vilnius Photo Circle Festival, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Ukrainian Archetype, Photo Kyiv Fair, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Battle of Ilovaisk, Historical Museum, Khmelnytskyi, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Disorder Prix Pictet, Palau Robert, Barcelona, Spain"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Disorder Prix Pictet, Museum of Photographic Arts, San Diego, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Battle of Ilovaisk, Palace of Culture, Lutsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Kunstverein, Hamburg, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Dublin Gallery of Photography, Dublin, Ireland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Historical Museum, Pokrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, National Historical Museum, Dnipropetrovsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Artemivsk State Museum of Local Lore, Bakhmut, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Art Museum, Kramatorsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Deformation, Suwon Photo Festival, Suwon, Korea"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Bank Gallery, Tokyo, Japan"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, The Old Municipal Gallery, Athens, Greece"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Unstable Fields, Athens Photo Festival, Benaki Museum, Athens, Greece"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Forgotten by World, Lviv Palace of Arts, Lviv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 LensCulture, Photo London, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Kolga Tbilisi Award Exhibition, Kolga Tbilisi Photo Festival, Tbilisi, Georgia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, LUMA Westbau – Löwenbräukunst, Zurich, Switzerland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, International Red Cross and Red Crescent Museum, Geneva, Switzerland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, CAB Art Center, Brussels, Belgium"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Battle of Ilovaisk, Cultural Center of Ukraine, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Forgotten by World, European Solidarity Centre, Gdansk, Poland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, MAXXI, National Museum of XXI Century Arts, Rome, Italy"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Disorder Prix Pictet, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, Jackson Institute for Global Affairs, Yale, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Disorder Prix Pictet, Musée d’Art Moderne, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Museum of the History, Dniprodzerzhynsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, National Architecture-Historical Sanctuary ‘Chernihiv Ancient’, Chernihiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Splashlight, New-York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Forgotten by World, Royal Castle, Warsaw, Poland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, National Taras Shevchenko Museum, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Ministry of Foreign Affairs, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Battle of Ilovaisk, Museum of The History of Ukraine in World War II, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Global Control and Censorship, Center for Art and Media Karlsruhe, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 At the borders of the EU, People Palace, Bucharest, Rumania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 70 Years of Peace, Kirchheim unter Teck, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, The George Washington University, Washington, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, Rayburn House Office Building, Washington, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 A War in Europe’s Neighborhood, Eurooppasali, Helsinki, Finland"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Road to Freedom, The Stay Gallery, Los Angeles, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Road to Freedom, Ukrainian House, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Road to Freedom, Ukrainian Institute of America, New York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Shift: Ukraine in Crisis, Third Floor Gallery, Cardiff, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Apocalypse of the 20th Century, Museum of The History of Ukraine in World War II, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 30 Under 30 Winners Gallery, The Photography Show, Birmingham, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Road to Freedom, Checkpoint Charlie Museum, Berlin, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Sony World Photography Awards, Somerset House, London, UK"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Best Photographer of Year, M17 Contemporary Art Center, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 FotoEvidence, VII Photo Agency Gallery, New York, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Other World, Leeds, UK "},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Hope for a Healthy World, LOOK3 Festival of the Photograph, Charlottesville, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Best Photographer, Center of Photography Lumiere Brothers, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Screenings"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2019 Untitled Project, Vilnius Photo Circle, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Between Life & Death, Vilnius Photo Circle, Vilnius, Lithuania"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Culture of the Confrontation, Museum of Photographic Arts, San Diego, USA"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 This is War, Voies Off Festival, Arles, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Transizioni festival, Bologna, Italy"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Month of Photography, Minsk, Vitebsk, Hrodna, Belarus"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Delhi Photo Festival, Delhi, India"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Uglich Photo Festival, Uglich, Russia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Voies Off Festival, Arles, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Culture of the Confrontation, Saint-Merry church, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 Culture of the Confrontation, Angkor Photo Festival, Angkor, Cambodia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Crimea Sich, American Independence Film Festival, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Crimea Sich, Angkor Photo Festival, Angkor, Cambodia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Rosh Hashsana, Tbilisi Photo Festival, Tbilisi, Georgia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Rosh Hashanah, Angkor Photo Festival, Angkor, Cambodia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Lumix Festival for Young Photojournalism, Hanover, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Center for Documentary Photography FOTODOC, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 TB epidemic in Ukraine, Art-Donbass, Donetsk, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 TB epidemic in Ukraine, Bursa Photo Fest, Bursa, Turkey"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Public & Institutional Collections"},{"attributes":{"header":2},"insert":"\n"},{"insert":"Benaki Museum, Greece"},{"attributes":{"header":5},"insert":"\n"},{"insert":"National Museum of Photography, Columbia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"Museum of The History of Ukraine in World War II, Ukraine"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Artist Talks & Teaching"},{"attributes":{"header":2},"insert":"\n"},{"insert":"2019 Photo Kyiv Fair, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2018 Rakuda Photo Artisans & Cafe, Chiang Mai, Thailand"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2017 Fotográfica Bogota, Biennale of Photography, Teatro México, Bogota, Columbia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 IZOLYATSIA, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 National Geographic Magazine, Tbilisi, Georgia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2015 Kyiv Photo School Bird in Flight, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Orvieto Fotografia Festival, Orvieto, Italia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2014 FOTOISTANBUL Besiktas International Festival of Photography, Istanbul, Turkey"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 The Lumix Festival for Young Photojournalism, Hanover, Germany"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Academy of Music, Theatre and Fine Arts of Moldova, Kishinev, Moldova"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Belarus Press Photo Workshop, Minsk, Belarus"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2012 Department of Journalism M. V. Lomonosov Moscow State University, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2016 Department of Journalism Taras Shevchenko National University, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 Center for Documentary Photography FOTODOC, Moscow, Russia"},{"attributes":{"header":5},"insert":"\n\n"},{"insert":"Scholarships & Residencies  "},{"attributes":{"header":2},"insert":"\n"},{"insert":"2016 A scholarship-residency for photography, Cité des Arts, Paris, France"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2013 Documentary Film Lab for Young Filmmakers, Kyiv, Ukraine"},{"attributes":{"header":5},"insert":"\n"},{"insert":"2011 NOOR-Nikon Masterclass in Documentary Photography, Bucharest, Romania"},{"attributes":{"header":5},"insert":"\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-22T03:16:02Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"about","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Full","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"About","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":390654464,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-03-25T18:56:41Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"about","rank":null,"published_at":"2019-05-08T17:54:13Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"88adc625-b88f-4a2d-a858-37cb39064e4c","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-03T10:12:32Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":null},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Top","hide_from_menu":false,"path":"about/untitled-219","rank":null,"published_at":"2020-01-21T10:10:54Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"a52645d6-3601-452b-a7b0-f689645e837f","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-21T10:10:54Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"88adc625-b88f-4a2d-a858-37cb39064e4c"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-230","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 230","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"THE TURNING POINT OF CONFLICT"},{"insert":"\n\n“Peace is not the absence of conflict, but the ability to cope with it,” Mahatma Gandhi said. While woe-filled women and men have wondered since time immemorial whether true peace is possible, conflict has nevertheless played an important role in making us who we are today. It’s a tool to express our emotions, assert our values and learn what to do when others do the same. Yet, despite the prospect of positive gains, conflicts turn and twist in the blink of an eye: the tiniest spark can ignite the flames of battle.\n\nUkrainian photographer Maxim Dondyuk (b.1983) experienced first-hand what it meant to be in a conflict area. In his series Culture of Confrontation, he documented the bloody wave of protest in capital city Kiev during the winter of 2013, better known as Euromaidan. This civil unrest was sparked by disagreement as to whether Ukraine would be better off allying itself with Russia or the European Union. When the Ukrainian government suspended the signing of an association agreement with the EU, protests kicked off, and were fuelled by the perception of corruption, abuse of power and violation of human rights.\n\nDondyuk’s cinematic images show the rumblings of civil discontent that escalate into metaphor as a battle between light and dark, good and evil. Experimenting with scale, he inspires various narrative interpretations of one culture that fought with great passion and intensity for a better future and another culture more nostalgic about their past. Throughout the series, it’s quite discomforting how ‘appealing’ the images appear. Dondyuk himself described the distressing beauty of the revolutionary canvas, as bloody scenes interweave with visually aesthetic views. He states: “Euromaidan became one of the most beautiful revolutions, like scenes from [a] Hollywood film.”\n\nYet, we should not get so lost in the beautiful metaphor that we lose the sense of horror. As Tim O’Brien writes in his book The Things They Carried: “If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie.”\n\nIn Dondyuk’s next series, Between Life and Death, he shows us that time doesn’t heal all wounds. We see the gloomy wrecks of tanks and look-out bunkers covered in clean white snow. It’s the aftermath of the conflict.\n\nThe series engages with the difficulty of moving on, after a conflict has supposedly been resolved. While there’s a clear conceptual contrast between black and white, in reality, between the two is a full spectrum of grey. Likewise, in conflict situations, boundaries are often blurred. Good and evil are naïve simplifications, and while any conflict might have its ‘end’, those involved can be haunted by it, ever after. “War takes any meaning and breeds emptiness,” Dondyuk writes. “An emptiness that burns all around leaving just ruins, storing the memories of war. A person’s mind, traumatized after the war, is like the deserted landscapes of ruins.”\n\nDondyuk’s series illustrate that battles are ultimately won and lost in the mind. Photography, therefore, can help us to explore the emotions experienced. It makes the invisible visible and holds up a mirror to man’s inhumanity, as we move back and forth between the light and the dark. Through his symbolic images, we’re reminded that the real enemy is within us.\n\nThe Turning Point of Conflict was featured in GUP#56, the Transition issue.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:25:42Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"gup-magazine-text-by-marije-popping-english-2018","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"GUP Magazine, Text by Marije Pöpping | english, 2018","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2113929214,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:24:51Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018","rank":null,"published_at":"2019-05-09T10:41:40Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:33:11Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/gup-magazine-text-by-marije-popping-english-2018/untitled-230","rank":null,"published_at":"2020-01-22T04:45:03Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"c6d4af48-0195-4438-b7eb-38120bd99f26","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T04:45:03Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"fae00e42-ca4e-4c0e-af19-ed5cae1dbc46"},{"imagegrid_columns":"M","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/1","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":true,"slug":"untitled-242","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Center","menu_disabled":false,"type":"text","content_size":"Default","index_caption_enabled":false,"horizontalscroll_align":"Center","stacked":false,"slideshow_ratio":"1:1","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Untitled 242","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"S","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"1:1","horizontal_viewer_enabled":false,"text_content1":{"ops":[{"attributes":{"bold":true},"insert":"”No me interesa el periodismo objetivo a secas”"},{"insert":"\n\nPocos fotoperiodistas dicen alto y claro que cuentan la realidad desde su particular punto de vista. Maxim Dondyuk es de los que no lo esconde. El ucraniano defiende una fotografía documental con un marcado trazo personal, emocional. Una fotografía periodística pero al mismo tiempo artística. Quizás estemos ante uno de esos casos en que las fronteras se diluyen y las diferentes disciplinas convergen, y quizás sea por eso que su impresionante trabajo sobre las revueltas de Maidán no tuvo cabida –como él mismo se lamenta- en los World Press Photo. Dondyuk, que el año pasado fue galardonado con el premio Rémi Ochlik en Visa pour l’Image, nos habla de su intensa y absorbente relación con la fotografía.\n\n"},{"attributes":{"italic":true},"insert":"¿Cómo te metiste en esto de la fotografía?"},{"insert":"\n\nComencé con la fotografía al tercer intento. Mis dos primeros acercamientos fueron durante mi infancia: cuando me regalaron mi primera cámara -una Smena- y al cabo de un tiempo cuando me uní a un grupo de fotografía, pero el entusiasmo no me duró demasiado.\nPero a la tercera va la vencida. Trabajaba como cocinero en un restaurante en Járkov [al este de Ucrania]. Me pasaba dos semanas en los fogones y una en casa, así que decidí que necesitaba un hobby. De esta forma comenzó mi relación con la fotografía. Al inicio leí muchos libros sobre artes visuales y fotografía y practicaba lo que había aprendido al salir del restaurante. En ocasiones llegué a trabajar como fotógrafo. No por dinero, sino para ganar experiencia.\n\nDespués de un año dejé el restaurante y pasé a trabajar como fotoperiodista para los grandes medios de comunicación ucranianos. Allá por el 2010 entendí que necesitaba más libertad, así que dejé de trabajar para ellos y me hice free lance, para poderme dedicar a crear y promover mis propios proyectos a largo plazo.\nNo he tenido una educación muy artística que digamos. En mi familia no hay artistas ni fotógrafos. Todo lo que sé lo he aprendido en libros, exposiciones, museos y clases magistrales.\n\nBásicamente fotografío cosas que me interesan o que son muy importantes para mí. Cuento la historia mediante la fotografía, pero no pongo mucho interés en si soy fotoperiodista, fotógrafo documental o artista visual. Siento que la fotografía forma parte de mí mismo, de mi alma.\nEn Maidán me resultó difícil verme rodeado por cientos de compañeros fotógrafos porque estoy acostumbrado a trabajar solo: somos la historia que estoy contando y yo. El principal motivo por el que fui a Maidán es porque estaba ocurriendo algo en mi país y en mi propia ciudad. Se convirtió en algo personal de lo que no podía mantenerme al margen.  \n\n"},{"attributes":{"italic":true},"insert":"Tu proyecto sobre el conflicto en Ucrania tiende mucho más hacia la fotografía documental que hacia el fotoperiodismo. ¿Qué te hizo decantar la balanza?"},{"insert":"\n"},{"attributes":{"italic":true},"insert":"¿Qué crees que es necesario para hacer buena fotografía?"},{"insert":"\n\nLa fotografía, como cualquier otra obra artística, es una especie de cápsula que encierra las emociones del artista. La buena fotografía ha de ser emocional. El espectador debería sentir las mismas emociones que tú sentiste en el momento de fotografiar. Si una fotografía es técnicamente buena pero está vacía de emociones, es una fotografía sin vida. Por supuesto que los aspectos técnicos son importantes, pero una vez aprendidos hay que automatizar el proceso, olvidarse de él y poner toda la atención en las emociones.\n\n"},{"attributes":{"italic":true},"insert":"¿Qué fotógrafos te han influido más y de qué manera?"},{"insert":"\n\nDesde el momento en que comencé a fotografiar he ido evolucionando junto a mi trabajo. Mientras vivía en Járkov estuve influido por la escuela fotográfica de la ciudad. Ni siquiera podía imaginar que un día podría ser fotoperiodista. Todo cambió cuando me mudé a Kiev, donde me introduje en ese mundo y no tardé en absorber sus influencias; seguía a diario las webs de las agencias de noticias como Reuters o AP.\n\n”No pongo mucho interés en si soy fotoperiodista, fotógrafo documental o artista visual. Siento que la fotografía forma parte de mí mismo, de mi alma”\n\nFinalmente me sumergí en el mundo de la fotografía documental. Revisaba los archivos de los fotógrafos de Magnum, me inspiré con las imágenes de James Nachtwey, Sebasitao Salgado o Yuri Kozyrev. Pero creo que me siento más influido por escritores y pintores que por fotógrafos. Cada vez que voy a un país nuevo visito museos y galerías. Adoro los cuadros de los realistas que llegaron a pintar importantes escenas de batallas sin olvidar la importancia de la estética. Son cuadros muy bonitos.\n\nEn lo que respecta a mi mundo personal, la fotografía me ha ayudado a vivir un montón de vidas diferentes junto a los personajes de mis historias. Algunas de ellas muy tristes, otras emocionantes. Por supuesto, todos estos momentos me han cambiado, han moldeado mi pensamiento y me han ayudado a ver mi propia vida desde otro punto de vista.\n\n"},{"attributes":{"italic":true},"insert":"También haces proyectos multimedia. ¿Qué te lleva a contar una historia con vídeo o foto?"},{"insert":"\n\nA mediados de 2013 empecé a considerar seriamente por varios motivos la opción del vídeo documental. Por aquel entonces me parecía una herramienta más potente para contar historias con cierto calado social. Así que me lancé a grabar un documental para mi proyecto “Crimea Sich” [sich es una derivación de sikty, que significa cortar o talar y hace referencia al clareado de un bosque para construir una fortificación]. Fui con mi hermano a Crimea y nos gastamos hasta el último céntimo en el equipo. Fue un intento de encontrar respuestas a las preguntas que me rondaban por la cabeza.\n\n”Si una fotografía es técnicamente buena pero está vacía de emociones, es una fotografía sin vida”\n\nFui seleccionado para la beca a directores de vídeo documental en el American Documentary Film Festival de Ucrania. Fue durante este periodo que estalló el conflicto en el Euromaidán. No sabía si continuar con mi proyecto o ir a Kiev. Tampoco tenía claro cómo quería documentarlo: ¿con fotos o con vídeo?\n\nAl principio me dediqué a mirar, analizar y encontrar respuestas. Si creía que la historia era importante para mí, tenía que hacerla en vídeo. Pero de repente le di una segunda oportunidad a la imagen fija, porque entendí que estaba viendo todo aquello mediante imágenes asociadas que contenían respuestas al qué, el dónde, el cuándo y también a un nivel más asociativo.\n\n"},{"attributes":{"italic":true},"insert":"Alguna vez has dicho que para ti la fotografía es como Twitter. ¿En qué sentido?"},{"insert":"\n\nLa cosa tiene gracia porque yo no afirmé eso. Simplemente en una entrevista le comenté al periodista que odio las redes sociales, Twitter en especial. Para mí la fotografía es como mi diario visual, un diario de mis propias emociones. ¡A eso me refería!\n\n"},{"attributes":{"italic":true},"insert":"En el último año has alcanzado un gran reconocimiento: el premio Rémi Ochlik en septiembre de 2014, el Professional Fine Art Photographer of the Year hace unas semanas… ¿Qué importancia tienen para ti estos premios?"},{"insert":"\n\nA decir verdad esta historia [en referencia a su trabajo sobre Maidán] tampoco ha cosechado tantos premios. El concurso de fotoperiodismo con mayor reconocimiento [el World Press Photo] la pasó por alto. El premio Rémi Ochlik [al joven fotoperiodista] fue una excepción, y fue realmente muy importante para mí.\n\n”Una parte de la comunidad periodística no está preparada para aceptar mis fotos como documentales. Para ellos son como cuadros sin una relación directa con la realidad”\n\nEl resto de premios están más relacionados con la esfera del arte. Está siendo un año muy interesante. Una parte de la comunidad periodística -no toda- no está preparada para aceptar mis fotografías como documentales. Para ellos son algo así como cuadros sin una relación directa con la realidad. Al mismo tiempo he recibido la aceptación de algunas comunidades artísticas que ahora ya no me ven solo como un fotoperiodista.\n\nLo cierto es que no sé qué decir cuando alguien me dice que mis fotos parecen irreales, como si estuvieran photoshopeadas. No es el caso: la realidad fue así. ¡Qué quieres que le haga si yo veo el mundo exactamente de esa manera!\n\n¿Qué supuso para ti fotografiar el conflicto en Ucrania a nivel emocional, periodístico y político?\nYo solo trabajo a un nivel, el emocional. Y solo cuento mi punto de vista, que es subjetivo.\n\n"},{"attributes":{"italic":true},"insert":"¿Cuál fue ese punto de vista en Maidán y el este de Ucrania? ¿Qué querías contar?"},{"insert":"\n\nYo solo quería observar y documentar lo que estaba sucediendo en mi país. La historia que fotografié en el este de Ucrania todavía no se ha publicado. De hecho ni siquiera he hecho una edición final. Es una página de ese diario personal a la que todavía no estoy preparado para volver. No estoy listo para mostrarlo.\n\nMuchos colegas me dicen que invierto demasiado tiempo en pensar la historia. Pero es que precisamente hay ocasiones en las que el análisis y el entendimiento conllevan más tiempo que la propia fase de fotografiar. No concibo la fotografía como un trabajo. Por eso no me marco plazos. Necesito estar preparado y seguro [para hacer público mi trabajo].\n\nEstamos hablando de tu propio país, de tu gente. ¿Cómo compatibilizas toda esa subjetividad de la que hablabas con la veracidad?\nTodos tenemos nuestra propia verdad, así que no le doy muchas vueltas. Yo tan solo tengo un punto de vista propio que comparto a través de mis fotos. Se trata de una guerra en mi país, así que claro que detesto que se den ciertas situaciones. Eso lo puedes ver y sentir a través de mis imágenes.\n\n”Yo solo trabajo a un nivel, el emocional. Y solo cuento mi punto de vista, que es subjetivo”\n\nPero en todo momento busco la forma de contar y entender la historia desde ambos lados. En Maidán estuve con los manifestantes y la policía; en Donbass, con los separatistas y el ejército ucraniano. Pero en cada caso me posicioné con unos u otros. No me interesa el periodismo objetivo a secas.\n\n"},{"attributes":{"italic":true},"insert":"Muchos fotógrafos -por ejemplo, Donald Weber en un famoso artículo para Vantage- han afirmado que los fotoperiodistas se centraron demasiado en la plaza Maidán, dando una versión apocalíptica de Ucrania mientras en las calles adyacentes la vida continuaba su curso normal. ¿Crees que eso ha proporcionado a la opinión pública una información sesgada?"},{"insert":"\n\nTodo se gestó como si un pequeño pueblo en el centro del país se declarase independiente [Dondyuk hace referencia a lo que representó Euromaidán durante aquellos días]. Los fotógrafos que estaban allí mostraron exactamente lo que estaba pasando. Cualquier persona en su sano juicio es capaz de entender que no se trataba ni de toda la ciudad ni de todo el país. Cualquier persona mínimamente capaz entiende que en un país puede haber batallas y celebraciones festivas simultáneamente.\n\nRespecto a lo que dijo Donald Weber, sus historias modificaron la situación de la misma manera: también daban a entender que eso estaba ocurriendo en todo el país. Creo que sus fotos de las armas que portaban los manifestantes, los cócteles molotov y los retratos posados cuentan la historia de lo que ocurrió en Ucrania de forma incluso peor.\n\n"},{"attributes":{"italic":true},"insert":"¿Qué rol crees que tienen las agencias en esto?"},{"insert":"\n\nNo tengo relación con las agencias, así que no puedo responderte a esta pregunta.\n\nEn 2011 trabajaste con enfermos de tuberculosis. ¿Es un problema grave en Ucrania? ¿Qué fue lo que te motivó a fotografiar este tema?\nEn un determinado momento me di cuenta de que me interesaban los temas sociales. Creo que podría deberse a mi pasión por los trabajos de James Nachtwey y Sebastiao Salgado. En ese momento de mi vida leí un montón de entrevistas que habían dado, y no me cansaba de ver sus fotografías, intentando entender qué les motivó a ellos.\n\nComprendí que no necesitaba salir de mi país, porque aquí tenemos tantas problemáticas de tipo social que lo único que me hacía falta era decidir una que me interesara descubrir. Me decanté por la tuberculosis porque yo también me creía todos los estereotipos alrededor de la enfermedad y no me imaginaba que a nivel nacional pudiera tener el estatus de epidemia.\n\nEl tema me fue absorbiendo a medida que me adentraba en él, y le fui dedicando cada vez más parte de mi tiempo libre. Cuatro meses después de comenzar el proyecto perdí mi trabajo y mi novia me dejó. No tenía dinero ni dónde vivir. Pero cuando comparaba mis problemas con lo que estaba documentando, los míos no parecían tan terribles.\n\n”El tema [de la tuberculosis] me fue absorbiendo a medida que me adentraba en él. A los cuatro meses perdí mi trabajo y mi novia me dejó”\n\nTuve que irme de Kiev porque no podía permitirme pagar un alquiler. Por un tiempo viví en las regiones donde estaba trabajando, incluso en hospitales para tuberculosos. Este proyecto se convirtió en parte de mí. Traté de sumergirme en la vida de un hombre con tuberculosis tanto como pude. Por aquella época tenía un gran interés por las novelas de Hunter S. Thompson, que influyeron mucho en el planteamiento del proyecto.\n\nTras dos años exhaustivos comprendí que necesitaba parar porque ya no distinguía los límites y había entrado en algo demasiado profundo con todo aquello. El contacto tan cercano con la muerte, particularmente lenta en el caso de la tuberculosis, me enseñó a apreciar cada día de mi vida y a acostumbrarme a la muerte. Tengo que agradecer a todos los amigos que me ayudaron en aquel periodo. Mis valores vitales han cambiado.\n\nHay varias historias terribles en este proyecto.\nTienes razón: hay demasiadas historias emocionales y conmovedoras. La de Gena es una de ellas. Le conocí en un el patio del hospital. Estaba sentado en un banco. Nos presentó su mejor amigo de la infancia, Valera, con quien ya estaba trabajando [en el mismo proyecto]. Entonces no fui capaz de advertir que aquel breve encuentro podría tener serias consecuencias para ambos.\n\nMientras tomábamos cerveza me comentó que hacía ya seis años que contrajo la enfermedad sin saber cómo. Trabajaba en un barco pesquero en [la península de] Kamchatka cuando recibió una carta de su madre en la que le explicaba que estaba muriendo, así que regresó a Jersón. Allí tuvo que afrontar el problema de no encontrar trabajo y comenzó a beber, pero al menos podía continuar pescando y ganarse el pan.\n\nCon Gena prácticamente nos veíamos cada semana. Le visitaba en el dispensario para tuberculosos de Jersón para verle y fotografiarle. Su estado fue empeorando, y comenzó a necesitar un bastón para caminar. En el hospital conocí a su madre, que se había recuperado. Tuvo que vender todo lo que tenía y recogía botellas que llevaba a reciclar para pagar el tratamiento y la comida de su hijo. Pero el tratamiento no fue eficaz.\n\nGena apenas podía caminar y había perdido el apetito. Recuerdo el día en que lo fui a ver al hospital y le llevé su zumo de fresas preferido, puré de frutas y cigarrillos. Se sentía muy mal, casi no se podía mover. Charlamos durante un par de horas.\n\nAquella fue la última vez que lo vi con vida. Llamé a la mañana siguiente, pero no pude hablar con él. De camino al dispensario me llamó su madre: Gena había muerto a las 8:30 de la mañana. La ayudé a llevar sus cosas a casa. Me enseñó fotos familiares, me contó historias y sonrió, pero lloraba al mismo tiempo, sin llegarse a creer que su hijo hubiera muerto. No pude ni imaginar un dolor tan humano. Valera vino después del trabajo y nos quedamos con la madre de Gena hasta que se durmió.\n\nEl día siguiente fue el más duro. Tuve que acompañar a la madre de Gena a la funeraria para que escogiera un ataúd, una cruz y las coronas de flores. Lloró sin parar, así que no la dejé sola ni un momento y le hice casi todas las gestiones. Dábamos la impresión de ser abuela y nieto. El día del funeral fuimos a la morgue a recoger el cuerpo de Gena y llevarlo a casa para la ceremonia ortodoxa y luego al cementerio.\n\nAyudé a colocar el cuerpo en el ataúd porque no había nadie más para hacerlo. A Valera solo le queda un pulmón funcional y tiene dificultades hasta para caminar. Fue un funeral muy modesto. Tuve que pedir sillas a los vecinos para colocar la caja y estar atento a su madre porque ya se había caído una vez. Poco después llegaron algunas personas más.\n\nGena, que me llamaba Maksik y siempre se alegraba de verme, que se mantuvo risueño hasta el final, había muerto. Nunca antes había fotografiado el funeral de una persona; solo el entierro colectivo de unos mineros, rodeado de prensa. Como solo había tres hombres para llevar el ataúd tuve que echar una mano.\n\nDe esa manera crucé mi propia frontera, que separa el fotógrafo de la persona. Siempre había dicho que un fotógrafo no debe ayudar cuando su labor es testimoniar con la cámara, pero, ¿cómo podía hacer eso cuando no había nadie más alrededor, cuando yo era el único que podía echar una mano?\n\n"},{"attributes":{"italic":true},"insert":"Esas imágenes son muy atmosféricas y se han convertido en parte de tu estilo. ¿Qué importancia le das al aspecto visual frente al narrativo? ¿Han de ir siempre de la mano?"},{"insert":"\n\nYo creo en la fotografía documental, en la que el fotógrafo no interviene en la realidad, no pide que se escenifique nada y cuenta solo con ese instante antes de que todo pase. Pero a veces tengo la sensación de que el lenguaje fotográfico actual no me es cercano. Encuentro más inspiración en los artistas realistas del pasado siglo. Me gusta crear arte moderno, pero yo trabajo más como un escultor que como un pintor. Desde mi postura, la realidad es un bloque del que extraigo las partes innecesarias para crear imágenes.\n\n”Si solo queremos ver lo que ocurrió, podemos consumir noticias directamente de la agencia o los telediarios de las cadenas de televisión”\n\nYo creo que la historia se va hilando a través del lenguaje visual de las fotografías que la componen. Son esas imágenes las que crean atmósfera y muestran emociones. A nivel narrativo creo que no es necesario mostrar todos los aspectos de la vida de una persona (cómo se levanta, qué desayuna el personaje) como hacen muchos fotógrafos. El sentido narrativo de la historia se crea solo a partir de la unidad de todas las fotografías que lo componen.\n\n"},{"attributes":{"italic":true},"insert":"¿Qué opinas de la controversia que suscitan algunas fotografías casi artísticas, con una luz, un color y una composición bellas para contar una historia triste?"},{"insert":"\n\nCreo que la fotografía clásica en blanco y negro ha dramatizado las historias mucho mejor que cualquier fotografía en color. Yo estoy a favor de la fotografía subjetiva, a través de la cual el espectador puede sentir al artista. Si solo queremos ver lo que ocurrió, podemos consumir noticias directamente de la agencia o los telediarios de las cadenas de televisión.\n\n"},{"attributes":{"italic":true},"insert":"Tu trabajo se centra en Ucrania. ¿No has trabajado en otros lugares?"},{"insert":"\n\nPor el momento no, pero está dentro de mis planes: saldré de de Ucrania sin lugar a dudas, porque estoy un poco cansado. Por supuesto que me gustaría fotografiar en otro país, pero hasta el momento no he tenido ningún encargo y no tengo suficiente dinero para hacerlo por mi cuenta porque no quiero ir a un lugar durante solo un par de semanas. Necesito al menos tres meses.\n"}]},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":true,"position":1073741824,"cover_text_color":null,"index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:29:42Z","parent":{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":false,"part_of_stacked_page":false,"slug":"quesabesde-interview-by-ivan-sanchez-spanish-2015","tags":null,"text_image_enabled":false,"text_columns":"One","horizontalscroll_gutters":"S","cta_url":null,"text_media":"None","homepage":false,"alignment":"Left","menu_disabled":false,"type":"index","content_size":"Default","index_caption_enabled":true,"horizontalscroll_align":"Center","stacked":true,"slideshow_ratio":"auto","imagegrid_ratio_orientation":"Landscape","set_id":null,"description_enabled":false,"content_size_type_text":false,"description_content_html":null,"text_content2":{},"title":"Quesabesde, Interview by Ivan Sanchez | spanish, 2015","imagegrid_horizontal_align":"Justified","children":null,"description_alignment":"Left","viewer_backstory_enabled":false,"move":null,"browser_title":null,"viewer_count_enabled":true,"row_description_alignment":"Center","viewer_image_title_enabled":true,"imagegrid_gutters":"None","invert_colors":false,"site_id":"63cff860-2a49-4d8f-a534-f9fab068f116","slideshow_transition":false,"content_text_size":"One","imagegrid_layout":"Contained","imagegrid_ratio":"4:3","horizontal_viewer_enabled":false,"text_content1":{},"slideshow_show_image_title_enabled":true,"menu":null,"viewer_caption_enabled":false,"position":2147467263,"cover_text_color":"#2d2d2d","index_grid_item_grow":false,"published":true,"meta_description":null,"text_media_video_url":null,"slideshow_show_caption_enabled":true,"imagegrid_caption_enabled":false,"updated_at":"2020-02-12T06:29:38Z","parent":null,"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Grid","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015","rank":null,"published_at":"2019-05-09T10:31:23Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"cover","horizontalscroll_size":"Default","cta_label":null,"site":null,"subtype":"text","child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"S","id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5","video_loop":true,"cover_media_size":"L","video_controls":true,"index_text_layout":"Left","viewer_size":"M","imagegrid_align":"Center","slideshow_size":"Default","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"None","inserted_at":"2019-05-09T09:42:35Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"d6a6b9ad-bd4c-4994-bb6c-6d7a220dc4f2"},"background_color":null,"image":null,"video_autoplay":true,"index_layout":"Text","cover_text_size":"M","index_text_vertical_alignment":"Center","hide_from_menu":false,"path":"publications/essays-interviews/quesabesde-interview-by-ivan-sanchez-spanish-2015/untitled-242","rank":null,"published_at":"2020-01-22T05:48:38Z","summary":{},"menu_id":"1f95cb09-7e1d-4974-9036-7f286a7969b0","cover_media_fit":"contain","horizontalscroll_size":"M","cta_label":null,"site":null,"subtype":null,"child_ids":null,"horizontalscroll_layout":"Equalheight","logo_disabled":false,"index_text_size":"M","id":"5b50e5b0-02d2-4e87-953d-773ab43cc78f","video_loop":true,"cover_media_size":"L","video_controls":false,"index_text_layout":"Center","viewer_size":"L","imagegrid_align":"Center","slideshow_size":"M","text_color":null,"menu_representation":"page","cover_image_id":null,"image_id":null,"slideshow_show_count_enabled":true,"cover_media_navigation":false,"index_text_media_size":"M","inserted_at":"2020-01-22T05:48:38Z","imagerid_viewer_enabled":true,"tag_ids":[],"link_page_url":null,"slideshow_show_backstory_enabled":false,"parent_id":"c55fd2c6-9b07-49f1-a8bb-0e9427cc8ee5"},{"imagegrid_columns":"L","horizontalscroll_caption_enabled":false,"index_grid_item_width":"1/2","set":null,"description_content":{},"cover_image":null,"cover_media_autoplay":f